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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "William Brown"/1) | (@(roleclean,performerclean) "William Brown")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12850 results for: Keyword - William Brown
We found 11089 matches on Author, 2006 matches on Performance Comments, 513 matches on Event Comments, 93 matches on Performance Title, and 0 matches on Roles/Actors.

501
01 November 1661 @ Middle Temple

Event Comment: See Calendar of the Middle Temple Records, ed. Hopwood, p. 169, for a fee of #20 paid to Sir William Davenant's@company, the receipt being signed by Richard Baddeley; and for #1 5s. for baize to cover the stage and scenes. The play may well have been Love and Honour

Performances

Mainpiece Title: Love And Honour

Related Works
Related Work: Love and Honour Author(s): Sir William Davenant

502
10 September 1664 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This apparently was not the first performance, but the time of premiere is not known. Pepys, Diary: My wife and I and Mercer to the Duke's house, and there saw The Rivalls, which is no excellent play, but good acting in it; especially Gosnell comes and sings and dances finely, but, for all that, fell out of the key, so that the musique could not play to her afterwards, and so did Harris also go out of the tune to agree with her. Downes (p. 23): The Rivals, A Play, Wrote by Sir William Davenant; having a very Fine Interlude in it, of Vocal and Instrumental Musick, mixt with very Diverting Dances: M Price introducing the Dancing, by a short Comical Prologue, gain'd him an Universal Applause of the Town....And all the Womens Parts admirably Acted; chiefly Celia, a Shepherdess being Mad for Love; especially in Singing several Wild and Mad Songs

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

503
06 January 1665 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. An entry in the journal of William Hamon--see also Late January 1664--refers to a performance ca. 6 Jan. 1664@65: Item given my 4 sistars for the Rivalls 00 06 00 (Folger MS. v. a. 422)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rivals Author(s): Sir William Davenant

504
12 September 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Tu Quoque Or The City Gallant

Performance Comment: [Altered from John Cooke by Sir William Davenant.]
Related Works
Related Work: Tu Quoque; or, The City Gallant Author(s): Sir William Davenant

505
09 August 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. The date on the list seems to be "3," but as this is a Sunday, it is more likely "9." This performance may well be the one to which Downes (Roscius Anglicanus, p. 31) refers: Note, Mr Cademan in this Play [The Man's the Master], not long after our Company began in Dorset-Garden; his Part being to Fight with Mr Harris, was Unfortunately, with a sharp Foil pierc'd near the Eye, which so Maim'd both the Hand and his Speech, that he can make little use of either; for which Mischance, he has receiv'd a Pension ever since 1673, being 35 Years a goe. [For a discussion of this accident, see William VanLennep, Henry Harris, Actor, Friend of Pepys, Studies in English Theatre History (London, 1952), p. 16, and the entry under 20 Aug. 1673.

Performances

Mainpiece Title: The Mans The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant

506
September 1674 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Sometime in September Nell Gwyn attended this play, but the document listing her attendance is mutilated and the exact date is lost. See William VanLennep, Nell Gwyn's Playgoing at the King's Expence, Harvard Library Bulletin, IV (1950), 406

Performances

Mainpiece Title: Love And Honour

Related Works
Related Work: Love and Honour Author(s): Sir William Davenant

507
15 July 1726 @ Lincoln's Inn Fields

Event Comment: Not Acted these Twelve Years. Written by Sir William D'Avenant, and carefully revised. Receipts. #28 7s. 6d

Performances

Mainpiece Title: The Mans The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant

Song: Salway

Dance: Newhouse, Pelling, Mrs Ogden, Mrs Anderson; Chacone-Mrs Anderson; Two Pierrots-Newhouse, Pelling

508
19 August 1726 @ Lincoln's Inn Fields

Event Comment: Not Acted these Sixteen Years. For the Entertainment of his Excellency Sid Mahomet Ben Ali Abogly, Ambassador from the Emperor of Morocco. Written by Sir William D'Avenant, and very carefully revis'd with Alterations. Receipts: #31 9s. 6d

Performances

Mainpiece Title: The Wits

Related Works
Related Work: The Wits Author(s): Sir William Davenant
Related Work: Wits Led by the Nose; or, A Poet's Revenge Author(s): William Chamberlayne

Afterpiece Title: The Jealous Doctor

Song: TThe Genius of England-Salway

Dance: CChacone-Mrs Anderson; Scottish Dance-Smith, Mrs Ogden; Pastoral-Burney, Mrs Anderson

