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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8853 results for: Keyword - Weston</i>, but changed (<i>Winston MS 10</i>). Paid $Mr <span class=
We found 7165 matches on Event Comments, 1877 matches on Performance Comments, 585 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

1976
22 January 1793 @ Drury Lane Theatre

Event Comment: Paid Wrighten, prompter, to 29th December, #30 19s. 2d. Receipts: #245 15s. 6d. (211.7.6; 31.6.0; 3.2.0)

Performances

Mainpiece Title: At Kings The Pirates

Performance Comment: As17930119, but Genariello-Caulfield in place of Dignum; Captain of the Guard-Cooke in place of Caulfield.

Afterpiece Title: Katharine and Petruchio

1977
12 October 1793 @ Covent Garden

Event Comment: Paid Hodgins [scene painter] and assistant #6 5s. Receipts: #243 7s. 6d. (233.0.6; 10.7.0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequins Chaplet

Performance Comment: As17931002, but Principal Pantomimic Characters-Hawtin in place of _Simpson, Ledger of Hawtin; Vocal Characters-Miss +Kirton, in place of Mrs _Masters.

Dance: III: a Hornpipe in Character-Byrn

Entertainment: When in War on the Ocean, as17931002; New Song-Gray in place of Incledon; The Music, as17931002; The Dances, as17931002

1978
17 October 1793 @ Covent Garden

Event Comment: Paid Macleish, printer [of playbills], in full for last season #62 7s. Mainpiece: Not acted these 3 years. Receipts: #176 1s. (167.7.6; 8.13.6)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Farmer

Dance: As17931015

1979
20 November 1793 @ Drury Lane Theatre

Event Comment: Paid Nicolls for Ropes #5 7s. Receipts: #250 15s. (200.8; 46.16; 3.11)

Performances

Mainpiece Title: The Haunted Tower

Performance Comment: As17930911, but Cicely-Mrs Bland [i.e. formerly Miss Romanzini]; Servant-_; Hubert-_.

Afterpiece Title: The Critic

Performance Comment: As17931027, but Dangle-R. Palmer.

1980
03 December 1793 @ Covent Garden

Event Comment: Paid 1@2 yrs Kings Taxes for Theatre #84 2s. 6d. Receipts: #146 3s. 6d. (140.3.6; 6.0.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Divertisement

Dance: End I in V: As17931020; In afterpiece: Dancing, as17931123

1981
19 March 1794 @ Drury Lane Theatre

Event Comment: Paid Jacobs for carpenters bill to 8th Inst. #56 16s.; Powell for Advertisements [in newspapers] #112 16s. Receipts: #598 7s. 6d. (570/10/6; tickets: 19/10/0; 8/7/0)

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller. Leader as17940312ART I. Overture. Comfort ye my people and Every Valley by Harrison. And the glory by Chorus. Thus saith the Lord and But who may abide by Meredith. And he shall purify by Chorus. Behold! a Virgin and O thou that tellest by Kelly. For, behold! and The people that by Meredith. For unto us by Chorus. There were Shepherds by Sga Storace. Glory to God by Chorus. Rejoice greatly by Master Welsh. Then shall the Eyes and He shall feed his flock by Mrs Bland. Come unto him by Sga Storace. His yoke is easy by Chorus. PART II. Behold the Lamb by Chorus. He was despised by Mrs Crouch. Surely he hath borne by Chorus. All they that see him by Kelly. He trusted in God by Chorus. Thy rebuke hath and Behold! and see by Harrison. He was cut off and But thou didst not by Miss Leak. Lift up your heads by Chorus. Unto which of the by Kelly. Let all the Angels by Chorus. Thou art gone up by Mrs Bland. The Lord gave by Chorus. How beautiful by Master Welsh. Their sound is gone by Chorus. Why do the nations by Meredith. Let us break by Chorus. He that dwelleth and Thou shalt break them by Dignum. Hallelujah by Chorus. PART III. I know that my Redeemer liveth by Master Welsh. Since by Man by the Principal Singers and Semi-Chorus. By Man came also the Resurrection of the Dead by Chorus. For as in Adam all die by Semi-Chorus. Even so in Christ shall all he made alive by Chorus. Behold! I tell by Meredith. The trumpet shall sound, accompanied on the trumpet by Hyde, and Then shall be brought to pass [singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .singer not listed]. O Death where is thy sting by Harrison and Mrs Crouch. But thanks be to God by Chorus. If God he for us by Miss Leak. Worthy is the Lamb by Chorus .

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

1982
28 March 1794 @ Drury Lane Theatre

Event Comment: Paid Dorion on Acct. of Music Copying Oratorios #20. Receipts: #559 12s. (541/17; tickets: 5/2; 12/13)

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers as17940319eader as17940312ARTS I, II. As17940319ART III. As17940319but I know that my Redeemer liveth by Sga Storace .

