SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Town and Borough of Southwark"/1) | (@(roleclean,performerclean) "Town and Borough of Southwark")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 472 matches on Event Comments, 169 matches on Performance Comments, 135 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit the Author. Lady Elizabeth Compton to Countess of Northampton, 28 Nov.: Mr Buncombe's Brother has written a Play & last night was the Poetts night, I was there & I think he had a prodigious full house, especially considering that the Town is not near so full as it will be after Xmas. A Play comes out now with great disadvantage for 'twas sadly acted. MSS of Marquess Townshend, p. 244

Performances

Mainpiece Title: Junius Brutus

Event Comment: Never Acted before. [By George Lillo.] Prompter, 18 Feb.: And, indeed, the Pulpit seems the properest Theatre for such Representations, and the Clergy, the properest Actors in the Religious Drama. This then, of itself, sufficiently justified the Town in its Reception of this Piece

Performances

Mainpiece Title: The Christian Hero

Performance Comment: Parts by Quin, Milward, Mills, Cibber, W. Mills, Berry, Winstone, Hewit, Este, Mrs Thurmond, Mrs Butler, Mrs Pritchard; but edition of 1735 lists: Amurath-Quin; Mahomet-W. Mills; Hellena-Mrs Thurmond; Osmyn-Berry; Kister Aga-Hewit; Cleora-Mrs Pritchard; Scanderbeg-Milward; Aranthes-Mills; Althea-Mrs Butler; Amasie-Cibber; Paulinus-Winstone. Prologue spoken by Cibber. Epilogue spoken by Mrs Clive .
Cast
Role: Scanderbeg Actor: Milward
Event Comment: Benefit Harbin, World (Prompter), Miss Jones. [For further discussion of the relation of dramatists to the town, see Prompter, 22 April.]

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Beggar's Wedding

Dance: II: Dutch Skipper by Vallois and Mrs Bullock. IV: La Follette c'est Ravize by Tench and Mrs Woodward. V: Scotch Dance, as17350329

Performance Comment: IV: La Follette c'est Ravize by Tench and Mrs Woodward. V: Scotch Dance, as17350329.

Song: I: Se mai (from Poms) by Miss Jones. III: Rise Glory (from Rosamond), accompanied with French Horns

Event Comment: Grub St. Journal, 26 Feb. 1736: The second night (so well was this Comedy receiv'd by the Town) the audience of about 5l. was dismiss'd. Daily Journal, 29 April: We hear . . . The Double Deceit . . . was not acted last Night, on Account of a Letter sent by Mr Walker, who had a principal Part in it, acquainting Mr Rich, that he had study'd his Part, but could not make himself Master of it, and therefore desired he wou'd provide some body else to do it. N.B. The Part is about Eight Lengths, and was above eight Weeks in Mr Walker's Hands

Performances

Mainpiece Title: The Double Deceit

Event Comment: At 7 P.M. Egmont, Diary, II, 174: I went to the opera called Iphigenia, composed by Porpora, and I think the town does not justice in condemning it

Performances

Mainpiece Title: Iphigenia

Event Comment: Daily Advertiser, 22 May: We hear that Mons Poitier and Mademoiselle Roland made their Submission last Night on the Stage, and ask'd Pardon of the Town, and afterwards danc'd with universal Applause

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

Performances

Mainpiece Title: The Anatom1st; Or, The Sham Doctor

Afterpiece Title: The Honest Yorkshireman

Performance Comment: As17350715 An Epilogue, on the Diversions of the Town, by Master Green and Miss Cole .

Dance: Pierrot by Vallois

Event Comment: Afterpiece: A New Farce. [By Mrs Charke.] N.B. The Company are oblig'd to remove from the Hay-Market Theatre to York-Buildings, as being too young a Sett of People to venture at great Expences, without first having merited the Favour of the Town to support them in it; but as we are determin'd to the full Extent of our Power, to endeavour to entertain them, we humbly hope they will accept of our Performances. . . . Charlott Charke. Daily Advertiser, 26 Sept.: We hear that Mrs Charke . . . drew Tears from the whole Audience in her Prologue, which she spoke very pathetically; and the new Farce . . . was very much applauded, notwithstanding the impotent Attempts of several young Clerks to raise a Riot, who were for that purpose properly marshal I'd by the cunning Lawyer their Master: Their rude Behaviour was so extraordinary, that several Gentlemen were provok'd to threaten them with the Discipline of their Canes, upon which they thought proper to desist

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Mrs Sandham; Polly-Mrs Charke. hathi.
Cast
Role: Macheath Actor: Mrs Sandham

Afterpiece Title: The Art of Management; or, Tragedy Expell'd

Performance Comment: Mrs Tragic-Mrs Charke; Brainless-Turner; Bloodbolt-Machen; Headpiece-Smyth. With a New Occasional Prologue, written and spoken by Mrs Charke .

