SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W Pen"/1) | (@(roleclean,performerclean) "W Pen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1277 matches on Performance Comments, 280 matches on Event Comments, 32 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Yarico Actor: Mrs Billington
Role: Inkle Actor: Johnstone
Role: Sir Christopher Curry Actor: Quick
Role: Campley Actor: Davies
Role: Medium Actor: Wewitzer
Role: Mate Actor: Darley
Role: Planters Actor: Gardner, Thompson, Helme, Evatt
Role: Sailor Actor: Ledger
Role: Waiter Actor: Farley
Role: Trudge Actor: Edwin
Role: Wowski Actor: Mrs Martyr
Role: Narcissa Actor: Mrs Mountain
Role: Patty Actor: Mrs Rock

Dance: End II: As17881025; End: A Divertissement, as17881001

Song: In I: Sweet Bird-from L'Allegro Il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke; additional songsby Anfossi, Sacchini, Dr Arnold, -Mrs Billington

Cast
Role: Actor: Mrs Billington.

Performances

Mainpiece Title: Fontainbleau

Cast
Role: Sir John Bull Actor: Fearon
Role: Mrs Casey Actor: Miss Stuart
Role: Rosa Actor: Mrs Billington
Role: Nanette Actor: Mrs Watts.
Role: Lackland Actor: Lewis
Role: Lepoche Actor: Quick
Role: Squire Tally@ho Actor: Edwin
Role: Lord Winlove Actor: Davies
Role: Colonel Epaulette Actor: Wewitzer
Role: Henry Actor: Johnstone
Role: Celia Actor: Mrs Martyr
Role: Lady Bull Actor: Mrs Webb
Role: Nannette Actor: Miss Stuart
Role: Miss Dolly Bull Actor: Mrs Mattocks.

Afterpiece Title: The Flitch of Bacon

Cast
Role: Captain Greville Actor: Johnstone
Role: Captain Wilson Actor: Bannister
Role: Major Benbow Actor: Wewitzer
Role: Justice Benbow Actor: Fearon
Role: Kilderkin Actor: Ledger
Role: Ned Actor: Rock
Role: Puttey Actor: Painter
Role: Tipple Actor: Edwin
Role: Eliza Actor: Mrs Billington

Dance: As17881021

Song: Mainpiece: With an additional song by Shield-; the Bravura Song from Erifile, by Sacchini-; accompanied on the hautboy-W. Parke; Auld Robin Gray-Mrs Billington

Event Comment: Mainpiece: In I a Masquerade Scene incident to the Play. [This was included in all subsequent performances.] No Money to be returned. Places for the Boxes to be taken of Brandon at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #255 6s. (253.11.6; 1.14.6)

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Romeo Actor: Holman
Role: Capulet Actor: Powel
Role: Benvolio Actor: Davies
Role: Friar Lawrence Actor: Hull
Role: Paris Actor: Macready
Role: Tibalt Actor: Cubitt
Role: Prince Actor: Gardner
Role: Peter Actor: C. Powell
Role: Mercutio Actor: Lewis
Role: Lady Capulet Actor: Mrs Platt
Role: Nurse Actor: Mrs Pitt
Role: Juliet Actor: Mrs Achmet

Afterpiece Title: The Farmer

Cast
Role: Jemmy Jumps Actor: Edwin
Role: Valentine Actor: Johnstone
Role: Rundy Actor: Blanchard
Role: Dormant Actor: Hull
Role: Fairly Actor: Thompson
Role: Farmer Blackberry Actor: Darley
Role: Farmer Stubble Actor: Gardner
Role: Molly Maybush Actor: Mrs Martyr
Role: Louisa Actor: Mrs Mountain
Role: Landlady Actor: Mrs Platt
Role: Betty Blackberry Actor: Mrs Mattocks.

