Event Comment: Receipts: #107 19s. [Additional Renters coming in at 1 share each were Frederick Hesse Esq and James Mann.] Paid Mr Blackmore a Bill for Sundrys for Dioclesian #104 14s. Paid Mr Bingner (Wigmaker) in full of Bill #13 13s. (Account Book)

Event Comment: Mainpiece: By Particular Desire. Mr Beard's night. Paid chorus singers 4 nights in Faustus #3 15s. 10d. (Account Book) [This was a clear' benefit as indicated by an item in the Account Book for 15 Dec.: Paid Mr Beard the total amount of the house on the 1st inst. as per agreement #234 14s. 6d.'] Receipts: #234 14s. 6d. (Account Book)

Event Comment: Mainpiece: By Particular Desire. Paid George Garrick #50; Paid Mr Guy (plumber) #53 15s.; Mr Debrose, (linen draper) #20 11s. 6d.; Scott (copper lace) bill #158 15s. 6d.; Hewetson (silver lace) bill #42 8s.; Gastrill (mercer) 2 bills, #227 2s. (Treasurer's Book). Receipts: #196 2s. (Treasurer's Book)

Event Comment: Being the Last time of performing till the Holidays. Paid Mr Stamford the Balance due to the Lock Hospital the 22nd Inst. #11 3s. Paid Mr Wright balance due Middlesex Hospital 18th Inst. #49 19s. (Account Book). Receipts: #137 19s. 6d. (Account Book)

Event Comment: Mainpiece: By Particular Desire. Paid Mr Clutterbuck's Balance of Last year #147 4s. 4d.; Paid Mr Thomas French for painting (27 days) #10 6s.; Chorus 1 night (16th inst.) #2 6d. (Treasurer's Book). Receipts: #114 9s. (Treasurer's Book)

Event Comment: Benefit for Ackman. Tickets to be had at Pond's in the Great Piazza, Covent Garden; and of Mr Johnston, at the Theatre. House charges #84. Profit to Ackman #123 10s.; Paid Mr Davies's note to Liddell, #3 3s.; Paid extra Flute and Hautboy 10s.; Chorus 2 nights (this incl.) #4 1s. Receipts: #207 10s. (Treasurer's Book)

Event Comment: House Mr Baddeley's Night Bought by Managers (Hopkins Diary). Treasurer paid Mr Baddeley in lieu of Benefit #60. Rec'd Baddeley on acct #20. Paid salary list #621 16s. 6d. (Treasurer's Book). On Monday Cymbeline. Before the Play the Musical Prelude call'd The Theatrical Candidates; to which will be added The Rival Candidates. Receipts: #297 6s. 6d. (Treasurer's Book)

Event Comment: Account-Book, 22 Sept.: Paid Renters' Interest #8 [this paid daily]. Receipts: #158 2s. (129.17; 26.16; 1.9)

Event Comment: Afterpiece [acted in place of The First Floor, advertised on playbill of 22 Sept.]: With Alterations and Restorations, particularly the admired Shades and Transparencies, representing the Amusements of Harlequinv and the Destruction of the Pantomimical Fleetv. The Way to Keep Him [advertised on playbill of 22 Sept.] is obliged to be deferred on account of the Indisposition of Dodd. Paid Renter's Interest [this paid daily throughout season] #30; Properties 8s. 4d.; Supernumeraries #1 8s. 6d.; Lampmen #7 8s.; Scenemen #5 4s.; Carpenters #5 10s. 9d.; Appleby, messenger, 6s. 9d. Receipts: #140 5s. (95.9; 43.4; 1.12)

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)