Entertainment:

Event Comment: Benefit Mrs Reading, Wife of Mr Thomas Reading, Attorney at Law, of New Inn. At the Desire of several Persons of Quality. Afterpiece: A Farce (never perform'd before). Boxes 5s. Pit 3s. Gallery 2s. Stage Half a Guinea. N.B. Mrs Reading is credibly informed, that a Hackney Writer, who has lately turn'd Author, and Player in his own Farce, has maliciously spread a Report about the Town, that she does not intend to have any Play perform'd: this is to assure the Publick, that she has taken a great deal of Pains to have the Play and Farce perform'd with all the Decency possible

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Heroick Footman

Performance Comment: Footman-Whittaker; Pinwell-Miss Burgess. With a New Prologue and Epilogue .

Dance: II: Hornpipe by Adams. IV: Two Pierrots by Bodway and Shawford.

Performance Comment: IV: Two Pierrots by Bodway and Shawford. hathi.

Song: I: By Hemskerk. V: In Praise of English Plumb Pudding

Event Comment: By the Great Mogul's Company of English Comedians, Newly Imported. [By Henry Fielding.] N.B. Mr Pasquin intending to lay about him with great Impartiality, hopes the Town will all attend, and very civilly give their Neighbours what they find belong to 'em. N.B. The Cloaths are old, but the Jokes intirely new. N.B. All Ladies that intend to be present during the first Run, cannot take Places too early. To prevent any Interruption in the Movement of the Persons in the Drama (some of whom are Machines) no Person whatever can possibly be admitted behind the Scenes. Boxes 4s. Pit 2s. 6d. Gallery 1s

Performances

Mainpiece Title: Pasquin: A Satire On The Times

Performance Comment: Cast not listed, but edition of 1736 lists: Trapwit-Roberts; Fustian-Lacy; Sneerwell-Machen; Lord Place-Mrs Charke; Colonel Promise-Freeman; Sir Henry Fox Chase-Topham; Squire Tankard-Smith; Mayor-Jones; Mrs Mayoress-Mrs Egerton; Miss Mayoress-Miss J. Jones; Miss Stitch-Miss Burgess; Queen Common Sense-Mrs Egerton; Queen Ignorance-Strensham; Firebrand-Roberts; Law-Yates; Physic-Jones; Ghost of Tragedy-Pullen; Ghost of Comedy-Jones; Third Ghost-Wallis; Harlequin-Pullen; Officer-Pullen; Messenger-Wallis; Drummer-Lowder. Epilogue .
Cast
Role: Firebrand Actor: Roberts
Event Comment: Mainpiece: Being a True Story in Common Life, and the Incidents extremely affecting. Written by the Author of George Barnwell [George Lillo]. N.B. This is much the coolest House in Town. At Common Prices, viz. Boxes 5s. Pit 2s. 6d. Gallery 1s. 6d. [For a puff, see Daily Advertiser, 25 May.] Daily Advertiser, 28 May: Last Night . . . Guilt its own Punishment . . . was acted . . . with the greatest Applause that has been shewn to any Tragedy for many Years. The Scenes of Distress were so artfully work'd up, and so well perform'd, that there scarce remain'd a dry Eye among the Spectators at the Representation; and during the Scene preceding the Catastrophe, an attentive Silence possess'd the whole House, more expressive of an universal Approbation than the loudest Applauses

Performances

Mainpiece Title: Guilt Its Own Punishment; Or, Fatal Curiosity

Performance Comment: Cast not listed, but edition of 1737 lists: Old Wilmot-Roberts; Young Wilmot-Davis; Eustace-Woodburn; Randal-Blakes; Agnes-Mrs Charke; Charlot-Miss Jones; Maria-Miss Karver. Prologue written by Fielding and spoken by Roberts .

Afterpiece Title: Tumble Down Dick

Event Comment: Benefit Turbutt, Mich. Stoppelaer, Miss Oates. All the Songs will be printed, and delivered at the Theatre Gratis. Admission: 5s., 3s., 2s., 1s. 6:30 P.M

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Generous Free-Mason

Performance Comment: Cast not listed. With a New Prologue in Praise of Masonry, suitable to the Occasion. And a new Epilogue addressed to the Town, to be spoke by Miss Oates .