Song: End IV: Juliet's Funeral Procession-; With Dirge-; Vocal Parts-Bannister, Johnstone, Cubitt, Darley, Rock, Letteney, Reeve, W. Thompson, Mrs Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Francis, Mrs Masters, Mrs Powell, Mrs Byrne, Mrs Martyr

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Nurse Actor: Mrs Powell.
Role: Romeo Actor: Holman
Role: Capulet Actor: Powel
Role: Benvolio Actor: Davies
Role: Friar Lawrence Actor: Hull
Role: Paris Actor: Macready
Role: Tibalt Actor: Cubitt
Role: Prince Actor: Gardner
Role: Peter Actor: C. Powell
Role: Mercutio Actor: Lewis
Role: Lady Capulet Actor: Mrs Platt
Role: Juliet Actor: Mrs Achmet

Afterpiece Title: The Highland Reel

Cast
Role: Shelty Actor: Edwin.
Role: M'Gilpin Actor: Quick
Role: Serjeant Jack Actor: Bannister
Role: Sandy Actor: Johnstone
Role: Charley Actor: Blanchard
Role: Captain Dash Actor: Davies
Role: Donald Laird of Col Actor: Gardner
Role: Croudy Actor: Cubitt
Role: Laird of Raasay Actor: Thompson
Role: Jenny Actor: Mrs Mountain
Role: Moggy Actor: Mrs Martyr
Role: The Hunchback Actor: Quick
Role: Taylor Actor: Blanchard
Role: Jew Purveyor Actor: Reeve
Role: French Doctor Actor: Cubitt
Role: Barber Actor: Macready
Role: Englishman Actor: Bernard
Role: Doctor's Man Actor: Rock
Role: Jew's Man Actor: Milburne
Role: Cadi Actor: Evatt
Role: Bassa of Bagdad Actor: Davies
Role: Dora Actor: Miss Rowson
Role: Taylor's Wife Actor: Mrs Webb.
Role: Crumpy Actor: Quick
Role: Cross@Leg Actor: Blanchard
Role: Zebede Actor: Reeve
Role: Doctor Quinquina Actor: Cubitt
Role: Absalom Actor: Macready
Role: Crank Actor: Bernard
Role: Dominique Actor: Rock
Role: Habby Actor: Milburne
Role: Cadi Actor: Evatt
Role: Bassa Actor: Davies
Role: Dora Actor: Miss Rowson
Role: Juggy Actor: Mrs Webb.

Song: Juliet's Funeral Procession-; Dirge-; Vocal Parts, as17890914, but W. _Thompson, Duffey, Mrs _Powell

Performances

Mainpiece Title: Redemption, Selected From The Great And Favourite Works Of handel That Were Performed In westminster-abbey And At The pantheon [on 26 And 27 May 1784] 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Performance Comment: PART I. Overture (Occasional Oratorio)-; O first Created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you Walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tall-Spence (Ptolomy); Abraham enough-Miss Broadhurst (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Miss Davies (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the children of Israel-Chorus; Sing ye to the Lord-Miss Davies; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Performance Comment: PART II. Ye sons of Israel-Chorus; O had I Jubal's Lyre-Miss Hagley (Joshua); Jehovah crown'd-Reinhold; He comes-Chorus (Esther); Angels ever bright and fair-Miss Davies (Theodora); Welcome mighty king-Chorus (Saul); March (Judas Maccabaeus)-; In sweetest Harmony-Mrs Crouch, Chorus (Saul); Their Bodies are buried in Peace-Chorus (Funeral Anthem); Dead March (Saul)-; Lord remember David-Spence (Sosarme); The Sword that's drawn-Reinhold (Occasional Oratorio); God save the King-Chorus (Coronation Anthems).

