05 May 1752

Event Information
Theatre: Haymarket Theatre
Theatrical Season: 1751-1752
Volume: 4
Comments: By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the Reverend John Henley's Oratory (eccentric preacher, 1692-1756) and as a puff for The Midwife or Old Woman's Magazine, edited by Christopher Smart and John Newberry, 1751-53. The Old Woman's Oratory written and produced by Smart. See the Gentleman's Magazine, 1752, p. 43; and Horace Walpole's letter to Montagu 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a German flute, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a French horn. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (The Yale Edition of Horace Walpole's Correspondence, IX, p. 131). [See 3 Dec. 1751.

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  • Original Data

    Source: London Stage Information Bank

    *p?ct@hay The Old Woman's Oratory. See 2 May, but A <i>Full Piece</i> [by $Noell=%-; Two <i>Orations</i>-Mrs Midnight; A <i>Duetto</i> on two Beesomatoes-; [with a% Song-; a <i>Solo</i> in a New Taste-Sig Piantofugocalo; a new <i>Concerto and Solo on the Cymbalo</i>-Noell; a new <i>Cantata</i> [in the <i>Venetian Taste</i>, by $Sig Hasse=%-Sig Bombazino [accompanied with the Vox Humaine%; <i>Solo on violincello</i>-Master Hallett [in the Character of a <i>Cupid</i>r %; An <i>Oration</i> on the Salt@Box-a Rationalist; A <i>Declamatory Piece</i> on the Jew's Harp-a Casuist; a <i>Solo of Humour on the French Horn</i>-Mrs Midnight's Daughter; [Also a% <i>Prologue</i>, <i>Epilogue</i>-Toe. *c?ct@hay By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the $Reverend John Henley='s Oratory (eccentric preacher, 1692-1756) and as a puff for <i>The Midwife</i> or <i>Old Woman's Magazine</i>, edited by $Christopher Smart= and $John Newberry=, 1751-53. <i>The Old Woman's Oratory</i> written and produced by Smart. See the <i>Gentleman's Magazine</i>, 1752, p. 43; and $Horace Walpole='s letter to $Montagu= 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a <i>German flute</i>, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a <i>French horn</i>. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (<i>The Yale Edition of Horace Walpole's Correspondence</i>, IX, p. 131). [See 3 Dec. 1751.]
  • Cleaned Data

    *p1752 05 05 hay The Old Woman's Oratory. ^See17520502^, but A <i>Full Piece</i> by $Noell=-; Two <i>Orations</i>-Mrs Midnight; A <i>Duetto</i> on two Beesomatoes-; with a Song-; a <i>Solo</i> in a New Taste-Sig Piantofugocalo; a new <i>Concerto and Solo on the Cymbalo</i>-Noell; a new <i>Cantata</i> in the <i>Venetian Taste</i>, by $Sig Hasse=-Sig Bombazino accompanied with the Vox Humaine; <i>Solo on violincello</i>-Master Hallett in the Character of a <i>Cupid</i>r ; An <i>Oration</i> on the Salt@Box-a Rationalist; A <i>Declamatory Piece</i> on the Jew's Harp-a Casuist; a <i>Solo of Humour on the French Horn</i>-Mrs Midnight's Daughter; Also a <i>Prologue</i>, <i>Epilogue</i>-Toe.*c1752 05 05 hay By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the $Reverend John Henley='s Oratory (eccentric preacher, 1692-1756) and as a puff for <i>The Midwife</i> or <i>Old Woman's Magazine</i>, edited by $Christopher Smart= and $John Newberry=, 1751-53. <i>The Old Woman's Oratory</i> written and produced by Smart. See the <i>Gentleman's Magazine</i>, 1752, p. 43; and $Horace Walpole='s letter to $Montagu= 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a <i>German flute</i>, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a <i>French horn</i>. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (<i>The Yale Edition of Horace Walpole's Correspondence</i>, IX, p. 131). [See 3 Dec. 1751.]
  • Parsed Data

    Event: 26148 | 17520505 | hay | By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the $Reverend John Henley='s Oratory (eccentric preacher, 1692-1756) and as a puff for <i>The Midwife</i> or <i>Old Woman's Magazine</i>, edited by $Christopher Smart= and $John Newberry=, 1751-53. <i>The Old Woman's Oratory</i> written and produced by Smart. See the <i>Gentleman's Magazine</i>, 1752, p. 43; and $Horace Walpole='s letter to $Montagu= 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a <i>German flute</i>, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a <i>French horn</i>. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (<i>The Yale Edition of Horace Walpole's Correspondence</i>, IX, p. 131). [See 3 Dec. 1751.
    Performance: 52454 | 26148 | p | The Old Woman's Oratory | See17520502, but A <i>Full Piece</i> by $Noell=-; Two <i>Orations</i>-Mrs Midnight; A <i>Duetto</i> on two Beesomatoes-; with a Song-; a <i>Solo</i> in a New Taste-Sig Piantofugocalo; a new <i>Concerto and Solo on the Cymbalo</i>-Noell; a new <i>Cantata</i> in the <i>Venetian Taste</i>, by $Sig Hasse=-Sig Bombazino accompanied with the Vox Humaine; <i>Solo on violincello</i>-Master Hallett in the Character of a <i>Cupid</i> ; An <i>Oration</i> on the Salt@Box-a Rationalist; A <i>Declamatory Piece</i> on the Jew's Harp-a Casuist; a <i>Solo of Humour on the French Horn</i>-Mrs Midnight's Daughter; Also a <i>Prologue</i>, <i>Epilogue</i>-Toe.
    Cast:
    86289 | 52454 | Noell=
    86290 | 52454 | Two <i>Orations</i> | Mrs Midnight
    86291 | 52454 | A <i>Duetto</i> on two Beesomatoes
    86292 | 52454 | with a Song
    86293 | 52454 | a <i>Solo</i> in a New Taste | Sig Piantofugocalo
    86294 | 52454 | a new <i>Concerto and Solo on the Cymbalo</i> | Noell
    86295 | 52454 | Sig Hasse= | Sig Bombazino accompanied with the Vox Humaine
    86296 | 52454 | <i>Solo on violincello</i> | Master Hallett in the Character of a <i>Cupid</i>
    86297 | 52454 | An <i>Oration</i> on the Salt@Box | a Rationalist
    86298 | 52454 | A <i>Declamatory Piece</i> on the Jew's Harp | a Casuist
    86299 | 52454 | a <i>Solo of Humour on the French Horn</i> | Mrs Midnight's Daughter
    86300 | 52454 | <i>Epilogue</i> | Toe.

Mainpiece

Comments:
See17520502, but A Full Piece by Noell-; Two Orations-Mrs Midnight; A Duetto on two Beesomatoes-; with a Song-; a Solo in a New Taste-Sig Piantofugocalo; a new Concerto and Solo on the Cymbalo-Noell; a new Cantata in the Venetian Taste, by Sig Hasse-Sig Bombazino accompanied with the Vox Humaine; Solo on violincello-Master Hallett in the Character of a Cupid ; An Oration on the Salt@Box-a Rationalist; A Declamatory Piece on the Jew's Harp-a Casuist; a Solo of Humour on the French Horn-Mrs Midnight's Daughter; Also a Prologue, Epilogue-Toe.

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