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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7799 results for: Keyword - Weston</i>, has some Requisites, may in Time be a tolerable Actor in low Comedy--<span class=
We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

5676
02 June 1720 @ Drury Lane Theatre

Event Comment: Benefit Cook and Wilkins, Boxkeepers. Being postively the last Time of the Company's Acting this Season

Performances

Mainpiece Title: The Old Batchelor

Dance: Weaver, Thurmond Jr, Lallie, Mrs Bullock, Mrs Tenoe, Miss Smith

5677
21 June 1720 @ King's Theatre

Event Comment: For the Last Time of Acting

Performances

Mainpiece Title: L S Bains De La Porte St

Afterpiece Title: Les Adieux DArlequin Pierrot et Colombine

Dance: As17200531

5678
22 August 1720 @ Drury Lane Theatre

Event Comment: Written by Ben. Johnson. Being the last Time of Acting this Summer

Performances

Mainpiece Title: Bartholomew Fair

Dance: As17200721

5679
02 January 1721 @ Drury Lane Theatre

Event Comment: Original Weekly Journal, 7 Jan.: Last Monday Night the Celebrated Mrs Oldfield performed at the Theatre in Drury Lane, for the first Time since her Indisposition

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

5680
06 June 1721 @ Drury Lane Theatre

Event Comment: Benefit Cook and Wilkins, Boxkeeper. Mainpiece: As it was alter'd by the late Duke of Buckingham. Being positively the last Time of the Company's Acting this Season

Performances

Mainpiece Title: The Chances

Afterpiece Title: Hob

Dance: Shaw, Mrs Booth; Scotch Lass-Mrs Bullock

5681
04 July 1721 @ Drury Lane Theatre

Event Comment: For the last Time of Acting till August

Performances

Mainpiece Title: The London Cuckolds

Dance: Miss Lindar

5682
22 August 1721 @ Drury Lane Theatre

Event Comment: As it was alter'd from Shakespear by Sir William D'avenant and Mr Dryden. With all Decorations and Dances proper to the Play. Being the last Time of Acting this Summer

Performances

Mainpiece Title: The Tempest

5683
23 May 1722 @ King's Theatre

Event Comment: Admission as 9 Dec. 1721. By Reason of the Length of the Days, the Hours for the Operas will be changed from Six to Seven a Clock, at which Time it will begin exactly

Performances

Mainpiece Title: Floridante

5684
30 May 1722 @ Drury Lane Theatre

Event Comment: Benefit Cook and Wilkins, Boxkeepers. Being positively the last Time of the Company's Acting this Season

Performances

Mainpiece Title: The Fatal Marriage

Music: Between the Acts: Select Pieces-

Dance: Shaw, Thurmond Jr, Mrs Booth, Mrs Bullock

5685
01 June 1722 @ Lincoln's Inn Fields

Event Comment: Benefit Smith, Morgan, Giles. Being the last Time of the Company's Acting this Season. Receipts: money #20 3s. 6d.; tickets #92 10s

Performances

Mainpiece Title: The Fair Quaker Of Deal

Dance: Lally, Mrs Rogier; Hornpipe-Jones

5686
02 June 1722 @ Lincoln's Inn Fields

Event Comment: At the Desire of several Persons of Quality. Being positively the last Time of the Company's Acting this Season. Receipts: #11 1s. 6d

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

5687
12 January 1723 @ King's Theatre

Event Comment: [Text by Haym. Music by Handel.] Admission as 7 Nov. Daily Journal, 14 Jan.: On Saturday Night, his Majesty was at the Opera...and Signiora Catzoni, newly arrived from Italy, perform'd for the first Time, to the Surprize and admiration of the Audience, which was very numerous. [See also London Journal and British Journal, 12 and 19 Jan.

Performances

Mainpiece Title: Otho

5688
15 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

5689
19 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. Upon Complaint to the Royal Academy of Musick, that Disorders have been of late committed in the Footmen's Gallery, to the Interuption of the Performance, This is to give Notice, That the next Time any Disorder is made there, that Gallery will be shut up

Performances

Mainpiece Title: Otho

5690
22 July 1723 @ Hampstead

Event Comment: As 8 July. N.B. We shall play three or four Times a Week during our Stay here

Performances

Mainpiece Title: Love For Love

Dance:

5691
26 November 1723 @ Drury Lane Theatre

Event Comment: Afterpiece: [By John Thurmond.] A new Grotesque Entertainment...in the Character of Harlequin, Mephostophilus, Scaramouch, Pierrot, Punch, and the Spirit of Helen. The whole concluding with a grand Masque of the Heathen Deities, (viz), Apollo, Mars, Bacchus, Mercury, Diana, Ceres, Flora, and Iris. All the Scenes, Machines, Habits, and other Decorations being entirely New. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. N.B. No Money (under the full Price) will be taken during the Time of the Play

