SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 7165 matches on Event Comments, 1877 matches on Performance Comments, 585 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Bills were up this day for Phaedra and Hippolitus & the Wedding Ring for the Benefit of Mrs Barry-about Nine o'clock this Morning Rec'd Note that Mrs Barry was so ill She could not play: therefore fresh Bills were put up (Hopkins Diary). [See 21 April.] Paid Mr Bannister as per order #10 10s.; Mr Turner, extra trumpet 6 nights (14th incl.) #2 5s. Receipts: #225 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Note of Hand

Event Comment: Benefit for Cautherly. Paid Mr C. Bannister per Mr G. G. #28 17s. Receipts: #209 3s. 6d. Charges: #66 15s. 6d. Profits to Cautherley: #142 18s. 6d

Performances

Mainpiece Title: The Committee

Afterpiece Title: Edgar and Emmeline

Dance: V: The Irish Fair, as17730918

Event Comment: Benefit for Signr Como & Sga Crespi. Paid Mr Benonvilli for models of machinery #10 10s.; Mr J. French on acct (Treasurer's Book). Receipts: #91 3s. Charges: #64 11s. Profits to Como & Sga Crespi: #26 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Dance: III: New Grand Spanish Dance-; End: A New Ballet, call'd The Pirates-Como, Sga Crespi, Sga Chiringhelli, being her first appearance in England; After I Farce: A Grand Serious Dance-Como, Sga Crespi

Event Comment: Rec'd stopages #17 15s.; Paid salary list #565 1s.; J. French on acct #5 5s. Receipts: #192 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17741107, but Vocal parts-Griffiths, _Carpenter in +Fete Champetre.
Cast
Role: Hurry Actor: Weston

Afterpiece Title: The Lottery

Performance Comment: As17741118, but Mr Stocks-Parsons.
Event Comment: Ranger-Paid $Mr Barthelemon">Mr Vernon-much Applause (Hopkins Diary). Benefit for Vernon. Paid $Mr Barthelemon for composing The Election &c. #30; Gratuity to Ralph Harwood #5 5s. Receipts: #196 18s. 6d. Charges: #67 4s. Profit to Vernon: #129 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Performance Comment: As17750220, but Jenny-Mrs Davies, first time.
Cast
Role: Weston Actor: Weston
Role: Thomas Actor: Weston

Dance: The Irish Fair, as17740917

Event Comment: Mrs King was put in the Bills in the following manner: Rosalind By Command by Mrs King. A Circumstance I never knew before, nor do I know by what accident it happened. I'm Sure it's a particular Honour, which her acting cannot deserve (Hopkins Diary). By Command. [Macmillan's note form Kemble comments on Hopkins' astonishment at the command procedure: "This circumstance was a contrivance of Mr Garrick's in order to mortify Mrs Yates, Mrs Abington, and Miss Younge."] Paid Mr Loutherbourg on acct. #31 13s. 4d. (Treasurer's Book). [This payment occured monthly, and was made up to #261 10s. 4d. by a final payment of #8 on 29 June 1776. No further itemization of it will be made.] Receipts: #260 12s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: Weston

Dance: End I: A New Dance call'd The Merry Peasants-M Fontaine (from the Opera at Paris), Mrs Sutton, Others; End I Afterpiece: The Irish Fair, as17751003

Event Comment: Afterpiece: By Particular Desire. Mr G.-never play'd better, and when he was in the Woman's Cloaths he had a head drest with Feathers, Fruit etc. as extravagant as possible to Burlesque the present Mode of Dressing-it had a Monstrous Effect (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Paid Mr Fredrick his bill for sattin #40 10s.; a Tow Bill 10s. (Treasurer's Book). [This monthly bill for Tow amounted to #4 10s. for the season and will not be further mentioned.] Receipts: #217 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Padlock

Event Comment: The Prelude The Theatrical Candidates By Desire, and for the last Time. Paid Mr Brereton on Mr G. draft #60. Receipts: #136 17s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17751003, but Lady Anne-Miss Sherry, first time.

