SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Vallois and Mrs Vallois"/1) | (@(roleclean,performerclean) "Vallois and Mrs Vallois")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 23339 matches on Performance Comments, 4273 matches on Performance Title, 4243 matches on Event Comments, 9 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Downes (Roscius Anglicanus, p. 8) gives a cast for Julius Caesar [by William Shakespeare] which includes Richard Bell, who died in the Drury Lane fire at the end of this month. It is not known when a performance of this play occurred, but a Prologue to Julius Caesar is in Covent Garden Drollery, 1672. Downes lists: Julius Caesar-$Bell; Cassius-$Major Mohun; Brutus-$Hart; Anthony-$Kynaston; Calphurnia-$Mrs Marshal. [Downes adds Portia-$Mrs Corbet, but this probably refers to a later performance.

Performances

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this is the premiere, but the frequency of performance of The Tempest during September-October-November would make November 1674 a suitable time for a burlesque of this sort. A small quarto, The Songs & Masque in the New Tempest (in the Huntington Library, 122925), without a title page, contains what are apparently the songs and concluding masque of the play. It may have been issued during the run of the play and sold at the theatre. It does not name any performers. Langbaine (English Dramatick Poets, p. 177): This Play was to draw the Town from the Duke's Theatre, who for a considerable time had frequented that admirable reviv'd Comedy call'd The Tempest

Performances

Mainpiece Title: The Mock tempest Or The Enchanted Castle

Performance Comment: Edition of 1675: The Introduction-Mr Hains, Mrs Mackarel; Prologue-Mr Hains.
Related Works
Related Work: The Enchanted Castle Author(s): Miles Peter Andrews
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359. See also Nicoll, Restoration Drama, p. 346. There is no indication that this performance is the premiere, but see 12 Jan. 1676@7 and 19 Jan. 1676@7

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian Part Ii

Performance Comment: See16770112, but Edition of 1677: The Prologue-; The Play ended, Epilogue-Mrs Marshal (in the Character of Queen Berenice).
Cast
Role: Epilogue Actor: Mrs Marshal
Event Comment: The Duke's Company. The date of the first production is not known, but it was probably acted much earlier than November 1682, when it was entered in the Term Catalogues. The fact that the Epilogue refers to the Duke of York's "second Exile into Flanders" points to the possibility that it may have been acted near that time, i.e., between 24 Sept. 1679 and 14 Oct. 1679. It may have been first acted early as March 1679, when the political flights of the Duke of York were also a matter of public concern

Performances

Mainpiece Title: The Young King Or The Mistake

Performance Comment: Edition of 1683. Prologue-; The Epilogue-Mrs Barry (as a Nymph,) at his R. H. second exile into Flanders.
Cast
Role: The Epilogue Actor: Mrs Barry
Event Comment: The King's Company. The date of the premiere is not certain, but the Dedication speaks of its being acted two days and an order, L. C. 5@144, p. 29 (Nicoll, Restoration Drama, p.1 on), dated 14 Dec. 1680, banning it suggest that it was performed on 11 and 13 Dec. 1680. It is possible, however, that Tate's statements may refer to performances on 18 and 19 Jan. 1680@1. Dedication, Edition of 1681: For the two Days in which it was Acted, the Change of the Scene, Names of Persons, &c. was a great Disadvantage: many things were by this means render'd obscure and incoherent that in their native Dress had appear'd not only proper but gracefull. I call'd my Persons Sicilians but might as well have made 'em Inhabitants of the Isle of Pines. Henry Purcell composed the music for a song, "Retir'd from any mortal's sight." See Purcell, Works, The Purcell Society, XX (1916), ix-x

Performances

Mainpiece Title: The Sicilian Usurper

Performance Comment: [The History of King Richard the Second, by Nahum Tate.] Edition of 1681: The History of King Richard the Second Acted at the Theatre Royal under the Name of the Sicilian Usurper. Prologue-; Epilogue-Mrs Cook.
Cast
Role: Epilogue Actor: Mrs Cook.

