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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr Cape"/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr Cape")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8951 results for: Keyword - Weston</i>, but changed (<i>Winston MS 10</i>). Paid $Mr Cape
We found 7172 matches on Event Comments, 2005 matches on Performance Comments, 607 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

1051
March 1663 @ Theatre in Vere Street

Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

1052
04 November 1697 @ Whitehall or St. James's

Performances

Mainpiece Title: Europes Revels For The Peace

1053
19 September 1740 @ Covent Garden

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Dragon of Wantley

Dance: MMiller and Wife, The Swiss-M Michel, Mlle Michel (the French Boy and Girl); Villeneuve, Miss Oates

1054
09 April 1741 @ Covent Garden

Performances

Mainpiece Title: King John

Dance: LLes Matelots-Mechel, Mlle Mechel; Comic Dance-Villeneuve, Mrs Delagarde; French Peasants-Mechel, Mlle Mechel

1055
06 March 1752 @ Covent Garden

Event Comment: This day publish'd at 1s. the first number of the Dramatic Censor, being remarks on the tragedy of Venice Preserv'd, with observations on the principal performers, by Mr Derrick. This pamphlet is a specimen of criticism intended to be made on our most celebrated dramatic pieces. By several hands. Wherein, should the publick approve by encouraging this first essay, not the beauties and Inaccuracies of the poet, but of the several performers will be considered...To this number is added Proposals for printing by Subscription a New Tragedy call'd Osman by Mr Gentleman

Performances

Mainpiece Title: Samson

1056
18 March 1775 @ Covent Garden

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Performance Comment: As17741110, but Leonora-a Young Lady not 14 years of age, first time. Pupil to Mr Savage.

Dance: End Epilogue: The Vintage Festival, as17741007

1057
23 February 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea With Drydens ode

Music: Concerto on Organ-Stanley

1058
18 May 1778 @ Haymarket Theatre

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Piety in Pattens

Performance Comment: Butler-Parsons; The Squire-Lamash; Mrs Candy-Mrs Love; Polly Pattens-Mrs Jewell.
Cast
Role: Butler Actor: Parsons

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

1059
17 April 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggars Opera

Performance Comment: As17811015, but Filch-Mrs Wilson (of CG); Polly (for that night only)-Mr Bannister. hathi.

Afterpiece Title: The True Briton

Dance: In Act III of mainpiece a Hornpipe, as17820314mitations. End of mainpiece, by Bannister Jun

1060
08 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Burton, Williames & Harwood, prompter. Public Advertiser, 7 May: Tickets to be had of Harwood, Blackmoor Street, Clare-market [others not listed]. Tickets sold at the Doors will not be admitted. [The playbill assigns the song in Act II to Williames, but a MS annotation on the Kemble playbill substitutes Du-Bellamy.] Receipts: #252 19s. (66/15; 34/7; 0/11; tickets: 151/6) (charge: #106 9s. 4d.)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lincos Travels

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpicce a Minuet and Gavot by Zuchelli and Miss M. Stageldoir

Song: In Act II of mainpiece a song by Du-Bellamy; End of Act III The Soldier tir'd of War's Alarms, as17820420

1061
02 July 1782 @ Haymarket Theatre

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: None are so Blind as Those Who Wont See

1062
19 September 1782 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill assigns Young Bevil to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #141 9s. 6d. (106/19/0; 34/6/6; 0/4/0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Lying Valet

Dance: As17820917

Song: In Act II of mainpiece song by Miss Field

Monologue: 1782 09 19 As 17 Sept

1063
16 November 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fatal Interview

Afterpiece Title: The Gentle Shepherd

1064
28 April 1783 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Mainpiece: Not acted these 12 years [acted 6 Apr. 1772. In mainpiece the playbill assigns Fainlove to Miss Collett, but on the Kemble playbill her name is deleted; the substitute name has been cut by the binder. In afterpiece Miss Collett is retained as Patie, but her name is again deleted, and a MS annotation substitutes Miss M. Stageldoir's]. Receipts: #220 7s.(67/10; 26/1; 0/2; tickets: 126/14) (charge: #107 9s. 5d.)

Performances

Mainpiece Title: The Tender Husband Or The Accomplishd Fools

Afterpiece Title: The Gentle Shepherd

Performance Comment: As17821016, but Patie-Miss M. Stageldoir; Roger-Williames .

Dance: As17821214

1065
05 December 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Metamorphosis

Afterpiece Title: The Apprentice

Performance Comment: As17831103, but Simon-Suett; added: Watchman-Kenny; Spouters-R. Palmer, Phillimore, Fawcett, Spencer, Williames, &c .

Dance: End of Act II of mainpiece, as17831018; End of mainpiece, as17831204

1066
21 January 1784 @ Haymarket Theatre

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: The Talisman

Song: End of mainpiece a song by Brett

Monologue: 1784 01 21 End of Act III of mainpiece a Masonic Address by a Brother [unidentified]

1067
01 April 1785 @ Covent Garden

Event Comment: Benefit for Aickin. Afterpiece [1st time; F 2. MS: Larpent 693; not published; synopsis of plot in Town and Country Magazine, supra]: Taken from a Piece written by Smollett, never published or performed. [This attribution is open to question.]

