SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "her present Majesty"/1) | (@(roleclean,performerclean) "her present Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1870 matches on Event Comments, 56 matches on Performance Title, 54 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of Their Majesties. [In mainpiece the playbill assigns Stockwell to Aickin, but "Fearon, in consequence of Aickin's illness, took the part of Stockwell at a short notice and upon the whole acquitted himself respectably" (Morning Chronicle, 6 Oct.).] "There is an infinite combination in Mrs Abington, a power of making everything new yet conformable to the character (Public Advertiser, 14 Oct.). Receipts: #328 11s. 6d. (326/11/0; 2/0/6)

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-Lewis; Stockwell-Fearon; Major O'Flaherty-Johnstone; Captain Dudley-Hull; Charles-Farren; Fulmer-Thompson; Varland-Quick; Louisa-Mrs Bannister; Lady Rusport-Mrs Webb; Lucy-Miss Stuart; Mrs Fulmer-Mrs Bates; Charlotte Rusport (with the original Epilogue written by Garrick)-Mrs Abington .
Cast
Role: Major O'Flaherty Actor: Johnstone

Afterpiece Title: The Rehearsal

Performance Comment: As17850928, but added to other Characters: Swords, Cubitt .
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Choleric Fathers

Afterpiece Title: Appearance is against Them

Dance: As17851112

Performances

Mainpiece Title: The Country Girl

Related Works
Related Work: The Country Girl Author(s): William Wycherley

Afterpiece Title: The Romp

Event Comment: A new Comic Opera [in 2 acts]; the Music entirely new by Paisiello, under the direction of [i.e. with additions by] Cherubini. Public Advertiser, 26 Jan.: "Il Marchese Tulipano was in its original state a petite piece [in 1 act] of Paisiello [entitled Le Finte Contesse; performed at this theatre on 26 Mar. 1778 as Il Marchese Villano], enlarged to the size in which it is now before us by Cherubini." By Their Majesties Command no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [same throughout season]. Subscriptions are received at Messrs. Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-house, are respectfully entreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. N.B. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages they are most respectfully entreated to give positive Orders to their Servants to set down and take up with their Horses Heads towards Pall-Mall. The Doors in Market-Lane for Chairs only. All Persons claiming free Admission into this Theatre by Renters' Shares or otherwise are requested to bring their Titles to the Office every Day, from Eleven to Twelve o'clock in the Forenoon, in order that they may be registered previous to the opening of the House

Performances

Mainpiece Title: Il Marchese Tulipano

Dance: End of Act I a new Divertissement Serieux (composed by Giroux) by Vestris, Sga Carolina, the two Mlles Simonet, Duquesney Jun., Mlle Mozon, &c, and to conclude with a Grand Chaconne, [the music] composed by Sacchini; End of Opera a new Divertissement Villageois (composed by D'Egville) by Vestris, Sga Carolina, Mme Crespi, the two Mlles Simonet, Duquesney Jun., Spozzi, Mlle Mozon, &c

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: Omai

Cast
Role: Father of Omai Actor: Darley
Role: Father of Londina Actor: Thompson
Role: Mother Actor: Mrs Davenett

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Hurly-Burly

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Miss in her Teens

Dance: End of Act II of mainpiece The Piping Pedlar, as17851112

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Who's the Dupe

Related Works
Related Work: The Dupe Author(s): Frances Sheridan

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love in a Camp

Cast
Role: Father Luke Actor: Booth

Dance: End of Act III of mainpiece Leap Year [performers not listed, but see17851010]; End of Act IV The Piping Pedlar, as17851112

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Omai

Cast
Role: Father of Omai Actor: Darley
Role: Father of Londina Actor: Thompson
Role: Mother Actor: Mrs Davenett

Performances

Mainpiece Title: Virginia

Dance: End of Act I Les Deux Solitaires (composed by Giroux) by Vestris, Fabiani, Mlle Mozon, Henry, Mlle Crespi, Miss Hervey, Duquesney Dun.], the two Mlles Simonet, Mlle Baccelli; End of Opera La Fete Mariu, as17860516

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Herald Actor: R. Palmer

Afterpiece Title: The Critic

Event Comment: The last Time of the Company's performing this Season. Receipts: #185 17s. (181/14; 4/3). Account-Book, 9 June: Received Stage Forfeits this Season #61 2s.; received of His Majesty for the Box this Season #60; paid Barlow [treasurer] in full for salary this Season #200; 20 June: Paid one yrs Land Tax #105 os. 4J

Performances

Mainpiece Title: The Duenna

Cast
Role: Father Paul Actor: Booth
Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Afterpiece Title: Omai

Cast
Role: Father of Omai Actor: Darley
Role: Father of Londina Actor: Thompson
Role: Mother Actor: Mrs Davenett

Song: As17860502 throughout

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Dance: Mainpiece: With The Nosegay by Master Degville and Miss De Camp (their 1st appearance on this stage)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Love in a Camp

Song: End: Four and Twenty Fiddlers all on a Row-Edwin

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Critic

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Arthur and Emmeline

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Cheats of Scapin

Dance: End: Dotage ; or, The Natural Mistake, as17861114

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Hob in the Well

Cast
Role: Hob's Mother Actor: Mrs Pitt

Dance: As17861212

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The First Floor

Dance: As17870201

Song: As17870201