SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Young Boman"/1) | (@(roleclean,performerclean) "Young Boman")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3317 matches on Performance Comments, 750 matches on Author, 717 matches on Performance Title, 592 matches on Event Comments, and 5 matches on Roles/Actors.
Event Comment: By Command of Their Majesties."The croud was so great at Drury-lane playhouse, to see the young prince William in his naval uniform, that it was found necessary to throw a kind of bridge from the stage to the pit to liberate several people, who otherwise must have perished in the throng" (Gentleman's Magazine, Mar. 1780, P. 151). Receipts: #271 14s. (259.13; 9.6; 2.15)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Quaker

Dance: I: Dance of Spirits, as17791103; III: a Dance of Fantastic Spirits, as17791103; IV: Grand New Dance, as17800228, but Sga _Crespi

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Event Comment: [This was Vestris Jun.'s 1st appearance in England.] "Young Vestris astonished John Bull more by his agility than his grace, and some have been known to count the number of times he turned round like a tee-totum. This may be called les tours des jambes-not dancing' (Angelo, II, 320). "The theatre was brimful in expectation of Vestris. At the end of the second act he appeared; but with so much grace, agility, and strength, that the whole audience fell into convulsions of applause: the men thundered; the ladies, forgetting their delicacy and weakness, clapped with such vehemence, that seventeen broke their arms, sixty-nine sprained their wrists, and three cried bravo! bravissimo! so rashly, that they have not been able to utter so much as 'no' since, any more than both Houses of Parliament' (Walpole [17 Dec. 1780], XI, 340-41)

Performances

Mainpiece Title: Ricimero

Dance: End I: The Fortunate Escape, as17801125, but Mme _Simonet, Henry; End II: +Grand Serious Ballet (composed by Simonet)-Sg and Sga Zuchelli, Henry, Sga Crespi, Mlle Baccelli; to conclude with: Grand Chaconne-Vestris? Jun.; End III new ballet, Les Amans Surpris (composed by Simonet)-Sg and Sga Zuchelli, Henry, Mlle Baccelli, Vestris? Jun

Event Comment: Benefit for Younger [who is named in the Account-Book, but not on the playbill]. Receipts: #231 19s. (186.2; 0.3; tickets: 45.14) (charge: #115 10s., i.e. as 13 Mar.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Robinson Crusoe

Song: III: song [see17801014]-Gaudry

Performances

Mainpiece Title: The Mistake

Afterpiece Title: True Blue

Afterpiece Title: The Flitch of Bacon

Dance: End I 1st piece: a new Hibernian Dance, The Rakes of Mallow-Jackson, Miss Francis (1st appearance), others; End II: a new Dance, The Sports of the Green or The Rivals Reconcil'd-Aldridge, Langrish, Jackson, Miss Francis, Miss Besford; 2nd Piece: the original Sailor's Dance, as17810402

Song: 2nd piece to conclude: with a Grand Antigallican Procession[in Honour of St. George's Day [23 Apr.], in which-; Rule Britannia-Reinhold; [the Procession to close with Britannia brought in a Triumphal Car, attended by Europe, Asia, Africa, and America, drawn by six boys representing the Young Gentlemen of the Maritime School, and attended by Mars and Neptune; after which will be display'd the famous Transparency of St. George and the Dragonv, executed by Cipriani; to conclude with: Britons Strike Home-Mrs Kennedy, [with the original chorus

Performance Comment: George's Day [23 Apr.], in which-; Rule Britannia-Reinhold; [the Procession to close with Britannia brought in a Triumphal Car, attended by Europe, Asia, Africa, and America, drawn by six boys representing the Young Gentlemen of the Maritime School, and attended by Mars and Neptune; after which will be display'd the famous Transparency of St. George and the Dragonv, executed by Cipriani; to conclude with: Britons Strike Home-Mrs Kennedy, [with the original chorus.with the original chorus.

Ballet: End IV: a Grand Pantomimical Pastoral Welch Dance St. David's Day; or, The Village Revels. Squire of the Village-Aldridge; Farmer-Whittow (1st appearance); Farmer's Wife-Mr Jackson; Farmer's Daughter-Miss Rowson (1st appearance); Landlord of the Horns--Savoy; Landlady of the Harp-Mr Besford; In which a Double Hornpipe-Aldridge, Miss Besford; , to the air of Mellionen; or the late Sir W. W. Wynn?'s Delight, accompanied by the ancient British instrument the Welch Harp-; To conclud : with a Country Dance-the Characters

Event Comment: Benefit for Younger [who is named in the Account-Book, but not on the playbill]. The Interlude of Henry and Emma [announced in Public Advertiser, 22 Mar.] cannot be performed on account of the Indisposition of Packer. Receipts: #255 6s. (182/5/0; 20/4/6; 0/2/6; tickets: 52/14/0) (charge: #108 16s. 10d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Maid of the Oaks

