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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston has some Requisites may in Time be a tolerable Actor in "/1) | (@(roleclean,performerclean) "Weston has some Requisites may in Time be a tolerable Actor in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7387 results for: Keyword - Weston</i>, has some Requisites, may in Time be a tolerable Actor in <span class=
We found 4446 matches on Event Comments, 3385 matches on Performance Comments, 508 matches on Performance Title, 1 matches on Author, and 0 matches on Roles/Actors.

3626
30 May 1797 @ Covent Garden

Event Comment: Benefit for Townsend. True Briton, 19 May: Tickets to be had of Townsend at Mr Kilvington's, No. 153, Drury-lane. Receipts: #236 2s. (65.16; 8.11; tickets: 161.15)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Midnight Hour

Song: Admiral Benbow-Incledon

Entertainment: Imitations The Beggar-Townsend

3627
01 June 1797 @ Drury Lane Theatre

Event Comment: Benefit for Miss DeCamp. 3rd piece: With a Sea Fight. True Briton, 15 May: Tickets to be had of Miss DeCamp, No. 32, Bow-street, Covent-Garden. Receipts: #376 6s. 6d. (121.8.6; 79.13.6; 2.14.0; tickets: 172.10.6) (charge: #221 1s. 1d.)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Critic

Entertainment: Monologue.End 2nd piece: as17970529

3628
02 June 1797 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer and Russell. [Miss Dorell is identified in MS list in Kemble playbill of new performers for this season.] True Briton, 31 May: Tickets to be had of R. Palmer, No. 28, Lower Eaton-street, Pimlico; of Russell, No. 46, Great Russell-street, Bloomsbury. Receipts: #290 13s. (65.13.0; 52.7.6; 4.3.0; tickets: 168.9.6, of which R. Palmer sold 107.9.6, and Russell 61.0.0) (charge: #225 9s. 3d.)

Performances

Mainpiece Title: First Love

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Lodoiska

3629
05 June 1797 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Follett. [Egerton was from the hay (see 23 Jan.).] 2nd piece: In one Act. 3rd piece: Two new Scenes, as 17 Apr.; Procession, as 26 May. Morning Herald. 5 June: Tickets to be had of Follett, No. 46, Drury-lane. Receipts: #360 18s. (116.13.6; 3.11.0; tickets: 240.13.6)

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: As17961014, but Goldfinch (for that night only)-Fawcett (1st appearance in that character); Milford-Egerton (1st appearance on this stage); Sophia (with Somebody)-Mrs Mountain; Sheriff's Officer-_; Tradesmen-_; Milliner-_; Mantuamaker-_.

Afterpiece Title: The Waterman

Afterpiece Title: Harlequin and Oberon

Entertainment: Vaudeville. In 3rd piece: (for that Night only) a Leap through a Wheel of Fire@Works and a Hoop of Daggers-Simpson

3630
08 June 1797 @ Drury Lane Theatre

Event Comment: Benefit for Dignum. [3rd piece in place of Lodoiska, advertised on playbill of 7 June.] Morning Herald, 22 May: Tickets to be had of Dignum, No. 23, New North-Street, Red-Lion-Square. Receipts: #578 7s. (60.5; 46.19; 6.6; tickets: 464.17) (charge: #223 11s. 9d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Purse

Afterpiece Title: The Wandering Jew

Song: End II: Sweet Lillies of the Valley-Dignum (composed by Hook); End III: The Sailor's Journal-Dignum (composed by Dibdin); End IV: The Town and Country-Dignum (written by Morris); End I 3rd piece: Sally in our Alley-Dignum

3631
12 June 1797 @ Covent Garden

Event Comment: Benefit for Mrs Davenport, Powel, Thompson & Sloper. [For Mrs Litchfield see 17 May.] Receipts: #291 10s. (46.6; 9.17; tickets: 235.7, of which Mrs Davenport sold 55.4, Powel #37.16, Thompson 26.12, Sloper 115.15)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Waterman

Afterpiece Title: Harlequin and Oberon

Song: 2nd piece: with additional songs-

3632
13 June 1797 @ Haymarket Theatre

Event Comment: [Miss Andrews' 1st appearance on the stage was at dl on 13 May 1796.] The Publick is respectfully informed that, in consequence of the Benefit advertised for To-morrow, at the Theatre-Royal in Covent Garden, no Entertainments will be given here on that night; it being the wish of the Proprietor of this Theatre to promote, by any means in his power, the success of the above charitable purpose

