SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Widow Leigh"/1) | (@(roleclean,performerclean) "Widow Leigh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1050 matches on Performance Comments, 439 matches on Performance Title, 377 matches on Event Comments, 20 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Miss Evans and Miss Mountfort. At the Desire of several Persons of Quality. [In Cowper MS, III, 79, James Cragg enclosed in a letter to Thomas Coke "Three small playing cards having on the back of each 'June 26th The Amorous Widow or the Wanton Wife. The Box. For the Benefitt of Miss Mountfort and Miss Evans."

Performances

Mainpiece Title: The Amorous Widow

Dance: A New Dance by Four Scaramouches to Faranoll's Ground never perform'd but once-; A Scotch and Irish Dance-Miss Evans; Firbank, Firbank's Scholar

Event Comment: Benefit Moor, Box Bookkeeper. Mainpiece: Taken from Moliere. Tickets for the Widow Cook, Allen, Erwin also taken

Performances

Mainpiece Title: The Amorous Widow

Cast
Role: Jeremy Actor: Leigh

Afterpiece Title: The Virgin Unmask'd

Dance: I: English Maggot-Villeneuve, Mrs Walter; II: Harlequin-Denoyer's@Prentice; III: Minuet-Villeneuve, Mrs Anderson; IV: Punch's Dance, as17370519; V: Wooden Shoe Dance-Livier, Villeneuve

Performances

Mainpiece Title: The Old Widow Bewitch'd; Or, The Devil To Do About Her

Performance Comment: With the droll Humours of Capt Fluellin, Capt Culverin, Loadham, Pinchgut, Meagre, Capt Bellair, Old Widow Rich, Belinda, and Jenny.

Afterpiece Title: The Joyous Return of the Brave British Tars from the Conquest of Cape Breton

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Sir John Falstaff

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksy-Johnson; Nephew-L'Estrange; Bates-Fearon; Thomas-Waldron; Sir Patrick O'Neal-Palmer; Irish Widow, with Epilogue song-Mrs Greville.

Entertainment: End: Bucks Have at Ye All-Palmer

Event Comment: Mainpiece [1st time; CO 5, by Richard Cumberland. Larpent MS 508, which also lists the following parts: Marsyas, Gumias, Chloris. Text not published; synopsis of plot in London Chronicle, 2 Feb. Songs published, without listings parts (G. Kearsley, 1780)]: With new Scenes, Dresses and Decorations. The Songs set to music and a new Overture by Butler. Book of the Songs to be had at the Theatre. Public Advertiser, 1 Feb. 1780: This Afternoon is published the Songs in The Widow of Delphi (6d.). Receipts: #228 4s. 6d. (227.4.6; 1.0.0)

Performances

Mainpiece Title: The Widow Of Delphi; Or, The Descent Of The Dieties

Afterpiece Title: The Upholsterer

Event Comment: [Home, who was from the Bristol theatre, is identified in Morning Herald, 21 June.] Afterpiece [1st time; F 2, by Elizabeth Inchbald, based on L'Heureuse Erreur, by Joseph Patrat. Prologue by Thomas Holcroft (see text)]. Morning Chronicle, 15 Aug. 1786: This Day is published The Widow's Vow (1s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Widow's Vow

Event Comment: Powell: The Jew rehearsed at 10 (for Palmer); Irish Widow at 12. Receipts: #416 15s. 6d. (353/14/6; 61/7/0; 1/14/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE IRISH WIDOW

Performance Comment: Sir Patrick O'Neale-Moody; Whittle-Waldron; Nephew-Benson; Bates-Maddocks; Kecksey-Dodd; Thomas-Burton; Footman-Webb; Blackboy-Master Gregson//Widow Brady (with the Epilogue Song)-Mrs Goodall .

Song: As17940428

Event Comment: 2nd piece [1st time; F 1, by Thomas John Dibdin; incidental music by John Moorehead]: Altered from [Die Witwe und das Reitpferd, This Day is published The Horse and the Widow (1s.). 3rd piece: Altered into Two acts. Receipts: #187 17s. 6d. (180.6.6; 7.11.0)

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Horse and the Widow

Afterpiece Title: Albert and Adelaide

Dance: In 3rd piece: Procession and Dance of Swabian Peasants, as17981211, but Miss _Gray

Event Comment: Mainpiece: [By Charles Molloy.] Never Acted before. Afterpiece: [By John Leigh.] A new Farce...being the Sequel to Country Wake. [The Prince present.