Dance: As17820307athi

Performances

Mainpiece Title: Polly

Performance Comment: Principal Characters by Parsons, Egan, Massey, Staunton, Davis, Kenny, Wood, Webb, Usher, Bannister; Mrs Wilson, Mrs Poussin, Miss Hale, Mrs Webb, Mrs Love, A Young Gentlewoman (1st appearance on any stage [Miss Hooke]). Characters of the Introduction by Gardner, Davis, Stevens; Mrs Lefevrc. [Cast adjusted from text (T. Evans, 1777): Ducat-Parsons; Hacker-Egan; Vanderbluff-Massey; Culverin-Staunton; Pohetohee-Davis; Laguerre-Kenny; Cawwawkee-Wood; Capstan-Usher; Morano-Bannister; Jenny Diver-Mrs Wilson; Flimzy-Mrs Poussin; Damaris-Miss Hale; Trapes-Mrs Webb; Mrs Ducat-Mrs Love; Polly-Miss Hooke. In Introduction: Poet-Gardner; Players-Davis, Stevens; Signora Crotchetta-Mrs Lefevre.] hathi. hathi.

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Dance: End of Act I of mainpiece a Dance of Pirates; In Act III a Dance of Indians {performers not listed for either dance)

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Genius of Nonsense

Performance Comment: Harlequin, Vocal and Rhetorical-Bannister Jun.; Ditto, Mum!-Spencer; Agreeable Companion in a Post-Chaise-Webb; Landlord-Usher; Dame Turton-Edwin; Goody Burton-Wood; Gammer Gurton-Bannister; Pantaloon-Massey; Clown-Delpini; Head Boy of the Marine Society-Master Edwin; Officer in the Camp-Wood [i.e. doubled Goody Burton]; Emperor of the Quacks-Bannister Jun. [i.e. doubled Harlequin]; Columbine-Miss Morris; Ballad Singer-Mr Darley; Chambermaid-Mrs W. Palmer; Goddess of Health, and Genius of Nonsense-Miss Hooke (The Young Lady who performed the part of Polly [on 11 June]) .on 11 June]) .

Dance: As17820606

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performance Comment: ], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre) .
Event Comment: Benefit for Mrs Bannister. Afterpiece: Written by [John] O'Keeffe, Author of The Son-in-Law, Agreeable Surprise, Young Quaker, &c &c. Tickets to be had of Mrs Bannister, No. 6, Great Russel-strcet, Covent Garden

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Dead Alive

Dance: As17840730

Monologue: 1784 08 20 As 19 Aug. IMITATIONS. As 30 July

Performances

Mainpiece Title: The Carmelite

Afterpiece Title: The Chaplet

Performance Comment: Damon-Dignum (who performed the characters of Young Meadows [on 14 Oct.] and Cymon [on 26 Nov.]); Palemon-Williames; Pastora-Mrs Wrighten; Laura-Miss Phillips .

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Midas

Performance Comment: As17841213. imitations. End of mainpiece the celebrated Musical Child (from the Pantheon) will perform a Musical Oglio, consisting of various Theatrical and Vocal Imitations [of Miss George, Mrs Bannister, Sga Sestini, Mrs Martyr, Mrs Wells, Edwin (Morning Chronicle, 16 Mar., which also states, without further indentification, that the performer was a young girl)] .

Performances

Mainpiece Title: I'll Tell You What

Performance Comment: Principal Characters by Palmer, Bensley, Aickin, Bannister Jun. Williamson, R. Palmer, Lyons, Ledger, Gaudry, Parsons; Mrs Bulkley, Mrs Bates, Mrs Riley, Miss Farrcn. [Cast from text (G. G. J. and J. Robinson, 1786): Major Cyprus-Palmer; Mr Anthony Euston-Bensley; Colonel Downright-Aickin; Charles Euston-Bannister Jun.; Sir George Euston-Williamson; Sir Harry Harmless-R. Palmer; Servants-Lyons, Ledger, Gaudry; Mr Euston-Parsons; Lady Euston-Mrs Bulkley; Lady Harriet Cyprus-Mrs Bates; Bloom-Mrs Riley; A Young Lady [in review of the play in Public Advertiser, 5 Aug., called Mrs Charles Euston]-Miss Farren.] Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] . Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] .

Afterpiece Title: The Author

Cast
Role: Young Cape Actor: R. Palmer
Event Comment: Benefit for Mrs Wells. Afterpiece [1st time; F 2, by Edward Topham, with incidental music by Shield. MS not in Larpent; not published. Prologue by George Colman, the younger (European Magazine, May 1786, p. 370)]. "An old and established rule among the youth of Westminster [School will] not permit any exhibition on the stage reflecting upon their body ... In the second act Mrs Wells made her appearance in the dress of a Westminster scholar, when a general uproar [instigated by the scholars] took place, and the [rest of the] piece was prevented from being heard" (Town and Country Magazine, May 1786, p. 235). Public Advertiser, 8 May: Tickets to be had of Mrs Wells, No. 188, Oxford-street. Receipts: #282 17s. (166/0/6; 21/19/6; tickets: 94/17/0) (charge: #105)

Performances

Mainpiece Title: The Bird In A Cage

Afterpiece Title: Small Talk; or, The Westminster Boy

Dance: In Act III of mainpiece a Grand Dance, as17860424; End of Act I of afterpiece Leap Year, as17860227

