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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W T Fitzgerald Esq"/1) | (@(roleclean,performerclean) "W T Fitzgerald Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1888 results for: Keyword - W. T. Fitzgerald, Esq
We found 1326 matches on Performance Comments, 574 matches on Event Comments, 81 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1
24 January 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Performance Comment: T. Fitzgerald, Esq=., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon.

2
06 April 1714 @ Stationer's Hall

Event Comment: Benefit Mrs Fitzgerald. For the Entertainment of His Excellency Don Bentura de Zari, the Emperor of Morocco's Ambassador. Tickets 2s. 6d. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music Italian and English-; [Note, At the Desire of several Gentlemen, Mrs Fitzgerald's voice accompanied by] Trumpet and German Flute-Mr Grano; [The Consort opening with an entire new Trumpet Sonata-

3
06 June 1795 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

4
22 March 1793 @ Haymarket Theatre

Performances

Mainpiece Title: Judas Maccabaeus [part I Only

Afterpiece Title: Favourite Selections from Samson

Afterpiece Title: The Messiah

Song: In 3rd piece: He was eyes unto the blind-Harrison [Siroe]; after violin concerto: The Woody Vale (composed by Miss Poole)-Master Welsh

Music: End 1st piece: a new concerto on the hautboy (composed by W. Parke)-W. Parke; End 2nd piece: a new concerto on the violin-Alday

5
23 May 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: The Drunken Peasant-Morris; The Clown-W. Vaughan; V: A Hornpipe-Morris

6
17 January 1734 @ Haymarket Theatre

Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq. Afterpiece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Dido and Aneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340112

7
14 December 1771 @ Drury Lane Theatre

Event Comment: Afterpiece: An alteration by Cumberland from his Summer's Tale (Genest, V, 321). Theatrical Review, 14 Dec.: We confess we pitied the situation of the performers, who all exerted their utmost efforts to support it in the representation; but it is not the eminent abilities of a Vernon, a Parsons, a Hunt, or a Fitzgerald, that can render a piece worthy of notice, which has nothing interesting in it, and is absolutely devoid of merit. Paid Salary list, #501 3s. 6d.; Mr S. French 6 days #1 10s.; Mrs Abington for cloaths #2; Rec'd stopages #13 18s. 6d. (Treasurer's Book). Receipt2: #128 17s. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Amelia

Performance Comment: Parts-Vernon, Parsons, Davies, J. Burton, Mrs Fitzgerald, Mrs Hunt. Henry-Vernon; Sir Anthony Withers-Parsons; Frederick-Davies; Peter-J. Burton; Patty-Mrs Fitzgerald; Amelia-Miss Hunt (MacMillan).
Cast
Role: Parts Actor: Vernon, Parsons, Davies, J. Burton, Mrs Fitzgerald, Mrs Hunt. Henry-Vernon

8
15 May 1772 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Fitzgerald. Paid 2 extra hautboys in Rehearsal 31 March, 10s.; 8 extra trumpets in The Garter 4th March, #3. Receipts: #66 19s. 6d. Charges: #70 8s. 6d. Deficit to Mrs Fitzgerald: #3 9s. (Treasurer's Book)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Padlock

Performance Comment: As17720508, but Leonora-Mrs Fitzgerald for the first time this season.

9
07 May 1771 @ Drury Lane Theatre

Event Comment: Benefit for Sparks. Miss Radley became Mrs Fitzgerald (Winston MS 10). Ld. Townly, Mr Sparks Jun: first Appearance (Cross Diary). Mr Sparks Junr Son of Mr Isaac Sparks made his first Appearance on any Stage in Ld. Townly a fine figure and met with Applause (Hopkins Diary)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17701102; Lord Townly-Young Gentleman, first appearance on any stage [Sparks Jun]; John Moody-I. Sparks; Lady Townly-Mrs Abington; Jenny-Mrs Fitzgerald (late Miss Radley).

Afterpiece Title: A Peep behind the Curtain

Dance: End: Comic Dance, as17710416

10
14 May 1771 @ Drury Lane Theatre

Event Comment: Benefit for Hartry and Davies. [Playbill mistakenly continued this night to list Mrs Fitzgerald as Miss Radley.

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Vernon; Woodcock-Hartry; Young Meadows-Davies, first time; Sir Wm. Meadows-Parsons; Eustace-Fawcett; Hodge-King; Margery-Miss Pope; Deborah-Mrs Love; Lucinda-Mrs Fitzgerald; Rosetta-Mrs Baddeley; In Act I: a Dance- incidental to the Opera.

