SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow of the late Dr Arne"/1) | (@(roleclean,performerclean) "Widow of the late Dr Arne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2524 matches on Event Comments, 1134 matches on Performance Comments, 913 matches on Performance Title, 819 matches on Author, and 0 matches on Roles/Actors.
Event Comment: This Day publish'd at 1s. The Taxes, a Dramatic Entertainment [Dr Bacon] Printed for W. Owen

Performances

Mainpiece Title: None

Event Comment: None admitted behind the Scenes. No after money returned after the Curtain is drawn up. [Repeated during the run of this piece.] A new Farce of 2 acts wrote by Dr Smolet-went off wth Great App: (Cross). [See Theatrical Review for the Year 1757 and the beginning of 1758, for contemporary comment.] Receipts: #200 (Cross)

Performances

Afterpiece Title: The Reprisal; or, The Tars of Old England

Event Comment: Alter'd from the Italian with several new Additions. [By Dr Morell. Set by Handel. The words entirely adapted to the Music of Il Trionfo del Tempo, composed at Rome about 1707 (Biographia Dramatica).

Performances

Mainpiece Title: The Triumph Of Time And Truth

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Performance Comment: Actors only listed, but Vocal Parts-Beard, Champness, Vernon, Mrs Vernon, Miss Young; but edition of 1758 lists: Agis-Mossop; Lysander-Garrick; Amphares-Havard; Rhesus-Holland; Euxus-Davies; Agesistrata-Mrs Pritchard; Sandane-Mrs Yates; Euanthe-Mrs Cibber; Prologue-Garrick; Epilogue-Mrs Pritchard.
Cast
Role: Euanthe Actor: Mrs Cibber
Event Comment: [This month published Observations on the Use of Theatres, their present regulations and possible improvements. Price 1s. Printed for Cooper. See review in Gentleman's Magazine (p. 232). Proposal is that the "conduct of theatrical entertainments be for the future taken under the care of the goverment, and a person of judgment and integrity appointed by the name of comptroller, or conductor of the stage, who alone shall determine what old plays shall be acted, and what new ones received; and who shall take charge of the money received, and defray the necessary expenses, accounting for the remainder to the public. The author seemingly Dr John Hill, lately (see 21 Dec. 1758) upset by the failure of his farce, The Rout. (Winston MS 8). Receipts: #108 (Cross); #122 6d. (Winston MS 8)

Performances

Mainpiece Title: The Orphan Of China

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Garrick1st time; Aboan-Holland; Blandford-Palmer; Imoinda-Mrs Cibber; Stanmore-Packer; Driver-Bransby; Governor-Burton; Planters-Moody, Perry, Scrase, Atkins, Mrs Bradshaw; Hotman-Blakes; Slaves-Ackman, Clough, Fox; In Act II will be introduc'd an Entertainment of Singing-Champnes, Reinhold, Miss Young; The Music by Mr Stanley, with a proper Dance of the Slaves-Grimaldi, Noverre, Matthews.
Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: The Anatomist

Event Comment: Went off with applause (Cross). Afterpiece: a New Pantomime after the Manner of the Italian Comedy, with New Scenes, Habits, Decorations. Nothing under Full Prices will be taken. No Gentleman can possibly be admitted behind the Scenes or into the Orchestra, on account of the Machinery and Music. The Music composed by Dr Boyce. The Songs will be printed, and deliver'd at the doors. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: Harlequin's Invasion; or, A ChristmasGambol

Performance Comment: Harlequin-King1st time; others-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Scrase, Vaughan, Ackman, Fox, Mrs Bennet, Miss Pope; The Vocal Parts-Champness, Reinhold, Mrs Vernon, Miss Young, Miss Spencer; The Dances-Grimaldi, Giorgi, Sga Giorgi, Miss Baker; And a new Occasional Prologue-.
Related Works
Related Work: Harlequin's Invasion; or, A Christmas Gambol Author(s): Michael Arne
Event Comment: [The Farce A Fairy Tale in 2 acts by Dr Hawkesworth never acted before. Epilogue by Garrick. Spoken by Mrs Yates. The Fairy announced as Miss Marten in advance bills (Winston MS 9).

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Edgar and Emmeline

Event Comment: Benefit for King. Tickets to be had of Mr King, at his lodgings in Broad Court, Bow Street; and of Mr Varney, at the Stage Door. The New Hippocrates, wrote by Dr Hiffernan--wretched, but went off quietly (Hopkins MS Notes)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The New Hippocrates; or, A Lesson for Quacks

Entertainment: After the Play: by Desire, for that night only The Picture of a Playhouse or, Bucks Have at Ye All-Mr King; a Mimic Comic opera song-Mrs Clive

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: [See Theatrical Review; or, Annals of the Drama, 1 April, pp. 146-49.] Oratorio is a "Sacred Ode by Dr Brown. Adapted (by the Author of the Ode) to select Airs, Duets and Chorusses from Handel, Marcello, Purcell and other eminent composers" (Public Advertiser)

Performances

Mainpiece Title: The Cure Of Saul

Music: As17630218

Event Comment: Oratorio by Dr Morell. Set by Mr Smith to the Music of some old genuine performances of Handel (Biographia Dramatica). Music of the Songs and Chorusses entirely from works of Mr Handel. This day publish'd Nabal an Oratorio, as performed at Covent Garden. Price 1s. This day Publish'd Midas: an English Burletta. 2nd Edition. Price 1s. As it is acted with great applause at Covent Garden