509
04 December 1745 @ Goodman's Fields

Event Comment: As altered by Mr Dryden and Sir William Davenant from Shakespear

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Related Works
Related Work: The Tempest Author(s): William Shakespeare

510
03 November 1775 @ Covent Garden

Event Comment: Mainpiece: A Comedy [in 5 Acts by Sir William Davenant, slightly altered for the stage by Henry Woodward] never acted there. [The lady identified by Hopkins MS Notes and named in the Edition of 1775. The Westminster Magazine for Nov. suggests Shuter instead of Quick for Sancho. The review thought it an indifferent Comedy which "yet could be made a most excellent farce....The dialogue has all the rust of antiquity about it, and the modernizing scenes are left to the discretion of the performers. However, in representation, this piece cannot fail of entertaining....Miss Leeson, who appeared in the character of Isabella, has an agreeable plaasing figure, a good face and a marking eye; her voice is weak, but after she got rid of her fright was sufficiently articulate; there was an ease and nature in her deportment and dialogue that entitles her to encouragement."

Performances

Mainpiece Title: The Mans The Master

Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant

Afterpiece Title: The Two Misers

Cast
Role: Harriet Actor: Miss Brown.

Dance: End: The Pilgrim, as17750927

511
02 June 1662 @ Theatre in Vere Street

Event Comment: This play is in Herbert, Dramatic Records p. 118: Cornelia a New Play, sir W. Bartleys. The date in Herbert is 1 June, a Sunday in 1662, with another play in the same group falling on Sunday. Nevertheless, the verse comment (see below) written, apparently, before the summer of 1662 points toward 2 June 1662 rather than 1 June 1663. Edward Browne also lists it as one of the plays he attended. The play was not printed. BM Add. Mss. 34217, in Hotson, Commonwealth and Restoration Stage, p. 246: @For Cornelia they all doe say@There was abundance of witt in the play@Indeed t'had soe much t' was the worse for 't@For t' was to witty for the vulgar sort@And they who'd have poetts their Benefactors@Say witt without mony's naught for the Actors.

Performances

Mainpiece Title: Cornelia

Performance Comment: . [By Sir William Bartley?] .
Related Works
Related Work: Cornelia Author(s): Sir William Berkeley

512
18 May 1787 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Brown. Public Advertiser, 12 May: Tickets to be had of Mr and Mrs Brown, No. 147, Drury-Lane. Receipts: #172 15s. (78.0.6; 4.12.6; tickets: 90.2.0)

Performances

Mainpiece Title: The Chapter Of Accidents

Performance Comment: As17870417, but Bridget-Mrs Brown (1st appearance in that character).
Cast
Role: Bridget Actor: Mrs Brown
Role: Vane Actor: Brown

Afterpiece Title: The Romp

Cast
Role: Watty Actor: Brown
Role: Priscilla Tomboy Actor: Mrs Brown.

Entertainment: Monologues End: A Dissertation on Hobby Horses , in which (the speaker) will mount upon their different Hobbies the following Personages: The Ladies , Patriots , Statesmen , Captains , Lawyers , Macaronies , Soldiers , Fidlers , Manager , and his own Hobby-Brown; End afterpiece: Dr Goldsmith's Epilogue in the Character of Harlequin , to conclude with a Leap eight feet high-Brown

513
15 May 1775 @ Covent Garden

Event Comment: Benefit for Wild (prompter) and Miss Brown. Mrs Barry's indisposition prevents her appearing in the character of Athenais

Performances

Mainpiece Title: Theodosius

Afterpiece Title: St Patricks Day

Cast
Role: Lauretta Actor: Miss Brown

Dance: III: A Minuet-King, Miss Brown

Entertainment: Interlude.End: True Blue-Miss Brown, Mrs Baker, Reinhold, Mattocks; Dances-Aldridge

Performance Comment: End: True Blue-Miss Brown, Mrs Baker, Reinhold, Mattocks; Dances-Aldridge.
Cast
Role: True Blue Actor: Miss Brown, Mrs Baker, Reinhold, Mattocks

514
29 April 1777 @ Covent Garden

Event Comment: Benefit for Miss Brown. The Words of the Pastoral Dialogue to be had Gratis at the Theatre. Mainpiece: Not acted these 6 years. Receipts: #244 6s. 6d. (167.1.6; tickets: 77.5.0) (charge: #64 10s.)

