SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in low Comedy ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4810 matches on Event Comments, 3422 matches on Performance Comments, 607 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Litchfield, who is identified in European Magazine, Jan. 1794, p. 50, had made his 1st appearance on the stage at Richmond, 7 Sept. 1793, billed as "A Young Gentleman" (Charles Mathews, Memoirs, 1838-39, I, 70, and Thespian Magazine, Supp. 1793, p. 401). Not. Dram. states that "A person under the name of Litchfield but as I am informed in reality a Mr Holland Nephew to Mr Holland formerly of Drury Lane appeared 1st time at the HM in Richard III." But Holland was at this time acting at Bath, and did not appear in London until 31 Oct. 1796, at Drury Lane.]

Performances

Mainpiece Title: The Life And Death Of King Richard The Iiid

Cast
Role: Lord Mayor Actor: Wewitzer

Afterpiece Title: MY GRANDMOTHER

Event Comment: Benefit for Kent and Family. By Desire of Her Serene Highness, the Margravine of Anspach. Kent's most respectful Compliments waits on the Ladies and Gentlemen of Hammersmith, and its Vicinity, informs them that Mr Newman has kindly granted the Assembly Room for one or two Evenings; to accomodate Her Highness the Margravine and principal Inhabitants: Kent has spar'd neither trouble or expence to render it conveniant [sic] as possible, the Room itself being very respectable & the Entrance unexceptionable. He earnestly solicits the company of his Friends in general, assuring them that every endeavour will be exerted for their Entertainment; the Interest of every Lady & Gentleman will be ever most gratefully remember'd, as very highly contributing to Kent's extricating himself from a Situation obvious to all acquainted with the Expence he has been at, and the ill Success he has met with. To begin exactly at 6:30. Admittance 2s. Tickets to be had at the Winsor Castle, of Kent, and Miss Connard in Union Court, and of Miss Kent, at Mrs Bevias

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: WHOS THE DUPE

Performance Comment: Granger-A Gentleman from London; Old Doiley-Kent; Grad us-Jo.hnson//Miss Doiley-Mrs Parsons; Charlotte-Miss Kent. VAUDEVILLE. End of mainpiece Garrick's Picture of a Modtrn Fint Lady by Miss Kent; a song (1st time) by Miss Connard; an Address to the Ladies by Miss C. Kent, a child 5 years old; a favourite song of Sans Cullote by Johnson; to conclude with an Address of ThtJnks, written by a Lady purposely for Mr Kent & Family, spoken by Kent . a song (1st time) by Miss Connard; an Address to the Ladies by Miss C. Kent, a child 5 years old; a favourite song of Sans Cullote by Johnson; to conclude with an Address of ThtJnks, written by a Lady purposely for Mr Kent & Family, spoken by Kent .

Performances

Mainpiece Title: Redemption A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Performances

Mainpiece Title: Columbus

Performance Comment: As17931004, but Harry Herbert (1st time)-Fawcett// Nelti (1st time)-Mrs Martyr; added: Valverdo-Thompson .

Afterpiece Title: BRITISH FORTITUDE AND HIBERNIAN FRIENDSHIP

Afterpiece Title: THE WATERMAN

Music: End of 1st piece several favorite pieces of music on the Union Pipes by Courtney, accompanied on the Harp by Weippert

