SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "earl of Pembrokes brother"/1) | (@(roleclean,performerclean) "earl of Pembrokes brother")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 369 matches on Performance Comments, 348 matches on Performance Title, 186 matches on Event Comments, 142 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [This is the first playbill to assign parts to actors in The Brothers, or to suggest parts in the Spanish Lady.] Receipts: #185 3s. 6d

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Dance: End: The Whim, as17691123

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: Gibson, ed., Blundell's Diary, p. 143: This being Bartholemew Fair I went to Smithfield and saw a Fars acted which was called Argulus and Parthenia and a Poppy Play called Earl of Essex

Performances

Mainpiece Title: Argulus And Parthenia

Afterpiece Title: The Earl of Essex

Event Comment: Benefit Mrs Porter. By Their Royal Highnesses' Command. [Theodosius advertized, but Booth's illness deferred it. Daily Courant lists The Man of Mode, but Rich's Register lists The Earl of Essex.

Performances

Mainpiece Title: The Man Of Mode or The Earl Of Essex

Event Comment: Mainpiece: Not acted these 8 years. [On playbill of 10 Feb.: On Monday...Jones's Tragedy of The Earl of Essex.] Receipts: #205 13s. (201.1; 4.12)

Performances

Mainpiece Title: The Earl Of Essex Or The Unhappy Favorite

Afterpiece Title: Robinson Crusoe

Dance: As17810131

Performances

Mainpiece Title: England Preservd

Performance Comment: Principal Characters by Holman, Pope, Farren, Harley, Middleton, Davies, Macready, Hull, Haymes, Richardson, Powel, Claremont, Thompson, Williamson, Miss Wallis. [Cast from text (T. N. Longman, 1795), and European Magazine, Mar. 1795, p. 197: Earl of Surrey-Holman; Earl of Pembroke-Pope; Earl of Chester-Farren; French Prince-Harley; Earl William Mareschal-Middleton; Earl of Lincoln-Davies; English Knight-Macready; Bishop of Winchester-Hull; Comte de Nevers-Haymes; Lord Robert Fitzwalter-Richardson; French Guard-Powel; Viscomte de Beaumont-Claremont; Heralds-Thompson, Williamson; John Plantaganet-Miss Standen; Lady Surrey-Miss Wallis; Prologue-Middleton; Address (instead of Epilogue)-Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

Performances

Mainpiece Title: Lady Jane Gray

Performance Comment: Edition of 1715 lists: Duke of Northumberland-Mills; Duke of Suffolk-Boman; Lord Guilford Dudley-Booth; Earl of Pembroke-Elrington; Earl of Sussex-Ryan; Gardiner Bishop of Winchester-Cibber; Sir John Gates-Shepherd; Lieutenant of Tower-Quin; Captain of Guards-Maddocks; Dutchess of Suffolk-Mrs Porter; Lady Jane Gray-Mrs Oldfield; Prologue-Booth; Epilogue-Mrs Porter.
Cast
Role: Earl of Pembroke Actor: Elrington
Role: Earl of Sussex Actor: Ryan

Music: In: a cantata, The Meditation by Pepusch-Mrs del'Epine, Mrs Barbier

Event Comment: Benefit for Lowe. Music by Handel. Tickets 3s. By Particular Desire of the Right Hon. Earl of Ferrars, Grand Master of the Antient and Hon. Society of Free Masons. Mr Lowe's constant attendance at Marybone Gardens renders it impossible for him to wait on all his friends in person, he therefore hopes they will take tickets, in order to prevent mistakes at changing money at the doors

Performances

Mainpiece Title: Alexanders Feast

Performance Comment: Fellow Craftsman's Song-Brother Lowe, Miss Plenius, Miss Catley, Miss Smith, Brother Legg. To the tune of Rule Brittania.
Event Comment: [In mainpiece the playbill omits Earl of Richmond. The assignment is taken from Oracle, 14 Nov.] "In the play Trinculo's curtain [as used for his 1st scene in The Tempest] stood for the Tower, and Bosworth Field was a delightful little farm-yard" (Oracle, 15 Nov.). The Doors to be opened at 5:15. To begin at 6:15 [see 9 Jan. 1792]. Receipts: #189 2". (152.18; 35.1; 1.3)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Bensley; Prince of Wales-Miss DeCamp; Duke of York-Miss Standen; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-Palmer; Duke of Norfolk-Dignum; Sir Richard Ratcliff-Phillimore; Sir William Catesby-Packer; Tressel-Whitfield; Earl of Oxford-Fawcett; Sir Robert Brackenbury-Benson; Lord Stanley-Aickin; Sir James Blount-Bland; Sir James Tyrrel-Jones; Lord Mayor-Hollingsworth; Elizabeth-Mrs Ward; Lady Anne-Mrs Powell; Duchess of York-Mrs Hopkins.
Cast
Role: Earl of Richmond Actor: Palmer
Role: Earl of Oxford Actor: Fawcett

Afterpiece Title: The Sultan or A Peep into the Seraglio

Dance: Afterpiece: Grand Dance-[See17911210]

