SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Weston but changed Winston MS 10 Paid Mr "/1) | (@(roleclean,performerclean) "Weston but changed Winston MS 10 Paid Mr ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 7794 matches on Event Comments, 1945 matches on Performance Comments, 604 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #115 1s. 6d. Sent Mrs Ward by order of Rich #10; Paid for a Pompadour Cloath Coat & Breeches, Waistcoat button holes & binding gold #10 10s.; for a suit embroider'd with silver #8 8s.; for a Blue coat for Hull #1 3s.; for a Coat and waistcoat loop'd and bound with gold #7 7s. Advanc'd to Beard #60

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Dance: As17591017

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Rylands MS.: Duke and Princesses present. Receipts: #100. [Winston MS. lists Constant Couple, which had been announced for this day in the previous Bill, but which seems to have been deferr'd on account of this command performance.

Performances

Mainpiece Title: The Provoked Wife

Cast
Role: Rake Actor: Winstone
Role: Lord Rake Actor: Winstone

Song: I: Bright Author of my present Flame-Lowe

Dance: II: Le Boufon, as17411030; V: Les Jardiniers Suedois, as17411128

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Rylands MS.: Duke &c attended. [Winston MS. lists Merchant of Venice, which had been advertised on the previous day's bill, but which was supplanted by this command performance.] Receipts: #80

Performances

Mainpiece Title: The Spanish Friar

Performance Comment: As17411216, but Elvira-Mrs Clive.
Cast
Role: Alphonso Actor: Winstone

Song: I: Happy Pair-Beard; III: Bright Author of my Present Flame-Lowe

Dance: II: Le Boufon, as17411030; V: Le Genereux Corsaire, as17411214

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Rylands MS.: Garrick Play'd, Duke Attended. Died 31 July, aged 77, Ben Johnson (Winston MS. from Burney's Actors MSS). [See benefit for his daughter 15 Dec.] Receipts: #171

Performances

Mainpiece Title: Richard Iii

Performance Comment: As17420430 but Richard-Garrick (last time of his performing this season); Duke of York-Miss Cibber; Lord Mayor-Turbutt; Blunt-Raftor; Tressel-_; Lieutenant-_.
Cast
Role: Lord Mayor Actor: Turbutt
Role: Catesby Actor: Winstone

Dance: The Mechels

Event Comment: DDyer's MS: Garrick's first benefit, not crowded, opened lobby to dispose of tickets (Winston MS.). Tickets may be had at Garrick's lodgings in the Great Piazza, Covent Garden. Stage will be form'd into side boxes

Performances

Mainpiece Title: Hamlet

Cast
Role: Player King Actor: Turbutt

Song: As17430103

Event Comment: Benefit the author of this bad new play, which would have sunk the 1st night but for Garrick's acting (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Wedding Day

Performance Comment: As17430217, but Turbutt_.
Cast
Role: Dr Crisis Actor: Turbutt
Event Comment: Author's second Benefit. He did not get above #30 each Benefit (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Wedding Day

Cast
Role: Dr Crisis Actor: Turbutt

Dance: II: Les Chasseurs-Checo Torinese, Chiaretta Aquilanti, Mlle Bonneval; IV: Les Moisoneurs de la Styrie, as17421201

Event Comment: Benefit Pierson, Treasurer. Garrick refused to act. So he got Bridges from Dublin to play for him. (Winston MS. from Dyer MS.). Tickets and places to be had at Pierson's House, the Green Door, the Upper End of Great Queen St., Lincoln's Inn Fields, and of Hobson at the Stage Door

Performances

Mainpiece Title: The Country Wife

Performance Comment: Pinchwife-a Gentleman from Theatre Royal Dublin; Sir Jasper Fidget-Macklin; Sparkish-Neale; Harcourt-Blakes; Mrs Pinchwife-Mrs Clive; Lady Fidget-Mrs Pritchard; Horner-Mills; Dorilant-Cross; Quack-Turbutt; Alithea-Mrs Ridout; Lucy-Mrs Bennet.
Cast
Role: Quack Actor: Turbutt

Afterpiece Title: The Dragon of Wantley

Performance Comment: As17430204, but Les Amant Volages-_.

Song: II: Stella and Flavia-Beard; IV: (By Particular Desire) Bumper Squire Jones-Beard

Music: IV: a Concerto-Piantanida

Dance: III: A Comic Dance-Boromeo, Mlle Bonneval

Event Comment: Benefit Yates and Blakes. Garrick refus'd to act. Neale did Clodio (Winston MS., from Dyer MS.). [Marr doubles Don Manuel and Sancho]. Tickets for Marr will be taken

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: As17421208, but Don Manuel-Marr; Honoria-Mrs Horsington; Don Choleric-Yates; Clody-Neale; Don Duart-Blakes; Monsieur-Blakes; Sancho-Marr; Angelina-Mrs Ridout.

Afterpiece Title: The Lying Valet

Performance Comment: As17430315 but Gayless-Blakes; Beau Trippet-Marr.