Afterpiece Title: Redemption 3

Performance Comment: PART III. Where is this stupendous Stranger?-Mrs Crouch (Alcina); There beneath a lowly Shade-Dignum (Alexander Balus); He was Eyes unto the Blind-Mrs Crouch (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Miss Davies (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

Performances

Mainpiece Title: Rosina

Cast
Role: Rustic Actor: Williamson
Role: William Actor: Mrs Mountain.
Role: Rover Actor: Lewis
Role: Sir George Thunder Actor: Quick
Role: Harry Actor: Holman
Role: Sim Actor: Blanchard
Role: John Dory Actor: Wilson
Role: Ephraim Smooth Actor: Munden
Role: Banks Actor: Hull
Role: Gammon Actor: Cubitt
Role: Midge] Actor: Macready
Role: Sailors Actor: Thompson, Farley, Milburne
Role: Landlord Actor: Powel
Role: Twitch Actor: Rock
Role: Trap Actor: Evatt
Role: Zachariah Actor: Reeve
Role: Lamp Actor: C. Powell
Role: Sheriff's Officers Actor: Cross, Ledger
Role: Waiter Actor: Master Simmons
Role: Jane Actor: Mrs Wells
Role: Amelia Actor: Miss Chapman
Role: Lady Amaranth Actor: Mrs Pope

Afterpiece Title: Lovers' Quarrels

Cast
Role: Lopez Actor: Bernard.
Role: Sancho Actor: Quick
Role: Don Carlos Actor: Holman
Role: Don Lorenzo Actor: Farren
Role: Don Alvarez Actor: Rock
Role: Don Felix Actor: Thompson
Role: Angelina Actor: Miss Chapman
Role: Isabella Actor: Mrs Bernard
Role: Jacintha Actor: Mrs Mattocks
Role: Leonora Actor: Mrs Pope.

Afterpiece Title: Comus

Song: End I: The Musical Courtship, as17910506; End II 2nd piece: Say Bonny Lass, as17910506; In 3rd piece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers (1st time these 7 years)-Incledon; O! thou wert born to please me (1st time at this theatre)-Incledon, Mrs Mountain

Performances

Mainpiece Title: The Widow Of Malabar

Cast
Role: Young Bramin Actor: Holman
Role: Raymond Actor: Farren
Role: Narrain Actor: Thompson
Role: 2nd Bramin Actor: Powel
Role: Albert Actor: Evatt
Role: Chief Bramin Actor: Harley
Role: Fatima Actor: Mrs Rock
Role: Indamora Actor: Mrs Merry.

Afterpiece Title: The Little Hunchback

Cast
Role: The Hunchback Actor: Quick
Role: Taylor Actor: Blanchard
Role: Jew Purveyor Actor: Wilson
Role: French Doctor Actor: Marshall
Role: Barber Actor: Macready
Role: Englishman Actor: Powel
Role: Doctor's Man Actor: Rock
Role: Bassa of Bagdad Actor: Davies
Role: Dora Actor: Mrs Rock
Role: Taylor's Wife Actor: Mrs Webb.

Afterpiece Title: Comus

Cast
Role: Comus Actor: Harley
Role: Spirit Actor: Thompson
Role: Brothers Actor: Macready, Evatt
Role: Bacchanals Actor: Incledon, Davies, Darley, Cubitt, Williamson
Role: The Lady Actor: Mrs Wells
Role: Bacchant Actor: Mrs Mountain
Role: Pastoral Nymph Actor: Miss Broadhurst
Role: Sabrina Actor: Miss Barnett
Role: Euphrosyne Actor: Mrs Martyr.

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke

Performances

Mainpiece Title: The Recruiting Officer

Cast
Role: Rose Actor: Mrs Davis
Role: Captain Plume Actor: Holman
Role: Justice Balance Actor: Hull
Role: Worthy Actor: Davies
Role: Serjeant Kite Actor: Cubitt
Role: Bullock Actor: Fawcett
Role: Recruits Actor: Munden, Blanchard
Role: Welsh Collier Actor: Farley
Role: Captain Brazen Actor: Lewis
Role: Melinda Actor: Miss Chapman
Role: Lucy Actor: Miss Stuart
Role: Sylvia Actor: A Young Lady

Afterpiece Title: True Blue

Cast
Role: Lieutenant Actor: Incledon
Role: True Blue Actor: Davies
Role: Careful Actor: Darley
Role: Nancy Actor: Miss Broadhurst.