Performances

Mainpiece Title: Nabal

Music: As17640309

Performances

Mainpiece Title: Solomon

Event Comment: Paid for a paragraph of the Pantomime of Dr Faustus the 4th Nov. in the Ledger and Gazetteer 6s. (Account Book). Receipts: #82 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Royal Chace

Event Comment: Tragedy, never before acted, by Dr T. Franklin. Published at 1s. 6d. [See A Letter from the Rope Dancing Monkey in the Hay-Market to the acting Monkey of Drury Lane on the Earl of Warwick (London, 1767) which damns the play as a flat and insipid plagiarism from de la Harpe's tragedy Le Conte de Warwick, Paris, 1764. Especially severe on Colman's Prologue and Garrick's Epilogue.] Rec'd stopages #4 11s. 6d.; Paid salary list #440 4s. (Treasurer's Book). Receipts: #165 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Deuce Is in Him

Related Works
Related Work: The Deuce is in Him Author(s): George Colman, the elder
Event Comment: Afterpiece: By Particular Desire. For the Author. House Charges #73 10s. [Profit to Dr Franklin #98 8s.] Paid Ben Johnson's Head a bill #3 11s.; Barrow & Co., for oil, #56 13s. (Treasurer's Book). Receipts: #171 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: High Life below Stairs

Cast
Role: Lovel Actor: Cautherley, 1st time

Dance: End: The Vintage, as17661011

Event Comment: Written by Dr Brown; composed by Arnold. For the Benefit and Increase of a Fund, established for the Support of Decayed Musicians and their Families. Upper Gallery 3s. 6d. #694 5s. 2d. spent in previous fiscal year by this charity

Performances

Mainpiece Title: The Cure Of Saul

Performance Comment: Vocal Parts-Vernon, Champness, Mrs Barthelemon, Mrs Thompson (nee Poitier), Mrs Pinto.

Music: FFirst Violin-Pinto; I: Concerto on Violin-Fisher; II: Concerto on Hautboy-Vincent

Performances

Mainpiece Title: None

Event Comment: Ninth Day. For the Author. Charges #67 15s. Balance to Goldsmith #98. Paid Dr Goldsmith the balances of his 1st and 2nd nights for The Good Natured Man #145 12s. 6d. #96 15s. (Account Book). Receipts: #165 15s. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Cast
Role: Mrs Garnet Actor: Mrs Green
Related Works
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Michael Arne

Afterpiece Title: Midas

Event Comment: Paid Dr Goldsmith the balance of his 3rd night of the Good Natured Man of the 9th Inst....#98 (Account Book). Receipts: #124 12s. (Account Book)

Performances

Mainpiece Title: The Good Natured Man

Cast
Role: Mrs Garnet Actor: Mrs Green
Related Works
Related Work: The Fathers; or, The Good Natur'd Man Author(s): Michael Arne

Afterpiece Title: Thomasand Sally

Dance: End: The Merry Sailors, as17671009

Performances

Mainpiece Title: The Cure Of Saul

Music: VViolin Solo-Barthelemon; Concerto on Hautboy-Simpson

Event Comment: Benefit for Woodward. Ladies send servants by 4 o'clock. Charges #66 19s. Balance to Woodward #87 16s. 6d. plus #65 15s. from 263 Box tickets (Account Book). [The proposed afterpiece, Dr Schomberg's burlesque tragedy, The Rival Favourites; or, Death of Bucephalus the Great (Public Advertiser, 4 March), had been sent to the Licenser 27 Feb., had been cast, and put in rehearsal, but was dropped and never played there. It had been done in Edinburgh in 1765. Larpent MS 293 is the Edinburg edn. The rivals are Statira and the Horse, Statira bribes Alexander's physician to kill Bucephalus.] Receipts: #154 16s. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Oxonian in Town

Performance Comment: As17681005, but with the Original Prologue By Desire-Shuter.

Dance: End: The Irish Lilt, as17680930

Event Comment: Benefit for Mrs Yates. Mainpiece: A Tragedy (Written by Voltaire) and translated by [Dr Thomas Francklin] the Author of The Earl of Warwick. Pit and Boxes will be laid together. Ladies are desired to send their servants by 4 o'clock. Mrs Yates will be particularly oblig'd to those Ladies, and Gentlemen, who have seats in the Pit, if they will be co kind as to come as early as possible to prevent confusion in getting their places. [Genest V, 242, conjectures the following assignment of parts: Orestes-Smith; Aegisthus-Bensley; Pammenes-Clarke; Pylades-Perry; Electra-Mrs Yates; Clytemnestra-Mrs Ward; Iphisa-Mrs Bulkley.] Charges #65 7s. 6d. Balance to Mrs Yates #39 1s. plus #180 10s. from 722 Box tickets (Account Book). Total House value #284 18s. 6d. Receipts: #104 8s. 6d. (Account Book)

Performances

Mainpiece Title: Orestes

Related Works
Related Work: Orestes Author(s): Lewis Theobald

Afterpiece Title: Catherine and Petruchio

Cast
Role: Catherine Actor: Mrs Green.

Dance: End: The Garland, as17681028

Event Comment: Last time of performing the afterpiece before the Benefits. A duel with pistols between George? Garrick and Baddeley on account of G. Garrick remon[stratin]g with Baddeley on [receiving] his wife's salary. Baddeley fir'd then G. G. fir'd in the air, and a reconciliation took place (Winston MS 10, from Dr Burney's News Clippings). [See full and humorous acct Town and Country Magazine, March, pp. 157-58 with woodcut of duel.

Performances

Mainpiece Title: Othello

Cast
Role: Othello Actor: Barry