SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "W"/1) | (@(roleclean,performerclean) "W")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4128 matches on Roles/Actors, 1277 matches on Performance Comments, 260 matches on Event Comments, 32 matches on Performance Title, and 0 matches on Author.
Event Comment: The Duke's Company. Davenant's alterations were apparently not published. Pepys, Diary: To a play...at the Duke's house, where Tu Quoque was the first time acted, with some alterations of Sir W. Davenant's; but the play is a very silly play, methinks; for I, and others that sat by me, Mr Povy and Mr Progers, were weary of it; but it will please the citizens

Performances

Mainpiece Title: Tu Quoque; Or, The City Gallant

Performance Comment: [Altered from John Cooke by Sir William Davenant.]
Related Works
Related Work: Tu Quoque; or, The City Gallant Author(s): Sir William DavenantJohn Cooke
Related Work: Tu Quoque Author(s): John Cooke
Event Comment: The King's Company. The date of the first performance is not known; Pepys does not suggest that this day was the premiere. Pepys, Diary: Sir W. Pen...and I by coach to the King's playhouse, and there saw The Mad Couple, which I do not remember that I have seen; it is a pretty pleasant play. Thence home, and my wife and I to walk in the garden, she having been at the same play with Jane, in the 18d. seat, to shew Jane the play

Performances

Mainpiece Title: All Mistaken; Or, The Mad Couple

Performance Comment: Pepys, 28 Dec. 1667, refers to Philidor-Hart; Mirida-Nell Gwyn. The edition of 1672, the first one known, lists no prologue, no epilogue, no actors' names.
Related Works
Related Work: All Mistaken; or, The Mad Couple Author(s): James Howard
Related Work: The Mistaken Beauty; or, The Lyar Author(s): Pierre Corneille
Related Work: Every Body Mistaken Author(s): William Taverner
Related Work: The Perplex’d Couple: or, Mistake upon Mistake Author(s): Chalres Molloy
Related Work: The Young King; or, The Mistake Author(s): Aphra Behn
Related Work: Like Father, Like Son; or, The Mistaken Brothers Author(s): Aphra Behn
Related Work: The Mistakes Author(s): Joseph Harris
Related Work: The Mistake Author(s): John Vanbrugh
Related Work: The Jealous Clown; or, The Lucky Mistake Author(s): Thomas Gataker
Related Work: The Double Mistake Author(s): Elizabeth Griffith
Related Work: She Stoops to Conquer; or, The Mistakes of a Night Author(s): Oliver Goldsmith
Related Work: A Fatal Mistake; or, The Plot Spoil'd Author(s): Joseph Haines
Related Work: Like Master Like Man Author(s): John VanbrughThomas Ryder
Related Work: The Wrangling Lovers Author(s): John VanbrughWilliam Lyon
Related Work: Lovers' Quarrels Author(s): John VanbrughMacNamara Morgan
Related Work: Cephalus and Procris: With The Mistakes Author(s): Henry CareyRoger
Related Work: The Coquette; or, The Mistakes of the Heart Author(s): Robert Hitchcock
Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's House, and there went in for nothing into the pit, at the last act, to see Sir Martin Marr-all, and met my wife, who was there, and my brother, and W. Hewer and Willett, and carried them home, still being pleased with the humour of the play, almost above all that ever I saw

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: See16670815.
Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden
Event Comment: The King's Company. This is a Friday in Lent, when frequently the playhouses did not act. Pepys, Diary: To the King's playhouse, and there saw a piece of Love in a Maze, a dull, silly play, I think: and after the play, home with W. Pen and his son Lowther, whom we met there

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

Performance Comment: See16670501.
Related Works
Related Work: Love in a Maze Author(s): James Shirley
Related Work: The Changes; or, Love in a Maze Author(s): James Shirley
Related Work: The Change of Crowns Author(s): Edward Howard
Related Work: The Conspiracy; or, The Change of Government Author(s): William Whitaker
Related Work: The Chimera; or, An Hue and Cry to Change Alley Author(s): Thomas Odell
Event Comment: The King's Company. Pepys, Diary: [Sir W. Pen] and I to the King's house, and there, in one of the upper boxes, saw Flora's Vagarys, which is a very silly play; and the more, I being out of humour, being at a play without my wife

