SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Town Hall Newbury"/1) | (@(roleclean,performerclean) "Town Hall Newbury")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 580 matches on Performance Comments, 544 matches on Event Comments, 161 matches on Performance Title, 33 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. list at Harvard. See VanLennep, "Plays on the English Stage," p. 14. Pepys, Diary: My wife and I to White Hall; and there, by means of Mr Cooling, did get into the play, the only one we have seen this winter: it was The Five Hours' Adventure: but I sat so far I could not hear well, nor was there any pretty woman that I did see, but my wife, who sat in my Lady Fox's pew with her. The house very full; and late before done, so that it was past eleven before we got home

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The King's Company. This play is on the L. C. list, 5@12., p. 17. See also Nicoll, Restoration Drama, p. 344. Pepys, Diary: And in the evening I do carry them to White Hall, and there did without much trouble get into the playhouse, there in a good place among the Ladies of Honour, and myself also sat in the pit; and there by and by come the King and Queen, and they begun Bartholomew Fayre. But I like no play here so well as at the common playhouse; besides that, my eyes being very ill since last Sunday and this day se'nnight, with the light of the candles, I was in mighty pain to defend myself now from the light of the candles

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: Evelyn, Diary; I saw the greate Ball danced by the Queene & greate Ladies at White hall Theater. [See also 6, 20, and 21 Feb. 1670@1.

Performances

Performances

Mainpiece Title: London's Resurrection To Joy And Triumph

Performance Comment: Celebrious to the much meriting Magistrate Sir George Waterman Knight, Lord Mayor of the City of London. At the Peculiar and Proper Expences of the Worshipful Company of Skinners. Jacob Hall (the rope dancer).
Event Comment: Andrew Marvell to William Popple, 24 July. Scaramuccio acting dayly in the Hall at Whitehall, and all Sorts of People flocking thither, and paying their Money as at a common Playhouse; nay even a twelve-penny Gallery is builded for the convenience of his Majesty's poorer Subjects (Marvell's Works, ed. H. M. Margoliouth, [Oxford, 1927], II, 320). For a warrant to Nicholas Staggins for writing "a chaccon" for "Scaramoucha" see Boswell, Restoration Court Stage, p. 122

Performances

Event Comment: Evelyn, Diary: [I] saw the Italian Scaramucchio act before the King at White-hall; People giving monye to come in, which was very Scandalous, & never so before at Court Diversions: having seene him act before in Italy many years past, I was not averse from seeing the most excellent of that kind of folly

Performances

Event Comment: The Duke's Company. The date of the premiere is not known, but the date of licensing, 4 May 1676, suggests a production not later than March or April 1676. The Dedication indicates that the play was also acted privately at the residence of the Duchess of Albemarle, New-Hall

Performances

Mainpiece Title: Ibrahim The Illustrious Bassa

Performances

Mainpiece Title: Huntington Divertisement; Or, An Enterlude For The Generall Entertainment At The County-feast

Performance Comment: Held at Merchant-Taylors Hall, June 20, 1678.
Event Comment: William Blaythwaite to Sir Robert Southwell, 4 Sept. 1679 [describing a visit made on 3 Sept. 1679 by Sir Edward Dering, Mrs Helena Percival, Miss Helena, Miss Betty, and himself]: What we saw was the dancing on the ropes performed first by Jacob Hall and his company, then by a Dutch dancer, who did wonderful feats. From thence we went to the Elephant, who I think was more terrible than pleasant to the young spectators (Morley, Memoirs of Bartholomew Fair, p. 192)

Performances

Mainpiece Title: Entertainments

Event Comment: A poem, Bartholomew-Fayr, is in A Choice Compendium; or, An Exact Collection of the Newest, and most Delightful Songs (entered in the Term Catalogues, February 1680@1); it refers to some of the activities at the Fair: @Here's that will Challenge all the Fayr,@Come buy my Nuts, Damzens, my Burgamy Pears;@Here's the Whore of Babylon, the Devil and the Pope,@The Girl is just a going on the Rope:@Here's Dives and Lazarus, and the Worlds Creation,@Here's the Tall Dutch Woman, the like's not i'th Nation.@Here is the Booth where the High-Dutch Maid is,@Here are Bares that Dance like any Ladies.@Tat, tat, tat, tat, tat, says the little Penny Trumpet.@Here's Jacob Hall that does Jump it, Jump it.@Sound Trumpets, sound, for Silver Spoon and Fork,@Come here's your Dainty Pigg and Pork.

