SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Tower of London"/1) | (@(roleclean,performerclean) "Tower of London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 877 matches on Event Comments, 766 matches on Performance Title, 432 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 2 years. With a Procession and Sacrificev. [These were included in both subsequent performances.] Afterpiece [1st time; F 2, by Thomas Sheridan. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 21 Dec.]: Taken from the comedy of that name by Sir John Vanburghi [sic]. Receipts: #151 2s. 6d. (115.4.0; 35.16.0; 0.2.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: AEsop

Event Comment: Afterpiece [1st time; F 2, by William Kenrick, based on The Country Lasses, by Charles Johnson. Not published; synopsis of plot in London Chronicle, 23 Dec. Prologue by the author (ibid)]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Spendthrift; or, A ChristmasGambol

Performances

Mainpiece Title: The Law Of Lombardy

Performance Comment: Principal Characters by Smith, Bensley, Farren, Packer, Hurst, Wright, Chambers, Wrighten, Fawcett, Philimore, Burghall, Henderson, Mrs Robinson, Miss Younge. [Cast from text (T. Evans, 1779, and London Magazine, Feb. 1779, 73): Paladore-Smith; King-Bensley; Lucio-Farren; Rinaldo-Packer; Ascanio-Hurst; Shepherd-Wright; Senator-Chambers; Foresters-Wrighten, Fawcett; Squire to Paladore-Philimore; Officer-Burghall; Bireno-Henderson; Alinda-Mrs Robinson; Princess-Miss Younge; Prologue-Farren; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Henderson (1st appearance in that character [in London]); Gloster-Aickin; Bastard-Palmer; Kent (1st time)-Hurst; Albany-Packer; Cornwall-Wrighten; Burgundy-Norris; Gentleman Usher-Burton; Physician-Wright; Old Peasant-Waldron; Servant to Cornwall-R. Palmer; Curan-Fawcett; Captain of the Guards-Chaplin; Edgar-Webster; Goneril-Miss Sherry; Regan-Mrs Colles; Arante-Miss Kirby; Cordelia-Miss Younge.

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Double Deception

Performance Comment: Principal Characters by Dodd, Parsons, Aickin, Baddeley, Waldron, Farren, Nash, Bidwell, Palmer, Miss Farren, Mrs Hopkins, Mrs Brereton, Miss Pope. Cast from London Chronicle, 30 Apr.: Flippant-Dodd; Welford-Parsons; Fairgrove-Aickin; Rudely-Baddeley; Robin-Waldron; Charles Fairgrove-Farren; Sir Harry Varnish-Palmer; Louisa Freemore-Miss Farren; Lady Varnish-Mrs Hopkins; Sophia Welford-Mrs Brereton; Kitty-Miss Pope; Nash, Bidwell are unassigned. For Prologue and Epilogue see17790506. Nash, Bidwell are unassigned. For Prologue and Epilogue see17790506.

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Parts-Palmer, Parsons, Blissett, Jackson, R. Palmer, Egan, Stevens, Edwin, Miss Farren; [Cast from London Chronicle, 1 Sept. 1777: Count Almaviva-Palmer; +Dr Bartholo-Parsons; +Basil-Blissett; +Argus-Jackson; +Tall-Boy-R. Palmer; +Alcade-Egan; +Notary-Stevens; +Lazarillo-Edwin; +Rosina-Miss Farren.] +Prologue (see17790619-. +Prologue (see17790619-.

Afterpiece Title: Man and Wife

Dance: End: Tambourine Dance-Master and Miss Byrn; End II afterpiece: As17790531

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

Performances

Mainpiece Title: The Suicide

Performance Comment: Principal Parts by Palmer, Aickin, Edwin, R. Palmer, Webb, Lamash, Gardner, Baddeley, Blissett, Massey, Egan, Davis, Stevens, Bannister, Mrs Webb, Miss Hale, Miss Farren. [Cast from London Chronicle, 11 July 1778: Tobine-Palmer; Tabby-Aickin; Wingrave-Edwin; Squib-R. Palmer; Bounce-Webb; Robin-Lamash; Cathartic-Gardner; Catchpenny-Baddeley; Dr Truby-Blissett; Juggins-Massey; Waiters-Egan, Davis, Stevens; Ranter-Bannister; Mrs Grogram-Mrs Webb; Peggy-Miss Hale; Nancy-Miss Farren; Original Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Mayor of Garratt