Music: A Solo on the Violin by Master Oates, Scholar to Charke

Dance: II: Irish Trot by Master Oates. III: A new dance by Master and Miss Oates. IV: A new dance by Mr and Mrs Davenport. V: Peasant by Master and Miss Oates

Performance Comment: III: A new dance by Master and Miss Oates. IV: A new dance by Mr and Mrs Davenport. V: Peasant by Master and Miss Oates .
Event Comment: Mainpiece: Taken from the French of Mons Voltaire. London Daily Post and General Advertiser, 13 Oct.: We are assured Mr Giffard will very shortly open the Theatre in Goodman's-Fields, notwithstanding the many false and invidious Reports o his having intirely left that part of the Town

Performances

Mainpiece Title: Alzira

Afterpiece Title: The Worm Doctor

Event Comment: DDaily Advertiser, 2 Dec.: Signora Strada was taken violently ill of a Fever of sore Throat, so that the Opera of Porus could not be perform'd as was intended; which sudden Indisposition put it out of the Power of the Directors to give earlier Notice to the Town of their Disappointment

Performances

Mainpiece Title: Porus

Event Comment: LLondon Evening Post, 1 Jan. 1737: Last Night the Beggar's Opera (about the Playing of which, as much Noise has been made, as about several of our Modern Treaties) was perform'd...to a crowded Audience; the House being full by Four. There was a prodigious uproar, with Clappin, Hissing, Catcalls, &c. Mrs Clive, who play'd the Part of Polly, when she came forward, address'd herself to the House, saying, Gentlemen, I am very sorry it should be thought I have in any Manner been the Occasion of the least Disturbance; and then cry'd in so moving a Manner, that even Butchers wept. The she told them, She was almost ready with the Part of Lucy, and at all Times shou'd be willing to play such Parts as the Town should direct, and desir's to know if they were willing she should go on with the Part of Polly; she behaving in so humble a Manner, the House approv'd of her Behavious by a general Clap. [For Occasional Prompter XI, see Daily Journal, 31 Dec.

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Polly-Mrs Clive; Macheath-Berry; Peachum-Mechlin; Lockit-Harper; Mat-Turbutt; Filch-Este ; Lucy-Mrs Pritchard; Mrs Peachum-Mrs Marshall; Diana-Mrs Grace; Ben-Marshall; Jemmy-Cole; Paddington-Raftor; Bagshot-Cross; Jack-Leigh; Ned-Wright; Wat-Gray; Beggar-Oates; Player-Winstone; Mrs Coaxer-Mrs Villeneuve; Mrs Slammekin-Miss Mann; Dolly-Miss Brett; Sukey-Mrs Walter; Mrs Vixen-Mrs Bennet; Molly-Mrs Thynne; Betty-Mrs Anderson; Jenny-Mrs Grace.
Cast
Role: Betty Actor: Mrs Anderson

Dance: With proper Dances-

Event Comment: A New Opera. [Text by Xeno. Music by Broschi.] Lucy Wentworth, 8 Jan.: My mama has been so good to give me leave to goe to the Opera to night with Lady Anne. 'Tis to be a new one call'd Merophe, but the foolish Buffo's are to be left out which I am very glad of, but am sorry they are to have five hundred pound a piece for acting that silly stuf two nights if one may believe Mr Hamilton.The Opera is to be heard but once for he says 'tis the worst that ever was composed.-Wentworth Papers, p. 528. phay The Defeat of Apollo. Rehearsed. DDaily Advertiser, 11 Jan.: The Prologue to The Defeat of Apollo, which, in Compliment to some Gentlemen, was spoke last Saturday at the Rehearsal, encourages the Town to hope for what is new and entertaining. [For additional puffs, see Daily Advertiser, 11 and 12 Jan.

Performances

Mainpiece Title: Merope

Performance Comment: Edition of 1736 lists: Merope-Signora Antonia Merighi; Epitide-Carlo Broschi called Farinello; Polifonte-Francesco Tolve; Argia-Signora Eliz. duParc called Francescina; Trasimede-Signora Marg. Chimenti called Droghierina; Anassandro-Antonio Montagnana.
Event Comment: DDaily Advertiser, 19 Feb.: To the Author, &c. Sir, In a late Paragraph in one of your Papers [4 Feb.] it was insinuated, that there was a Design on foot for erecting a New Theatre, which by some Wise Heads was suppos'd to come from a certain Manager, in order to revive the Playhouse Bill this Session of Parliament; I think it proper therefore, in Justice to the Gentleman levell'd at, to inform the Publick, that it is actually intended for a Company of Comedians every Day expected here, late Servants to their Majesties Kouli Kan and Theodore, who in the mean time will entertain the Town in the true Eastern manner, at the New Theatre in the Hay-Market, with a celebrated Piece call'd A Rehearsal of Kings. I am, Sir, Yours, &c. Agent for the Company

