SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "his Majesty"/1) | (@(roleclean,performerclean) "his Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1049 matches on Event Comments, 31 matches on Performance Comments, 30 matches on Performance Title, 9 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Humourist

Dance: End III: As17870920; End IV: a Scotch dance, The Lucky Return-Mills, Miss Blanchet, Miss J. Stageldoir

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Les Offrandes a l'Amour, as17871208

Ballet: End Opera: L'Amour et Psiche. As17880129

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: The Dumb Cake

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17880403

Performances

Mainpiece Title: Giulio Sabino

Dance: As17880422

Event Comment: The last Night of the Company's performing this Season. [As 2nd and 3rd pieces the playbill announces, respectively, The Maid of the Oaks and The Farmer, but they were not acted. Their substitutes are listed in the Account-Book, and both are reviewed in Morning Chronicle, 10 June.] Account-Book, 13 June: Received [stage] Forfeits #42; 20 June: Received from Their Majesties for the Box #60, from the Princess Royal for the Box #30; 10 July: Paid Lewis for Management from Lady Day 1785 to Midsummer 1788 #650. Receipts: #147 19s. 6d. (141.18.6; 6.1.0)

Performances

Mainpiece Title: Marian

Afterpiece Title: The Midnight Hour

Afterpiece Title: Animal Magnetism

Event Comment: The last Time of the Company's performing this Season. Account-Book, 17 June: Received of Miss Giles, Fruit Office, #50; of His Majesty #48; paid 96 Renters between June and Sept. #20 18s. apiece. Receipts: #138 14s. (106.2.0; 30.9.6; 2.2.6)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Richard Coeur de Lion

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Toy Shop

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Performance Comment: End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-.
Event Comment: By Command of Her Majesty

Performances

Mainpiece Title: La Vendemmia

Dance: End I: Admete-, as17890428; End Opera: Les Caprices de Galatee, as17890507

Event Comment: Benefit for Dignum. Mainpiece: Never performed there. [Miss Hagley had sung in the dl oratorios this season (see 27 Feb.).] Receipts: #254 10s. (45.18; 16.6; 0.13; tickets: 191.13) (charge: #107 8s. 6d.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Divorce

Song: End: Poor Jack!; or, the Sweet Little Cherub (written and composed by Dibdin)-Dignum; After: Glee on the Happy Recovery of His Majesty (the words by Col. Arabin)-Dignum, Sedgwick, Mrs Edwards, Miss Romanzini

Performance Comment:
; or, the Sweet Little Cherub (written and composed by Dibdin)-Dignum; After: Glee on the Happy Recovery of His Majesty (the words by Col. Arabin)-Dignum, Sedgwick, Mrs Edwards, Miss Romanzini.

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Highland Reel

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Barnaby Brittle

Event Comment: By Command of Their Majesties. To prevent Confusion Ladies and Gentlemen are requested to send their Servants to keep Places by Half past Four o'Clock. God save the King was sung "by the performers and by the audience five times: twice on the entrance of the King and Queen, once after the Play, twice after the Farce" (World, 19 Dec.). And see 23 Apr. 1790. Account-Book: In the Pit of this Night 525 Persons, this is the greatest Number ever remembered to be in at any One Time. R. P. [i.e. Richard Peake, sub-treasurer]. Receipts: #290 11s. 6d. (279.13.0; 9.18.6; 1.0.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Who's the Dupe

Dance: As17891204

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin's Chaplet

Dance: As17891231

Song: In III: song-Duffey

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Highland Reel

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Spoil'd Child

Performances

Mainpiece Title: The German Hotel

Afterpiece Title: A Divertisement

Dance: As17901123

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Picture of Paris

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Picture of Paris

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Fairy Favour

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Farmer

Dance: As17901020

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Spoil'd Child

Event Comment: A Grand Serious Opera; the music by Sacchini, with additions and alterations [by Andreozzi and Mazzinghi]. Under the direction of Mazzinghi. The dresses executed from original drawings of Bartolozzi and Tresham, by Lupino. With dances analogous to the Opera. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. There are a number of green boxes which may be taken on application to Lee, at the Theatre; the entrance to which, and to the Gallery, will be in Oxford-street. Subscriptions will be received by Messrs Wright and Co., Henrietta-street, Covent-garden (only) where tickets are delivering daily; and such Ladies as have not compleated their subscriptions to their boxes are intreated to send their names to the office, in order to have the tickets prepared, as no person can be admitted without producing a ticket. The Nobility and Gentry are intreated to give particular orders to their coachmen to set down and take up with their horses' heads towards Hyde-park. The Doors in Blenheim-mews for chairs only. By Command of His Majesty no person can be admitted behind the scenes during the performance. "We fear that [the Pantheon as converted into a theatre] will gratify only the eye. It must undergo still more changes before the ear will be satisfied. Whether it is that the dome is too high and disproportioned to the breadth, or that the orchestra is sunk too low beneath the audience we cannot tell, but the sound does not swell and spread in equal volume; and it is the most inaudible in the best parts of the Theatre: the Pit and the first and second tier of Boxes hear very indistincly...We found this to be the complaint of every judge of music in the place" (Morning Chronicle, 18 Feb.). "The Pantheon has opened, and is small, they say, but pretty and simple; all the rest ill-conducted, and from the singers to the scene-shifters imperfect; the dances long and bad, and the whole performance so dilatory and tedious, that it lasted from eight to half an hour past twelve" (Walpole [18 Feb. 1791], XIV, 377) [and see 19 Feb.]

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Performance Comment: Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer.

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Two Strings to Your Bow