Song: 3rd piece: To conclude with Rule Britannia by Incledon

Performances

Mainpiece Title: The Author

Afterpiece Title: HOW TO BE HAPPY

Performance Comment: Characters by Palmer, Barrymore, Fawcett, Aickin, Suett, C. Kemble, Johnstone, Parsons / / Mrs Gibbs, Mrs Kemble, Mrs Harlowe, Miss De Camp, Miss Heard, Mrs Hopkins. [Cast from European Magazine, Aug. 1794, p. 139, and Larpent MS: Seagrove-Palmer; Young Manley-Barrymore; Jack Scamper-Fawcett; Sir Charles Manley-Aiclcin; Sir John Marlow-Suett; Young Marlow-C. Kemble; Fitzgerald-Johnstone; Simon-Parsons// Julia-Mrs Gibbs; Miss Harcourt-Mrs Kemble; Mrs Scamper-Mrs Harlowe; Miss Furnish-Miss De Camp; Betsey-Miss Heard; Mrs Furnish-Mrs Hopkins.] Prologue spoken by Palmer. Epilogue spoken by Mrs Gibbs. COMMENT, 2nd piece [1st time; C 5, by George Brewer; incidental music by Dr Arnold. MS: Larpent 1034; not published. Prologue by the author (Morning Herald, 19 Aug.). Author of Epilogue unknown]: With new Scenery by Rooker, Dresses, and Decorations . Prologue spoken by Palmer. Epilogue spoken by Mrs Gibbs. COMMENT, 2nd piece [1st time; C 5, by George Brewer; incidental music by Dr Arnold. MS: Larpent 1034; not published. Prologue by the author (Morning Herald, 19 Aug.). Author of Epilogue unknown]: With new Scenery by Rooker, Dresses, and Decorations .
Cast
Role: Sir John Marlow Actor: Suett
Role: Young Marlow Actor: C. Kemble
Role: Mrs Scamper Actor: Mrs Harlowe

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Performance Comment: Richard (for that night only)-Bannister Jun.; King Henry-Bensley; Prince of Wales-Master De Camp; Duke of York-Miss Menage; Duke of Buckingham-Benson; Earl of Richmond-Palmer; Duke of Norfolk-Abbot; Ratcliffe-Pindar; Tressel-Bland; Sir William Catesby-Davies; Lord Stanley-Aickin; Sir R. Brackenbury-Palmer Jun.; Sir J. Blount-Lyons; Sir James Tyrrel-Waldron Jun.; Lord Mayor-Burton//Elizabeth-Mrs Harlowe (1st appearance in that character); Lady Anne-Mrs Kemble; Duchess of York-Mrs Hopkins .

Afterpiece Title: COMUS

Performance Comment: Comus-Palmer; Spirit-Pindar; Brothers-Palmer Jun., Bland; Bacchanals-Bannister, Davies, Sedgwick, Cooke, Linton, Kenrick, Walker, Dorion, Willoughby, Little, Brown, Aylmer, Saunders, Dibble, &c.//1st Bacchant and Pastoral Nymph (with Sweet Echo, accompanied on the hautboy by Foster) (1st time)-Miss Leak; 2nd Bacchant and Sabrina-Miss De Camp; 3rd Bacchant-Mrs Harvey; Euphrosyne (1st time)-Mrs Harlowe; Bacchants-Mrs Norton, Mrs Masters, Mrs Hale, Mrs Butler, Mrs Gaudry, Misses M. and C. Wrighten, Miss Menage; The Lady-Miss Palmer (1st appearance in that character) .
Cast
Role: Euphrosyne Actor: Mrs Harlowe

Performances

Mainpiece Title: Britains Glory

Afterpiece Title: THE SURRENDER OF CALAIS

Afterpiece Title: THE CHILDREN IN THE WOOD

Performance Comment: As17940719 but Lord Alford (1st time)-Palmer Jun.//Josephine (1st time)-Mrs Harlowe; omitted: Gabriel, Oliver, Servants . omitted: Gabriel, Oliver, Servants .
Cast
Role: Josephine Actor: Mrs Harlowe

Monologue: 1794 08 30 End of Act I of 3rd piece Collins's Ode on the Passions by Palmer

Event Comment: Afterpiece: 54th time [i.e. in continuation of the reckoning for the previous season, when it had been acted 52 times]. Account-Book; Paid Music #8 17s. 4d.; Properties 5s.; Chorus Singers #1 10s. [apiece]; Wardrobe #6 1s. 9d.; Supernumeraries #5 1s.; Sloper for Scenemen #28 11s. 6d.; Hodgins and apprentice #6 5s.; Walmsley #5 5s.; Phillips #2 12s. 6d.; Dick for making Clothes to 19th Inst. #7 1s. Receipts: #312 7s. (304.14; 7.13)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin and Faustus or The Devil will have his Own

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Rock, Linton, Blurton, Abbot, Street, Miss Poole, Mrs Mountain, Mrs Clendining, Miss Hopkins, Mrs Henley, Miss Stuart, Mrs Arnold, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand, Mrs Blurton, Mrs Masters, Mrs Martyr

