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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "William Mills"/1) | (@(roleclean,performerclean) "William Mills")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14171 results for: Keyword - William Mills
We found 10791 matches on Author, 3743 matches on Performance Comments, 584 matches on Event Comments, 320 matches on Performance Title, and 5 matches on Roles/Actors.

14026
01 November 1703 @ Lincoln's Inn Fields

Event Comment: [By William Walker. Not advertised in Daily Courant, but this date accepted as premiere by Nicoll, p. 363 and Genest, II, 303.] Preface: It was so hem'd in between the Benefits that it seem'd meerly Confin'd to the Limits of a Single Night before hand

Performances

Mainpiece Title: Marry; Or, Do Worse

Related Works
Related Work: Marry; or Do Worse Author(s): William Walker

14027
29 June 1704 @ Drury Lane Theatre

Event Comment: Benefit Williams. At the desire of several Persons of Quality. Written by Mr Southern

Performances

Mainpiece Title: The Fatal Marriage

Song: Purcell's From Rosy Bowers-Leveridge

Dance: A French Peasant and his Wife-duRuel, Mrs duRuel; Punchanello-Cherrier

14028
31 July 1706 @ Queen's Theatre

Event Comment: Mainpiece: Written by Sir William Davenant; but Originally by the famous French Dramatick Poet Monsieur Moliere. [Genest, II, 352, surmises that the company probably acted Acts I, II, and V of The Playhouse to be Let.] Afterpiece: A Burlesque Farce

Performances

Mainpiece Title: The Playhouse To Be Let; With Sganarella, The Blacksmith Of Paris

Related Works
Related Work: The Playhouse To Be Let Author(s): Sir William Davenant

Afterpiece Title: Mock Pompey

Song:

Dance:

14029
11 December 1706 @ York Buildings

Event Comment: Benefit Mrs Williams

Performances

Mainpiece Title: Concert

14030
02 April 1707 @ York Buildings

Event Comment: Benefit Mrs Hall, Daughter to William Hall, who formerly had the Consort of Musick at his House in Norfolk-street. At 7 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the greatest Masters

14031
22 April 1707 @ Drury Lane Theatre

Event Comment: Benefit Williams and Willer [Weller?]. Tickets delivered for Saturday 23 taken this night

Performances

Mainpiece Title: Venice Preserv'd

Song: As17070327

Dance: As17070403

14032
25 May 1709 @ Drury Lane Theatre

Event Comment: See Tatler, 26 May. [In Daily Courant, 24 May, William Bowen announced that The Stratagem, advertised for this day as his benefit, is deferred and that tickets for it will be accepted on 1 June at Sganarell; or, The Cuckold in Conceit.

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Worthy Actor: Mills

14033
06 February 1711 @ Southwark

Event Comment: Benefit William Mears and Friend Hale. In the Town Hall at St. Margaret's Hill, Southwark. Tickets 1s. 6d. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

14034
06 November 1716 @ Drury Lane Theatre

Event Comment: Ryder, Diary, pp. 359-60: Went to see the tragedy of Tamerlane which was acted with a new prologue in honour of King William and in memory of what he did for us. The play itself is good....Mills who acted the part of Bajazet did it mighty well and expressed that furiousness and rage and malice and ambition admirably well in his gesture at the end, but, which is his distinguishing character, very well kept up throughout. I observed in the general that the manner of speaking in our theatres in tragedy is not natural. There is something that would be very shocking and disagreeable and very unnatural in real life. Persons would call it theatrical, meaning by that something stiff and affected

Performances

Mainpiece Title: Tamerlane

Cast
Role: Bajazet Actor: Mills

14035
28 February 1719 @ Lincoln's Inn Fields

Event Comment: '[By William Taverner.] Never Acted before

Performances

Mainpiece Title: 'tis Well If It Takes

Related Works
Related Work: Tis Well if it Takes Author(s): William Taverner

14036
23 December 1719 @ Lincoln's Inn Fields

Event Comment: Benefit William Cobston. By Subscription

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

14037
23 February 1720 @ Hickford's Room

Event Comment: Benefit William Douglass, commonly called the Black Prince. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-Mrs Fletcher; Concerto-Matthew Dubourg; Solo-Kytch

14038
16 February 1722 @ Hickford's Room

Event Comment: Benefit William Douglas, commonly call'd Prince. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-Castrucci, Kytch

