Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Worshipful Company of IronMongers"/1) | (@(roleclean,performerclean) "Worshipful Company of IronMongers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
1947 results for: Keyword - Worshipful Company of Iron@Mongers
We found 1846 matches on Event Comments, 92 matches on Performance Comments, 24 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

276
05 December 1660 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: After dinner I went to the new Theatre and there I saw The Merry Wives of Windsor acted, the humours of the country gentleman and the French doctor very well done, but the rest but very poorly, and Sir J. Falstaffe as bad as any

Performances

Mainpiece Title: The Merry Wives Of Windsor

277
06 December 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Andrew Newport to Sir Richard Leveson, 6 Dec. 1660: Plays at court every week (HMC, 5th Report, Part I, 1876, p. 158)

Performances

Mainpiece Title: Rollo, Duke Of Normandy

278
08 December 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

279
31 December 1660 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: I bought the play of Henry the Fourth, and so went to the new Theatre...and saw it acted; but my expectation being too great, it did not please me, as otherwise I believe it would; and my having a book, I believe did spoil it a little

Performances

Mainpiece Title: Henry The Fourth

280
03 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where was acted Beggar's Bush, it being very well done; and here the first time that ever I saw women come upon the stage

Performances

Mainpiece Title: The Beggar's Bush

281
04 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Mr Moore and I to the Theatre, where was The Scornful Lady, acted very well, it being the first play that ever he saw

Performances

Mainpiece Title: The Scornful Lady

282
07 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Tom and I and my wife to the Theatre, and there saw The Silent Woman. The first time that ever I did see it, and it is an excellent play. Among other things here, Kinaston, the boy, had the good turn to appear in three shapes: first, as a poor woman in ordinary clothes, to please Morose; then in fine clothes, as a gallant, and in them was clearly the prettiest woman in the whole house, and lastly, as a man; and then likewise did appear the handsomest man in the house

Performances

Mainpiece Title: The Silent Woman

283
08 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: I took my Lord Hinchinbroke and Mr Sidney to the Theatre, and shewed them The Widdow, and indifferent good play, but wronged by the women being to seek in their parts

Performances

Mainpiece Title: The Widow

284
09 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 117, who gives the date as Monday 9, presumably an error for Wednesday 9

Performances

Mainpiece Title: The Wedding

285
19 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where I saw The Lost Lady, which do not please me much

Performances

Mainpiece Title: The Lost Lady

286
25 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Evelyn, Diary: After divers yeares, that I had [not] seene any Play, I went to see acted the Scornfull Lady at a new Theater in Lincolns-in fields

Performances

Mainpiece Title: The Scornful Lady

287
28 January 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre, where I saw again The Lost Lady, which do now please me better than before; and here I sitting behind hn a dark place, a lady spit backward upon me by a mistake, not seeing me, but after seeing her to be a very pretty lady, I was not troubled at it at all

Performances

Mainpiece Title: The Lost Lady

288
29 January 1661 @ Salisbury Court

Event Comment: The Duke's Company. Pepys, Diary: To Blackfryars [presumably a slip for Whitefriars, Salisbury Court] (the first time I ever was there since plays begun), and there after great patience and little expectation, from so poor beginning, I saw three acts of The Mayd in ye Mill, acted to my great content. But it begin late, I left the play

Performances

Mainpiece Title: The Maid In The Mill

289
05 February 1661 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert (Dramatic Records, p. 117), where are listed The Loyall Subject, Mad Louer, The Wildgoose Chase following this play but preceding April 1661. Pepys, Diary: I went by coach to the play-house at the Theatre, our coach in King Street breaking, and so took another. Here we saw Argalus and Parthenia, which I lately saw, but though pleasant for the dancing and singing, I do not find good for any wit or design therein

Performances

Mainpiece Title: Argalus And Parthenia

290
09 February 1661 @ Salisbury Court

Event Comment: The Duke's Company. Pepys, Diary: Creed and I to Whitefriars to the Play-house, and saw The Mad Lover, the first time I ever saw it acted, which I like pretty well

Performances

Mainpiece Title: The Mad Lover

291
12 February 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: we went by water to Salisbury Court play-house, where not liking to sit, we went out again, and by coach to the Theatre, and there saw The Scornful Lady, now done by a woman, which makes the play appear much better than ever it did to me

Performances

Mainpiece Title: The Scornful Lady

292
23 February 1661 @ Salisbury Court

Event Comment: The Duke's Company. The British Museum copy of the 1653 copy of this play has, in an old hand: Deflores by Betterton. Pepys, Diary: Then by water to Whitefriars to the Play-house, and there saw The Changeling, the first time it hath been acted these twenty years, and it takes exceedingly. Besides, I see the gallants do begin to be tyred with the vanity and pride of the theatre actors who are indeed grown very proud and rich

Performances

Mainpiece Title: The Changeling

293
01 March 1661 @ Salisbury Court

Event Comment: The Duke's Company. Pepys: I to Whitefryars, and saw The Bondman acted; an excellent play and well done. But above all that ever I saw, Betterton, do the Bondman the best

Performances

Mainpiece Title: The Bondman

294
02 March 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: I went to the Theatre, where I found so few people (which is strange, and the reason I did not know) that I went out again

Performances

295
02 March 1661 @ Salisbury Court

Event Comment: The Duke's Company. Pepys, Diary: And so to Salisbury Court, where the house as full as could be; and it seems it was a new play, The Queen's Maske, wherein there are some good humours: among others, a good jeer to the old story of the Siege of Troy, making it to be a common country tale. But above all it was strange to see so little a boy as that was to act Cupid, which is one of the greatest parts in it

Performances

Mainpiece Title: The Queen's Mask

296
14 March 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre and there saw King and no King, well acted

Performances

Mainpiece Title: A Kinge And No Kinge

297
16 March 1661 @ Salisbury Court

Event Comment: The Duke's Company. Pepys, Diary: To Whitefriars and saw The Spanish Curate, in which I had no great content

Performances

Mainpiece Title: The Spanish Curate

298
19 March 1661 @ Salisbury Court

Event Comment: The Duke's Company. Pepys, Diary: Mr Creed and I to White-Fryars, where we saw The Bondman acted most excellently, and though I have seen it often, yet I am every time more and more pleased with Betterton's action

Performances

Mainpiece Title: The Bondman

299
25 March 1661 @ Salisbury Court

Event Comment: The Duke's Company. See 2 March 1661. Pepys, Diary: I and Captain Ferrers to Salisbury Court, by water, and saw part of the Queen's Maske

Performances

Mainpiece Title: The Queen's Mask

300
26 March 1661 @ Salisbury Court

Event Comment: The Duke's Company. Pepys, Diary: Mrs Pierce and her husband and I and my wife to Salisbury Court, where coming late he and she light of Col. Boone that made room for them, and I and my wife sat in the pit, and there met with Mr Lewes and Tom Whitton, and saw The Bondman done to admiration

Performances

Mainpiece Title: The Bondman