Event Comment: Mainpiece [1st time; T 5, by Joseph Berington, altered from the same, by Gotthold Ephraim Lessing. MS: Larpent MS 1041; not published; synopsis of plot in Morning Herald, 30 Oct. It has hitherto been assumed that this play was altered by Benjamin Thompson, but "This Tragedy was translated from the German by the Rev. Jos. Berrington [sic]" (Kemble Mem.). Dr. Berington's authorship is also referred to in London Chronicle, 30 Oct. 1794. Thompson's translation was published by Vernor and Hood in 1800. Prologue by Richard Cumberland. Epilogue by George Colman, ynger (London Chronicle, 29 Oct.)]: The Dresses, Scenes and Decorations are entirely new. The Scenery in the four first Acts is the work of Signor Barzago and of his Brother; and in the fifth of Greenwood, by whom also a new Frontispiece is designed and executed. [Miss Miller, who had appeared the previous season as a chorus singer, is identified in European Magazine, Nov. 1794, p. 363.] The Doors to be opened at 5:15. To begin at 6:15 [see 20 Apr. 1795]. Powell: Emilia Galotti rehearsed at 10. The New Frontispiece and Stage doors were exhibited for the first Time this Evening. Receipts: #317 19s. 6d. (270.8.6; 46.5.0; 1.6.0)

Performances

Mainpiece Title: Emilia Galotti

Performance Comment: [Characters by Kemble, Palmer, C. Kemble, Aickin, Wroughton, Barrymore, Caulfield, Maddocks, Phillimore, Mrs Siddons, Mrs Powell, A Young Lady (who has never appeared on any stage Miss Miller]). [Cast from European Magazine, Nov. 1794, p. 363, and Genest, VII, 180: Duke of Guastalla-Kemble; Marquis Marinelli-Palmer; Count Appiani-C. Kemble; Camilla Rota-Aickin; Odoarto Galotti-Wroughton; Battista-Barrymore; Giuseppe-Caulfield; Pirro-Maddocks; Angelo-Phillimore; Countess Orsina-Mrs Siddons; Claudia Galotti-Mrs Powell; Emilia Galotti-Miss Miller; Prologue-Whitfield; Epilogue-Mrs Siddons.

Afterpiece Title: The Prize

Event Comment: By Command of Their Majesties. "God save the King was repeated by command of the audience no less than six times in the course of the evening; Rule Britannia was not forgotten" (London Chronicle, 27 Nov.). Account Book: Paid the Yeomen of the Guard #2 2s.; Their Majesties' Servants #3 17s. 6d. Receipts: #493 15s. 6d. (490.9.6; 3.6.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Hercules and Omphale

Cast
Role: The Princes retire and plan to seize her Actor: Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

Performances

Mainpiece Title: The Thespian Panorama

Performance Comment: As17950311but other Parts of the Entertainment-Mrs Wells will appear for the last time in public.

Performances

Mainpiece Title: The Dramatist

Performance Comment: As17950123, but Ennui (1st time)-Farley; Lord Scratch (1st time)-Munden; Marianne-Mrs Lee (1st appearance in that character); added: Willoughby-Macready; Peter-Thompson.

Afterpiece Title: Robin Hood

Performance Comment: As17941007, but Little John (1st time)-Munden; Stella-Mrs Follett; Angelina-Mrs Mountain.

Song: End: An Irishman's Tour thro' London or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St, James's, St. Paul's, The Tower, A Quarrel, A Masquerade-Johnstone; Old Towler, The Storm-Incledon

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Peeping Tom

Performance Comment: Peeping Tom (with The Little Farthing Rushlight)-Bannister Jun.; Mayor of Coventry (1st time)-Wathen; Crazy-Suett; Earl of Mercia (1st time)-Caulfield; Count Lewis-Palmer Jun.; Harold-Davies; Mayoress-Mrs Hopkins; Emma-Miss DeCamp; Lady Godina [sic]-Mrs Cuyler; Maud-Mrs Kemble.
Cast
Role: Mayor of Coventry Actor: Wathen
Role: Mayoress Actor: Mrs Hopkins

