SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "a Young Gentleman"/1) | (@(roleclean,performerclean) "a Young Gentleman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3825 matches on Performance Comments, 1343 matches on Event Comments, 1139 matches on Author, 848 matches on Performance Title, and 308 matches on Roles/Actors.

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Mainpiece: By Desire. Tickets deliver'd out by Mr Oswald will be taken (General Advertiser). Mr Oswald ye Music had some Tickets (Cross). [Queen Mab played thirty-two times consecutively at full prices.] A. Betson, Miscellaneous Dissertations: Historical, Critical, and Moral, on the Origin and Antiquity of Masquerades, Plays, Poetry, and several other heathenish customs. Printed. (Register of Books, Gentleman's Magazine, Feb. 1751, p. 95). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: Gil Blas

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Event Comment: MMrs Mariet our Columbine ran away with some Gentleman (Cross). Mr Havard, the Comedian, who a few days ago was so well recover'd from his illness as to come abroad, is relapsed (General Advertiser). Receipts: #140 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Queen Mab

Dance: Devisse, Mad Auretti

Performances

Mainpiece Title: Zara

Dance: As17500926

Performances

Mainpiece Title: Alfred

Afterpiece Title: The Chaplet

Event Comment: To begin at 12 noon at the Foundling Hospital. There were above 500 Coaches and the tickets amounted to above 700 guineas (Gentleman's Magazine, May 1751)

Performances

Mainpiece Title: The Messiah

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Dance: Phillips

Song: Platt, Master Phillips

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: Queen Mab

Dance: II: A Comic Dance-Sg Piettero, Sga Piettero second time upon English Stage; IV: By Desire a Hornpipe-the Little Swiss

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Related Works
Related Work: The Royal Slave Author(s): Francis Gentleman

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Harlequin Ranger

Performances

Mainpiece Title: The Country Lasses

Afterpiece Title: Harlequin Sorcerer

Event Comment: This day publish'd at 1s. the first number of the Dramatic Censor, being remarks on the tragedy of Venice Preserv'd, with observations on the principal performers, by Mr Derrick. This pamphlet is a specimen of criticism intended to be made on our most celebrated dramatic pieces. By several hands. Wherein, should the publick approve by encouraging this first essay, not the beauties and Inaccuracies of the poet, but of the several performers will be considered...To this number is added Proposals for printing by Subscription a New Tragedy call'd Osman by Mr Gentleman

Performances

Mainpiece Title: Samson

Event Comment: Benefit the Gentleman who acts the part of Glaud

Performances

Mainpiece Title: The Gentle Shepherd

Event Comment: Benefit for the Gentleman and Gentlewoman who act the Parts of Jenny and Bauldy

Performances

Mainpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Dance: GGrand Comic Ballet, as17511216

Event Comment: At the Chapel, Foundling Hospital (Deutsch, Handel, p. 725). The number of Tickets was 1,200 (Gentleman's Magazine, April)

Performances

Mainpiece Title: The Messiah

Event Comment: By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the Reverend John Henley's Oratory (eccentric preacher, 1692-1756) and as a puff for The Midwife or Old Woman's Magazine, edited by Christopher Smart and John Newberry, 1751-53. The Old Woman's Oratory written and produced by Smart. See the Gentleman's Magazine, 1752, p. 43; and Horace Walpole's letter to Montagu 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a German flute, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a French horn. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (The Yale Edition of Horace Walpole's Correspondence, IX, p. 131). [See 3 Dec. 1751.

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: Afterpiece: noise still (Cross). [See 6 Nov.] Mainpiece: It appears that Mr Garrick is solicitous to banish vice from the theatre, by his having first omitted to exhibit that scandalous piece the London Cuckolds on the evening of the Lord Mayor's Day [9 Nov.] contray to immemorial custom, and the practice of the other house. He has also made a vigorous attempt to exclude folly but the friends of folly appeared to be so numerous, that he could not effect his purpose (Gentleman's Magazine, Nov. 1752, p. 535). Receipts: #100 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Ranger

Dance: As17521102

Performances

Mainpiece Title: Macbeth

Cast
Role: Young Sayword Actor: Marr

Afterpiece Title: Queen Mab

Event Comment: [L+Letter from Henry Woodward, Comedian, The Meanest of all Characters To Dr John Hill, Inspector-General of Great Britain, the greatest of all characters completely damns Hill as unsuccessful player, apothecary, doctor, scholar, writer, and gentleman. It ran to three editions in the year.] We hear great interest is being made to succeed Mr Serjeant Shore, deceased, as Serjeant Trumpet to his Majesty, which is in the gift of his Grace the Duke of Grafton as Lord Chamberlain; and that the contest lies chiefly between that excellent performer, Mr. Valentine Snow, Trumpet to the First Troop of Horseguards; Mr. Debourg, the violin; and Mr Beard, of the theatre Royal in Drury Lane (Public Advertiser). Receipts: #150 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: The Intriguing Chambermaid

Dance: AA Dutch Dance, as17521125

Event Comment: [This month was publish'd another pamphlet in the Woodward-Hill controversy, A Lick at Them All, or the Moderator, (16 pages) "being a candid consideration of the present controversy between the Inspector and his opposers" (Gentleman's Magazine).] Receipts: #200 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Cast
Role: Younger Worthy Actor: Palmer

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Gamester

Performances

Mainpiece Title: The Gamester