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Israelites or The Pamperd Nabob

Dance: As17841116

Song: Preceding afterpiece a Trio, composed by an English composer in 1540 [unidentified], by Davies, Darley, Brett. The new Words by Holcroft, the new Accompaniments by Shield

1068
11 June 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Ill Tell You What

Afterpiece Title: Harvest Home

Entertainment: Monologue Occasional Address (with Alterations), as17870516

1069
04 April 1789 @ Covent Garden

Performances

Mainpiece Title: Marian

Performance Comment: As17890214, but Peggy-Mrs Mountain; Oliver-_.

Afterpiece Title: The Pharo Table

Afterpiece Title: The Highland Reel

Performance Comment: As17881208, but The Characters-_Aickin.

Song: In 1st piece: Sweet Bird, as17890126

1070
02 June 1789 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Performance Comment: As17881021, but Allen o'Dale (for that night only)-Mrs Mountain; Fitzherbert-Fearon; Annette-Miss Stuart; Outlaws-_Doyle.

Afterpiece Title: Perseverance or The Third Time the Best

Entertainment: Monologue. End: As17890514

1071
04 July 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Ill Tell You What

Afterpiece Title: Young Men and Old Women

1072
06 September 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Cross Partners

Afterpiece Title: The Family Compact

1073
10 May 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At Kings The School For Scandal

Performance Comment: As17920915, but Joseph Surface-Barrymore; Charles Surface-Wroughton; Snake-Maddocks; Careless-Sedgwick; Trip-Benson; Crabtree-Waldron.

Afterpiece Title: The Mariners

Song: As17921030

1074
26 May 1794 @ Covent Garden

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: THE NEW DIVERTISEMENT

Performance Comment: Cast not listed. [Larpent MS lists the parts: Palate, Fieldtree, Ensign Hardy//Patty, Jenny.] Written to introduce the following favorite Songs: Mary's Dream, The moon had climbed the highest hill (composed by Ralph [recte Relfe]), by Miss Poole; The Vestry Dinner, Churchwarden I have been (written by Cross, composed by Reeve), by Rees; The High Mettled Racer, See the course throng'd with gazers (composed by Dibdin), by Incledon (1st time); The Gipsey Ballad, A wand'ring Gipsey, Sir, am I (words and melody by Peter Pindar, Esq. [pseud. for John Wolcot], accompaniments by Shield), by Mrs Clendining; Kitty Grogan, Tho' I'm no Dancing Master (written by Collins, composed by Reeve), by Johnstone; The Storm, Cease, rude Boreas (written by George Alexander Stevens), by Incledon; [Auld] Robin Gray, Young Jamie lov'd me well, by Mrs Clendining; From morn till night I take my glass, by Incledon and Johnstone; Vo sol cando (composed by Vinci), by Miss Poole; The Triumph of Wine, What tho' from Venus Cupid sprung (composed by Dibdin), by Johnstone; Father, Mother and Suke (composed by Dibdin), by Fawcett. To conclude with the following Selection of Catches and Glees from Harrison and Knyvett's Vocal Concert: as17940523, but God preserve his Majesty in place of Water parted from the sea .

Afterpiece Title: THE SHIPWRECK or French Ingratitude

Performance Comment: Cast not listed, but probably same as17930527: English Characters. Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons//Captain's Lady-Mme Rossi. French Characters. General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland. Indian Characters. Indian Chief-Follett//Female Savage-Mr Rock .

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

1075
14 October 1797 @ Drury Lane Theatre

Event Comment: [Miss Humphries, who was from the Private Theatre, Tottenham Court Road, is identified by MS annotation on Kemble playbill. In afterpiece the playbill retains Barrymore as Sir Rowland, and Bannister Jun. as Walter, but "The Public are respectfully informed that Bannister being suddenly afflicted with a Hoarseness, and Barrymore having met with an unfortunate Accident, are both rendered incapable of the honour of appearing before them this Evening. To prevent a disappointment of The Children in the Wood Dowton will perform...Walter, and C. Kemble Sir Rowland, presuming humbly upon the usual kind indulgence experienced upon such emergencies" (printed slip attached to Kemble playbill).] Receipts: #259 18s. (160.0.6; 98.12.6; 1.5.0)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Children in the Wood

Performance Comment: As17970919, but Sir Rowland-C. Kemble; Walter-Dowton; added: Oliver-Maddocks.

Entertainment: Entertainment. Not listed on playbill (see17971016). Morning Herald, 16 Oct.: A representation of the late engagement with the Dutch-; was unexpectedly given after the play. It was followed by some fire@works-, in which was a star, ending after various mutations in a sun, emblematic of British Glory!