SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for R. Palmer and Staunton. 2nd piece [1st time; INT 1, by Charles Stuart. Larpent MS 777; not published]. Receipts: #283 3s. 6d. (44.4.0; 16.6.6; 1.11.0; tickets: 221.2.0) (charge: #109 13s. 9d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Box Lobby Loungers

Afterpiece Title: Too Civil by Half

Event Comment: The Last Time of the Company's performing this Season. Account-Book, 21 July: Received of Their Majesties and the Princess Royal #66. Receipts: #206 6s. 6d. (195.1.0; 10.8.0; 0.17.6)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The First Floor

Event Comment: Afterpiece: 1st time in 2 acts

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Siege of Curzola

Dance: In afterpiece: Byrn, the two Miss Simonets, the young D'Egvilles, Miss DeCamp

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Agreeable Surprise

Performance Comment: As17870618 but Sir Felix Friendly (1st time)-Moss.

Dance: As17870627

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Larpent MS 779; not published; synopsis of plot in Universal Magazine, Aug. 1787, p. 100. Prologue by the author; Epilogue by George Colman elder (European Magazine, July 1787, pp. 63-64). In 1789 altered as The School for Widows]

Performances

Mainpiece Title: The Country Attorney

Afterpiece Title: Harvest Home

Event Comment: Mainpiece [1st time; CO 3, by George Colman ynger]: With new Scenes, Dresses, and Decorations. The Overture, new Airs, and Accompaniments by Dr Arnold [partly adapted from Paisiello]. The Scenes painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 5 Sept. 1787: This Day is published Inkle and Yarico (1s. 6d.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Guardian

Event Comment: Benefit for Bannister Jun. Public Advertiser, 31 July: Tickets to be had of Bannister Jun., Frith-street, Soho. [Author of Prologue unknown.] 3rd piece [1st time; F 1, by James Cobb]. Public Advertiser, 24 Aug. 1787: This Day is published English Readings (1s.)

Performances

Mainpiece Title: Transformation

Afterpiece Title: The Spanish Barber

Afterpiece Title: English Readings

Dance: End: a Pas de Deux Provencale-the two Miss Simonets

Entertainment: In the course of the Evening's Entertainments various Imitations-Bannister Jun

Ballet: End 3rd piece: a grand dance, never performed, Gli Schiavi per Amore. Bastiano Amazzagatta-young D'Egville; Mons. Perruque-young Giorgi; Don Berticco-George D'Egville; Mad. Neri-Miss Blanchet; Glinda-Miss DeCamp

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: Dr Lasts Examination

Afterpiece Title: The Intriguing Chambermaid

Afterpiece Title: The Day

Performance Comment: Morning. Champaign Country The Early Horn-Miss George; How sweet in the Woodlands-Davies, Miss George; Noon. Skirts of a Wood Sweet Echo-Mrs Bannister; Dance Shepherd's Wedding-Byrn, Mrs Goodwin, the two Miss Simonets; Prithee Susan-Meadows, Mrs Forster; Afternoon. A Drawing-Room Time has not thinn'd-Meadows, Mrs Bannister; Where the Bee sucks-Davies, Mathews, Miss George, Mrs Bannister; Night. A Country Church-yard My Lucy alas is no more-Chapman, Mrs Forster, Mrs Edwards; dance Fairies Sporting-young D'Egville, Giorgi's Scholars, Miss DeCamp; Musical Epilogue-Meadows, Chapman, Mathews, Mrs Edwards, Mrs Gaudry, Mrs Forster.
Event Comment: Benefit for Miss Farren. Afterpiece [1st time; MF 2, "taken from the French" (see Songs), by @@ Robinson. Larpent MS 783; not published. Music selected by John Edwin, ynger (Town and Country Magazine, Sept. 1787, p. 414). Author of Prologue unknown]

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Balthasar Actor: Meadows

Afterpiece Title: The Test of Love

Dance: In II: a Masquerade Dance-Byrn, the two Simonets, young D'Egville, Miss DeCamp

