Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by various eminent Composers [Anfossi, Myslivecek and Piccinni]. Amongst them several airs by Handel. Under the Direction of Bertoni. With entire new Scenes, Dresses and Decorations, both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. and 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughtout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. To prevent mistakes, Ladies who have not sent the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the office of the Theatre, in order to [permit] their Tickets being engraved. Subscriptions are received by Johnson in Union Court, Hay Market

Event Comment: Afterpiece [1st time; P 2, by Charles Dibdin. After being altered and enlarged this was billed as Harlequin Every-where (see 27 Dec.)]: With entire new Music; new Scenes, Dresses and Decorations. The Music composed by Dibdin; the Scenes designed and executed by Richards, Carver, Hodgins, Cipriani. Nothing under Full Price will be taken. The Orphan [announced on playbill of 29 Nov.] is deferred on account of Mrs Hartley's Indisposition. Account-Book, 13 Nov.: Paid Hodgins, painter, 14 weeks salary #36 15s. Public Advertiser, 1 Dec. 1779: This Afternoon is bublishpublished The Mirror (1s.). Receipts: #180 18s. (168.1; 12.17)

Event Comment: Mainpiece: Written by the author of Percy [Hannah More]. 5th time [i.e. in continuation of the reckoning for the previous season.Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text).] Receipts: #121 (118.1; 2.19)

Event Comment: Mainpiece [1st time; T 5, by William Hodson. Prologue by William Collier, Poems (1800, 1, 241). Epilogue by the author (see text)]: With new Dresses, and new Scenery and Decorations design'd by DeLoutherbourg and executed under his direction. Public Advertiser, 19 Jan. 1780: This Morning at Ten is published Zoraida (1s. 6d.). Receipts: #147 10s. 6d. (118.1.0; 28.12.0; 0.17.6)

Event Comment: Mainpiece: A new Comic Opera (in 2 acts); the music by Sacchini. Afterpiece: A serious Opera [1st time; SER I, author unknown; a pasticcio]. The music selected from several eminent Composers [BUC lists only Bertoni]

Event Comment: [The playbill retains Mrs Hartley as Imoinda, but she "being taken suddenly ill, Mrs Jackson, though at a very short notice, will appear in the character of Imoinda this Evening" (printed slip attached to BM playbill).] Afterpiece: With Alterations and Additions [P 3. This was originally entitled The Mirror; it is billed, correctly, as the 16th time. Synopsis of this alteration in London Chronicle, 28 Dec.]. Receipts: #191 3s. (188.8; 2.15)

Event Comment: Mainpiece [1st time; CO 3, by Charles Dibdin: With New Scenes and Dresses. The Overture, and all the Music entirely new, composed by Dibdin. Books of the Opera to be had at the Theatre. Public Advertiser, 18 Jan. 1780: This Afternoon is published The Shepherdess of the Alps (1s. 6d.). Receipts: #158 13s. (156.16.6; 1.16.6)

Event Comment: Afterpiece [1st time; F 2, by Frederick Pilon, altered from his The Device (see 27 Sept. 1779); incidental music by William Shield; Prologue by the author (see text)]. Account-Book, 16 June: Paid Pilon for the Deaf Lover #100. Receipts: #192 3s. (190.0.6; 2.2.6)

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Times, announced on playbill of 5 Feb.] Receipts: #262 18s. 6d. (252.13.0; 9.5.6; 1.0.0)

Event Comment: Benefit for Henderson. Ode: With the Songs, Chorusses, &c. The Music by Dr Arne. "When I recited Mr Garrick's Ode in a private room, I felt what I said, and I believe gave it some effect. Very different was it upon the stage. My feelings were weakened and confounded by the band, my voice lost its scale, and was overpowered by the music in the orchestra" (Ireland, p. 47). Public Advertiser, 26 Feb.: Tickets to be had of Henderson at his house, Great Buckingham-street, York Buildings. [His 1st appearance as Sir John Brute was at Bath, 1 Jan. 1774.] Receipts: #234 13s. 6d. (charge:#105). Account-Book notes that Henderson sold 319 tickets for the boxes and 85 for the pit, together worth #92 10s., and that tickets sold at the doors were worth #142 3s. 6d

Event Comment: Benefit for Brereton. 2nd piece [1st time; INT I, by Hannah Cowley; not published]. Public Advertiser, 18 Mar.: Tickets to be had of Brereton, No. 11, Tavistock Street, Covent Garden. Receipts: #246 14s. 6d. (90.4.0; 26.0.6; 0.0.0; tickets: 130.10.0) (charge: #69 9s.)

Event Comment: Benefit for Aickin. Mainpiece: With the triumphal entry of Alexander into Babylonv. 2nd piece [1st time; M.INT I; compiler unknown]. Public Advertiser, 8 Apr.: Tickets to be had of Aickin, Bow Street, Covent Garden. Receipts: #300 12s. 6d. (235.10.6; tickets: 65.2.0) (charge: #73 14s.)

Event Comment: Afterpiece [1st time; CO 2, by William Augustus Miles]: The music entirely new, composed by Michael Arne. With new Scenes, Dresses, and Decorations. Books of the Opera to be had at the Theatre. Public Advertiser, 15 Apr. 1780: This Day is published The Artifice (1s.). Receipts: #119 8s. 6d. (71.12.0; 47.1.6; 0.15.0)