Afterpiece Title: New Hay at the Old Market

Cast
Role: Duke of Somerset Actor: Bland
Role: Adeline Actor: Mrs Harlowe

Afterpiece Title: The Son in Law

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: Zorinski

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Bannister Jun. (2nd appearance in that character); Sir ThomasTesty (1st time)-Burton; Friendly-Davies; Dick-Benson; Hob's Father-Suett; Hob's Mother (1st time)-Mrs Harlowe; Betty-Miss DeCamp; Flora-Miss Leak.
Cast
Role: Hob's Mother Actor: Mrs Harlowe
Event Comment: By Permission of the Lord Chamberlain. Benefit for Waldron, prompter. Mainpiece [1st time; TC 5, by Francis Godolphin Waldron. Larpent MS 1094; not published]: Founded on Shakespeare and Fletcher's Two Noble Kinsmen, by the Continuator of Ben Jonson's Sad Shepherd. With new Music composed by Dr Arnold. Copies of the Songs will be delivered gratis at the Theatre. Afterpiece [1st time; C 3, by Francis Godolphin Waldron, abridged from his The Maid of Kent. Larpent MS 1095; not published]: Written by the Author of Heigho for a Husband. Tickets and Places for the Boxes to be had of Waldron, No. 54, Drury-lane, and of Rice, at the Theatre

Performances

Mainpiece Title: Love And Madness

Performance Comment: Theseus-Davies; Palamon-Lacy Jun. (1st appearance in London); Arcite-Palmer Jun.; Governor-Wilkinson; Brother-Longdale; Officer-Waldron Jun.; Peasants-Holmes, Adcock, Willoughby, Aberdein; Female Peasants-Mrs Gawdry, Miss Gawdry, Mrs Hale, Mrs Butler, Mrs Jones; Emilia-A Young Lady [unidentified]; Attendant-Mrs Haskey; Hermia (with a song)-Mrs Harlowe.
Cast
Role: Attendant Actor: Mrs Haskey
Role: Hermia Actor: Mrs Harlowe.

Afterpiece Title: Tis a Wise Child Knows its Father

Performance Comment: Characters-Davies, Wilkinson, Palmer Jun., Usher, Waldron, Waldron Jun., A Young Lady, Mrs Harlowe. [Larpent MS lists the parts: Lord Sealand, Sir ThomasRichacre, Doctor Goodman, George, Metre, William, Emily, Patty.]Larpent MS lists the parts: Lord Sealand, Sir ThomasRichacre, Doctor Goodman, George, Metre, William, Emily, Patty.]
Event Comment: Mainpiece: Altered into Three Acts. "All the comic part of the play is cut out" (Monthly Mirror, Dec. 1795, p. 123). Afterpiece [1st time; P 2, by William Pearce]: The Incidents principally selected from the legendary Ballads of the 13th Century. The Scenery, Machinery, Music, Dresses and Decorations entirely new, and in correct conformity to the Times. The Pantomime invented by Mr Lonsdale. The Songs written by Mr O'Keeffe. The Overture and the Music (with the exception of a few Antient Ballad Tunes) by Reeve. The Dances invented by Byrn. [The concluding Grand Scene regulated by Thomas Harris (Monthly Mirror, supra).] The Scenery painted by Hodgins, Lupino, Phillips, Thorne, Hollogan, Blackmore, and assistants. The Machinery by Sloper and Goosetree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. [For a further assignment of the Vocal Characters and for a more detailed synopsis, see 4 Jan. 1796.] Account-Book, 16 Jan. 1796: Paid Goosetree for the Keep and Hire of Horses for the Pantomime #15 13s. Receipts: #321 19s. (318.10; 3.9)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Merry Sherwood or Harlequin Forester