Event Comment: Benefit for Edwin. 2nd piece [1st time; F 2, by George Colman, elder, based of L'Avocat Patelin, by David Augustin de Brueys. This is usually ascribed to William Macready. But on the title-page of his copy (K-D 295 in Huntington Library) J. P. Kemble has written "This Piece was not written by Mr Macready." Public Advertiser, 29 Aug. states that "Colman...presented Edwin upon this occasion with a new Farce, taken from a celebrated French Play." World, 15 Oct. 1787 refers to Colman's dislike of L'Avocat Patelin, but adds, "When [he] came to translate it himself, he found reason to alter his opinion."]. Public Advertiser, 25 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Sir John Cockle At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost or The Man Bewitchd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Event Comment: Mainpiece [1st time; T 5, by Andrew McDonald. Prologue by the author (London Chronicle, 6 Sept.). Epilogue by Henry Mackenzie (see text)]

Performances

Mainpiece Title: Vimonda

Afterpiece Title: The Golden Pippin

Event Comment: [Seymour is identified in European Magazine, Oct. 1787, p. 315. Address by Edward Hickey Seymour (London Chronicle, 4 Oct.).] "The clock striking two -instead of the usual folly of a small table bell, when Macbeth's drink was ready -forms an alteration of much good sense and propriety" (World, 2 Oct.). "Of the Lady Macbeths [since the time of Garrick] Mrs Siddons has exhibited the most happy effect of her skill -has shown a portrait of Lady Macbeth which before existed but in imagination. Mrs Yates claims the second place of eminence; her deportment and manner were equal to Mrs Siddons, but very inferior to her in pathos and energy. Mrs Pope's performance lays claim to praise, particularly in the sleeping scene, but there is a certain delicacy and tenderness associated with the powers of that lady which prevents her giving a glowing picture of that female fiend. Mrs Bates's performance was sufficiently marking and bold in some passages, but the whole wanted uniformity and finishing" (Public Advertiser, 4 Oct.). Receipts: #225 (224.5; 0.15)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Love and War

Song: Vocal Parts-Johnstone, Bonville, Cubitt, Darley, Doyle, Rock, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Kennedy

Entertainment: Monologue Before: Occasional Address-Pope

Event Comment: Mainpiece [1st time; C 5]: Altered from Beaumont and Fletcher, by Dryden [by Thomas King. The original alteration, 1700, was by Sir John Vanbrugh, not by Dryden. The present alteration has been attributed to John Philip Kemble, but in his copy of the play, now in the Huntington Library (K-D 95), he has written "by Thomas King"]. Public Advertiser, 22 Nov. 1787: This Day is published, as now revived with material Additions, The Pilgrim (1s.). Receipts: #85 9s. 6d. (72.5.0; 13.4.6; 0.0.0)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: All the Worlds a Stage

Dance: End I: a New Dance-Hamoir, Ferrere, the Miss Stageldoirs; End III: The Capricious Lovers, as17870920; End IV: another New Dance-Hamoir, Ferrere, the Miss Stageldoirs

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe]: A new Overture by Tommaso? Giordani, the rest of the Music composed and selected from Paisiello, Storace and Morelli] by Shield. Books of the Songs to be had at the Theatre. Account-Book, 27 Nov.: Paid O'Keeffe in full for the Farce & Copyright of The Farmer #150. Receipts: #130 11s. 6d. (124.0.0; 6.11.6)

Performances

Mainpiece Title: Zenobia

Afterpiece Title: The Farmer

Performance Comment: Principal Characters-Edwin, Johnstone, Blanchard, Fearon, Thompson, Darley, Booth, Mrs Martyr, Miss Rowson, Mrs Platt, Mrs Mattocks. [Cast from O'Keeffe's Dramatic Works, IV (T. Woodfall, 1798): Jemmy Jumps-Edwin; Valentine-Johnstone; Rundy-Blanchard; Colonel Dormont-Fearon; Farmer Stubble-Thompson; Farmer Blackberry-Darley; Fairly-Booth; Counsellor Flummery-Rock; Landlord-Ledger; Molly Maybush-Mrs Martyr; Louisa-Miss Rowson [in text: Mrs Mountain (see17871107)]; Landlady-Mrs Platt; Betty Blackberry-Mrs Mattocks.
Cast
Role: Molly Maybush Actor: Mrs Martyr

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Richard Coeur de Lion

Performance Comment: Richard (1st time, with a song from the original Piece)-Kelly; Blondel-Barrymore; Guillot-Suett; Seneschal-Phillimore; Pilgrim-Chaplin; Old Mathew-Fawcett; William-Spencer; Florestan-Williames; Sir Owen-Dignum; Antonio-Miss Romanzini; Lauretta-Mrs Crouch; Dorcas-Mrs Love; Collette-Miss Cranford; Julie-Miss DeCamp; Matilda-Mrs Jordan.