Afterpiece Title: Comus

Cast
Role: Comus Actor: Holman
Role: Principal Bacchanal Actor: Incledon
Role: Bacchanal Actor: Darley
Role: Spirit Actor: Thompson
Role: Brothers Actor: Macready, Evatt
Role: The Lady Actor: Miss Chapman
Role: Principal Bacchant Actor: Mrs Clendining
Role: Bacchants Actor: Mrs Blanchard, Miss Stuart
Role: Sabrina Actor: Miss Barnett
Role: Pastoral Nymph Actor: Miss Broadhurst
Role: Euphrosyne Actor: Mrs Martyr.

Dance: In 2nd piece: a Hornpipe-Blurton

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers-Incledon

Performances

Mainpiece Title: Notoriety

Cast
Role: Nominal Actor: Lewis
Role: Hubbub Actor: Quick
Role: O'Whack Actor: Johnstone
Role: Clairville Actor: Farren
Role: Sir Andrew Acid Actor: Munden
Role: Lord Jargon Actor: Bernard
Role: Saunter Actor: Davies
Role: James Actor: FarleySophia Strangeways-Mrs Esten
Role: FarleySophia Strangeways Actor: Mrs Esten
Role: Lady Acid Actor: Mrs Webb
Role: Honoria Actor: Miss Chapman

Afterpiece Title: Comus

Dance: As17931022

Song: In afterpiece Sweet Echo by Mrs Mountain, accompanied on the hautboy by W. Parke

Performances

Mainpiece Title: The Bank Note

Cast
Role: Mr Hale Actor: Davenport in place of Quick
Role: Sally Flounce Actor: Mrs Mountain
Role: Sir Charles Leslie Actor: Holman
Role: Killeavy Actor: Johnstone
Role: Ned Dash Actor: Fawcett
Role: Mr Bloomfield Actor: Middleton
Role: Father Actor: Hull
Role: Tim Actor: Townsend
Role: Lieutenant Selby Actor: Macready
Role: Careful Actor: Powel
Role: Young Bloomfield Actor: Miss Standen
Role: Mr Bloomfield's Servant Actor: Abbot
Role: Porter Actor: Coombs
Role: Gentleman Actor: Platt
Role: Cook Actor: Ledger
Role: Butler Actor: Williamson
Role: Mrs Bloomfield Actor: Mrs Mattocks
Role: Miss Emma Hale Actor: Miss Hopkins
Role: Lady Supple Actor: Mrs Davenport
Role: Maid Actor: Mrs Norton
Role: Miss Russel Actor: Miss Wallis
Role: Gentlewoman Actor: Mrs Follett

Afterpiece Title: The Death of Captain Faulknor

Cast
Role: Sugar Cane Actor: Powel.
Role: Steady Actor: Incledon
Role: Pounce Actor: Munden
Role: Oakly Actor: Bowden
Role: Faulknor Actor: Claremont
Role: O'Cutter Actor: Johnstone
Role: Boatswain Actor: Thompson
Role: Mora Actor: Mrs Martyr.
Role: Huncamunca Actor: Mrs Clendining
Role: Tom Thumb Actor: Young Standen
Role: The Little Farthing Rushlight Actor: Young Standen
Role: Grizzle Actor: Munden
Role: Ghost Actor: Bowden
Role: Doodle Actor: Davies
Role: Noodle Actor: Townsend
Role: Arthur Actor: Quick
Role: Glumdalca Actor: Mr Richardson
Role: Dollalolla Actor: Mrs Martyr.