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: May Day

Event Comment: Places for Boxes to be taken of Fosbrooke at the Stage Door. Paid salary list #626 16s. 6d.; Miss Robins in full of #16 13s. 4d. Receipts: #191 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Lottery

Dance: II: The Savage Hunters, as17751118

Event Comment: Portia by Mrs Siddons being her first appearance upon this Stage a good figure rather handsome--wants Spirit and ease her Voice a little course very well receiv'd (Hopkins, Diary). Paid Mr Wrighten on note #100; Mr Garrick 2 nights for Bon Ton and Little Gipsey, #238. Receipts: #197 (Treasurer's Book). Books of the Songs and Chorusses of the Afterpiece to be had at the Theatre. [This note appeared on all subsequent bills advertising the Jubilee this season.] The most accomplished actress can display little other abilities in this part [Portia] than a correct elocution, and a knowledge of the author. The lady of last night being thus circumstanced [her first appearance] it is impossible to pronounce what the nature or extent of her powers may enable her to execute when placed in a situation that calls them forth. But from the speciman she gave there is not room to expect anything beyond mediocrity. Her figure and face, although agreeable, have nothing striking, her voice (that requisite of all public speakers) is far from being favourable to her progress as an actress. It is feared she possess a monotone not to be got rid of; there is also vulgarity in her tones, ill calculated to sustain that line in a theatre she has at first been held forth in; but as these observations are formed when the lady laboured under the disadvantages of a first attempt in the metropolis, her future efforts may perhaps entirely remove them (Middlesex Journal, 30 Dec. Quoted in Hampden, Journal)

Performances

Mainpiece Title: The Merchant Of Venice

Dance: III: The Merry Peasants, as17751018

Event Comment: Signor Martini danc'd for first time tolerable (Hopkins Diary). Paid Mr Park 1 boy 18 nights #6 15s.; Pryor (turner) #3 6d.; Mr Blanchard (tallow chandler) #43 17s. 2d. Receipts: #156 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Dance: I: A New Comic Dance call'd The Gardeners-Sg Martini, first appearance on the English Stage, and Sga Paccini

Event Comment: The New Comedy of The Runaway oblig'd to be deferr'd till Tuesday, on account of Mrs Hopkins' sudden illness. Paid Mr Machin, Chorus, 24 nights, #6; Tallow Chandler's Bill #49 6s. 8d.; additional flutes #1; Mr Landall for sashes #6 14s. Receipts: #195 18s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Dance: I: The Savage Hunters, as17760210

Event Comment: Mainpiece: By Particular Desire and advertised as Garrick's last time of performing the character of Lusignan. This Farce of Two Acts was written by Mr Colman -the first Act was receiv'd with great Applause the second Act a little heavy -and not so much Applause as the first (Hopkins Diary). Paid Mr Park 1 chorus 4 nights (Jubilee) #1 10s. (Treasurer's Book). [The Westminster Magazine for March tells the plot of the afterpiece, and concludes: "The wit and dialogue of this piece will hardly keep it long in esteem with the public. They are sometimes lively, but generally pert and affected."] Receipts: #272 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Zara

Performance Comment: As17751025, but Chatillion-Wrighten.

Afterpiece Title: The Spleen or Islington Spa

Dance: V: The Sailors Revels, as17751220

Event Comment: House (Mr Aickin's Night Bought by Managers) (Hopkins Diary). N.B. On 25 April the treasurer paid Mr Aickin in lieu of Benefit #60. Receipts: #269 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Spleen

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Performance Comment: As17760411 but Prologue-_; Epilogue-_.
Event Comment: Selima and Azor [announced on playbill of 13 Jan.] is obliged to be deferred on Account of Dodd's Illness. Paid Prompter's Bill #23 17s. 6d. Receipts: #233 13s. (210.2; 22.8; 1.3)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequins Invasion

Performance Comment: As17770101, but Old Woman-Mr Davies [i.e. doubled Mercury].i.e. doubled Mercury].
Event Comment: By Command of Their Majesties. Paid One-half Yrs. Land Tax on the Theatre #52 10s., and One-half Yrs. Window Lights [tax] for Theatre #6 12s. 6d. Receipts: #327 14s. (323/19; 3/15)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: As17840306but Maid-Mr Besford .
Cast
Role: 840306but Maid Actor: Mr Besford