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Katharine and Petruchio

3633
14 June 1797 @ Covent Garden

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

3634
21 June 1797 @ Covent Garden

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, at Bays-water. Under the Patronage of Her Majesty. [Braham's 1st appearance at this theatre was on 21 Apr. 1787.]. The Orchestra under the Direction of Mountain. Principal Oboe by W. Parke. To the Renters of Covent Garden Theatre, it is humbly requested by the Promoters of the Charity, for which the Opera performed this Evening is appropriated, that they will humanely forego their claim on that Night, it being out of the Manager's Season, and an additional expence to the Charity. Those Gentlemen willing to resign their demand on the above occasion are requested to send word t the Theatre which will be thankfully received by the promoters of the Charity. The Doors to be opened at 6:00. To begin at 7:00. Tickets to be had at the Hospital; The Crown and Anchor Tavern, Strand; Longman and Broderip's; and of Brandon at the Theatre, where places for the Boxes may be taken. Receipts: none listed in Account-Book, but Monthly Visitor, July 1797, p. 63, reports that #401 was received

Performances

Mainpiece Title: The Duenna

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

3635
20 September 1797 @ Covent Garden

Event Comment: "In point of voice, there are few women so highly favoured as Mrs Litchfield [whose 1st appearance at cg was on 27 May 1796]; through every gradation of tone it is perfect, combining strength and melody, it is equal to any task which the theatre (large and extensive as it is) can impose. It is suited to the firmness of declamation, the tenderness of pathos, and the burst of indignant passion" (Monthly Mirror, Oct. 1797, p. 226). The Epilogue is not listed on the playbill, but "The audience would not be satisfied without the original Epilogue [by Miles Peter Andrews], which Lewis came forward and spoke" (True Briton, 21 Sept.). [Afterpiece in place of The Poor Soldier, advertised on playbill of 18 Sept.] Receipts: #225 0s. 6d. (195.14.0; 29.6.6)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: Netley Abbey

3636
04 October 1797 @ Covent Garden

Event Comment: Afterpiece: Acted but once [on 23 May 1797]. The Music and Overture entirely new, composed by Hook. With appropriate Scenery, Dresses, and Decorations. Receipts: #228 0s. 6d. (203.16.0; 24.4.6)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Diamond Cut Diamond or The Venetian Revels

3637
24 November 1797 @ Drury Lane Theatre

Event Comment: [Mrs Siddons's 1st appearance as Julia was at Bath, 6 Jan. 1780.] Afterpiece: Not acted these 6 years [acted 27 May 1795]. Receipts: #235 4s. (183.15.0; 50.13.6; 0.15.6)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Comus

3638
09 February 1798 @ Covent Garden

Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preservd

Afterpiece Title: The Poor Sailor or Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

3639
16 April 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Performance Comment: As17980326but Prologue-_; Epilogue-_ [and thereafter, except Epilogue again on 15 May].and thereafter, except Epilogue again on 15 May].

Afterpiece Title: Blue Beard

Cast
Role: Hassan Actor: Hollingsworth.
Role: Female Slaves Actor: Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.

3640
25 April 1798 @ Covent Garden

Event Comment: [The mainpiece may have been changed. The Account-Book gives The Duenna.] Receipts: #110 10s. 6d. (100.5.0; 10.5.6)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Raymond and Agnes

Dance: As17971012

3641
02 May 1798 @ Covent Garden

Event Comment: The Eccentric Lover [advertised on playbill of 1 May] is obliged to be postponed on account of Quick's indisposition. [But it was not again acted. 3rd piece in place of Rosina, advertised as above.] Receipts: #99 17s. 6d. (94.10.6; 5.7.0)

Performances

Mainpiece Title: The Raft

Afterpiece Title: Rule a Wife and Have a Wife

Cast
Role: Maritornes Actor: Mrs Henley. Commencing with the Representation of the Ruins of a Peruvian Temple, where an injured Inca and his Son had taken refuge from the malice of their Persecutors-the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: where an injured Inca and his Son had taken refuge Actor: the Inca in his retirement, making Magic his study, persuades his Son, from a happy presage, to attempt the re-obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: to attempt the re Actor: obtainment of his right, by procuring the hand of his Oppressor's Daughter, who is a Spanish Grandee, and has betrothed her to the Knight Errant of La Mancha Don Quixotte-to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: and has betrothed her to the Knight Errant of La M Actor: to prevent their union, he transforms his Son to +Harlequin, the Magic Arm appearing to guard him in the hour of Peril-they take leave, and he commences his career of adventure, by darting through the ruined Columns of the Temple, and re-appears near the Grandee's House in Grenada, where an interview takes place with the object of his choice, who elopes with him, and after experiencing a variety of Adventures in the Spanish Territories, seeking shelter in The Alhambrav, a Moorish Palace of great Antiquity, pursued by Don Quixotte, Sancho, the Grandee and Scaramouchillo, at length arrive in Old England
Role: Laugh or Sleep those living objects it is employed Actor: Escaped from the Witch, he has to contend with her Power-the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: he has to contend with her Power Actor: the Genius attendant on the Talismanic Influence of his Sword rises, promises assistance, and transforming him to the motley Hero, brings to his View his beloved Columbine-from hence the Harlequinade takes place, followed up by a variety of Changes, Tricks, Metamorphoses. A Short Description of the Scenery, Machinery.: Sea View. +Oft have our footsteps-Linton, Street, Mrs Henley
Role: Harlequin and Columbine in jeopardy Actor: make their Pursuers dance to some tune. Landscape leading to the Pottery. Come buy my earthenware-Mrs Clendining
Role: Hither haste the young and gay Actor: Mrs Martyr changes the Scene to The Bower of Constancy

