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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "her present Majesty"/1) | (@(roleclean,performerclean) "her present Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1970 results for: Keyword - her present Majesty
We found 1870 matches on Event Comments, 56 matches on Performance Title, 54 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

126
29 May 1660 @ no theater listed

Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

127
29 October 1660 @ The City, London

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

128
16 October 1662 @ Whitehall or St. James's

Event Comment: This play was probably given by the King's Company, which presented it a number of times later. See Noyes, Ben Jonson, pp. 42-43. Evelyn, Diary: I saw Vulpone acted at court before their Majesties &c

Performances

Mainpiece Title: Volpone

129
18 October 1666 @ Whitehall or St. James's

Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Performances

Mainpiece Title: Mustapha

130
27 February 1671 @ Duke of Ormond's residence

Event Comment: The Bulstrode Papers, 24 Feb. 1670@1: Since Tuesday the ballett has not been danced over, but on Monday next it's said they intend to performe it at the D. of Ormond's, where his Majesty and the whole Court intend to be present (I, 174)

Performances

131
13 May 1698 @ Whitehall or St. James's

Event Comment: Post Boy, 14-17 May 1698: On Friday night last there was fine Dancing at Kensington, where his Majesty was present, as also His Excellency the French Ambassador: The Frenchman [l'Abbe], who is lately come over and Dances now at the Play-house, was sent for to dance there, and performed his part very dexterously

Performances

Mainpiece Title: Entertainments

132
23 August 1701 @ Drury Lane Theatre

Event Comment: Not acted these 25 years. As it was several times presented at court by persons of Quality, for the Entertainment of his late Majesty King Charles the 2d. The Company will continue Acting three times a week, during the term of Bartholomew Fair. [No further performances at Drury Lane during the summer are known.

Performances

Mainpiece Title: The Empress Of Morocco

Music: With the original Mask set to new Musick-

133
02 August 1704 @ Drury Lane Theatre

Event Comment: As it was perform'd several times at court, by Persons of Great Quality, before his late Majesty King Charles II. With all the Scenes Which were originally Presented in it when acted at the Theatre, particularly the Fleet of Shipsv and the Hell Scenev, in which the Masquerade was perform'd

Performances

Mainpiece Title: The Empress Of Morocco

Song:

Dance:

134
23 September 1718 @ Hampton Court

Event Comment: Steele wrote a Prologue for the opening, but the Lord Chamberlain had already engaged one by Tickell. For Steele's Prologue, see Blanchard, Occasional Verse of Richard Steele, p. 49: for Tickell's, see R. E. Tickell, pp. 231-32. Original Weekly Journal, 27 Sept.: His Majesty beheld the Performance with much Satisfaction. The young Princesses were present, and a very great Concourse of Nobility and Gentry

Performances

Mainpiece Title: The Stratagem

135
22 November 1718 @ Drury Lane Theatre

Event Comment: The Orphan announced, but by special Command Love Makes a Man was played. His Majesty present

Performances

Mainpiece Title: Love Makes A Man

136
05 April 1720 @ King's Theatre

Event Comment: Original Weekly Journal, 9 April: His Majesty was present; as were also their Highnesses the young Princesses, all in Black Velvet

Performances

Mainpiece Title: Numitor

137
07 November 1727 @ Drury Lane Theatre

Event Comment: By Their Majesties' Command. [The King, Queen, Princess Royal, and Princess Carolina present.] Written by Shakespear

Performances

Mainpiece Title: King Henry The Viiith

Cast
Role: Queen Katherine Actor: Mrs Porter.

138
26 December 1727 @ King's Theatre

Event Comment: TTheir Majesties and the Princess Royal present

Performances

Mainpiece Title: Alexander

Related Works
Related Work: The Court of Alexander Author(s): John A. Fisher

139
14 March 1728 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. Pit and Front Boxes laid together at 5s. [King and Queen present.

Performances

Mainpiece Title: The Stratagem

Cast
Role: Cherry Actor: Mrs Mills.