Music: End of Part I concerto on the oboe by W. Parke; End of Part II concerto on the violin by Giornovichi, in which the favourite air of Lullaby

1983
12 April 1794 @ Drury Lane Theatre

Event Comment: Paid Oratorio Company #1,106 17s. Receipts: #415 15s. 6d. (411/11/0; tickets: 3/12/0; 0/12/6)

Performances

Mainpiece Title: The Messiah

Music: As17940328but omitted: Lullaby

1984
03 May 1794 @ Drury Lane Theatre

Event Comment: Paid Collings for painting the Flies #8 15s. Mainpiece: The Music composed by Starace. Powell: Miller of Mansfield rehearsed at 11; Siege of Belgrade at 12. Receipts: #473 4s. 6d. (404/3/6; 68/10/0; 0/8/o; ticket not come in: 0/3/0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE MILLER OF MANSFIELD

1985
06 May 1794 @ Drury Lane Theatre

Event Comment: Paid Barratt for Oil and Candles #132 10s. Powell: The Jew rehearsed at 10 (for Bannister Jun.); The Citizen at 12. Receipts: #457 5s. 6d. (382/14/0; 70/12/0; 3/7/6; tickets not come in: 0/12/0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE CITIZEN

1986
14 June 1794 @ Drury Lane Theatre

Event Comment: Paid for Beer for the Men removing Music Books #2 19s. 6d. [In mainpiece the playbill assigns First Constantia to Mrs Powell, but she "having sprain'd her Ancle [sic] Miss Collins play'd 1st Constantia" (Powell)]. Powell: Chances rehearsed at 10 (Barrymore absent; Caulfield, Cooke, Welsh each two scenes; Trueman one scene). Receipts: #139 6s. 6d. (78/10/6; 57/16/6; 2/19/6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: LODOISKA

Cast
Role: Pages Actor: Master Welsh, Master GregsonPrincess Lodoiska-Mrs Crouch. Capti"PtI. As above, but added: Miss Arne. Tartars. Kera Khan-Barrymore
Role: Master GregsonPrincess Lodoiska Actor: Mrs Crouch. Capti"PtI. As above, but added: Miss Arne. Tartars. Kera Khan-Barrymore

1987
14 November 1794 @ Drury Lane Theatre

Event Comment: Paid Barratt, oilman, #538 15s. 10d. Powell: Roman Father rehearsed at 10. Receipts: #232 2s. 6d. (173.11.0; 51.10.6; 7.1.0)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Wedding Day

Performance Comment: As17941111, but Prologue-_ [and thereafter].and thereafter].

1988
29 November 1794 @ Covent Garden

Event Comment: Paid Messrs Hewetson, Lace Men, in full for last season #133 1s. Receipts: #225 4s. (215.9; 9.15)

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17941122, but Tom (1st time)-Fawcett.

Afterpiece Title: Hercules and Omphale

Song: As17941122

1989
28 September 1795 @ Covent Garden

Event Comment: Paid Messrs Hill, wax-chandlers, #191 2s. Receipts: #271 17s. 6d. (270.0.6; 1.17.0)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Rosina

1990
24 October 1795 @ Drury Lane Theatre

Event Comment: Paid Billstirkers from beginning of season #10 4s.; Tailor's bill #8 9s. 10d.; Lampmen #6 16s. Receipts: #286 8s. 6d. (219.13.6; 65.3.0; 1.12.0)

Performances

Mainpiece Title: First Love

Afterpiece Title: Peeping Tom

1991
24 October 1795 @ Covent Garden

Event Comment: Paid Messrs Robson and Hale, paper hangers, #124 14s. 6d. Receipts: #222 5s. (218.16; 3.9)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Crotchet Lodge

Dance: In III: a Hornpipe-Byrn

1992
15 February 1796 @ Covent Garden

Event Comment: Paid Mist, ironmonger, #209 12s. Receipts: #386 13s. 6d. (377.7.6; 9.6.0)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Lock and Key

1993
16 April 1796 @ Covent Garden

Event Comment: Paid Macleish, printer [of the playbills] #118 19s. 6d. Receipts: #193 7s. 6d. (181.4.6; 12.3.0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: As17960314but added: Simple-Simmons; Pistol-Williamson; Bardolph-Rees.

Afterpiece Title: Oscar and Malvina

Performance Comment: As17951012, but Bards-Miss _Kirton.

1994
19 October 1796 @ Covent Garden

Event Comment: Paid Wilmer, shoemaker, #90. Receipts: #131 11s. (129.15; 1.16)

Performances

Mainpiece Title: The Way To Get Married

Performance Comment: As17960916, but Officer-_; Servants-_. Epilogue as17960916 .

Afterpiece Title: Lock and Key

1995
24 September 1798 @ Covent Garden

Event Comment: Paid Chorus Singers #1 10s.; Wardrobe #6 10s. 3d.; Supernumeraries #2 2s. 6d. Receipts: #215 11s. (211.6; 4.5)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Miser

Song: In V: a Dirge, as17980917

1996
23 September 1799 @ Covent Garden

Event Comment: Paid Music 20th Inst. #9 3s. 6d.; Properties 2s. 3d.; Chorus Singers #1 10s.; Wardrobe #6 13s. 3d.; Supernumeraries 16s. 6d.; Sloper[master carpenter] for Scene Men #62 11s. 4d.; 3 weeks salary to Phillips #15 15s., to Lupino #11 0s. 6d., to Hollogan #6 15s., to Hodgins #2 5s. [these were scene painters]. Receipts: # 336 14s. 6d. (330.18.0; 5.16.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Farmer

1997
12 November 1707 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: the best Masters

1998
06 February 1711 @ Clerkenwell

Performances

Mainpiece Title: Timon Of Athens

1999
16 January 1734 @ Bloomsbury

Performances

Mainpiece Title: Tony Astons Medley

2000
06 September 1734 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, by the best Masters from the Operas

Entertainment: And after the Concert is over, at the particular Desire of the King, &c. Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English