Song: II: Beard; III: Lowe

Music: IV: Concerto-Burk Thumoth

Event Comment: Benefit Stevens, Waters, Brook, Hussey. As we could not have our Benefit on Saturday Last, the Company are so kind to pay for us at us at the Theatre Royal in Lincoln's Inn Fields; we humbly hope that our friends will excuse the Disappointment (it not being in our power to avoid it) and favour us on Friday, 3 June, when tickets deliver'd out for the 28th of May for Drury-Lane will be taken this night at Lincolns Inn Fields..-London Daily Post and General Advertiser. This was not acted at dl. Fleetwood refused and they acted at lif, Friday 3 June. Yates, Taswell, Mrs Macklin, Mrs Pritchard, Mrs Hale of cg and Havard Played. N.B. there was an execution on dl at the time.-Winston MS. from Dyer MS

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Macklin; Sir George-Mills; Sir Francis-Taswell; Sir Jealous-Turbutt; Charles-Havard; Butler-Wright; Isabinda-Mrs Ridout; Scentwell-Mrs Horsington; Whisper-Woodburn; Patch-Mrs Macklin; Miranda-Mrs Clive.
Cast
Role: Sir Jealous Actor: Turbutt
Role: Butler Actor: Wright

Afterpiece Title: The Mock Doctor

Song: Beard, Lowe

Performances

Mainpiece Title: The Double Gallant Or The Sick Ladys Cure

Afterpiece Title: The King and the Miller of Mansfield

Performance Comment: Peggy-Young Gentlewoman[, first appearance any stage [Miss Cockayne-Winston MS 8]; King-Gibson; Miller-Dunstall; Dick-Anderson; Margery-Mrs Bambridge; Kate-Miss Morrison; Joe-Lowe.
Cast
Role: Miss Cockayne Actor: Winston MS 8
Event Comment: Benefit for Austin and Wood. Wood, Sub Treasurer (Winston MS 8). No Building on Stage. Receipts: #140 (Cross). [The Prologue was The Night's Adventure of a Buck, Larpent MS 147. The mid-portion shows the Buck at the playhouse]: @First to the Playhouse,--not to hear the play--@I went to pass an hour or so away,@For what to me are Shakespears, Otways, Rowes,@Their, Jaffiers, Bajazets, andRomeos?@Such mouthing rascals give no joy to me@I get behind the scenes, and there d'ye see,@I strut, and ogle, pull the girls about@Stand in the way, and put the actors out.@These, these are joys, which only Bucks can know,@And all the pleasures playhouses bestow...

Performances

Mainpiece Title: The Mistake

Afterpiece Title: The Englishman in Paris

Performance Comment: As17570922, but Buck-Austin, 1st time, who spoke Foote's last Prologue.

Entertainment: TheNew Magic Scene in the characters of Harlequin, as17580428

Event Comment: Great Calling for ye Imitations & they were done (Cross). Receipts: #130 (Cross); #160 10s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Diversions of the Morning

Event Comment: Imitations as before (Cross). Mainpiece: Not acted these 3 years [see 5 Oct. 1756]. Receipts: #100 (Cross); #120 11s. (Winston MS 8)

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Afterpiece Title: The Diversions of the Morning

Dance: SSpanish Dance, as17581014

Event Comment: Imitations as before (Cross). Receipts: #130 (Cross); #154 9s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Comus

Afterpiece Title: The Diversions of the Morning

Event Comment: Imitations as before (Cross). Receipts: #100 (Cross); #143 18s. (Winston MS 8)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Diversions of the Morning

Event Comment: Receipts: #100 (Cross); #138 19s. (Winston MS 8)

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Afterpiece Title: The Diversions of the Morning

Dance: As17581017

Dance: TThe Swiss, as17581102

Event Comment: Receipts: #140 (Cross); #134 10s. (Winston MS 8)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Diversions of the Morning

Dance: SSpanish Dance, as17581014

Event Comment: Imitaions particularly desired. Receipts: #140 (Cross); #123 13s. 6d. (Winston MS 8)

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Diversions of the Morning

Event Comment: LLucia-a $Miss Bride, a figure dancer surprisingly perfect (Winston MS 9). Great expectations from her [Miss Bride] (Hopkins MS Notes)

Performances

Mainpiece Title: Cato

Afterpiece Title: High Life Below Stairs

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Follies of a Day

Performance Comment: As17981001, but Bazil-Rees; Susan (1st time)-Mrs H. Johnston.

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

Event Comment: Receipts: #151 15s. 6d. Sent Mrs Ward by order of Rich #10. Paid Messrs Powell & Co for Miss White #3 12s

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Miss in Her Teens

Dance: As17591023

Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe. MS: Larpent 608; not published. CG playbill of 16 Nov. 1795 has a detailed synopsis of the action]: Intermixed with Songs and Dialogue. With new Music, Scenes, Dresses, Machinery, and Decorations. The new Music composed by Shield. The new Scenes designed by Richards, and executed by Richards, Hodgins, and assistants. To conclude with a Representation of the Lord Mayor's Show on the Water. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. "As to the Pantomime it wanted nothing on the first Night but Abbreviations . . . [which should be] omission of the Doctors, the two Women of the Town, and the whole of Edwin's Character" (Public Advertiser, 27 Nov.). Gentleman's Magazine, Jan. 1783, pp. 29-31, contains a detailed synopsis of the procession, and adds, "The personages of this procession were all dressed in the characters of the time in which they lived, and before each of them a label, a scroll, or a pageant was carried, bearing their name, or some allusion of the poets to their occupation. The figures in transparency were all painted as large as the life, and had a most grand and beautiful effect . . . The idea of the paintings was furnished by Mr Richards and Mr Smirk [sic], and all of them executed by the latter in a style of so much taste and excellence that it is a matter of some wonder to us, where an artist of Mr Smirk's abilities has been so long concealed . . . The glee introduced with so much applause is the composition of the late Dr Rogers (who lived in 1600); the other airs in the pantomime and procession arc by Handel, Lord Kelly, Abel, Stamitz and Shield, and have very great merit. The expense of preparing this splendid spectacle must have been very great, and the cost of continuing its representation cannot be inconsiderable, since more than 200 supernumeraries are employed to walk in the procession." Receipts: #215 3s. (206/3; 9/0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Lord Mayors Day or A Flight from Lapland

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love