Dance: Mrs Booth; Pieraite-Roger, Mrs Brett

140
16 March 1728 @ King's Theatre

Event Comment: TTheir Majesties present

Performances

Mainpiece Title: Siroe

141
11 December 1728 @ Drury Lane Theatre

Event Comment: By His Majesty's Command. The King, Queen, Prince, Princess Royal, Princess Amelia, and Princess Carolina present. Universal Spectator, 14 Dec.: On Wednesday in the Afternoon there was a Riot at Drury-Lane Playhouse. The Mob hearing that their Majesties and the rest of the Royal Family were to be at the Play in the Evening, several disorderly People forced into the House pretending to keep Places, broke and did a good deal of Damage before they could be dislodg'd

Performances

Mainpiece Title: King Henry The Viiith

Afterpiece Title: Harlequin Doctor Faustus

142
06 March 1729 @ Drury Lane Theatre

Event Comment: By Their Majesties Command. Benefit Mrs Oldfield. Daily Journal, 7 March: Last Night the King, Queen, Prince of Wales, and the Princesses were all at the Theatre in Drury-Lane....But before the Play began, a Gentlewoman presented a Book, address'd to Princess Amelia, intitled, The Ladies Preservative, in the Three Chief Characteristicks of Beauty; the Hair, Complexion, and Teeth, which was very graciously received. Universal Spectator, 8 March: And supposing the Tickets which came in at the usual Rates, there was about 240 1. in the House. But her Benefit is generally reckoned at 500 1. several Persons of Quality, &c. giving five, ten, and twenty Guineas each. There was the greatest Appearance of Ladies of Quality at her Benefit that ever was known, and the House so excessive full, Stage and all, that the Actors had scarce Room to perform

Performances

Mainpiece Title: Sir Courtly Nice

143
13 March 1729 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. [King, Queen, Prince of Wales, Duke, Princess Royal, Princess Amelia, Princess Carolina present.

Performances

Mainpiece Title: The Rover

Dance: DDrunken Peasant-Roger; Polonese-Rainton, Miss Robinson; Whitsun Holiday-Boval, Mrs Mills

144
19 March 1730 @ Drury Lane Theatre

Event Comment: Benefit Mrs Oldfield. By Thier Majesties' Command. Tickets for Sophonisba will be taken. [The King, Queen, Prince of Wales, and three eldest Princesses present.

Performances

Mainpiece Title: The Fair Penitent

Dance: Mrs Booth

145
02 April 1730 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Majesties' Command. [The King, Queen, and three eldest Princesses present.

Performances

Mainpiece Title: The Spanish Fryar

Dance: Mrs Booth

146
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: Harlequin Turn'd Dancing-Master

Dance: TThe White Joke (new)-Eaton

147
28 October 1730 @ Drury Lane Theatre

Event Comment: By Their Majesties' Command. Afterpiece: a new Dramatic Masque. [By Roger.] The Habits, Scenes, Machines, and the other Decorations entirely new. King, Queen, Prince of Wales, Princess Amelia and Princess Mary present

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Cephalus and Procris; With The Mistakes

Performance Comment: Neptune-Fielding; Cephalus-Mrs Roberts; Aurora-Mrs Heron; Procris-Miss Raftor; Deities of Pleasure-Essex, Mrs Booth; Their Followers-Mrs Walter, Mrs Delorme, Miss Mears, Miss Williams; Foresters-Berry, Tenoe, Excell, Rainton Sr; Amphitrite-Mrs Booth; Sea Gods-Essex, Lally, Thurmond, Rainton Jr, Haughton, Evans; Syrens-Mrs Walter, Mrs Delorme, Miss Mears, Miss Williams; Tritons-Berry, Tenoe, Excell, Rainton Sr; Winds-R. Wetherilt, Surel, Peploe, Leigh; Father-Norris; Squire-Cibber Jr; Pierot-Roger; Harlequin-Rainton Jr; Colombine-Mrs Cibber; Gardeners and Wives-Tench, Lally Jr, Miss Robinson, Miss Brett.
Cast
Role: Aurora Actor: Mrs Heron
Role: Winds Actor: R. Wetherilt, Surel, Peploe, Leigh
Role: Father Actor: Norris

148
12 November 1730 @ Drury Lane Theatre

Event Comment: By Their Majesties' Command. [The Royal Family present.

Performances

Mainpiece Title: The Northern Lass; Or, The Nest Of Fools

Afterpiece Title: The Strollers

Dance:

149
17 November 1730 @ King's Theatre

Event Comment: [T$Their Majesties and most of the Royal Family present.

Performances

Mainpiece Title: Scipio

150
24 November 1730 @ King's Theatre

Event Comment: [T$Their Majesties present.

Performances

Mainpiece Title: Ormisda