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Mattocks; Sir John Flowerdale-Hull; Harman-Mahon; Jenkins-Dunstall; Jessamy-Wewitzer; Colonel Oldboy-Wilson; Lady Mary Oldboy-Mrs Green; Diana-Miss Brown; Jenny-Mrs Wilson; Clarissa-Mrs Mattocks.
Cast
Role: Diana Actor: Miss Brown

Afterpiece Title: The Citizen

Performance Comment: As17761108, but Young Philpot-Lee Lewes; Maria-Miss Brown (1st appearance in that character).
Cast
Role: Maria Actor: Miss Brown

Dance: End Dialogue: As17761123; End I: Minuet-Aldridge, Miss Brown

Song: End: New Pastoral Dialogue [Tell me Silvia why so sad?] set to music by Dr Arnold-Miss Wewitzer, Miss Brown

Performance Comment: ] set to music by Dr Arnold-Miss Wewitzer, Miss Brown.
Cast
Role: Dr Arnold Actor: Miss Wewitzer, Miss Brown.

515
15 August 1797 @ Haymarket Theatre

Performances

Mainpiece Title: The Deaf Lover

Related Works
Related Work: The Deaf Lover Author(s): William Shield
Related Work: The Device; or, The Deaf Doctor Author(s): William Shield

Afterpiece Title: The Italian Monk

Song: 2nd piece: General Chorus [of Assassins and Nuns (text)]-Linton, Brown, Lyons, Aylmer, Little, Willoughby, Dibble, Kenrick, Caulfield Jun., Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve

Performance Comment: , Mrs Andrews, Miss Menage, Mrs Butler, Mrs Brown, Mrs Benson, Mrs Masters, Mrs Norton, Mrs Gaudry, Miss Leserve.

516
20 August 1730 @ Bartholomew Fair

Performances

Mainpiece Title: Wat Tyler And Jack Straw Being The Representation Of That Celebrated And Heroick Action Of Sir William Walworth A lord Mayor Of London Performd In The Reign Of king Richard The Second Shewing How He Stabd The Insolent Rebel wat Tyler At The Head Of His Rout In smithfield For Which Reason The Dagger Which He So Loyally Employd Was Added To The Citys Arms And Loyalty

Performance Comment: Wat Tyler-Penkethman; Jack Straw-Collet; King-Bardin; Lancaster-Huddy; Suffolk-Smith; Lord Mayor-W. Williams; Young Walworth-Havard; Pease Stock-W. Giffard; 1st Mob-R. Williams; 2d Mob-Pearce; 3d Mob-Wilcocks; 4th Mob-Machen.
Cast
Role: Lord Mayor Actor: W. Williams
Role: 1st Mob Actor: R. Williams

517
09 April 1714 @ Chancery Lane

Event Comment: Benefit William Turner. Tickets 3s. 6d. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music , all New; Compos'd by Mr William Turner-

518
30 July 1731 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Jovial Crew

Cast
Role: Amie Actor: Miss Williams
Related Works
Related Work: The Jovial Crew Author(s): William ConcanenWilliam YongeWilliam Bates
Related Work: The Jovial Crew; or, The Merry Beggars Author(s): William Bates

Music: As17310727

519
25 July 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: The Jovial Crew

Related Works
Related Work: The Jovial Crew Author(s): William ConcanenWilliam YongeWilliam Bates
Related Work: The Jovial Crew; or, The Merry Beggars Author(s): William Bates

520
27 August 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: The Jovial Crew

Related Works
Related Work: The Jovial Crew Author(s): William ConcanenWilliam YongeWilliam Bates
Related Work: The Jovial Crew; or, The Merry Beggars Author(s): William Bates

521
01 November 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: The Jovial Crew

Related Works
Related Work: The Jovial Crew Author(s): William ConcanenWilliam YongeWilliam Bates
Related Work: The Jovial Crew; or, The Merry Beggars Author(s): William Bates

522
21 January 1662 @ Theatre in Vere Street

Performances

Mainpiece Title: The Jovial Crew

Related Works
Related Work: The Jovial Crew Author(s): William ConcanenWilliam YongeWilliam Bates
Related Work: The Jovial Crew; or, The Merry Beggars Author(s): William Bates

523
11 January 1669 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Jovial Crew

Related Works
Related Work: The Jovial Crew Author(s): William ConcanenWilliam YongeWilliam Bates
Related Work: The Jovial Crew; or, The Merry Beggars Author(s): William Bates

524
August 1670 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: The Roman Empress

Related Works
Related Work: The Roman Empress Author(s): William Joyner

525
29 June 1699 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jovial Crew

Related Works
Related Work: The Jovial Crew Author(s): William ConcanenWilliam YongeWilliam Bates
Related Work: The Jovial Crew; or, The Merry Beggars Author(s): William Bates