Performances

Mainpiece Title: Flora's Vagaries

Performance Comment: See16671005.
Related Works
Related Work: Flora's Vagaries Author(s): Richard Rhodes
Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Performance Comment: Edition of 1669: Prologue-; Epilogue in a Ballad-Two; [Downes (Roscius Anglicanus, p. 30): Master-Harris; The Man-Underhill; Singing the Epilogue [like two Street Ballad-Singers-Mr Harris, Mr Sandford. [According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]
Cast
Role: Prologue Actor:
Role: Epilogue in a Ballad Actor: Two
Role: Master Actor: Harris
Role: The Man Actor: Underhill
Role: like two Street Ballad Actor: Singers-Mr Harris, Mr Sandford.
Role: Singers Actor: Mr Harris, Mr Sandford.
Related Works
Related Work: The Man's The Master Author(s): Sir William Davenant
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The English Monsieur; sitting for privacy sake in an upper box: the play hath much mirth in it as to that particular humour. After the play done, I down to Knipp, and did stay her undressing herself; and there saw the several players, men and women go by; and pretty to see how strange they are all, one to another, after the play is done. Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse. Here I hear Sir W. Davenant is just now dead; and so who will succeed him in the mastership of the house is not yet known. The eldest Davenport is, it seems, gone from this house to be kept by somebody; which I am glad of, she being a very bad actor.... [Mrs Knepp] tells me mighty news, that my Lady Castlemayne is mightily in love with Hart of their house; and he is much with her in private, and she goes to him, and do give him many Presents; and that the thing is most certain, and Becke Marshall only privy to it, and the means of bringing them together, which is a very odd thing; and by this means she is even with the King's love to Mrs Davis

Performances

Mainpiece Title: The English Monsieur

Related Works
Related Work: The English Monsieur Author(s): James Howard
Event Comment: The King's Company. Pepys, Diary: [Sir W. Pen] and I into the King's house, and there The Mayd's Tragedy, a good play, but Knepp not there

Performances

Mainpiece Title: The Maid's Tragedy

Performance Comment: For a previous cast, see16661207.
Related Works
Related Work: The Maid's Tragedy Author(s): John FletcherFrancis Beaumont
Related Work: The Maid's Tragedy Altered Author(s): Edmund Waller
Event Comment: The Duke's Company. Pepys, Diary: With wife, Mercer, Deb., and W. Hewer to the Duke of York's playhouse, and there saw The Impertinents, a pretty good play

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Performance Comment: See16680502.
Related Works
Related Work: The Sullen Lovers; or, The Impertinents Author(s): Thomas Shadwell
Related Work: The Married Beau; or, The Curious Impertinent Author(s): John Crowne
Related Work: The Impertinent Lovers; or, A Coquet at her Wit's End Author(s): Francis Hawling
Event Comment: Pepys, Diary: To the Duke of York's playhouse, and there met my wife and Deb. and Mary Mercer and Batelier, where also W. Hewer was, and saw Hamlet, which we have not seen this year before, or more; and mightily pleased with it; but, above all, with Betterton, the best part, I believe, that ever man acted

Performances

Mainpiece Title: Hamlet

Performance Comment: [Adapted, probably by Sir William Davenant.] Hamlet?-Betterton. See also 28 May 1663.
Related Works
Related Work: Hamlet Author(s): William Shakespeare
Related Work: Hamlet Author(s): Apostolo ZenoFrancesco GaspariniPietro Pariati
Event Comment: Pepys, Diary: I with Lord Brouncker (who was this day in an unusual manner merry, I believe with drink), J. Minnes, and W. Pen to Bartholomew-Fair; and there saw the dancing mare again, which, to-day, I find to act much worse than the other day, she forgetting many things, which her master beat her for, and was mightily vexed; and then the dancing of the ropes, and also the little stage-play, which is very ridiculous

Performances

Mainpiece Title: Entertainments

Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall">Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-; La Fleur-$E. Keninston [$Kynaston">Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-; Mascarillio-$M. Moon [$Mohun">J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-; Housekeepers-$Alexander, $Wilbraham">R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Performances

Mainpiece Title: The Damaseiles A La Mode

Performance Comment: For an intended cast, see below.
Related Works
Related Work: The Damaseiles A La Mode Author(s): Richard Flecknoe
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Silent Woman; the best comedy, I think, that ever was wrote; and sitting by Shadwell the poet, he was big with admiration of it. Here was iy Lord Brouncker and W. Pen and their ladies in the box....Knepp did her part mighty well