Performances

Event Comment: Founded on Shakespear's Much Ado About Nothing. By the Author of the Man of Taste. Daily Advertiser, 8 March: As the late tumultuous and riotous Behaviour of the Footmen at [dl] is become a Topick of Publick Discourse, a true and exact Account of the Disturbances they have made will be publish'd in this Paper: In the mean time we have the Pleasure to inform the Town, all proper Care being taken, every thing was very quiet last Night, and 'tis believ'd will continue so. The Director of the aforesaid Theatre having receiv'd a threatening Letter last Saturday in the Afternoon from the Footmen, a true Copy of it will be published in Tomorrow's Paper, with a Reward to those who shall discover the Author or Authors, so that he or they may be brought to Justice

Performances

Mainpiece Title: The Universal Passion

Dance: Denoyer, Mlle Roland, Muilment, Philips, Villeneuve, Mrs Walter

Event Comment: The hay advertised for 30 May and later two plays which never got staged: Macheath turn'd Pyrate; or, Polly in India. An Opera. Very much taken, if not improv'd from the famous Sequel of the late celebrated Mr Gay. With a New Prologue, proper to the Occasion. And after the Run of that, the Town will be entertain'd with a new Farce of two Acts, call'd The King and Titi; or, The Medlars. Taken from the History of Prince Titi, Originally written in French, and lately translated into English

Performances

Event Comment: By Desire. Mainpiece: Written by the late J. Hughes, Esq. London Evening Post, 28 Jan.: It's remarkable that the new Comedy call'd The Nest of Plays...and the new Farce call'd The Coffee House...and which are the two first that have been perform'd since the Act of Parliament took Place, obliging all Plays, Farces, &c. to be licens'd before play'd, were both damn'd by the Town

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Grand Volgi

Music: Select Pieces-

Dance: I: Flanderkins, as17380120 II: Drunken Peasant-Philips; III: Grand Polish Dance-Haughton, Mrs Walter, Liviez, Pelling, Vallois, Rector, Mrs Thompson, Mrs Pelling, Mrs Woodward, Miss Brett

Event Comment: At the particular Desire of several Ladies of Quality. Mainpiece: Written by Shakespear. Daily Advertiser, 30 Jan.: In the...London Evening Post of last Saturday, there is a Remark, that the first Comedy and first Farce perform'd under the Act for Licensing Plays, were both damn'd by the Town on Account of the said Act.--Believe it not:--To do the Devil Justice, they were both damn'd because they Both were Most Damnable Things, and on no other Account whatsoever. Yours, Tomo Chachi

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Harlequin Grand Volgi

Music: Vocal Parts-Beard, Mrs Clive

Event Comment: DDaily Advertiser, 22 Feb.: Since my distant Relation Tomo Chachi was pleas'd, through your Means, to give his Reason for the Town's Condemnation of the Two first licensed Dramatick Performances since the new Act,-I desire to have his Opinion concerning the Fate of the Third-call'd Art and Nature:-I presume he cannot assign for Cause what he did before, for that this Piece did not receive the Indulgence of being heard at all....Adomo Tomo

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Grand Ballet-Muilment, Mrs Walter; III: Drunken Peasant-Philips; V: Polonese-Haughton, Mrs Walter

Event Comment: DDaily Advertiser, 10 Nov.: Two of the French Strollers having desir'd Leave of the Town to act three Nights at one of the Patent Theatres, the Master of that House is desir'd to consider, whether if he lends it to those Foreigners, he can ever hope to have it fill'd with an English Audience, who probably will chastise the Abuse of Power in an ungrateful Patentee, as they did the Want of it in a French Harlequin

Performances

Mainpiece Title: Mithridates, King Of Pontus

Cast
Role: Semandra Actor: Mrs Horton.
Event Comment: N.B. Whereas it has been industriously reported that the French Comedians are to perform in One of the Theatres belonging to Mr Rich, this is to certify to the Publick, that nothing of that kind Was ever intended, or wou'd have been permitted by him, unless the same had been with the general Consent of the Town

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Cheats of Scapin

Performance Comment: Scapin-Hippisley; Thrifty-Rosco; Gripe-Arthur; Leander-Hill; Octavian-A. Ryan; Clara-Mrs Vincent; Lucia-Miss Brunette; Shift-Chapman.
Cast
Role: Leander Actor: Hill

Dance: CComic Dance-Richardson, Miss Cantrel; Serious Dance-Villeneuve, Miss Oates; Scots Dance-Glover, Mlle Roland

Event Comment: DDaily Advertiser, 29 Dec.: Mr Handel has hir'd the Opera-House in the Hay-Market for the Season, and intends to entertain the Town twice every Week with Oratorios

Performances