Performances

Mainpiece Title: Henry The Sixth The First Part With The Murder Of Humphrey Duke Of Glocester

Performance Comment: Edition of 1681: Prologue-; King Henry the Sixth-Jos. Williams; Humphrey Duke of Glocester-Batterton; Cardinal-Harris; Richard Plantagenet-D. Williams; Duke of Suffolk-Smith; Queen Margaret-Lady Slingsby; Elianor-Mrs Batterton; Epilogue-.
Cast
Role: Elianor Actor: Mrs Batterton
Event Comment: The play is not known, but Mrs Moyle spoke an Epilogue: The Epilogue Spoken by Mrs Moyle, At Oxford July the 18th. 1682. Luttrell's copy (Huntington Library) bears his acquisition date of 3 Aug. 1682. The Epilogue is reprinted in Wiley, Rare Prologues and Epilogues, pp. 127-28

Performances

Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Performance Comment: Edition of 1685: Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 40): Sir Courtly-Mountfort; Hothead-Underhill; Testimony-Gillo; Lord Beaugard-Kynaston; Surly-Griffin; Sir NicholasCallico-Anthony Leigh; Leonora-Mrs Barry.
Cast
Role: Leonora Actor: Mrs Barry.
Event Comment: The United Company. Constatijn Huygens, 16 Jan. 1692@2 O. S. [translation]: In the afternoon I went with Preswitz to the comedy, by Covent Garden, where there was a play about Henry II, but I could not very well understand the comedians, neither what they said. Mrs Barry played the King's wife and Mrs Bracegirdle his mistress, who let the King be poisoned in her presence. Sayer came and sat with us. The best places were for the English crown (Journaal van Constantijn Huygens, Publication of the Dutch Historical Society, New Series, XXV [Utrecht, 1877], 168)

Performances

Mainpiece Title: Henry The Second

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow Or Sir Noisy Parrat

Performance Comment: Edition of 1693: The Prologue by Sir Charles Sydly-; Epilogue-Mrs Lassells.
Cast
Role: Epilogue Actor: Mrs Lassells.
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Event Comment: The United Company. It seems likely that this play was revived in the late winter of 1693-94, for several songs for it are in Thesaurus Musicus, 1695 (licensed 16 March 1693@4; Stationers' Register, 29 Sept. 1694): A song in the fourth act, Tormenting passion leave my breast, set by John Eccles, and sung by Mrs Hudson. A song in the fifth act, set by John Eccles and sung by Mrs Burr. Mr Doggett's Serenade in the fifth act, Then beautious nymph look from above, set by John Eccles

Performances

Mainpiece Title: The Lancashire Witches

Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication to the play, written in Rome, is dated 20 Aug. 1695 N.S., and advertisement of the play in the London Gazette, No 3200, 9-13 July 1696, represent the limits on its production. In a letter, dated (probably) November 1695, Dryden refers to the forthcoming appearance of his son's play, and on 26 May 1696 he negotiates with Tonson for its publication (Letters of John Dryden, pp. 79, 82). Probably the play appeared early in 1696, and certainly not much later than April 1696. John Barnard, The Dates of Six Dryden Letters, Philological Quarterly, XLII (1963), 400-401, believes that Dryden's letter was written ca. 26 May 1695 and that the play was probably acted in late 1695

Performances

Mainpiece Title: The Husband His Own Cuckold

Performance Comment: Edition of 1696: Prologue by Mr Congreve-Mr Betterton; Epilogue-Mrs Bracegirdle by Mr Dryden.

Performances

Mainpiece Title: The Relapse

Performance Comment: See16961121, but Edition of 1697: Prologue on the Third Day-Mrs Verbruggen.
Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication is dated 20 April 1699, and the play was advertised in the Post Boy, 25-27 April 1699; hence, it is likely that the play was first given between mid-February and mid-March, certainly before Easter, which fell on 9 April 1699