Afterpiece Title: Sprigs of Laurel

Cast
Role: Mary Actor: Mrs Mountain.
Role: Ranger Actor: Lewis
Role: Strickland Actor: Farren
Role: Bellamy Actor: Davies
Role: Jack Meggot Actor: Bernard
Role: Tester Actor: Burton
Role: Buckle Actor: Farley
Role: Ranger's Servant Actor: Cross
Role: Chairmen Actor: Rock, Ledger
Role: Frankly Actor: Holman
Role: Mrs Strickland Actor: Miss Chapman
Role: Jacintha Actor: Miss Cornelys
Role: Lucetta Actor: Mrs Mattocks
Role: Milliner Actor: Mrs Lloyd
Role: Landlady Actor: Mrs Platt
Role: Clarinda Actor: Mrs Pope.
Role: Lenox Actor: Johnstone
Role: Nipperkin Actor: Munden
Role: Sinclair Actor: Incledon
Role: Major Tactic Actor: Davies
Role: Corporal Squib Actor: Claremont
Role: Cruizer Actor: Powel
Role: George Streamer Actor: Mrs Martyr

Song: In course of 2nd piece: As17950506; Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course of entertainments: Black Eyed Susan-Incledon; Old Towler-Incledon

Music: 3rd piece: With the favorite Overture by Shield for Arrived at Portsmouth-; with a violin and oboe obligato-Mountain, W. Parke

Performances

Mainpiece Title: Macbeth

Cast
Role: Banquo Actor: Harley
Role: Seyward Actor: Davenport
Role: Fleance Actor: Master Curties.
Role: Macbeth Actor: Holman
Role: Macduff Actor: Pope
Role: Duncan Actor: Hull
Role: Malcolm Actor: Macready
Role: Ross Actor: Davies
Role: Donalbaine Actor: Simmons
Role: Seyton Actor: Thompson
Role: Doctor Actor: Powel
Role: Hecate Actor: Richardson
Role: Witches Actor: Munden, Fawcett, Bernard
Role: Lady Macbeth Actor: Mrs Pope.

Afterpiece Title: Comus

Dance: End: The Wapping Landlady-Blurton, King, Mrs Watts

Song: Vocal Parts, as17950309but Mrs _Blurton; In afterpiece: Sweet Echo-Mrs Mountain; accompanied on the hautboy-W. Parke

Performances

Mainpiece Title: Comus

Cast
Role: Bacchants Actor: Miss _Kirton, Miss Logan
Role: Bacchanals Actor:
Role: Lord Arthur D'Aimurle Actor: Lewis
Role: Dickins Actor: Quick
Role: Timolin Actor: Johnstone
Role: Sir Hans Burgess Actor: Munden
Role: George Burgess Actor: Fawcett
Role: Lord Torrendel Actor: Powel
Role: Robin Actor: Townsend
Role: Leillet Actor: Farley
Role: Coachman Actor: Thompson
Role: Thomas Actor: Rees
Role: Waiter Actor: Holland
Role: Tradesmen Actor: Davenport, Follett, Cross, Williamson
Role: Augusta Actor: Miss Wallis
Role: Fanny Dickins Actor: Miss Mansel
Role: Miss Clare Actor: Miss Logan
Role: Martha Actor: Mrs Platt
Role: Landlady Actor: Miss Leserve
Role: Fruit Woman Actor: Mrs Watts
Role: Lady Torrendel Actor: Mrs Pope.

