SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "brother and sister Orrery"/1) | (@(roleclean,performerclean) "brother and sister Orrery")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 202 matches on Performance Comments, 166 matches on Performance Title, 153 matches on Event Comments, 45 matches on Author, and 0 matches on Roles/Actors.
Event Comment: SStationers Hall, Ludgate St. Benefit Edmund Larken...With all the choruses. Composed by Mr Handel.] Printed Books of the Masque will be given gratis at the place of performance. Tickets at 5s. each. Particular care will be taken to have the Hall well air'd

Performances

Mainpiece Title: Acis And Galatea

Music: Concerto on German Flute-Burk Thumoth

Song: An English and an Italian Song-the sister of the above lady, a child of nine years; the whole to conclude with: the Coronation Anthem God Save the King-; Trumpet-Valentine Snow

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Robin Goodfellow; or, The Rival Sisters

Performances

Mainpiece Title: The Sister

Performance Comment: Parts by: Powell, Smith, Clarke, Cushing, Mrs Ward, Mrs Gardner, Miss Pearce, Mrs Bulkley, Miss Morris. With a Prologue and Epilogue. Courtney-Powell; Lord Clairville-Smith; Earl Belmont-Clarke; Will-Cushing; Lady Autumn-Mrs Ward; Betty-Mrs Gardner; Simple-Miss Pearce; Miss Autumn-Mrs Bulkley; Miss Courtney-Miss Morris; With Prologue-Mattocks; Epilogue-Mrs Bulkley (Edn. of 1769).

Afterpiece Title: Damon and Phillida

Dance: I: The Reel, as17681212

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. Mainpiece: Altered from Fielding. Not acted these 60 years [acted at GF 27 Apr. 1736. Authors of Prologue and Epilogue unknown]. The Doors to be opened at 6:00. To begin precisely at 7:00

Performances

Mainpiece Title: The Temple Beau; Or, The Intriguing Sisters

Performance Comment: Young Wilding-Benson; Sir Avarice Pedant-Barrett; Veromil-Sparks; Valentine-Booth; Pincet-Fellowes; Thomas-Roberts; Taylor-Middleton; Snob-Norris; Young Pedant-Clinch; Sir Harry Wilding-Swords; Lady Lucy Pedant-Miss Fitzherbert; Bellaria-Miss Patterson; Clarissa-Miss Ambross; Milliner-Mrs Fisher; Lady Gravely-Miss Saunders. With a new Prologue [spoken by Swords (Public Advertiser, 24 Sept.)] and Epilogue [speaker not known] .spoken by Swords (Public Advertiser, 24 Sept.)] and Epilogue [speaker not known] .

Afterpiece Title: The Citizen

Dance: End of mainpiece a Hornpipe by Middleton

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Cast
Role: Bertrand Actor: Usher

Dance: End: a new Dance, The Happy Sisters-Menage, Miss DeCamp, the two Miss Simonets

Performances

Mainpiece Title: At Hay The Rival Sisters

Cast
Role: Periander Actor: Wroughton

Afterpiece Title: The Prize

Cast
Role: Juba Actor: Mrs Bland

Performances

Mainpiece Title: At Hay The Rival Sisters

Cast
Role: Periander Actor: Wroughton

Afterpiece Title: The Prize

Cast
Role: Juba Actor: Mrs Bland

Performances

Mainpiece Title: At King's The Rival Sisters

Cast
Role: Periander Actor: Wroughton

Afterpiece Title: The Prize

Performance Comment: As17930319but Juba-Master Welsh in place of Mrs Bland.

Performances

Mainpiece Title: At Hay The Rival Sisters

Cast
Role: Periander Actor: Wroughton

Afterpiece Title: The Prize

Performances

Mainpiece Title: At King's The Rival Sisters

Cast
Role: Periander Actor: Wroughton

Afterpiece Title: The Spoil'd Child

Performance Comment: As17930405, but Tag-Bland.
Cast
Role: Tag Actor: Bland.