Performances

Mainpiece Title: The Silent Woman

Performance Comment: Epicoene-Mrs Knepp. For a previous cast, see16661210.
Related Works
Related Work: Epicœne; or, The Silent Woman Author(s): Ben JonsonGeorge Colman, the elder
Related Work: Epicene Author(s): Ben Jonson
Related Work: Epicoene; or, The Silent Woman Author(s): Ben Jonson
Event Comment: The King's Company. Pepys, Diary: Knepp's maid comes to me, to tell me that the women's day at the playhouse is to-day, and that therefore I must be there, to encrease their profit....I by coach toward the King's playhouse, and meeting W. Howe took him with me, and there saw The City Match; not acted these thirty years, and but a silly play: the King and Court there; the house, for the women's sake, mighty full

Performances

Mainpiece Title: The City Match

Related Works
Related Work: The City Match Author(s): Jasper Mayne
Related Work: The Beau's Duel: or A Soldier for the Ladies Author(s): Jasper MayneSusanna Centlivre
Related Work: The Schemers; or, The City Match Author(s): William Bromfield
Event Comment: [The King's Company. Pepys, Diary: My wife and Mercer, and W. Hewer and Deb., to the King's playhouse, and I afterwards by water with them, and there we did hear the Eunuch (who, it seems, is a Frenchman, but long bred in Italy) sing, which I seemed to take as new to me, though I saw him on Saturday last [see 10 Oct. 1668], but said nothing of it; but such action and singing I could never have imagined to have heard, and do make good whatever Tom Hill used to tell me. [The Eunuch may be Baldassare Ferri.

Performances

Mainpiece Title: The Faithful Shepherdess

Related Works
Related Work: The Faithful Shepherdess Author(s): John Fletcher
Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke of York's playhouse; and there saw, the first time acted, The Queene of Arragon, an old Blackfriars' play, but an admirable one, so good that I am astonished at it, and wonder where it hath lain asleep all this while, that I have never heard of it before. Here met W. Batelier and Mrs Hunt, Deb's aunt; and saw her home--a very witty woman, and one that knows this play, and understands a play mighty well

Performances

Mainpiece Title: The Queen Of Arragon

Performance Comment: See16681014 Prologue-; Epilogue-.
Cast
Role: See16681014 Prologue Actor:
Role: Epilogue Actor: .
Related Works
Related Work: The Queen of Arragon Author(s): William Habington
Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: Cattalines Conspiracie King here. See also Nicoll, Restoration Drama, p. 344. Although the L. C. list and Pepys disagree as to the play performed, Pepys' uncertainty suggests that he may have put down the wrong title and that the L. C. list is correct. Pepys, Diary: To the King's playhouse, and there saw, I think, The Maiden Queene. Pepys, Diary, 15 Jan.: [Sir W. Coventry] told me of the great factions at court at this day, even to the sober engaging of great persons, and differences, and making the King cheap and ridiculous. It is about my Lady Harvy's being offended at Doll Common's acting of Sempronia [see 18 Dec. 1668], to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her, and to order her to act it again, worse than ever, the other day, where the King himself was: and since it was acted again, and my Lady Harvy provided people to hiss her and fling oranges at her: but it seems the heat is come to a great height, and real troubles at court about it

Performances

Mainpiece Title: Catiline

Performance Comment: See16681218.
Related Works
Related Work: Catiline's Conspiracy Author(s): Ben Jonson
Event Comment: See 27 Feb. and 4 March. Pepys, Diary: [Sir W. Coventry] told me the matter of the play [The Rehearsal] that was intended for his abuse, wherein they foolishly and sillily bring in two tables like that which he hath made, with a round hole in the middle, in his closet, to turn himself in; and he is to be in one of them as master, and Sir J. Duncomb in the other, as his man or imitator: and their discourse in those tables, about the disposing of their books and papers, very foolish. But that, that he is offended with, is his being made so contemptible, so that any should dare to make a gentleman a subject for the mirth of the world; and that therefore he had told Tom Killigrew that he should tell his actors, whoever they were, that did offer any thing like representing him, that he would not complain to my Lord Chamberlain, which was too weak, nor get him beaten, as Sir Charles Sidly is said to do, but that he would cause his nose to be cut

Performances

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche; Or, Love's Mistress

Performance Comment: .
Related Works
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche Debauched Author(s): Thomas Duffett
Related Work: The Queen's Mask Author(s): Thomas Heywood
Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Performances