Afterpiece Title: Artaxerxes

Cast
Role: Artaxerxes Actor: Mrs Clendining.
Role: Characters Actor: Quick, Munden, Middleton, Knight, Macready, Haymes, Rees, Miss Mansel, Mrs Mattocks
Role: Septimus Actor: Quick
Role: Sir Marmaduke Actor: Munden
Role: Captain Septimus Actor: Middleton
Role: Gyp Actor: Knight
Role: Flam Actor: Macready
Role: Captain Slash Actor: Haymes
Role: Looby Actor: Rees
Role: Drummer Boy Actor: Master Standen
Role: Emmeline Actor: Miss Mansel
Role: Mrs Auburne Actor: Mrs Mattocks
Role: Petruchio Actor: Lewis
Role: Baptista Actor: Thompson
Role: Taylor Actor: Simmons
Role: Biondello Actor: Townsend
Role: Grumio Actor: Quick
Role: Catharine Actor: Mrs Mattocks.
Role: Cooper Actor: Blurton
Role: Gamblers Actor: Bowden, Townsend, Haimes, Richardson
Role: Pantomimic Characters Persian Merchant and Actor: Farley
Role: Harlequin Actor: Simpson
Role: Clown Actor: Follett
Role: Pantaloon Actor: Hawtin
Role: Fop's Servant Actor: Simmons
Role: Miser Actor: Powel
Role: Pantomimic Sailor Actor: Blurton
Role: Jew Actor: Crowe
Role: Quaker Actor: Davenport
Role: Punch Actor: Rayner
Role: Smuggler Actor: King
Role: Lemon Merchant Actor: Wilde
Role: Landlord Actor: Thompson
Role: Cook Actor: Rees
Role: Surveyor Actor: Claremont
Role: Servant Actor: Abbot
Role: Waiters Actor: Findlay, Lee
Role: Persians and Arabs Actor: Cranfield, Platt, Bayzand, T. Cranfield, Goosetree
Role: Columbine Actor: Mlle St.Amand
Role: Vocal Characters Farmer Actor: Bowden
Role: Vocal Sailor Actor: Haymes
Role: Gambler Actor: Townsend
Role: Pleasure Actor: Mrs Martyr
Role: Virtue Actor: Mrs Mountain
Role: Arabian Girl Actor: Mrs Clendining
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: The Banditti Actor:
Role: A Garden Actor:
Role: song Actor: Mrs Clendining composed by Shield.
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Outside of Bagnio Actor:
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: with a Hornpipe in Fetters Actor: Byrn.
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: Spofforth Actor: Haymes
Role: The Kitchen Scene Actor: by Messink.
Role: A Landscape Actor:
Role: Spofforth Actor: Bowden
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: A Dark Wood Actor:
Role: and the Piece concludes with a Finale Actor:
Role: Grand Dance Actor: Byrn, Holland, Mlle St.Amand.
Role: 960315but Rule Brittania Actor: Bowden, Townsend