Performances

Mainpiece Title: Xerxes

Performance Comment: Edition of 1699: The Prologue-Mr Batterton; The Epilogue-; Xerxes-Verbruggen; Mardonius-Hodgson; Attabanus-Betterton; Aranthes-Scudamore; Memnon-Freeman; Cleontes-Thurmond; Poet-Boin [Bowen]; Tamira-Mrs Barry.
Cast
Role: Tamira Actor: Mrs Barry.
Event Comment: At Barnes and Finley Booth, between the Hospital Gate and the Crown Tavern, opposite the Cross Daggers

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/dancers; in Europe; As1st Dance with and without a Pole-2 young Maidens , lately arriv'd from France, to admiration; 2. Dance with 2 Children at his Feet, Dance with Boots and Spurs The Famous-M Barnes of whose performances this Kingdom is so sensible. 3.; Dancing-Mrs Finley; distinguished by the Name of Lady Mary for her incomparable Dancing, has much improved herself since the last Fair; You will likewise be entertained with such variety of Tumbling-Mr Finley andCo as never was in the Fair before

Performance Comment: Dance with 2 Children at his Feet, Dance with Boots and Spurs The Famous-M Barnes of whose performances this Kingdom is so sensible. 3.; Dancing-Mrs Finley; distinguished by the Name of Lady Mary for her incomparable Dancing, has much improved herself since the last Fair; You will likewise be entertained with such variety of Tumbling-Mr Finley andCo as never was in the Fair before.

Performances

Mainpiece Title: The Relapse Or Vertue In Danger

Performance Comment: Hoyden-Mrs Hooke, the new Actress lately come from Dublin.

Entertainment: Singing and dancing-

Event Comment: [By William Walker. Not advertised in Daily Courant, but this date accepted as premiere by Nicoll, p. 363 and Genest, II, 303.] Preface: It was so hem'd in between the Benefits that it seem'd meerly Confin'd to the Limits of a Single Night before hand

Performances

Mainpiece Title: Marry Or Do Worse

Performance Comment: No actor's names in edition of 1703; Prologue-Mrs Porter; Epilogue-.
Cast
Role: Prologue Actor: Mrs Porter

Performances

Mainpiece Title: Valentinian

Performance Comment: Lucina-Mrs Barry.
Cast
Role: Lucina Actor: Mrs Barry.

Dance: A new Entertainment-Firbank, Firbank's/Boy

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Song: As17031102

Music: As17031109

Dance: Several new Entertainments, which were perform'd yesterday before Her Majesty at St. James's-duRuel, Cherrier, Mrs Mayers

Performance Comment: James's-duRuel, Cherrier, Mrs Mayers.
Cast
Role: ames's Actor: duRuel, Cherrier, Mrs Mayers.

Performances

Mainpiece Title: Othello Moor Of Venice

Performance Comment: Othello-Betterton; Desdemona-Mrs Bracegirdle.
Cast
Role: Desdemona Actor: Mrs Bracegirdle.

Song: A Dialogue which was Sung before Her Majesty on Her Birthday at St. James's-; Likewise a comical Dialogue-Mr Dogget, others

Dance:

Event Comment: Benefit Mrs Mills and Mrs Shaw. Written by the late Great Poet Mr Dryden

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Performance Comment: Celadon-Wilks; a new Prologue-Pinkeman representing a French Officer (in the Service of the Elector of Bavaria) just before the Engagement at Donawert; and an Epilogue-Pinkeman personating the same Officer after the Battle.

Song:

Dance:

Performances

Mainpiece Title: The Unfortunate Couple

Afterpiece Title: The Comical Transformation

Afterpiece Title: The Wit of a Woman

Performance Comment: A new Prologue to the Town-Mrs Bradshaw; according to 1704 edition of The Wit of a Woman and an Epilogue-a Comedian from the Theatre in Dublin (his first here).

Dance: Italian Scaramouch-Layfield; a new Morris Dance-two men, two women

Performances

Mainpiece Title: The Metamorphosis Or The Old Lover Outwitted

Performance Comment: Edition of 1704 lists no actors' names; Prologue by C. Johnson designed for Verbruggen, in the Astrologer's Habit. Prologue-Mrs Bradshaw; Epilogue written by C. Johnson-Booth.
Cast
Role: Prologue Actor: Mrs Bradshaw