Mainpiece Title: Mr Anthony

Performance Comment: Edition of 1690 (licensed 27 Aug. 1689): Mr Anthony-$Nokes; Mr Plot-$Hains; Mr Art-$Batterton; Pedagog-$Underhil; Mr Cudden-$Angel; Trick-$Samford; Mrs Philadelphia-$Mrs Jennings; Mrs Isabella-$Mrs Batterton; Mrs Betty-$Mrs Long; Goody Winifred-$Mrs Norris; Prologue-; Epilogue-.
Cast
Role: Mr Anthony Actor: Nokes
Role: Mr Plot Actor: Hains
Role: Mr Art Actor: Batterton
Role: Pedagog Actor: Underhil
Role: Mr Cudden Actor: Angel
Role: Trick Actor: Samford
Role: Mrs Philadelphia Actor: Mrs Jennings
Role: Mrs Isabella Actor: Mrs Batterton
Role: Mrs Betty Actor: Mrs Long
Role: Goody Winifred Actor: Mrs Norris
Role: Prologue Actor:
Role: Epilogue Actor: .
Related Works
Related Work: Mr Anthony Author(s): Roger Boyle, Earl of Orrery
Event Comment: The Duke's Company acted at Oxford during this month, offering Cambyses and, presumably, other plays of which we have no record. See W. J. Lawrence, "Oxford Restoration Prologues," Times Literary Supplement, 16 Jan. 1930, p. 43, and Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713," Review of English Studies, XIX (1943), 368

Performances

Event Comment: Early in 1672 a group of French players may have acted in London, but the evidence is not precise or detailed. See W. J. Lawrence, Early French Players in England, p. 142

Performances

Event Comment: The Diary of Robert Hooke, 1672-1678: at Scaramuches at york house. present: the King, Duke of York, Lord Ormond &c. (ed. H. W. Robinson and Walter Adams [London, 1935], p. 42). See slso Boswell, Restoration Court Stage, pp. 118-19, and John Harold Wilson, A Theatre in York House, Theatre Notebook, XVI (1962), 75-78

Performances

Event Comment: It is not certain what work this is. Boswell, Restoration Court Stage, pp. 111-12, doubts W. J. Lawrence's suggestion that it was Ariadne, which seems not to have been produced until 30 March 1674. It is possible, but perhaps not likely, that it is the Ballet et Musique which is herein assigned to early February 1674

Performances

Mainpiece Title: An Opera

Performance Comment: Evelyn, Diary: I saw an Italian Opera in musique, the first that had been in England of this kind.
Related Works
Related Work: The Welch Opera Author(s): Henry Fielding
Related Work: The Cobler's Opera Author(s): Lacy Ryan
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: The Village Opera Author(s): Charles Johnson
Related Work: The Beggar's Opera Author(s): J.C. PepuschJohn Gay
Related Work: The Lovers Opera Author(s): W.R. Chetwood
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley
Related Work: The Fashionable Lady; or, Harlequin's Opera Author(s): James Ralph
Related Work: The Stage Coach Opera Author(s): William Chetwood
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Eliza HaywoodWilliam HatchettThomas Arne
Related Work: The Cataclysm; or, General Deluge of the World. An Opera, Adorned with Various Sculptures Author(s): Edward Ecclestone
Related Work: L'Opera du Gueux Author(s): John GayM.A. Hallam
Related Work: The Patron; or, The Statesman's Opera Author(s): Thomas Odell
Related Work: Baye's Opera Author(s): Gabriel Odingsells
Related Work: La Prova Dell' Opera Author(s): Giovanni PaisielloDomenico CimarosaGiuseppe Diodati
Related Work: Hob; or, The Country Wake Author(s): Colley CibberThomas Doggett
Event Comment: The King's Company. This performance (entitled The French Opera) is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The edition of 1674 (appearing in both an English and a French version) states: An Opera, or, a Vocal Representation. First Compos'd by Monsieur P. P. Now put into Musick by Monsieur Grabut, Master of His Majesties Musick. And Acted by the Royall Academy of Musick, At the Theatre-Royal in Covent-Garden. The names of the singers for this production are not known, but it is possible that some of the French singers who appeared in Calisto in the following season, 1674-75, were in London for this production. See Boswell, Restoration Court Stage, pp. 201, 222, and W. J. Lawrence, Early French Players in England, The Elizabethan Playhouse and Other Studies, p. 145. French dancers in the opera were Pecurr [Preux], LeTemps, Shenan, D'muraile. See L. C. 5@140, p. 472, in Nicoll, Restoration Drama, p. 355

Performances

Mainpiece Title: Ariadne; Or, The Marriage Of Bacchus

Performance Comment: Edition of 1674: Prologue-.
Cast
Role: Prologue Actor: .
Related Works
Related Work: Ariadne; or, The Marriage of Bacchus Author(s): Pierre Perrin
Related Work: Ariadne Author(s): Nicola Porpora
Related Work: Ariadne in Creta Author(s): Samuel HumphreysFrancis Colman