Afterpiece Title: The Doldrum

Cast
Role: Characters Actor: Quick, Munden, Middleton, Knight, Macready, Haymes, Rees, Miss Mansel, Mrs Mattocks
Role: Septimus Actor: Quick
Role: Sir Marmaduke Actor: Munden
Role: Captain Septimus Actor: Middleton
Role: Gyp Actor: Knight
Role: Flam Actor: Macready
Role: Captain Slash Actor: Haymes
Role: Looby Actor: Rees
Role: Drummer Boy Actor: Master Standen
Role: Emmeline Actor: Miss Mansel
Role: Mrs Auburne Actor: Mrs Mattocks
Role: Petruchio Actor: Lewis
Role: Baptista Actor: Thompson
Role: Taylor Actor: Simmons
Role: Biondello Actor: Townsend
Role: Grumio Actor: Quick
Role: Catharine Actor: Mrs Mattocks.
Role: Cooper Actor: Blurton
Role: Gamblers Actor: Bowden, Townsend, Haimes, Richardson
Role: Pantomimic Characters Persian Merchant and Actor: Farley
Role: Harlequin Actor: Simpson
Role: Clown Actor: Follett
Role: Pantaloon Actor: Hawtin
Role: Fop's Servant Actor: Simmons
Role: Miser Actor: Powel
Role: Pantomimic Sailor Actor: Blurton
Role: Jew Actor: Crowe
Role: Quaker Actor: Davenport
Role: Punch Actor: Rayner
Role: Smuggler Actor: King
Role: Lemon Merchant Actor: Wilde
Role: Landlord Actor: Thompson
Role: Cook Actor: Rees
Role: Surveyor Actor: Claremont
Role: Servant Actor: Abbot
Role: Waiters Actor: Findlay, Lee
Role: Persians and Arabs Actor: Cranfield, Platt, Bayzand, T. Cranfield, Goosetree
Role: Columbine Actor: Mlle St.Amand
Role: Vocal Characters Farmer Actor: Bowden
Role: Vocal Sailor Actor: Haymes
Role: Gambler Actor: Townsend
Role: Pleasure Actor: Mrs Martyr
Role: Virtue Actor: Mrs Mountain
Role: Arabian Girl Actor: Mrs Clendining
Role: Glees and Chorusses Actor: Linton, Street, Spofforth, Williamson, Holland.
Role: The Banditti Actor:
Role: A Garden Actor:
Role: song Actor: Mrs Clendining composed by Shield.
Role: The Hotel Actor:
Role: The Hazard Club Actor:
Role: , Actor: Bowden, Townsend, Richardson, Haymes, Linton, Street, Spofforth, Williamson, Holland
Role: The Building Scene and Falling Scaffold Actor:
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: the Mandarine Actor: the Inside-the Magic Candles-
Role: the Inside Actor: the Magic Candles-
Role: the Magic Candles Actor:
Role: Harlequin from the Tea Urn Actor: , invented by Messink and Martinelli.
Role: The Dog Kennel and Pigeon House Actor: invented by Rich.
Role: Outside of Bagnio Actor:
Role: Actor: The Jew-the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Jew Actor: the Quaker-the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Quaker Actor: the Sailor-the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: the Sailor Actor: the Miser. Omnia Vincet Amor! The Inside of the Bagnio-the Change to the Prison-the Punishment of Vice-
Role: The Inside of the Bagnio Actor: the Change to the Prison-the Punishment of Vice-
Role: the Change to the Prison Actor: the Punishment of Vice-
Role: the Punishment of Vice Actor:
Role: with a Hornpipe in Fetters Actor: Byrn.
Role: An exact Representation of the Telegraphe Actor: , in which is shewn the Manner of conveying Intelligence, demanding Questions, and receiving Answers.
Role: with the Fleet prepared for Sea Actor: The arrival of an Express from the Admiralty by the Telegraphe-the Sailing of the Fleet
Role: The arrival of an Express from the Admiralty by th Actor: the Sailing of the Fleet
Role: Spofforth Actor: Haymes
Role: The Kitchen Scene Actor: by Messink.
Role: A Landscape Actor:
Role: Spofforth Actor: Bowden
Role: The Wash@House Scene Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the art of making Punch Actor: the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: the Transformation of Punch to a Wheel Actor: Barrow invented by Rich.
Role: The Statuary Yard Actor: invented by Messink-the formation of the Stone Figure invented by Delpini.
Role: Messink Actor: the formation of the Stone Figure invented by Delpini.
Role: A Dark Wood Actor:
Role: and the Piece concludes with a Finale Actor:
Role: Grand Dance Actor: Byrn, Holland, Mlle St.Amand.
Role: 960315but Rule Brittania Actor: Bowden, Townsend

Song: In 1st piece: Sweet Echo (1st time)-Mme Mara; accompanied on the hautboy-W. Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Cast
Role: Overture Actor:
Role: The Dettingen Te Deum Actor:
Role: with Holy Holy Lord Actor: .