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Benefit for Cambray (the last Time of his performing here this Season). Public Advertiser, 8 Nov.: Tickets to be had of Cambray, No. 18, Norfolk-street. Receipts: #185 1s. 6d. (184.6.0; 4.15.6; tickets: none listed)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lyar

Song: Vocal Parts, as17871001, but Janson

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Barnaby Brittle

Performance Comment: Barnaby Brittle-Quick; Lovemore-Davies; Jeremy (1st time)-Wewitzer; Clodpole-Fearon; Sir Peter Pride-Booth; Damaris-Mrs Morton; Lady Pride-Mrs Pitt; Mrs Brittle-Mrs Mattocks.

Dance: As17871029

Performances

Mainpiece Title: Robin Hood

Performance Comment: As17871018, but Ruttekin (1st time)-Bernard.

Afterpiece Title: The Midnight Hour

Event Comment: Julia [advertised on playbill of 26 Nov.] is obliged to be deferred on account of the Indisposition of Mrs Siddons. Afterpiece: 7th time [i.e. in continuation of the reckoning for the previous season]. Receipts: #81 4s. 6d. (52.17.0; 27.3.0; 1.4.6)

Performances

Mainpiece Title: Percy

Afterpiece Title: The Distressd Baronet

Event Comment: A Serio-Comic Opera in 2 acts (never performed here [1st performed at Vienna, 1784; and in April 1795 performed at king's under the title of Il Conte Ridocolo]). The Music composed in his best style by Paisiello. Under the direction of Mazzinghi. Fineschi being hardly recovered from his late severe indisposition humbly hopes for the indulgence of the public, whom rather than disappoint, he would run any danger. Gallini, for the last time, most respectfully entreats those few Subscribers who have hitherto delayed of declaring themselves, or sending in the names of their Co-subscribers, to do it immediately, as no one can be admitted without showing the Ticket for this year; and the Boxes not bespoke cannot remain empty after the opening of the House. Tickets to be had, and Subscription paid, as usual, at Messrs Ransom, Morland and Hammersley's, bankers, No. 57, Pall-Mall. The Doors to be opened at 6:00. To begin precisely at 7:00 [see 3 Jan. 1788]. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "The only Part of the scenery which is interesting is the bridge Rialtov, and this is badly executed; it looks like a pantomimic show, but not like a grand opera scene; the bridge is crowded with figurative passengers, and small gondolas appear beyond it. The first idea is a capital error, for the representation of the bridge is supposed sideways, and being covered with shops, no passengers can be seen; the latter idea of boats being placed beyond the bridge crowds the scene, and makes the bridge lose its grand appearance at a distance...The Managers of the Opera are exceedingly to blame for having substituted a Soprano to a Tenor in the character of Gafforio" (Public Advertiser, 17 Dec.). Receipts: #164 14s. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 159 at 10s. 6d. (i.e. #83 9s. 6d.). 100 were delivered to Toosey, office-keeper at the King's Door pit entrance; he sold 26 at 10s. 6d. (i.e. #13 13s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 190 at 5s. (i.e. #47 10s.). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 118 at 3s. (i.e. #17 10s.). Sale of one box #2 2s. "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 5s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed was almost invariably the case on every night of the season; but see 5 Apr. 1788.

Performances

Mainpiece Title: Il Re Teodoro In Venezia Or Theodore king Of Corsica At Venice

Dance: End I: a new Divertissement (composed by Chevalier)-Chevalier, Coulon, Vestris, the two Miss Simonets, Sga Bedini, Mlle Coulon (1st appearance); End Opera: a new ballet (composed by Noverre) Les Offrandes a l'Amour-Didelot (1st appearance), Coulon, Vestris, Mlle Hilligsberg, Mlle Vedie, Mlle Coulon, Saulnier, Henry, Sala, the two Miss Simonets, Mlle Grenier, Mezierres

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Larpent MS 789; not published. Prologue by Henry Sampson Woodfall Jun. (London Chronicle, 17 Dec.); Epilogue by Frederick Pilon (Public Advertiser, 19 Dec.)]. [Miss Blower had 1st appeared at dl, 27 Apr. 1782, and thereafter in Dublin.] Receipts: #180 7s. 6d. (169.19.0; 10.8.6)