Performances

Mainpiece Title: The Coronation Of Queen Elizabeth; With The Restauration Of The Protestant Religion; Or, The Downfal Of The Pope

Performances

Mainpiece Title: London's Joy; Or, The Lord Mayor's Show

Performance Comment: Triumphantly Exhibited in Various Representations, Scenes, and splendid Ornaments, with divers pertinent Figures and Movements: Performed on Saturday, October XXIX. 1681. At the Inauguration of the Right Honourable Sir John Moore, Knight, Lord Mayor of the City of London. With the Several Speeches, and Songs, which were spoken on the Pageant in Cheapside, and Sung in Guild-Hall during Dinner. All the Charges and Expences of the Industrious Designs being the sole Undertaking of the Worshipful Company of Grocers. Devised and Composed by Tho. Jordan, Gent.
Event Comment: This work is advertised in The Loyal Protestant 22, 27, and 29 Aug. 1682: at Mrs Saffry's, a Dutch Woman's booth, over against the Greyhound Inne in West Smithfield. [Her first announcement calls the company "By an Approved Company"; the other two notices refer to it as "the first New-market Company." See Rosenfeld, The Theatre of the London Fairs, p. 6.] John Coysh paid #6 for a booth at the Fair (Rosenfeld, The Theatre of the London Fairs, p. 6). See also Morley, Memoirs of Bartholomew Fair, p. 222, for notice of the Indian Water Worksv. In Wit and Drollery (1682), p. 304, are verses on the Fair: @Here's the Whore of Babylon the Devil and the Pope,@The Girl is just agoing on the Rope@Here's Dives and Lazarus and the World's Creation,@Here's the Tall Dutch Woman the like's not in the Nation,@Here is the Booth where the High-Dutch Made is@Hear are the Bears that dance like any Ladies,@Tat, tat, tat, tat, tat says the little penny Trumpet@Here's Jacob Hall, that does so jump it, jump it.@Sound Trumpet Sound, for Silver Spoon and Fork,@Come here's your dainty Pit and Pork.@ [See also August 1680.

Performances

Mainpiece Title: The Irish Evidence, The Humours Of Tiege; Or, The Mercenary Whore

Event Comment: The Duke's Company. The players received the customary #20. See A Calendar of the Inner Temple Records, III, 183. Loyal Protestant and True Domestick Union. 4 Nov. 1682: London November 2. Yesterday began the Revels at the Temple; where all the Judges belonging thereunto were nobly entertained by a Splendid Banquet, and afterwards by an excellent new Comedy, acted by His Royal Highness's Servants in the Inner-Temple-Hall, called, Rule a Wife and have a Wife, to the great satisfaction of all the Spectators

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Event Comment: The Lord Mayor's Show. By Thomas Jordan. Luttrell (A Brief Relation, I, 285-86): The 29th, sir Henry Tulse...was sworn before the barons of the exchequer at Westminster, whither he went by water, accompanied by the late lord mayor, the new recorder, aldermen, and sheriffs, and attended by diverse of the companies in their barges; their majesties and the duke of York being upon the leads at Whitehall when they passed by: being come back, they passed from the place where they landed, with the usual solemnity, to Grocers Hall, where the lords of the councill, severall of the nobility, judges, and other persons of quality dined

Performances

Mainpiece Title: The Triumphs Of London

Event Comment: The United Company. Lord Ashburnham's Diary: I waited on my Mother home and afterwards I went into the play (the Maiden Queen) There was a great deale of company, I came home before 8 at night, I am now not charm'd with Playes &c. (Ashburnham MS 932, East Sussex County Record Office, County Hall, Lewes, Sussex; I owe this entry and the subsequent ones from this MS to the kindness of Professor George Hilton Jones, Kansas State University). This is an unusual example of the revival of a play at the public theatre the day before its presentation at court

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: Evelyn, Diary: I was to heare the Musique of the Italians in the new chapel, now first of all opened at White-hall publiquely for the Popish Service

Performances

Mainpiece Title: Concert

Event Comment: The Feast of St Cecilia was celebrated Yearly, and the performance was usually held in Stationers' Hall, but the edition in 1687 of A Song for St Cecilia's Day does not specify the place of performance