Performance Comment: Principal Vocal Characters-Incledon, Johnstone, Munden, Fawcett, Bowden, Knight, Townsend, Richardson, Haymes, Gray, Street, Linton, Spofforth, Tett, Mrs Serres, Mrs Mountain, Mrs Clendining, Mrs Martyr; Principal Pantomimic Characters: Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-; Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; Part I. Scene I. A View in Sherwood Forest, Robin Hood's Well; Principal Archer (with In Merry Sherwood)-Bowden; Dialogue Ballad-Robin Hood, the Tanner; The Witch of Sherwood-Mrs Martyr; Scene II. A View of the Suburbs of Nottingham; The Bellman's Chaunt-Fawcett; Scene III. A Hall in the Sheriff's House; Scene IV. A View of the Town Hall of Nottingham; Scene V. A Country Alehouse; Tinker's Song-Knight; Scene VI. The Pinfold of Wakefield Town; Scene VII. Robin Hood's Bower; Scene VIII. View in Plumpton Park; Song by Allen o'Dale-Incledon; Scene IX. Pollard Wood; Song by the Damsel-Mrs Clendining; Scene X. Song by the Earl's Daughter-Mrs Serres; The Defeat of the Two Giants. The Princess's Marriage with Will Scarlet. A Grand Dance of Warriors-in the Field of Combat. Part II. Scene I. A View of Fountain Dale; Song by Curtal Fryar-Bowden; Scene II. Fountain Abbey Wall; Scene III. A View of Nottingham Castle; Beggar's Ballad-Townsend; Scene IV. Nottingham Market Place; Robin's rescue of Will Stukely from the Sheriff of Nottingham. Song by Irish Pilgrim-Johnstone; Scene V. View in Barnsdale; Song by Allen o'Dale-Incledon; Scene VI. Barnsdale Church Yard; Song by the Old Knight-Munden; Scene VII, VIII and IX. Scarborough Cliffs; A View at Sea; A Plough Field; Scene X. A Forest View in Yorkshire; Song by Martha-Mrs Mountain; Scene XI. Birksley Monastery; Robin Hood's Death. Epitaph and Revival. Song by the Witch-; The Piece to conclude with a Grand Scene, representing the Triumphs of Archery. Order of the Procession: Banner, "Fabulous Archery." Apollo-Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: Apollo Actor: Hercules-Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Hercules Actor: Diana-Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Diana Actor: Orion-and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Orion Actor: and Cupid-Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: and Cupid Actor: Four Satyrs drawing a moving Group of Figures, representing Penelope's Suitors trying to bend Ulysses' Bow. Banner, "Antient Archery," succeeded by Archers of the following nations: Persians-Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Persians Actor: Parthian-Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Parthian Actor: Scythian-Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Scythian Actor: Ethiopian-Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Ethiopian Actor: Amazonian-Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Amazonian Actor: Grecian-Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Grecian Actor: Thracian-Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Thracian Actor: Lycian-Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Lycian Actor: Roman. Banner, "Archery introduced into Britain." Pageant, representing the Landing of Julius Caesar-Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: representing the Landing of Julius Caesar Actor: Saxon Archer-Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Saxon Archer Actor: Danish Archer-Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Danish Archer Actor: Norman Archer-English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: Norman Archer Actor: English Archer-Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn
Role: English Archer Actor: Pageant representing the Battle of Hastings. Banner, "Modern Archery." Grand Meeting of Modern Archers of all nations: Otaheitan-Peruvian-East Indian-Chinese-Arab-Turkish-African-North American-Lapland-Russian-Polish-Flemish-Caledonian, English. To conclude with a Grand Dance of Archers-Byrn

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Mr Ford-Pope; Dr Caius-Quick; Mr Page-Macready; Sir Hugh Evans-Townsend; Slender-Knight (Their 1st appearance in those characters); Fenton-Toms; Justice Shallow-Powel; Host of the Garter-Thompson; Jack Rugby-Farley; Falstaff-Fawcett (1st appearance in that character); Mrs Page-Mrs Mattocks; Anne Page (1st time)-Miss Mansel; Dame Quickly (1st time)-Mrs Davenport; Mrs Ford-Mrs Pope.
Cast
Role: Justice Shallow Actor: Powel

Afterpiece Title: High Life below Stairs

Entertainment: Monologue.End: Collins's Ode on the Passions (1st and only time)-Mrs Pope

Performance Comment: End: Collins's Ode on the Passions (1st and only time)-Mrs Pope.

Song: After the monologue: My Mother had a Maid called Barbara (words by Shakespeare, music by Shield)-Incledon, Bowden, Townsend, Linton, Mrs Clendining; The Minstrel's Song [Where is that tow'ring spirit fled?] from The Days of Yore-Mrs Clendining; [accompanied on the harp-Weippert; O why to be happy (music by Shield)-Incledon, Linton, Bowden; Ye Gentlemen of England-Incledon, Bowden, Townsend, Linton

Event Comment: Benefit for Quick. 1st piece [1st time; PREL I, altered anonymously from the anonymous Bickerstaff's Unburied Dead]. 3rd piece [1st time; INT 1, by John Cartwright Cross]. Oracle, 11 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #424 (207.2; 5.8; tickets: 211.10)
Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay Sylvester Daggerwood

Performance Comment: Sylvester Daggerwood (with Jacky and the Cow, by permission of Dibdin, who has written the accompaniments)-Bannister Jun.; Fustian-Suett; Apewell [with Imitations (see17960607]-Caulfield.