Afterpiece Title: A Grand Selection of Sacred Music 2

Afterpiece Title: A Grand Selection of Sacred Music 3

Cast
Role: Overture Actor:
Role: Agitata Actor: Mme Mara
Role: Total eclipse Actor: Braham
Role: O first created beam Actor: Chorus
Role: He was eyes unto the blind Actor: Miss Poole
Role: But bright Cecilia Actor:
Role: and The Dead shall live Actor: Chorus

Music: End I: concerto on the oboe-W. Parke; End II: concerto on Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Music: End I: Bach's Bach's favourite concertante for flute oboe violin and violoncello-Monzani, W. Parke, G. and C. Ashley

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on the violin-G. Ashley

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Stockbrokers Actor: _Hollingsworth, Sparks.
Role: Feignwell Actor: Bannister Jun.
Role: Freeman Actor: Caulfield
Role: Sir Philip Modelove Actor: Wewitzer
Role: Obadiah Prim Actor: Aickin
Role: Tradelove Actor: Wathen
Role: Perriwinkle Actor: Suett
Role: Sackbut Actor: R. Palmer
Role: Simon Pure Actor: Russell
Role: Aminadab Actor: Grimaldi
Role: Gentlemen Actor: Trueman, Wentworth
Role: Mrs Prim Actor: Miss Pope
Role: called Anne Lovely] Actor: Miss Mellon
Role: Betty Actor: Miss Tidswell
Role: Lady Actor: Mrs Roffey.

Afterpiece Title: The Captive of Spilburg

Performance Comment: Characters by Barrymore, Kelly, Suett, Bannister Jun., Miss Benson, Caulfield, Maddocks, Hollingsworth, Wentworth, Mrs Crouch, Mrs Bland. [Cast from text (Machell Stace, 1799): Korowitz-Barrymore; Cansemar-Kelly; Mousic@Mirhoff-Suett; Kourakin-Bannister Jun.; Iwan-Miss Benson; Liebstoff-Caulfield; Officers of the Emperor's Guards-Maddocks, Trueman; Tackstein-Hollingsworth; Kargad-Wentworth [these last two unassigned in text]; Eugenia-Mrs Crouch; Moola-Mrs Bland; Chorus of Soldiers-Danby, Wentworth, Brown, Tett, Denman, Atkins, Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun.; Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates.

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

Performances

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Cast
Role: Dr Arnold Actor:
Role: Concerto on the violin Actor: Barthelemon.

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Music: End I: a Military Concerto on the new Patent Grand Piano Forte-Mrs Dussek built by Corri and Dussek; with tambourine-; triangle-; End II: concerto on the oboe-W. Parke

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Borachio Actor: Blakes
Role: Margaret Actor: Mrs Havard.
Role: Dogberry Actor: Taswell
Role: Country Dance Actor: included at end of play.
Role: add Country Dance Actor: .
Role: add Masquerade Dance Actor: Mrs Addison.
Role: a Masquerade Dance Actor: Matthews
Role: to conclude with a Country Dance Actor: the Characters.
Role: Benedick Actor: Garrick for the first time
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Winstone
Role: Claudio Actor: Lee
Role: Friar Actor: Bridges
Role: Sexton Actor: Ray
Role: Town Clerk Actor: James
Role: Verges Actor: Neale
Role: Conrade Actor: Bransby
Role: 1st Watchman Actor: Vaughan
Role: 2nd Watchman Actor: Marr
Role: Ursula Actor: Miss Cole
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: also Goodall Actor: Winstone
Role: Mrs Highman Actor: Mrs Bennet.
Role: Drunken Colonel Actor: Woodward
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Cast
Role: Mr Dryden Actor: Colley Cibber
Role: Epilogue by Mr Dryden Actor: Colley Cibber
Role: Alphonso Actor: Johnson
Role: Pedro Actor: Wilks
Role: Roderigo Actor: Powell
Role: Governor Actor: Simson
Role: Scholar Actor: Thomas
Role: Parson Actor: Haynes
Role: Englishman Actor: Cibber
Role: Welshman Actor: Norris
Role: Taylor Actor: Pinkethman
Role: Alinda Actor: Mrs Oldfield
Role: Juletta Actor: Mrs Moor.
Event Comment: Benefit Kytch. At the Hand and Pen in St. Alban's-street, near the Pall-Mall. Tickets half a guinea

Performances

Mainpiece Title: Concert