14039
06 March 1723 @ Hickford's Room

Event Comment: Benefit William Douglas, commonly call'd Prince. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Violin-Michael Christian Festin; Lute-Francisco Weybough; Hautboy-Kytch [but see hay]

14040
29 April 1723 @ Drury Lane Theatre

Event Comment: Benefit Williams. By Her Royal Highness's Command

Performances

Mainpiece Title: The Fatal Constancy

Dance: Shaw, Topham, Boval, Mrs Booth, Mrs Bullock, Miss Tenoe; particularly Myrtillo-

Related Works
Related Work: Small Talk; or, The Westminster Boy Author(s): William Shield

14041
26 February 1724 @ Hickford's Room

Event Comment: Benefit William Douglass, commonly called Prince. Tickets 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Concerto, Solo on Hautboy-Kytch; Solo on Violin-Michael Festing; Sonata-Mr China

14042
03 August 1724 @ Richmond

Event Comment: Benefit Chetwood. By Their Royal Highnesses' Command. N.B. Tickets given out for The Merry Wives of Windsor will be taken at this Play. [See Daily Post, 3 Aug., for Penkethman's celebration at Richmond on 1 Aug., the anniversary of the Hanoverian succession to the throne, and British Journal, 8 Aug., for an account of William Marshall, of lif, as an anti-Hanoverian demonstrator on 1 Aug.

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Stage Coach

Related Works
Related Work: The Stage Coach Opera Author(s): William Chetwood

Dance: Drunken Man-Harper

Song:

14043
17 May 1725 @ Drury Lane Theatre

Event Comment: Benefit Rob. Williams, Mrs Whitherilt [Mrs Wetherilt], Mrs Boman, Miss Davison. Afterpiece: Set to Musick by Mr Eccles

Performances

Mainpiece Title: Don John

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): William Shakespeare
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): William Shakespeare
Related Work: King John Author(s): William Shakespeare

Afterpiece Title: Acis and Galatea

Music: Mainpiece: Original Shepherd's Musick by the late Mr Henry Purcell-

Dance:

14044
03 August 1726 @ Drury Lane Theatre

Event Comment: DDaily Journal, 3 Aug.: Mr Williams, one of the Comedians belonging to the Theatre-Royal in Drury-Lane, is dead

Performances

14045
13 November 1728 @ Drury Lane Theatre

Event Comment: By His Majesty's Command.Written by the late Sir John Vanbrugh. The King, Queen, Prince William, and three Princesses present

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: Heartfree Actor: W. Mills

14046
23 November 1731 @ King's Theatre

Event Comment: [T$Their Majesties, Prince of Wales, Prince William, three eldest Princesses, Duke of Lorrain present.

Performances

Mainpiece Title: Porus

14047
30 November 1731 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, Prince William, Princess Royal, the young Princesses, and Duke of Lorrain present. See also Lord Hervey and his Friends, p. 115.

Performances

Mainpiece Title: Porus

14048
17 August 1732 @ Tottenham Court

Event Comment: At Rayner-Walker Booth. [Prince William and Princesses Mary and Louisa present, also His Excellency Ach Mahomet, Ambassador from Algiers.

Performances

Mainpiece Title: A Wife Well Manag'd; Or, Cuckoldom Prevented

Afterpiece Title: The Humours of Harlequin; or, The Life and Death of Dr Faustus

14049
10 February 1733 @ Covent Garden

Event Comment: A new Opera. Written by the late Mr Gay. With New Habits and Scenes. Receipts: #207 11s. 6d. Daily Courant, 12 Feb.: Mr Pultney and Mr Pope were in the Pit....They were in the House before any body else was admitted. Sir William Windham was also present at this Performance; but notwithstanding the Countenance given to it, there was so much Obscenity and Scurrility in it, that it raised a general Abhorrence in the Audience. [See also The Bee, 17 Feb., for a puff concerning this performance and the play in general.

Performances

Mainpiece Title: Achilles

Related Works
Related Work: The Rival Father; or, The Death of Achilles Author(s): William Hatchett

14050
31 May 1733 @ Haymarket Theatre

Event Comment: Set to Musick after the Italian Manner. The Habits and Decorations entirely New. [Probably by Eliza Haywood and William Hatchett, with music by Arne.] 7 p.m. 5s., 3s., 2s

Performances

Mainpiece Title: The Opera Of Operas; Or, Tom Thumb The Great

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): William Hatchett