Performances

Mainpiece Title: The Half Pay Officers

Performance Comment: Principal Part-Peg Fryer it being the first time of her Appearing on any Stage since the Reign of King Charles II; [The edition of 1720 adds: Bellayr-Ryan; Fluellin-Griffin; MacMorris-H. Bullock; Culverin-Spiller; Meagre-C. Bullock; Loadham-Harper; Sharp-Egleton; Jaspar-Boheme; Widow Rich-Mrs Vandervelt [Peg Fryer?]; Benedict-Mrs Bullock; Charlotte-Miss Stone; Jane-Mrs Robertson; Prologue-; Epilogue-.
Cast
Role: Widow Rich Actor: Mrs Vandervelt

Afterpiece Title: Hob's Wedding

Related Works
Related Work: Hob's Wedding Author(s): John Leigh

Dance: Bashful Maid, Irish Trot-Mrs Fryer

Event Comment: Benefit Giles, Rowland, Widow Bewley.Receipts: money #5 14s.; tickets #109 19s

Performances

Mainpiece Title: The Cheats

Performance Comment: As17201126, but Runter-Boheme; Afterwit-Leigh; Bilboe-Egleton; Titere Tue-H. Bullock; Mrs Mopsus-Mrs Elsam; Double Diligence-Mrs Gulick; Biatrice-Mrs Knap; Ciss-Miss Stone.
Cast
Role: Afterwit Actor: Leigh

Song: Harper's Mimic Scene, Song of 4 and 20 Stockjobbers-Harper

Event Comment: Benefit Widow Bowen and Widow Leigh

Performances

Mainpiece Title: The Jovial Crew

Dance: Thurmond Jr, Shaw, Denoye, Mrs Bullock, Miss Tenoe, Mrs Bicknell, Mrs Younger

Event Comment: Benefit Widow Bowen and Widow Leigh. With all the Original Decorations of Rising, Sinking, and Flying; and Dances proper to the Play

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Music: All the Witches Musick , both Vocal and Instrumental, by the late Mr Barret-

Event Comment: At Bullock and the Widow Leigh's Great Booth, in the Greyhound Inn Yard. An excellent new Droll

Performances

Mainpiece Title: The Constant Lovers; Or, The False Friend; With The Comical Humours Of Sir Timothy Timberhead And His Man Pismire

Song: Mrs Willis

Dance: Newhouse, Pelling, Miss Francis, Mrs Willis

Event Comment: Benefit Widow Leigh and Bury

Performances

Mainpiece Title: The Spanish Fryar

Dance: Thurmond Jr, Boval, Lally, Mrs Bullock, Mrs Tenoe, Miss Smith

Event Comment: At Bullock-Widow Leigh Booth in Smithfield

Performances

Mainpiece Title: Love's Triumph; Or, The Happy Fair One

Event Comment: Benefit Widow Leigh and May

Performances

Mainpiece Title: Don John

Music: As17201019

Dance:

Event Comment: Benefit Widow Leigh. Mainpiece: As 7 Jan

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Acis and Galatea

Event Comment: Benefit Ray, Fielding, and Widow Leigh

Performances

Mainpiece Title: The Spanish Fryar

Dance: II: Harlequin-Young Rainton; V: Muzette-Young Rainton, Miss Johnson

Song: III: Hunting Song-Ray; IV: Song in The Fair Penitent , Words by Mr Congreve, Musick by Mr J. Eccles to be sung-Ray

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162: At the Fond Husband. See also Nicoll, Restoration Drama, p. 349. Downes (Roscius Anglicanus, p. 36): [This comedy and Otway's The Soldier's Fortune] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit. One song, Under the branches of a spreading tree, set by William? Turner, is in Choice Ayres and Songs, The Second Book, 1679. For Nokes and Leigh in this play, see Cibber, Apology, ed. Lowe, I, 149. According to The Guardian, 15 June 1713, Charles II attended three of the first five nights of this play

Performances

Mainpiece Title: A Fond Husband; Or, The Plotting Sisters

Performance Comment: Edition of 1677: Rashley-Smith; Ranger-Harris; Peregrine Bubble-James Nokes; Old Fumble-Anth. Leigh; Sir Roger Petulant-Sandford; Sneak-Jevan; Spatterdash-Richards; Apothecary-Percival; Emillia-Mrs Barrer; Maria-Mrs Marshal; Cordelia-Mrs Hughes; Betty-Mrs Napper; Governess-Mrs Norrice; Prologue-; Epilogue-Fumble; Edition of 1678 adds: Jeremy-Richards.
Cast
Role: Old Fumble Actor: Anth. Leigh
Event Comment: The Duke's Company. The date of the first performance is not known; an entry in L. C. 5@145, p. 120, lists it for 1 March, but leaves the year in question. See also Nicoll, Restoration Drama, p. 349. Because the Prologue upbraids the audience for deserting Dorset Garden to see The Female Prelate at Drury Lane (beginning 31 May 1680) and because the Epilogue refers to railing at the Penny Post, a service inaugurated on 1 April 1680, a performance in mid-June 1680 seems the likely first production. If so, the L. C. entry for 1 March probably represents a revival for 1 March 1680@1. A song, Bonny lass gin thou wert mine, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681. For Leigh as Sir Jolly and Nokes as Sir Davy, see Cibber, Apology, ed. Lowe, I, 147-48. Downes (Roscius Anglicanus, p. 36): These two Comedies [The Soulder's Fortune and D'Urfey's The Fond Husband] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit

Performances

Mainpiece Title: The Souldiers Fortune

Performance Comment: Edition of 1681: Beaugard-Betterton; Courtine-Smith; Sir Davy Dunce-Nokes; Sir Jolly Jumble-Leigh; Fourbin-Jevon; Bloody Bones-Richards; Vermin-A Boy; Lady Dunce-Mrs Barry; Sylvia-Mrs Price; Prologue by the Lord Falkland-; Epilogue-.
Cast
Role: Sir Jolly Jumble Actor: Leigh
Event Comment: The United Company. The date of the first performance is not certain, but it was very likely this day. Writing on 12 May 1688, Peregrine Bertie states that it had been acted nine days successively. If the ninth performance fell on Friday 12 May, the premiere probably occurred on Wednesday 3 May. The Prologue and Epilogue, printed separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 261-63. Downes (Roscius Anglicanus, p. 41): This Play by its Excellent Acting, being often Honour's with the presence of Chancellor Jeffereies, and other great Persons had an Uninterrupted run of 13 Days together. Note, The Poet receided for his third Day in the House in Drury Lane at single Prizes 130 l. which was the greatest Receipt they ever had at that House at single Prizes. Dedication, Edition of 1688: This, I must confess, made me hope for success upon the Stage, which it met with, but so great, as was above my expectation (in this Age which has run mad after Farces) no Comedy, for these many years, having fill'd the Theatre so long together: And I had the great Honour to find so many Friends, that the House was never so full since it was built, as upon the third day of this Play; and vast numbers went away, that could not be admitted. For Leigh as Belfond Sr, see Cibber, Apology, ed. Lowe, I, 147-48; and for Underhill as Lolpoop, I, 154-55. For further comment upon the play, see 12 May 1688

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Edition of 1688: Prologue to the Squire of Alsatia-Mr Mountfort; Sir William Belfond-Leigh; Sir Edward Belfond-Griffin; Belfond Sr-Jevon; Belfond Jr-Mountfort; Freeman-Bowman; Cheatly-Samford; Shamwell-Powel Jun; Captain Hackum-Bright; Scrapeall-Freeman; Attorney-Powell Sr; Lolpoop-Underhill; Termagant-Alexander [Verbruggen?]; Teresia-Mrs Knight; Isabella-Mrs Mountford; Ruth-Mrs Cory; Lucia-Mrs Bracegirdle; Mrs Termagant-Mrs Bowtell; Epilogue-Mrs Mountfort.
Cast
Role: Sir William Belfond Actor: Leigh
Event Comment: Benefit Bickerstaff and Leigh. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Performance Comment: Yeoman-Estcourt; Squib-Pinkethman; With a new Epilogue to the Town-Leigh.

Afterpiece Title: A Visiting Scene of 4 Aldermen's Ladies

Song: The Mad Dialogue, other songs-Leveridge, Mrs Lindsey

Dance: duRuel, Cherrier, duBargues, Miss Santlow; particularly the Union Dance, as twas perform'd before Her Majesty at St. James's-Mrs Santlow, duBargues

Event Comment: Flip by Mr Leigh, who Acted it Originally; Mizen by Mr Powell, it being desir'd by several Ladies of Quality

Performances

Mainpiece Title: The Fair Quaker Of Deal

Performance Comment: Flip-Leigh; Mizen-Powell; Worthy-Thurmond; Sir Charles-Husband; Easy-Cory; Rovewell-Shepard; Indent-Bullock Jr; Cribbige-Elrington; Coxen-Norris; Locker-Spiller; Arabella-Mrs Baker; Dorcas-Mrs Shepard; Belinda-Mrs Kent; Jenny-Mrs Spillar; Jiltup-Mrs Sapsford.
Cast
Role: Flip Actor: Leigh

Dance: As17100708

Event Comment: Benefit J. Leigh. Receipts: money #111 9s.; tickets #63 16s. [The afterpiece is presumably the same as that of 14 March with an altered title.

Performances

Mainpiece Title: The Indian Emperor; Or, The Conquest Of Mexico By The Spaniards

Performance Comment: As17170108, but Guyomar-J. Leigh; Orbellan-_; Vasquez-_; Pizarro-_; Odmar-_; Cydaria-Miss Rogers; And a new Epilogue in praise of the Hoop'd Petticoat-Bullock.
Cast
Role: Guyomar Actor: J. Leigh

Afterpiece Title: The Butcher Turned Gentleman

Dance: Moreau, Mrs Bullock, Mrs Schoolding, Salle, Mlle Salle; with Irish Jigg-Mrs Schoolding

Event Comment: Benefit Leigh. At the Desire of several ladies of Quality

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Keene; Macduff-J. Leigh.
Cast
Role: Macduff Actor: J. Leigh.

Afterpiece Title: Amadis