SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Vanbrugh"/1) | (@(roleclean,performerclean) "Vanbrugh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1048 matches on Author, 317 matches on Event Comments, 5 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Naval Volunteers

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Dance: As17950428

Song: End II 1st piece: Representation of a Ship in Distress; in which The Storm-Incledon

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Adopted Child

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: Harlequin Captive

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Irish Mimick

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Afterpiece Title: The Point at Herqui

Dance: In 4th piece: a new incidental Dance, as17960415

Song: In III 1st piece: a song (in character)-Mrs Clendining; In 4th piece: The Mid Watch, as17960415; Tippy Bob, as17960415; The Waiter, as17960415; Irish Song, as17960415; New Loyal Song, as17960415; Rondo, as17960415; Ye Gentlemen of England, as17960415; Rule Britannia, as17960415

Performances

Mainpiece Title: The Provoked Wife

Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Follies of a Day

Performances

Mainpiece Title: The Provoked Wife

Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Agreeable Surprise

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Smugglers

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Lock and Key

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Afterpiece Title: Bantry Bay

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: An Harmonic Festival

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Dance: End I: The Statute Dance-

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: Blue-Beard

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft; or, Both Sides of the Water

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Song: In III 1st piece: a song-Incledon

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Paradox

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Song: In the course of the Evening: As17990430; End IV 1st piece: The Funeral Procession of Juliet, Dirge-; Vocal Parts, as17981008, but Hill, _Gray, Miss +Waters, Mrs +Atkins, Miss _Leserve, Miss _Gray

Performances

Mainpiece Title: Management

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Related Works
Related Work: Lovers' Quarrels Author(s): John Vanbrugh

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Event Comment: John Vanbrugh to the Earl of Manchester, 25 Dec. 1699: Miss Evans the dancer at the New Playhouse is dead too; a feaver Slew her in eight and forty hours. She's much lamented by the Towne as well as the House, who can't well bare her loss; Matters running very low with 'em this Winter; if Congreve's Play [The Way of the World] don't help 'em they are undone. 'Tis a Comedy and will be play'd about Six weeks hence, nobody has seen it yet. Liveridge is in Ireland, he Owes so much money he dare not come over, so for want of him we han't had one Opera play'd this Winter; tho' Purcell has set one New One and Fingar another. We have got the Woman from the Chesire Cheese upon the Stage, who has the best Voyce for't by much that has been there at any time. We have the Emperors Crooaed Eunuch here, Francisco. They give him a hundred and twenty Guineas for five times. He has sung Once and was well likt. Dogget was here last Week, they gave him thirty pound to act Six times, which he did and fill'd the house every time (The Complete Works of Sir John Vanbrugh [Bloomsbury: Nonesuch Press, 1928], IV, 4)

Performances

Event Comment: Rich's Company. The date of the first production is not certain, but tradition states that Dryden died on the third day (1 May 1700); if this report is correct, the first performance occurred on 29 April 1700. In A Collection of New Songs...Compos'd by Mr Daniel Purcel, Perform'd in the Revis'd Comedy call'd the Pilgrim (1700) is a song, Chronos, Chronos, mend thy pace, with Janus sung by Freeman, Momus by Pate, Diana by Mrs Erwin. Gottfried Finger apparently composed the passage sung by Venus, Calms appear when storms are past. William Egerton, Faithful Memoirs of...Mrs Anne Oldfield (1731): The Pilgrim was indeed reviv'd for the Benefit of Mr Dryden, Ann. 1700, but he dying on third Night of its Representation, his Son attended the Run of it, and the Advantages accrued to his Family. Cibber, Apology, I, 269-70: This Epilogue, and the Prologue the same Play [The Pilgrim], written by Dryden, I spoke myself, which not being usually done by the same Person, I have a mind, while I think of it, to let you know on what Occasion they both fell to my Share....Sir John Vanbrugh, who had given some light touches of his Pen to the Pilgrim to assist the Benefit Day of Dryden, had the Disposal of the Parts, and I being then as an Actor in some Favour with him, he read the Play first with me alone, and was pleased to offer me my Choice of what I might like best for myself in it. But as the chief Characters were not (according to my Taste) the most shining, it was no great Self-denial in me that I desir'd he would first take care of those who were more difficult to be pleased; I therefore only chose for myself two short incidental Parts, that of the stuttering Cook and the mad Englishman....Sir John, upon my being contented with so little a Share in the Entertainment, gave me the Epilogue to make up my Mess; which being written so much above the Strain of common Authors, I confess I was not a little pleased with. And Dryden, upon his hearing me repeat it to him, made a farther Compliment of trusting me with the Prologue. Cibber, Apology, I, 305-6: In theYear 1699, Mrs Oldfield was first taken into the House, where she remain'd about a Twelve-month almost a Mute and unheeded, 'till Sir John Vanbrugh, who first recommended her, gave her the Part of Alinda in the Pilgrim revis'd. This gentle Character happily became that want of Confidence which is inseparable from young Beginners, who, without it, seldom arrive to any Excellence: Notwithstanding, I own I was then so far deceiv'd in my Opinion of her, that I thought she had little more than her Person that appear'd necessary to the forming a good Actress; for she set out with so extraordinary a Diffidence, that it kept her too despondingly down to a formal, plain (not to say) flat manner of speaking. Nor could the silver Tone of her Voice 'till after some time incline my Ear to any Hope in he favour. A Comparison Between the Two Stages (1702), p. 27: [After Drury Lane and Lincoln's Inn Fields had revived Shakespeare and Johnson] Nay then, says the whole party at D. Lane, faith we'll e'en put the Pilgrim upon him--ay faith, so we will, says Dryden, and if youll let my Son have the Profits of the Third Night, I'll give you a Secular Mask: Done, says the House, and so the Bargain was struck

Performances

Mainpiece Title: The Pilgrim

Related Works
Related Work: The Pilgrim Author(s): John Vanbrugh