Performances

Mainpiece Title: A Song For St Cecilia's Day

Event Comment: London Gazette, No 2542, 20-24 March 1689@90: The Annual Yorkshire Feast will be held the 27th instant at Merchant-Taylor's-Hall in Threadneedle-street; with a very splendid Entertainment of all sorts of Vocal and Instrumental Musick. D'Urfey (Wit and Mirth, I, 114-16): An Ode on the Assembly of the Nobility and Gentry of the City and County of York, at the Anniversary-Feast, March the 27th 1690. Set to Musick by Mr Henry Purcell, One of the finest Compositions he ever made, and cost 100l. the performing

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. The date of the first performance is uncertain, and the play has been sometimes assigned to December 1695. There are indications, however, that the play first appeared at a later time, but certainly not later than 14 March 1695@6, the date attached to the Dedication. The Epilogue has some allusions which suggest mid-February, for it refers to the "Fasting time" of Lent and to "Dancing at Drapers-Hall last Masquerade" (a masquerade ball was held there on 4 Feb. 1695@6). Dedication, Edition of 1696: This Play was given to my Care by a Friend: I promis'd him not to neglect it in the Difficulties it was to pass through. It has had hitherto but an unpleasant Journey; and I knew no better way to make Amends, than by taking up its Rest with you [Sir John Smith]; where I am assured its Reception will be the best a truly Noble and Generous Soul can give. I beg not your Protection, Sir, from those wide-mouth'd Curs, the Criticks: But since they have had their Ends in running it down, 'tis under the Shelter of your Name I desire a poor maim'd Thing, that did its best to shew them Sport, may lye secure from farther Danger....H. Horden. A Comparison Between the Two Stages (1702), p. 18: Damn'd

Performances

Mainpiece Title: Neglected Virtue; Or, The Unhappy Conquerors

Event Comment: Betterton's Company. This performance is recorded in A Calendar of the Inner Temple Records, ed. Inderwick, III, 227. Post Boy, 30 Oct.-2 Nov. 1697: There was Yesterday a very great Feast in the Temple, there being present the High Honourable the Lord Chancellor, with Divers of the Judges; after Dinner there was a Play Acted. John Oldmixon, Reflections on the Stage (London, 1699), p. 69: The Bar-Gown has often been play'd with, and shewn in a more despicable Figure, yet the Lawyers don't think it worth their while to cry out against Comedy, as aiming at the ruin of the Courts in Westminster-hall, and the Judges themselves have desir'd Love for Love, with all the faults Mr Collier has laid to its charge, to be presented 'em, and were extreamly well pleas'd with their entertainment, tho' the Lawyer there makes a trivial appearance

Performances

Mainpiece Title: Love For Love

Event Comment: Edition of 1697: Mr Dryden's Ode In Honour of St Cecilia's Day, Perform'd at Stationers-Hall, on Monday, November 22, 1697. [See Dryden's letter, 3 Sept. 1697.] The music was by Jeremiah Clark. See also 9 and 16 Dec. 1697

Performances

Mainpiece Title: Alexander's Feast; Or, The Power Of Musique

Event Comment: London Gazette, No 3444, 10-14 Nov. 1698: The Anniversary Feast of the Society of Gentlemen, Lovers of Musick, will be kept at Stationers-hall on St Cecilia's Day, being Tuesday the 22d Instant. According to a notice for a later concert (see 4 Jan. 1698@9) the music on this occasion was composed by Daniel Purcell

Performances

Mainpiece Title: Concert

Event Comment: Flying Post, 7 March 1698@9: A Consort of all new Vocal and Instrumental Music; for the Benefit of Mr William Hall, who formerly had the Consort of Musick at his House in Norfolk-street

Performances

Mainpiece Title: Concert

Event Comment: London Gazette, No. 3549, 13-16 Nov. 1699. The Anniversary of the Society of Gentlemen, Lovers of Musick, will be kept at Stationers-hall on Wednesday next the 22d Instant, being St. Cecilia's Day

Performances

Mainpiece Title: Concert

Event Comment: Benefit for Widow of the late Mr William Hall, who formerly had the Consort of Musick at his House in Norfolk-street. At 8 p.m

Performances

Mainpiece Title: Concert

Music: New Vocal and Instrumental Music-