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Harlequin Doctor Faustus

5692
18 March 1724 @ Haymarket Theatre

Event Comment: Benefit Corbet, lately arriv'd from Italy, being the first Time of his Performance. By Subscription. Pit and Boxes half a guinea. Gallery 4s. At 6 p.m

Performances

Mainpiece Title: Concert

Music: viol de Vevere a particular New Instrument, never yet heard of in England, after the New Manner of Signiora Faustina-Corbet

5693
13 June 1724 @ Drury Lane Theatre

Event Comment: Weekly Journal or Saturday's Post, 13 June: His Majesty's Comedians have Orders not to depart above a certain Number of Miles from London his Season, in order, as tis said, to be at hand to entertain his Prussian Majesty, who is expected here in a Month's Time

Performances

5694
01 October 1724 @ Drury Lane Theatre

Event Comment: Afterpiece: Concluding as usual with a Grand Masque of the Heathen Deities. No Money (under the full Price) will be taken during the Time of the Play

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Doctor Faustus

5695
05 April 1725 @ Drury Lane Theatre

Event Comment: Benefit Mrs Horton. Davies (Dramatic Miscellanies, I, 103-4): Upon Mrs Younger's quitting Drury-lane for a more advantageous income at Lincoln's-inn-fields, [Mrs Horton] was called upon by Wilks to act the part of Phillis in the Conscious Lovers. Younger had given the public so much entertainment in that part, that Mrs Horton met with very uncandid treatment from the audience; who so far forgot what was due to merit and the handsomest woman on the stage, that they endeavoured to discourage her by frequent hissing. She bore this treatment with patience for some time. At last, she advanced to the front of the stage, and boldly addressed the pit: "Gentlemen, what do you mean?What displeases you; my acting or my person?' This shew of spirit recovered the spectators into good humor, and they cried out, as with one voice, No, no, Mrs Horton; we are not displeased; go on, go on.

Performances

Mainpiece Title: The Conscious Lovers

Dance: Thurmond, Mrs Booth, Mrs Tenoe, Young Rainton, Miss Robinson

5696
08 September 1725 @ Southwark Fair

Event Comment: At about 11 a Clock at Mrs Lee's@great@Booth on the Green in Southwark, happen'd a very sad Accident: The Gallery over the Stage not being thoroughly secured, gave way, when between Twenty and Thirty People fell with it....It is high Time for Authority to interpose, to suppress those Nurseries of Lewdness, if so little Care is taken that those who resort to their Entertainments, must be in Jeopardy.--Parker's Penny Post, 13 Sept

Performances

5697
08 February 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales present. Universal Mercury, February 1726: Mr Handel had the Satisfaction of seeing an old Opera of his not only fill the House, which had not been done for a considerable time before, but People crowding so fast to it, that above 300 were turn'd away for want of room

Performances

Mainpiece Title: Otho

5698
28 October 1726 @ King's Theatre

Event Comment: By His Majesty's Command. N.B. This being the first Time of Acting on Account of Subscriptions, the General Tickets will be sent to the Subscribers. [The King present.

Performances

Mainpiece Title: The Most Knowing Least Understanding Or Harlequins Metamorphosis Viz

Afterpiece Title: The Pleasant Marriage Concluding with The Singing Deities

Dance: Dancing and other Decorations proper to the Play , entirely new and diverting-

5699
25 January 1727 @ King's Theatre

Event Comment: By His Majesty's Command. [Admetus was reheared for the first time this day.

Performances

Mainpiece Title: Linganno Fortunato Or The Happy Delusion With Pantalons Concern For The Loss Of His Daughter And His Confusion Among The Ghosts Harlequins Preferments And Brighellas Love For Argentina

Dance: Dancing In Grotesque Characters-

5700
24 April 1727 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Camilla

Afterpiece Title: The Metamorphoses of Cartouche

Performance Comment: Pantalon, the Doctor, Brighella , being the first Time of their Appearing on that Stage, wherein Brighella transforms himself into the following Shapes, viz. 1st, An Idiot; 2d, A Swiss Musick-Master (with the Stuttering Song); 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady. 3d, A Venetian Gondolier, with the Song in Imitation of Les Tambour; 4th, An Armenian Teyman; 5th, A Florentine Cook; 6th, A Scaramouch; 7th, A French Dwarf Lady.

Dance: TTwo Pierrots-Nivelon, Poitier

Song: Two Songs in Italian by the Author-Rochetti