Afterpiece Title: The Sultan

Dance: End of mainpiece, as17831001; Afterpiece to conclude as17840306athi

Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald. Prologue by Edward Topham (London Chronicle, 26 Aug. 1786)]. Account-Book, 5 June 1786: Paid Mrs Inchbald in full for Appearance is against Them #50. Public Advertiser, 11 Nov. 1785: This Day is published Appearance is against Them (1s.). Receipts: #207 2s. (204/10/6; 2/11/6)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Appearance is against Them

Event Comment: Afterpiece: To conclude with the Representation of an Engagement between the English and Spaniards, and the Storming of Fort Omoa, on the Spanish Main. Account-Book: Paid Chorus to 11th Inclusive #7 10s.; Poor Rate 1@2 Year #45 17s. 10d.; Thompson on Acct. Supernumeraries #10. Receipts: #212 3s. 6d. (179.13.0; 30.13.6; 1.17.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Harlequins Invasion

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts [i.e. abridged from the original 5]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #347 5s. 6d. (234.1.0; 4.14.6; tickets: 108.10.0) (charge: #105). Pencilled in the Account-Book. 234.1.0-money [taken at the doors] 4.14.6-after money [taken at the doors] 238.15.6 105-charge 133.15.6-owing Lewis [on 18 Apr. he was paid 133.14.0] [The amount of his tickets, 108.10.0, he retained; hence his profit on this night was #242 4s.

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Peep behind the Curtain or The New Rehearsal

Afterpiece Title: Robin Hood

Performance Comment: As17910928, but Allen o'Dale-Gray; Angelina-Mrs Billington.
Event Comment: Mainpiece: To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament, under the direction of Dubois. [These were included in all subsequent performances.] With a new Overture and new Additional Musick, by Storace, Shaw, and other Eminent Masters. And new Dresses, Decorations and Machinery. [Miss Redhead is identified in Kemble Mem.] Account-Book, 20 Dec. 1792: Paid Kemble to purchase horses for Cymon #180 14s. 6d. (223.11.6; 55.4.0; 3.19.0)

Performances

Mainpiece Title: At Kings Cymon

Afterpiece Title: The Deaf Lover

Performance Comment: As17921204, but John-_; song-_.
Event Comment: Account-Book: Paid Orchestra #61 13s. a week; Peake #10 a week; Soldiers #5 5s. a week. Receipts: #151 4s. (81.13; 65.18; 3.13)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Deserter

Performance Comment: As17990924, but Jenny-Miss DeCamp.
Event Comment: No persons to be admitted without tickets, which will be delivered this day at the Office in the Theatre. Charges paid by, and receipts gained by Messrs Smith and Stanley. Galleries opened at half past Four. Pit and Boxes at Five. Prices 10s. 6d., 5s., 3s. 6d. Oratorio to begin at 6:30 p.m. Received (Account Book): @368 tickets at 10s. 6d. #193 4s.@410 tickets at 5s. #102 10s.@435 tickets at 3s. 6d. #76 2s. 6d.@1215 persons.@Receipts: #371 16s. 6d.@Charges: #35.

Performances

Mainpiece Title: Judas Maccabaeus

Music: Concerto on Organ-Stanley; Solo on Violin-Sg Giardini

Event Comment: @120 tickets at 10s.120 tickets at 10s. 6d. #63@152 tickets at 5s. #38@159 tickets at 3s. 6d. #27 16s. 6d.@ 411 persons present. Receipts #108 16s.@ Paid Renters #10. (Account Book). Charges: #35 (Account Book)

Performances

Mainpiece Title: Zimri

Music: As17610206

Event Comment: @322 tickets at 10s.322 tickets at 10s. 6d. #169 1s.@326 tickets at 5s. #81 10s.@344 tickets at 3s. 6d. #60 4s.@992 present.@Receipts #310 15s.@ Paid renters #10 (Account Book). Charges: #35 (Account Book)

Performances

Mainpiece Title: Samson

Music: As17610206