Performances

Mainpiece Title: At Hay The Rival Sisters

Cast
Role: Periander Actor: Wroughton
Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 115, Jermyn-street. 2nd ballet: With new Scenery by Belenger and new Dresses by Sestini. The greater part of the music by Mazzinghi

Performances

Mainpiece Title: Semiramide

Related Works
Related Work: Semiramide; o, La Vendetta di Nino Author(s): Ferdinando Moretti

Dance: End I: New Divertisement, in which the Pas Russe-Mme Hilligsberg, Mme Hilligsberg's sister in men's clothes; End II: a new Grand Dramatic Pantomime Ballet, in 3 parts, composed by Onorati, Paul et Virginie-Gentili, Aumer, Lahante, Simpson, Mme DelCaro, Miss J. Hilligsberg, Mme Rossi, Mme Hilligsberg who will perform in men's clothes and dance a Scotch Reel in that character

Performance Comment: Hilligsberg, Mme Rossi, Mme Hilligsberg who will perform in men's clothes and dance a Scotch Reel in that character.
Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Cast
Role: Fernando Actor: DeGiovanni

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Event Comment: Benefit Marshall, Gray, Peploe, Rainton. Tickets also taken for Evans, Miss Chetwood and Gillibrand

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Cast
Role: Leander Actor: Beard

Song: I: By Desire, Come let us prepare-Brother Montgomery; V: On on my dear Brethren-Brother Montgomery

Dance: II: Pierots-Leviez, Pelling; In III: The usual Hornpipe-

Event Comment: The King's Company. Pepys, Diary: By coach to White Hall, thinking to have met at a Committee of Tangier, but nobody being there but my Lord Rutherford, he would needs carry me and another Scotch Lord to a play, and so we saw, coming late, part of The Generall, my Lord Orrery's (Broghill) second play; but, Lord! to see how no more either in words, sense, or design, it is to his Harry the 5th is not imaginable, and so poorly acted, though in finer clothes, is strange. And here I must confess breach of a vowe in appearance, but I not desiring it, but against my will, and my oathe being to go neither at my own charge nor at another's, as I had done by becoming liable to give them another, as I am to Sir W. Pen and Mr Creed; but here I neither know which of them paid for me, nor, If I did, am I obliged ever to return the like

Performances

Mainpiece Title: The Generall

Related Works
Related Work: The General Author(s): Roger Boyle, Earl of Orrery
Event Comment: Pepys, Diary: Thence after dinner to a play, to see The Generall; which is so dull and so ill-acted, that I think it is the worst I ever saw or heard in all my days. I happened to sit near to Sir Charles Sidly; who I find a very witty man, and he did at every line take notice of the dullness of the poet and badness of the action, that most pertinently; which I was mightily taken with; and among others where by Altemire's command Clarimont, the Generall, is commanded to rescue his Rivall, whom she loved, Lucidor, he, after a great deal of demurre, broke out, "Well, I'le save my Rivall and make her confess, that I deserve, while he do but possesse." "Why, what, pox," says Sir Charles Sydly, "would he have him have more, or what is there more to be had of a woman than the possessing her?" Thence...vexed at my losing my time and above 20s. in money, and neglecting my business to see so bad a play

Performances

Mainpiece Title: The Generall

Related Works
Related Work: The General Author(s): Roger Boyle, Earl of Orrery
Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

Performance Comment: Downes (Roscius Anglicanus, pp. 25-26): Solyman-Betterton; Mustapha-Harris; Zanger-Smith; Rustan-Sandford; Pyrrhus-Richards; Cardinal of Veradium?-Young; Haly-Cademan; Roxolana-Mrs Davenport [presumably an error for Mrs Betterton, who is named for this role in the edition of 1668 and who is referred to (Ianthe) by Pepys on this day]; Queen of Hungaria-Mrs Davies. [Edition of 1668 adds: Achmat-$James Noke; Thuricus-$Medborn; Viche-$Aingel; Zarma-$Mrs Long; Mitza-$Mrs Norris; Cleora-$Mrs Shadwel.
Cast
Role: Rustan Actor: Sandford
Related Works
Related Work: Mustapha, the Son of Solyman the Magnificent Author(s): Roger Boyle, Earl of Orrery
Related Work: Mustapha Author(s): Roger Boyle, Earl of Orrery
Event Comment: Although 3 April may not be the first performance of this play, the fact that Pepys saw it on 3 April and Evelyn attended it on 6 April suggests that it was given on this day also

