SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr Cape"/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr Cape")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7172 matches on Event Comments, 2005 matches on Performance Comments, 607 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid Luppino for 75 nights attendance at the wardrobe #7 10s. Paid Arnold for Music as per bill #26 5s. (Account Book). Receipts: #149 3s. (Account Book)

Performances

Mainpiece Title: King Henry V

Performance Comment: As17661117, but Constable-Clarke; Bardolph-Cushing; Governor-_.

Afterpiece Title: Coronation

Event Comment: Paid Bibb (sword cutler) #5 5s. Paid Barratt (wax chandler) as per Bill #156; Gave Duke of York's Footmen #2 2s. Duke of Cumberland's Footmen #2 2s. (Account Book). Receipts: #118 18s. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performance Comment: As17661025, but Freeman-Clarke.
Cast
Role: Sackbut Actor: Buck

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Paid Wilford for 10 nights Renters Money #100 (Account Book). [Duly noted in Account Book as third night for the comedy, but no indication of any fee to the author on this occasion. The following verse tribute to Miss Wilford appeared this day in the Public Advertiser: @"Strike the loud Harp and raise the tuneful Song;@On all your wings, Wind, bear her Fame along!@Her eyes are rolling suns, which dart a ray,@Bright as the splendor of a Summer Day;@Her arms are as the foam of Ocean white,@Like waves her Breasts heave slowly to the sight.@Her breath is sweeter than the vernal gale,@Which Zephyr wafts o'er Tempe's flowry vale;@Her cheaks are painted only by that hand@Which scatters roses through the blooming land;@And every ringlet of her glossy hair@Is trusted to some Love's peculiar care.@Her speech the songs of other Nymphs excels,@And on her lips persuasion blushing dwells;@Her smiles are as the streaming pow'rs of Light,@Which cheer and gild the rugged Front of Night.@To the quick Pipe and Tabor's lively sounds,@High as the Hind or Mountain Roe, she bounds;@And if to solemn Notes the cadence flow,@Stately she moves, majestically slow.@Deaf the prais'd ear-yet Modesty must own@The Female Archer by these Marks is known."@ Miss Wilford was the Female Archer.] Receipts: #151 13s. 6d.(Account Book)

Performances

Mainpiece Title: The Perplexities

Dance: End: The Gallant Peasants, as17670113

Event Comment: Paid for Licensing The Oxonian in Town #2 2s. Paid for Licensing the New Prologue #1 1s. (Account Book). Receipts: #138 18s. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Irish Lilt, as17670921

Event Comment: Paid Hull the balance of his night of The Royal Merchant the 16th Inst....#38 14s. Paid also the Extra Charge and allowed again for the same night...#3 10s. (Account Book). [Hull seems to have protested the charge of candles, drum & chorus in addition to the high house charge of #84, and seems to have succeeded.] Receipts: #141 13s. 6d. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Apprentice

Performance Comment: As17671008, but Gargle-Morris; Watchman-Morgan.

Dance: II: The Dutch Milkmaid, as17671114; End of Opera: A New Comic Dance, as17671024

Event Comment: Paid Miss Lawrence for walking 24 nights in Harlequin's Jubilee #3; Paid Mrs Bates for walking 12 nights in Man and Wife #4 10s. (Account Book). Receipts: #203 3s. 6d

Performances

Mainpiece Title: Timanthes

Afterpiece Title: The Apprentice

Entertainment: As17700224

Event Comment: Paid Simpson for new music for the orchestra #10 10s. Paid Griffin, bookseller, as per bill #1 3s. 4d. (Account Book). Receipts: #193 4s. (Account Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Mother Shipton

Event Comment: Paid Messrs. Raban & Kime (coal merchants) #56 15s.; Paid Sarjant half aear's rent for the House in Bow Passage due Mich. last #20 (Account Book). Receipts: #195 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: III: The Corsican Sailor's Punch House, as17711011; IV: The Lamplighter, as17711016

Event Comment: Paid Cooper (printer) #41 11s.; Paid Pattinson (tallow chandler) #38 15s. (Account Book). Receipts: #97 12s. 6d. (Account Book)

Performances

Mainpiece Title: Tamerlane

Performance Comment: As17711104 [Owenson's 2nd appearance as Tamerlane.] , but Usual Prologue-_.

Afterpiece Title: The Devil to Pay

Dance: End: The Jovial Gardners, as17711104

Event Comment: Paid half year's Poor's rate for Theatre to Mich. Last #20 8s. 4d.; Paid ditto for House in Bow Passage 14s. 7d. (Account Book). Receipts: #233 9s. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17711107, but add Cob-Saunders.

Afterpiece Title: The Fairy Prince

Event Comment: Paid Cooper (printer) #43 1s.; Paid McMillen (shoemaker) #30 5s. (Account Book). Receipts: #146 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Upholsterer

Performance Comment: As17711108, but add Belmour-Thompson; Rovewell-Davis.
Event Comment: Paid Duke of Bedford 1!2 year's rent to Mich. 1st, #182 10s. Taxes allowed, #25 7s., total paid #157 3s. (Treasurer's Book). Receipts: #289 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17711109, but Hamlet-Garrick; Ophelia-Mrs Abington; Queen-Mrs Egerton; Laertes-Aickin; Player King-Burton.