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 8-10 June 1697, suggests a first performance in late May or the beginning of June. Preface: I [Motteux] write the Masque of Hercules, and Mr Eccles, having set it with his usual Success, and yet more masterly than my Mars and Venus, if possible, I prevail'd with the ingenious Mr J. Oldmixon to give me a short Pastoral, while I scribbled over a Farce after the Italian Manner, and an Imitation of part of a diverting French Comedy of one Act (for such Plays are very common in Foreign Parts). Then I wanted nothing but a Tragedy....At last I bethought myself of one already studied, called The Unnatural Brother, written by an ingenious Gentleman and acted 6 Months ago, tho not with the success it deserv'd. Yet the latter Part was extremely applauded: So I was persuaded to make bold with it, as I do....I could easily contract the most moving Part of the Story into the Compass of one Act, with some Additions....All this was done in a very short time, the warm Season threatening me with your Absence....The foregoing Lines were published as a Preface to that Masque, some few copies of which were printed for the use of the Audience, the first day of the Novelty's being Acted. A Comparison Between the Two Stages (1702), p. 20: Every Word stolen, and then Damn'd

Performances

Mainpiece Title: The Novelty 0

Afterpiece Title: The Novelty 1 Thyrsis A Pastoral

Afterpiece Title: The Novelty 2 All Without Money

Performance Comment: [By Peter Motteux.] A Short Comedy Needmore-Scudamore; Speedwell-Bowen; Theodosia-Mrs Prince; Brother to Theodosia-Bayle; Freeman-Arnold; Clara-Mrs Bud; Dorothy-Mrs Lawson; Le Soupe-Freeman.
Cast
Role: Brother to Theodosia Actor: Bayle

Afterpiece Title: The Novelty 3 Hercules By Peter Motteux

Afterpiece Title: The Novelty 4 The Unfortunate Couple

Afterpiece Title: The Novelty 5 Natural Magick

Event Comment: For the Entertainment of the Antient and Honourable Society of Free and Accepted Masons. For the Benefit of an unfortunate Brother Mason. [This program, which was given in the Old Tennis Court, included a concert; and tickets for 27 April, when the performance was intended but prevented, are received this day.

Performances

Mainpiece Title: Cato

Performance Comment: Juba-him whose Benefit it is for Unfortunate Brother Mason.

Afterpiece Title: The Cobler of Preston

Event Comment: Benefit for Brother Jacobs. By Particular Desire of the Masons. By Permission. To begin at 6:00 p.m

Performances

Mainpiece Title: Love In A Village

Performance Comment: Woodcock-Brother Merryfield (who performed it for Mrs Woodman's Benefit last winter); Young Meadows-Follett; Hawthorn-Morris; Sir William-Lloyd; Hodge-Fopperwell; Eustace-Stevens; Lucinda-Miss Frederick; Deborah-Mrs Bailey; Margery-Mrs Nost; Rosetta-Mrs Osborne (first time on this stage).
Cast
Role: Woodcock Actor: Brother Merryfield

Afterpiece Title: The Tobacconist

Entertainment: A Variety of New TheatricalImitations-Hutton

Song: End Opera: Several celebrated Catches and Glees by Dr Arne-

Performances

Mainpiece Title: Earl Of Essex

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Earl Of Essex

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Earl Of Essex

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Lady Jane Gray

Afterpiece Title: The Lovers Opera

Dance:

Performances

Mainpiece Title: The Lady Jane Gray

Dance: Valois and Mlle Valois, Mrs Bullock, Jones, Hind

Performances

Mainpiece Title: The Lady Jane Gray

Dance: By Vallois and Mrs Bullock

Performances

Mainpiece Title: Lady Gane Gray

Afterpiece Title: Jupiter and Io

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Harlequin Restord

Dance: II: A new Grand Ballet-Mlle Roland, others

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Virgin Unmaskd

Dance: III: A new dance-Master Matthews; V: Drunken Peasant-Chettle

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Lying Valet

Dance: GGrand Provincial Dance, as17520204

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: The Genii

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Trip to Elysium or Foote Weston Shuter and Edwin in the Shades

Afterpiece Title: Peeping Tom

Performance Comment: Earl of Mercia-Cubitt; Mayor of Coventry-Wewitzer; Harold-Davies; Count Louis-Lyons; Tom-Wilson (1st appearance in that character); Crazy-Barrett; Godina-Mrs Cuyler; Emma-Mrs Bannister; Mayoress-Mrs Webb; Maud-Mrs Kemble.
Cast
Role: Earl of Mercia Actor: Cubitt

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: Peeping Tom

Performance Comment: Earl of Mercia-Cubitt; Mayor of Coventry-Wilson; Harold-Davies; Count Louis-Bland; Peeping Tom-Bannister Jun. (1st appearance in this opera); new song (in character) The little farthing rushlight (Thespian Magazine, Oct. 1792, p. 101)-Bannister Jun.; Crazy-Barrett; Godina-Mrs Cuyler; Emma-Mrs Bannister; Mayoress-Mrs Edwin; Maud-Mrs Kemble.
Cast
Role: Earl of Mercia Actor: Cubitt

Afterpiece Title: The Village Lawyer

Song: As17920815

Entertainment: Monologue End 2nd piece: New Occasional Address-Mrs Kemble