SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his R Highnesses"/1) | (@(roleclean,performerclean) "his R Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1743 matches on Performance Comments, 833 matches on Event Comments, 30 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Hull. Mainpiece: Not acted this season. Charges #65 17s. Deficit to Hull #17, covered by #121 3s. from tickets (Box 233; Pit 280; Gallery 209). Paid Hull for The Garland, The Spanish Lady and Altering the Comedy of Errors #50. Paid Miss Mary Twist and Miss Charlotte Twist for walking 12 nights in Man and Wife #1 10s. apiece (Account Book). Receipts: #48 17s

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Spanish Lady

Song: II: The Blackbirds, a Cantata-Miss Potts

Dance: End: The Reel, as17700329

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Oxonian in Town

Dance: II: The Irish Lilt, as17700402

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Midas

Performances

Mainpiece Title: Timanthes

Performance Comment: Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Perry; Adrastus-Gardner; Orcanes-Morris; Officer-R. Smith; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; In Act III a Procession-; the Vocal Parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox.
Cast
Role: Cephisa Actor: Mrs Bulkley

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Midas

Dance: II: A Comic Dance-; IV: [A Comic Ballad call'd the Countryman Metamorphosed-Mr Hamois, Mad[mlle] Hamois[, their first appearance this stage

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Author

Dance: II: A Comic Dance-Mr Hamoir, Miss Hamoir [now so spelled][as17701016; End of Opera: The Merry Sailors, as17701015

Event Comment: Mainpiece: Not acted these two years. [See 31 Dec. 1768.] Afterpiece: A Musical Entertainment [by Isaac Bickerstaffe] never acted there. [Letter from Henry Woodward, Clement's Inn, says he fulfilled his seven years engagement and is now going to Scotland with Foote and next to the Hay Market. No direct application was made to re-engage him at Covent Garden or he was ready to meet it (Winston MS 10)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Padlock

Dance: End: A Comic Dance, as17701017

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Padlock

Dance: End: A Comic Dance, as17701017

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Portrait

Dance: End: New Pantomime Dance-Mr and Miss Hamoir

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Portrait

Dance: End: New Pantomime Dance, as17701129

Performances

Mainpiece Title: Cyrus

Afterpiece Title: True Blue

Afterpiece Title: The Author

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Good natured Man

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Devil to Pay

Dance: End: Comic Dance, as17701017

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Lewes, first time; Sir George Airy-Mattocks; Charles-Hull; Sir Francis Gripe-Shuter; Sir Jealous Traffic-Dunstall; Whisper-R. Smith; Scentwell-Miss Pearce; Isabinda-Mrs Baker; Patch-Mrs Pitt; Miranda-Miss Macklin.
Cast
Role: Whisper Actor: R. Smith

Afterpiece Title: Mother Shipton

Event Comment: The Doors to be opened at Five o'clock. To Begin exactly at Six o'clock. [Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s.] Vivant Rex et Regina. [Customary footnote for each succeeding Bill. Only significant variations will be noted further. Criticism: For contemporary comment on performances and plays this season see John Potter's Theatrical Review, or New Companion to the Playhouse. 2 vols. London, 1772, a day by day account of Plays and actors at Drury Lane and Covent Garden theatres for the season 1771-72. He is rather severe in his comments on most of the actors at cg. The four relatively constant expenditures set up for each night this season include music: averaging #7 5s.; wardrobe charges of from 1 to #3; properties 7s. to #1; and renters, paid to Garton, the treasurer, #10. Extras, when they occur, which is almost nightly, for such things as kettle drum, side drum, bagpipes, chorus singers, supernumeraries, together with all repair bills paid advances to actors, &c. are duly recorded. I include only what appear to be significant ones which illustrate the theatre as a show business.] Receipts: #186 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Commissary

Dance: End of Play: The Dutch Milkmaid-Mas. Blurton, Miss Besford. [See17700924.

Event Comment: [The play bill of the day noted that Baddeley from Drury Lane would play Polonius for Shuter who had sprained his ankle (Hogan).] Receipts: #207 6s. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Midas

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: IV: The Tartars-Fishar, Sga Manesiere. [See17701003.

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Midas

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Midas

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Mother Shipton

Event Comment: [First announcement this season of the price and admission policy: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No Persons Admitted Behind the scenes, nor any money returned after the Curtain is drawn up. Places for the Boxes to be taken (only) of Mr Sarjant at the stage door." This notice,not to be repeated here, appeared throughout the rest of the season.] Receipts: #139 11s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Author

Dance: End: The Jealous Woodcutters, as17711004