Afterpiece Title: Thomasand Sally

Event Comment: Paid Pattinson (Tallow Chandler) #38 3s.; Paid Doctor Macdonogh the balance for Bt. for General Lying In Hospital, Oxford Road #11 15s. (Account Book). Receipts: #200 8s. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Mother Shipton

Event Comment: Paid Bibb (sword cutler) #15 13s.; Paid L'Alamaine (embroiderer) #6 15s. (Account Book). Receipts: #162 5s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17711101, but Eustace-Owenson; incidental Dance-_.

Afterpiece Title: Harlequin Skeleton

Dance: II: The Lamplighter, as17711016

Event Comment: Paid one year's Assurance on #10,000 in the Sun Fire Office to 25 March 1773, #50. Paid Hewetson & Lonsdale (lace men) as per Bill #42 5s. (Account Book). Receipts: #149 (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: As17720220, but Wellbred-Lewes; Dame Kitely-Mrs Bulkley.

Afterpiece Title: Mother Shipton

Event Comment: Paid Black? Lyon bill #2 7s. 4d. (Treasurer's Book). [This is a recurring item weekly throughout the season varying in amounts from about #1 to #3. Tavern. Run by Yearley Waterer. Not noted further. Total payments this season about #75.] Public Advertiser, Theatrical Intelligence: Any Young Lady inclined to the Stage, is offered an advantageous Opportunity to experience her Theatrical Abilities in a very desirable Situation. As this Advertisement appears not from an itinerant Manager, nor results from a Dearth of People, but a Wish to promote Merit, which often (for want of the proper Mode of Application, or Fear in the Parties of their Intentions being made public, in case their Services should not be received) lies hid and unnoticed, it is hoped none but such as are possessed of a good Figure, as that will be greatly regarded, and whose Capabilities are blended with a real Inclination will apply. Enquire for W. at No. 114, in Long-Acre between the hours of Eleven and One on Wednesday or Thursday Morning in person, as no Attention will be paid to any Substitute. The Stage: A Gentlewoman, who has played capital Characters with unblemished Reputation in the three Kingdoms, takes this Method of acquainting such Ladies who have Talents and Inclination for the stage, that she undertakes to instruct them for the Profession many having been unsuccessful, more from Want of previous Instructions than Want of Genius. Her Attention to the great Articles of Reading and Speaking, with Elegance and Propriety, as well as Expression, Grace, and Ease, will be found of infinite Service to those who are assisted by the least Understanding. Those Ladies who do not intend to display their Talents in Public may be instructed for their Amusement. Enquire for E. H. No. 2 Queen Street, near Windmill Street, Haymarket. N.B. Any Lady will be waited on by a Line directed as above. [These advertisements ran for a number of days.] Receipts: #183 16s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Invasion

Event Comment: Paid Cipriani (painter) as per bill #42. Paid McMillen (Shoemaker) #18 2s., and Love & Lewis (woolen drapers) #11 7s. (Account Book). [Cipriani possibly painted new scenes for Elfrida.] Receipts: #152 4s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Royal Chace

Event Comment: Paid Pattinson (tallow chandler) #36; Paid Carpue (silk dyer) #14 5s. (Account Book). Receipts: #221 7s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End of Piece: The Old Ground Young, as17720928

Event Comment: Paid Mrs Leverton (mantua maker) as per Bill #26 14s.; Paid Farrington & Scarr (haberdashers) #6 15s. (Account Book). Receipts: #184 12s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Dance: End: The Bird Catchers, as17721207

Event Comment: Paid Younger a Bill for Writing Parts #5 16s. 9d.; Paid Buxton and Enderby (oyl merchants) #101 3s., and Pattinson (tallow chandler) #28 7s. (Account Book). Receipts: #172 2s. 6d

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Harlequin Sorcerer

Event Comment: Paid Pearce & Son for Cloaths #38; Paid Mrs Mackmillan for Papier Machee Ornaments #4 4s. (Account Book). Receipts: #206 1s

Performances

Mainpiece Title: The Golden Pippin

Afterpiece Title: The Apprentice

Performance Comment: As17720928, but Prologue_.

Dance: I: The Merry Sailors, as17721012; II: Rural Amusements, as17730206; End: New Dance, as17730206

Event Comment: Paid One Year's Rector's rate for theatre due Xmas #8 15s., and ditto for House in Bow Passage #6s. 3d.; Paid ditto for Watch rate for theatre #17 10s., and same for House in Bow Passage 12s. 6d. (Account Book). Receipts: #175 14s

Performances

Mainpiece Title: Alzuma

Afterpiece Title: The Golden Pippin

Event Comment: Paid half year's Poor's Rate for theatre due Mich last #24 15s. 10d., and ditto for House in Bow Passage 17s. 9d. Paid Palmer (wax chandler) #46 8s. Receipts: #136 1s. 6d. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Fair

Event Comment: Paid one year's Ground Rent for theatre due Mich. last #100 minus Land Tax allow'd #10 12s. 6d.-#89 7s. 6d. Paid ditto for New Bldg adjoining theatre #30 minus land tax allow'd #3 3s. 9d.-#26 16s. 3d. Receipts. #125 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17731112

Event Comment: Paid Younger for 2 Licenses (King Henry II, and The Man of Business) #4 4s. Paid Farrington & Scarr (haberdashers) #26 16s. Receipts: #179 7s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Performance Comment: As17740112, but Principal characters-_Gardner, Owenson.

Afterpiece Title: The Sylphs