Afterpiece Title: Raymond and Agnes

Dance: 3rd piece to conclude: as17980430

3642
04 May 1798 @ Covent Garden

Event Comment: [Mainpiece in place of Love in a Village, advertised on playbill of 3 May.] Receipts: #90 6s. (86.13.6; 3.12.6)

Performances

Mainpiece Title: King Richard The Third

Cast
Role: Lord Mayor Actor: Powel

Afterpiece Title: The Maid of the Mill

3643
07 May 1798 @ Covent Garden

Event Comment: [Mainpiece in place of England Preserv'd; afterpiece of A Day in Rome (recte At) and Raymond and Agnes, all advertised on playbill of 5 May.] Receipts: #100 17s. (98.0; 2.17)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cymon

Song: As17971102

3644
08 May 1798 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Mrs Goodall, but she "was taken suddenly ill yesterday, in consequence of which the part of the Countess was performed by Miss Biggs, at a very short notice, who acquitted herself with considerable ability" (Morning Herald, 9 May).] Receipts: #202 14s. 6d. (162.19.0; 38.15.6; 1.0.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Pannel

3645
10 May 1798 @ Covent Garden

Event Comment: Mainpiece: Not acted these 6 years. [Afterpiece in place of Botheration, advertised on playbill of 9 May.] Receipts: #97 10s. (87.10.6; 9.19.6)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Raymond and Agnes

Dance: As17980430

3646
11 May 1798 @ Covent Garden

Event Comment: The new Piece of A Day in Rome [advertised on playbill of 10 May] is obliged to be withdrawn till next season [see 11 Oct. 1798], on account of Fawcett's illness. [3rd piece in place of Botheration, advertised as above.] Receipts: #59 0s. 6d. (36.15.0; 22.5.6)

Performances

Mainpiece Title: England Preservd

Afterpiece Title: The Maid of the Mill

Afterpiece Title: A Divertisement

Dance: In 3rd piece: Ballet, as17971013

Entertainment: Monologue. End 1st piece: An Address to the Audience, as17980209

3647
15 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Suett. Morning Herald, 5 May: Tickets to be had of Suett, No. 18, Clement's Inn. Receipts: #516 16s. 6d. (240.12.0; 63.9.6; 2.8.6; tickets: 210.6.6) (charge: none listed)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Blue Beard

Cast
Role: Hassan Actor: Hollingsworth.
Role: Female Slaves Actor: Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.

3648
17 May 1798 @ Drury Lane Theatre

Event Comment: On account of the Indisposition of a principal performer the new Comedy of She's Eloped! [advertised on playbill of 16 May] is obliged to be deferred till Saturday next. Receipts: #266 (192.11; 68.5; 5.4)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Blue Beard

Cast
Role: Hassan Actor: Hollingsworth.
Role: Female Slaves Actor: Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.

3649
13 June 1798 @ Drury Lane Theatre

Event Comment: Account-Book: Tickets delivered by Dale Sen., Palmer Jun., Stokes, Chippendale, Wentworth, Gibbon, Miss Tidswell. Mrs Phillimore will be admitted. 4th piece: To conclude as 11 May. Receipts: #441 13s. (21.1; 35.8; 0.12; tickets: 384.12)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June

Cast
Role: Hassan Actor: Hollingsworth.
Role: Female Slaves Actor: Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.

Afterpiece Title: Don Juan

3650
15 September 1798 @ Drury Lane Theatre

Event Comment: Benefit for Palmer's Orphan Family [see dl, 18 June 1798]. The Doors to be opened at 5:30. To begin at 6:30 [see 27 Nov.]. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Tickets may be had at Lloyd's Coffee House [for this night only]; and of Fosbrook, at the Box Office, Little Russel Street, where, only, Places for the Boxes can be taken. The Public are respectfully informed that Mr Aickin is appointed Manager. Printed by C. Lowndes next the Stage-Door. Receipts: #571 15s. (519.8.6; 45.17.6; 1.16.0; tickets: none listed; Sundry Sums left at Door: 4.13.0) (charge: free)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Citizen

Music: Vocal Parts-Mrs Bland, Miss Leak; their songs: To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Principal Dancer-Sga Bossi DelCaro