Performances

Mainpiece Title: All On A Summers Day

Afterpiece Title: Miss in her Teens

Performance Comment: Fribble-Bernard; Puff-Fearon; Captain Loveit-Macready; Jasper-Thompson; Captain Flash-Ryder; Tag-Mrs Webb; Miss Biddy-Miss Blower (1st appearance on this stage [i.e. in a speaking part; see17871022]).i.e. in a speaking part; see17871022]).
Cast
Role: Miss Biddy Actor: Miss Blower
Event Comment: Afterpiece [1st time; P 2(?), by Ralph Wewitzer. Not in Larpent MS; not published; synopsis of action in Public Advertiser, 28 Dec.]: With new Music, Scenery, Dresses, Machinery, and Decorations. The Music composed by Walter? Clagget. The Scenes designed and executed by Richards, Carver, Hodgins and others. Nothing under Full Price will be taken. Receipts: #192 2s. (188.12; 3.10)

Performances

Mainpiece Title: Jane Shore

Cast
Role: Hastings Actor: Pope

Afterpiece Title: The Dumb Cake or The Regions of Fancy

Performance Comment: Cast from Public Advertiser, 28 Dec.: Harlequin-Brown; German Baron-Wewitzer; English Father-Fearon; Petit Maitre-A Young Gentleman (1st appearance [Blurton?]); Pierrot-Cubitt; Clown-Blanchard; Columbine-Mrs Rock; English Father's Wife-Mrs Pitt; Barones-Mrs Davenett. [World, 28 Dec., also lists, without assignment, Mrs Webb and Miss Tweedale.]World, 28 Dec., also lists, without assignment, Mrs Webb and Miss Tweedale.]
Cast
Role: Clown Actor: Blanchard

Dance: [not listed on playbill]. "A dance based on a print entitled The Long Minuet (by H. W. Bunbury) was well attempted" (World, 27 Dec.)

Event Comment: "The orchestra, during the whole time of representations [of the opera] has by no means been conducted with that exactness that should be expected from that band...It must be supposed that neither the master of music at the harpsichord, nor Mr Cramer, the leader, have influence or power enough to prevail on the band to play, or rather, to accompany, more correctly...The arias of the tenor and base [sic] have been played, or rather accompanied, too fast, and without harmony with the voices of Morelli and Fineschi, which being good, and they seeming to wish to sing with all possible expression, the orchestra should have accompanied accordingly. Mme Storace, howefer, has baffled the efforts of the musicians to make her sing out of tune, quick or slow. As they fiddled, she modulated" (Public Advertiser, 17 Jan.). Receipts: #147 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

Event Comment: Mainpiece [1st time; CO 3, by James Cobb]: Some of the Airs compiled from the best Masters; the rest of the Music, the Overture, Accompaniments, &c. by Linley? Sen. With variety of new Scenery ["A view of Calcuttav, from a painting done on the spot by Hodges, opens the piece" (Public Advertiser, 26 Feb.)], Dresses and Decorations. Public Advertiser, 6 Mar. 1788: This Day is published Love in the East (1s. 6d.). Receipts: #207 8s. 6d. (172.8.0; 33.9.6; 1.11.0)

Performances

Mainpiece Title: Love In The East Or Adventures Of Twelve Hours

Performance Comment: Principal Characters by King, Baddeley, Bannister Jun., Aickin, Dignum, Williames, Kelly, Miss Romanzini, Miss Pope, Mrs Wilson, Miss Collett, Mrs Crouch. Cast from text (W. Lowndes, 1788): Mushroom-King; Colonel Baton-Baddeley; Twist-Bannister Jun.; Colonel Bentley-Aickin; Stanmore-Dignum; Capt. Coromandel-Williames; Warnford-Kelly; Rosario-Miss Romanzini; Mrs Muchroom-Miss Pope; Eliza-Mrs Wilson; Lucy-Miss Collett; Ormellina-Mrs Crouch.

Afterpiece Title: All the Worlds a Stage

Event Comment: Afterpiece [1st time; F 2, by John O'Keeffe, based on Les Intrigants; ou, Assaut de Fourberies, by Antoine Jean Bourlin, dit Dumaniant. Prologue probably by the author.]. Receipts: #269 8s. 6d. (264.10.0; 4.18.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tantara Rara Rogues All

Dance: End: New Divertisement-[see17880124]