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

Cast
Role: Clown Actor: Dubois

Performances

Mainpiece Title: The Earl Of Warwick And Margaret Of Anjou

Performance Comment: Earl of Warwick-Holman (1st appearance in that character); Earl of Suffolk-Hull; Earl of Pembroke-Richardson; Officer-Thompson; King Edward-Macready; Lady Elizabeth Grey (1st time)-Miss Mansel; Lady Clifford (1st time)-Mrs Townsend; Margaret of Anjou-Mrs Pope.

Afterpiece Title: Sprigs of Laurel

Song: In Course Evening: The Waiter-Fawcett; Master Thedy Shemus O'Shaughnessey O'Finnegin Delaney's History of Himself-Johnstone; Mad Bess (in character)-Mrs Clendining; The Sportman's snug little Cot, Admiral Benbow-Incledon

Performances

Mainpiece Title: Mahmoud

Cast
Role: Hassan Actor: Dignum

Afterpiece Title: A Dramatic Cento

Performance Comment: Selected from the following Pieces, composed by the late Mr Storace. Overture, Five times by the taper-Sga Storace, Miss Granger, Master Welsh, Suett (The Iron Chest); Little Taffine-Mrs Bland (The Three and the Deuce); Of plighted Faith-Palmer, Kelly, Mrs Crouch (The Siege of Belgrade); The Silver Waters-Sedgwick (The Pirates); Go not my Love-Miss Leak (The Three and the Deuce); Listen listen-Dignum, Sedgwick, Miss DeCamp, Chorus (The Iron Chest).

Afterpiece Title: The Sultan

Performance Comment: As17960425, but Ismene (for that night only; with With lowly Suit and Lullaby)-Sga Storace; Roxalana-Miss Wallis (of cg); Elmira-_.

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

Performances

Mainpiece Title: The Belles Stratagem

Performance Comment: As17960513, but Flutter (1st time)-Russell; Villers-Caulfield; Lady Touchwood (1st time)-Miss Miller; Miss Ogle-_; Kitty Willis-_.

Afterpiece Title: The Follies of a Day

Performance Comment: As17960512, but Count Almaviva (1st time)-Palmer.

Afterpiece Title: The Purse

Performance Comment: As17951230, but Will Steady (1st time)-Wathen.

Song: In IV of 1st piece: a Masquerade Scene, in which Ally Croker-Miss Leak, Master Welsh; Listen to the Voice of Love-Master Welsh

Performances

Mainpiece Title: The Author

Afterpiece Title: The Prize or 2

Performance Comment: 5. 3. 8. Lenitive-Bannister Jun.; Mr Caddy (1st time)-Burton; Heartwell-Palmer Jun.; Juba (1st time)-Mrs Harlowe; Mrs Caddy-Mrs Booth; Caroline-Miss DeCamp.
Cast
Role: Juba Actor: Mrs Harlowe

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King; Sir Oliver Surface-Aickin; Sir Benjamin Backbite-R. Palmer; Joseph Surface-Palmer; Charles Surface-Wroughton; Crabtree-Suett; Careless-Barrymore; Snake-Caulfield; Rowley-Packer; Moses (1st time)-Wewitzer; Trip-Trueman; Servants-Banks, Evans; Lady Teazle-Miss Farren; Lady Sneerwell-Mrs Goodall; Mrs Candour-Miss Pope; Maria (1st time)-Miss Miller.

Afterpiece Title: No Song No Supper

Song: III: song-Dignum

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Principal Characters-Quick, Incledon, Waddy (1st time), Munden, Fawcett, Bowden, Knight, Haymes, Simmons, Mrs Martyr, Mrs Knight, Mrs Mountain (1st time). [And see17961119.]And see17961119.]

Afterpiece Title: Harlequin and Oberon

Cast
Role: Clown Actor: Follett