Performances

Mainpiece Title: Mustapha

Related Works
Related Work: Mustapha, the Son of Solyman the Magnificent Author(s): Roger Boyle, Earl of Orrery
Related Work: Mustapha Author(s): Roger Boyle, Earl of Orrery

Performances

Mainpiece Title: Mustapha

Related Works
Related Work: Mustapha, the Son of Solyman the Magnificent Author(s): Roger Boyle, Earl of Orrery
Related Work: Mustapha Author(s): Roger Boyle, Earl of Orrery
Event Comment: The Duke's Company, presumably. Evelyn, Diary: This night was acted my Lord Brahals Tragedy cal'd Mustapha before their Majesties &c: at Court: at which I was present, very seldom at any time, going to the publique Theaters, for Women now (& never 'til now) permitted to appeare & act, which inflaming severall young noble-men & gallants, became their whores, & to some their Wives, wittnesse the Earle of Oxford, Sir R. Howard, Pr. Rupert, the E. of Dorset, & another greater person than any of these, who fell into their snares, to the reproch of their noble families, & ruine both of body & Soule: I was invited to see this Tragedie, exceedingly well writ, by my Lord Chamberlain, though in my mind, I did not approve of any such passe time, in a season of such Judgements & Calamitie. Pepys, Diary: Here my Lord Bruncker proffered to carry me and my wife into a play at court to-night, and to lend me his coach home, which tempted me much; but I shall not do it

Performances

Mainpiece Title: Mustapha

Related Works
Related Work: Mustapha, the Son of Solyman the Magnificent Author(s): Roger Boyle, Earl of Orrery
Related Work: Mustapha Author(s): Roger Boyle, Earl of Orrery
Event Comment: The Duke's Company. Boswell (Restoration Court Stage, p. 282) thinks that this play given on the L. C. lists--see Nicoll, Restoration Drama, p. 346--between 29 Oct. and 6 Nov., may have been acted on this day. See also an order for supplies for the comedians acting at court in Alwin Thaler, Shakespear to Sheridan, p. 290. Pepys, Diary: I to White Hall, where I staid walking up and down till night, and then got almost into the playhouse, having much mind to go and see the play at Court this night; but fearing how I should get nome, because of the bonefires and the lateness of the night to get a coach, I did not stay

Performances

Mainpiece Title: Mustapha

Related Works
Related Work: Mustapha, the Son of Solyman the Magnificent Author(s): Roger Boyle, Earl of Orrery
Related Work: Mustapha Author(s): Roger Boyle, Earl of Orrery
Event Comment: The Duke's Company. Pepys, Diary: To White Hall, and got my Lord Bellasses to get me into the playhouse; and there, after all staying above an hour for the players, the King and all waiting, which was absurd, saw Henry the Fifth well done by the Duke's people, and in most excellent habits, all new vests, being put on but this night. But I sat so nigh and far off, that I missed most of the words, and sat with a wind coming into my back and neck, which did much trouble me. The play continued till twelve at night. A Prologue for this play is in A Letter from a Gentleman to the Honourable Ed. Howard (London, 1668)

Performances

Mainpiece Title: Henry V

Related Works
Related Work: Henry V Author(s): Roger Boyle, Earl of Orrery
Event Comment: The Duke's Company. Pepys, Diary: With my wife, to the Duke's house, and there saw Mustapha, a most excellent play for words and design as ever I did see. I had seen it before but forgot it, so it was wholly new to me, which is the pleasure of my not committing these things to my memory

Performances

Mainpiece Title: Mustapha

Related Works
Related Work: Mustapha, the Son of Solyman the Magnificent Author(s): Roger Boyle, Earl of Orrery
Related Work: Mustapha Author(s): Roger Boyle, Earl of Orrery
Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's play house, and there saw Mustapha, which, the more I see, the more I like; and is a most admirable poem, and bravely acted; only both Betterton and Harris could not contain from laughing in the midst of a most serious part, from the ridiculous mistake of one of the men upon the stage; which I did not like

Performances

Mainpiece Title: Mustapha

Related Works
Related Work: Mustapha, the Son of Solyman the Magnificent Author(s): Roger Boyle, Earl of Orrery
Related Work: Mustapha Author(s): Roger Boyle, Earl of Orrery
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Related Works
Related Work: The Black Prince Author(s): Roger Boyle, Earl of Orrery