Afterpiece Title: The Mayor of Garratt

Dance: II: Comic Dance, as17710416

11
01 December 1792 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 5, by Thomas Morton. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: The Scenes, principally new, designed and painted by Richards, Hodgins, Pugh, Walmsley, and assistants. With entire new Dresses and Decorations. "The management of the earthquake in which the Temple of the Sun is destroyed was a very fine piece of stage mechanism; the effect of which was considerably heightened by the improved performance of the Bold Thunder, and that also of his Electrical Harbinger. The gradations and cadences of the first were superior to anything of the kind we remember within the walls of the theatre...The scene of the rising sun was uncommonly dingy" (Public Advertiser, 3 Dec.). "Mr Morton in full for Columbus #214 10s. 6d." [MS annotation on BM playbill, 26 Dec. 1792 (cg, Vol. VIII)]. Morning Herald, 14 Dec. 1792: This day at noon will be published Columbus (1s. 6d.). Receipts: #301 8s

Performances

Mainpiece Title: Columbus; Or, A World Discovered

Afterpiece Title: Love in a Camp

12
10 January 1797 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Comus

13
April 1684 @ Drury Lane Theatre

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq-.
Cast
Role: Esq Actor: .

14
December 1699 @ Drury Lane Theatre

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performance Comment: Edition of 1700: Prologue by Tho. Cheek Esq-Mr Powell; Epilogue by Mr Motteux-Mr Norris; Eriphile-Mrs Wilkins.
Cast
Role: Cheek Esq Actor: Mr Powell

15
20 October 1733 @ Haymarket Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Written by Colley Cibber Esq; Poet Laureat

Performances

Mainpiece Title: The Careless Husband

Music: Second Musick: First Concerto of the 1st Opera of Geminiani. Third Music: Overture compos'd by Handel for Alexander. I: A Concerto call'd The Cuckoo composed by Vivaldi. III: Duo for Two French Horns by Charle and Giay

Dance: V: La Follette s'cest ravizee by Nivelon and Miss Mann

Song: II: Quanto Dolce by Miss Arne. IV: Per le forte del tormento by Miss Arne and Young Master Arne

16
28 November 1733 @ Haymarket Theatre

Event Comment: Benefit Harper. Mainpiece: Written by the late J. Addison, Esq. [For further discussion of Harper's appearance in Court, see Universal Spectator, 1 Dec; London Evening Post, 29 Nov.; Grub St. Journal, 6 Dec]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Devil to Pay

Dance: Tambourine by Miss Robinson. La Bagatell by Essex and Miss La Tour. La Folette S'cest ravizee by Nivelon and Miss Mann

17
12 January 1734 @ Haymarket Theatre

Event Comment: At the Desire of several Ladies of Quality. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne. The Scenes, Machines and Habits all new

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Afterpiece Title: Dido and Aeneas

Dance: Les ombres des Amants Fideles by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

18
14 September 1734 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late J. Addison, Esq

Performances

Mainpiece Title: Cato

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphos'd

19
21 October 1734 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir John Vanbrugh and C. Cibber, Esq; Poet-Laureat. Afterpiece: Intermix'd with Dances and Songs made to Ballad Tunes. Admission: 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Harlot's Progress; or, The Ridotto al' Fresco

20
01 July 1735 @ Drury Lane Theatre

Event Comment: At the Desire of several Eminent Citizens. Mainpiece: Written by Mr Lillo. Afterpiece: Taken from the French of Moliere, by H. Fielding, Esq. At Common Prices. 6:30 P.M. [Tickets for Grey, Peploe, Mrs Moor taken. The Doorkeepers are ordered not to take tickets sold by Orange Women.] London Daily Post and General Advertiser, 3 July: The Play of George Barnwell, and the Farce of the Mock Doctor . . . was perform'd to a Crowded Audience, with Great Applause . . . The Revival of the above-mentioned Play seems welltim'd, when so many fine Ladies of Pleasure make their Appearance, with unusual Equipages, and their Gallants run the most extraordinary Lengths, to their own Ruin, and Grief of their Friends

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Mock Doctor

Music: Select Pieces. II: A Concerto for two Hautboys performed by Woodbridge and Neale

Dance: I:Jenny come tie me; or, The Neu, Way of Wooing by Davenport and Miss Brett. III: Drunken Peasant by Le Brun. V: Pierot by Davenport and Cox. End Afterpiece: A new Comic Dance by Le Brun and Mrs Anderson

Song: IV: As17350603

21
20 September 1735 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late J. Addison, Esq

Performances

Mainpiece Title: Cato

Afterpiece Title: Colombine Courtezan

Music: Select Pieces

22
27 September 1735 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Shakespeare by N. Tate, Esq. Afterpiece: Taken from Moliere

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Mock Doctor

23
24 November 1735 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Shakespear by N. Tate, Esq

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Virgin Unmask'd

24
26 November 1735 @ Goodman's Fields

Event Comment: Mainpiece: Written by Aaron Hill, Esq. And New Scenes and Clothes

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France By The English

Afterpiece Title: Pat1e and Peggy; or, The Fair Foundling

25
25 March 1736 @ Goodman's Fields

Event Comment: Benefit Penkethman. Nunc aut Nunquam. Mainpiece: Written by Henry Fielding, Esq; Author of the Miser. [Tickets at Penkethman's, overagainst the Three Tuns, Ayliff Street.]

Performances

Mainpiece Title: The Temple Beau

Afterpiece Title: The Lover His Own Rival

Dance: II: Dutch Skipper by Vallois and Mrs Bullock. III: Richmond Maggot by Le Sac and Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock

Song: IV: By Mrs Chambers