Event Comment: Tickets delivered by Hall, Young, Brandon, Curteen, Bourrelier, Rolls, Cox, Robson, Ansell, Roberts, Orme will be admitted (Account-Book). Receipts: #311 15s. (25/4/6; 2/5/6; tickets: 284/5/0)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Duke and No Duke

Dance: As17851019

Event Comment: Tickets delivered by Helme, Gaudry, Saby, Young, Hall, Rye, Ackery, Anselmo, Pilbrow, Mrs Linton, Mrs Lampe, Mrs Atkins will be admitted (Account-Book). Receipts: #243 15s. 6d. (57.16.0; 3.0.6; tickets: 182.19.0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Love and War

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

Event Comment: The Young Quaker [announced on playbill of 18 Aug.] is obliged to be deferred on Account of the Indisposition of Miss George

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Agreeable Surprise

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1781]); the music by Sarti, under the direction of Mazzinghi. "At length in the spring arrived the celebrated Marchesi, whose fame had long reached this country, and who had been extolled to such a degree that impatience and expectation were raised to the highest pitch; and on the first night of his appearance the theatre was not only crowed to the utmost in every part, but on the rising of the curtain, the stage was so full of spectators that it was some time before order and silence could be obtained, and with some difficulty that Marchesi, who was to open the opera, could make his way before the audience. Marchesi was at this time a very well-looking young man, of good figure, and graceful deportment. His acting was spirited and expressive: his vocal powers were very great, his voice of extensive compass, but a little inclined to be thick (Mount-Edgcumbe, 66-67). Receipts: #437 15s. 6d., i.e. 560 tickets delivered to Prendergrass [see 8 Dec. 1787], who sold 558; 110 to Toosey, who sold 86; 400 to Butler, who sold 285; 236 to Snelson, who sold 204. Total non-subscription tickets sold: 1133

Performances

Mainpiece Title: Giulio Sabino

Dance: End: The Military Dance, as17880115; End Opera: Les Fetes de Tempe, as17880228

Event Comment: [1st piece in place of The Young Quaker, advertised on playbill of 19 June.

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Agreeable Surprise

Dance: End 2nd piece: As17880610

Performances

Mainpiece Title: The Miser

Afterpiece Title: Ut Pictura Poesis

Afterpiece Title: Half an Hour after Supper

Performance Comment: [Principal Characters by Kemble, Iliff, Johnson, Williamson, Mrs Barresford, Mrs Edwin, Miss Heard, Miss Prideaux, A Young Lady (1st appearance Mrs Taylor]). [Cast from text (J. Debrett, 1789): Mr Sturdy-Kemble; Captain Berry-Iliff; Frank-Johnson; Mr Bentley-Williamson; Miss Tabitha-Mrs Barresford; Mrs Sturdy-Mrs Edwin; Miss Elizabeth-Miss Heard; Nanny-Miss Prideaux; Miss Sukey-Mrs Taylor.

Dance: End 2nd piece: The Graces-the Miss Simonets

Event Comment: Account-Book: Tickets delivered by Atkins, Masters, Roberts, Young, Painter, Curteen, Bourrelier, Longley, Dalby, Mrs Doyle, Jackson, Mrs Clark will be admitted. Receipts: #378 17s. (56.16.6; 5.14.6; tickets: 316.6.0)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Don Juan

Dance: In Afterpiece: Mrs Ratchford, Mrs Goodwin, Byrne, Jackson

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Highland Reel

Performance Comment: M'Gilpin-Quick; Shelty-Ryder; Serjeant Jack-Bannister; Sandy (or Young Donald)-Johnstone; Charley-Blanchard; Captain Dash-Davies; Donald Laird of Col-Gardner; Croudy-Cubitt; Laird of Raasay-Thompson; Jenny-Mrs Mountain; Moggy-Mrs Martyr (Their 1st appearance in those characters).
Event Comment: Benefit for Bannister. [Mrs Wells had 1st acted Macheath at the hay, 14 Sept. 1781; Bannister had acted Polly at the same theatre, 16 Sept. 1785.] Gazetteer, 3 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. "There is now a most vehement rage of innovation in language, government, religion, and everything else...On the British stage, with infinite applause, young and beautiful actresses perform sometimes the Parts of highwaymen; and some singing actors squall in an affected voice resembling, and intended to imitate, that of women; the most humourous dramatic pieces are frittered away into songs; and I should not be surprised to hear that henceforth Miranda and Juliet are to be personated by grim-visaged grenadiers seven feet high, and Falstaff by a slender miss just entered her teens" (Universal Magazine, Mar. 1795, p. 171). Receipts: #285 14s. (162.4.6; 5.9.6; tickets: 118.0.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister

Event Comment: Tickets delivered for The Merry Wives of Windsor will be admitted. Account-Book: Tickets delivered by Bourrelier, Shuter, Simmons, Strahan, Luxmore, Walker, Saby, Atkins, Young, Curteen, Hall [box-keeper], Hill, Combes, Heathcot, W. Ansell will be admitted. Receipts: #349 15s. (57.6; 5.16; tickets: 286.13)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Highland Reel