Dance: End: The Country Wake, as17790609

Event Comment: Mainpiece [1st time; CO 3, by Miles Peter Andrews and William Augustus Miles; Larpent MS 485; not published; Synopsis of plot in London Magazine, July 1779, pp. 306-7]: The Airs partly selected from Dibdin, Giordani, Dr Arne, &c. The Overture and New Music composed by Dr Arnold. With New Dresses and Decorations. The Scenes painted by Rooker. Songs of the Opera to be had at the Theatre

Performances

Mainpiece Title: Summer Amusement; Or, An Adventure At Margate

Afterpiece Title: Piety in Pattens

Dance: Mainpiece: With Two New Dances-(see17790705

Performances

Mainpiece Title: The English Merchant

Performance Comment: Sir William Douglas-Bensley; Freeport-Aickin; Lord Falbridge-Dimond; Owen-Usher; Officer-Egan; Servant-Kenny; La France-Baddeley; Spatter-Palmer; Lady Alton-Miss Sherry; Molly-Mrs Hitchcock; Mrs Goodman-Mrs Poussin; Amelia-Mrs T.? Kennedy (1st appearance in London).

Afterpiece Title: The Citizen

Dance: As17790610

Performances

Mainpiece Title: Albina, Countess Raimond

Performance Comment: Principal Characters by Digges, Dimond, Usher, Gardner, Egan, R. Palmer, Kenny, Painter, Aickin, Palmer, Mrs Montague, Mrs Poussin, Mrs Lefevre, Mrs Massey. [Cast from text (T. Spilsbury, 1779) and London Chronicle, 2 Aug.: Westmoreland-Digges; Edward-Dimond; King Henry-Usher; Steward-Gardner; Officer-Egan; Oswald-R. Palmer; Egbert-Aickin; Gondibert-Palmer; Editha-Mrs Montague [in text: Miss Sherry (see17790809)]; Adela-Mrs Poussin; Ina-Mrs Lefevre; Albina-Mrs Massey; Kenny, Painter; Prologue-Mrs Massey. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Piety in Pattens

Event Comment: Mainpiece [1st time; C 4, by George Colman elder. Prologue by the author (Morning Chronicle, 13 Oct.). Scenery by Rooker (ibid. 1 Sept.). Larpent MS 490; not published; synopsis of plot in London Magazine, Sept. 1779, pp. 405-7]. "The first three acts want business, and the denouement is rather suddenly brought about...The greatness of the task of performing a character of which Mrs Abington had been announced as the intended representative seemed to inspire [Miss Farren] with additional zeal, and helped her to gain additional credit" (Morning Chronicle, 1 Sept.)

Performances

Mainpiece Title: The Separate Maintenance

Afterpiece Title: The Mayor of Garratt

Dance: As17790818

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Massey. Afterpiece: Never performed in London, written by the author of The Son-In-Law [John O'Keeffe; 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767. See also cg, 16 Mar. 1782, when it was acted as The Positive Man]. To begin at 7:00. Tickets delivered for the 4th instant will be taken. Tickets and places for the Boxes to be had of Rice at the Theatre, and of Massey, No.4, St. Martin's-street, Leicester-Fields

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The She Gallant

Event Comment: [Henderson had 1st acted Macbeth in London at dl, 31 Mar. 1778.] "We have often remonstrated against the incongruous stile of dressing plays at each theatre...Last night the modern custom of making the principal actor fine was followed without any regard to propriety, or any care about the other personages of the drama" (Morning Chronicle, 19 Oct.). Receipts: #249 10s. 6d. (248.6.0; 1.4.6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Touchstone

Song: Vocal parts-Reinhold, Doyle, J. Wilson, Baker, Miss Brown, Miss Valois, Mrs Morton, Mrs Willems

Event Comment: Afterpiece [1st time; B 3, by Richard Brinsley Sheridan. Prologue by the Hon. Richard Fitzpatrick (Public Advertiser, 3 Aug. 1781)]: With a Procession. [This was included in all subsequent performances. For the Sea Fight see 20 Nov.] With New Scenes, Dresses and Decorations. The Scenery designed by DeLoutherbourg, and executed under his direction. The Doors to be opened at 5:15. To begin at 6:15 [same for rest of season, except on 1 May 1780]. "The House was so crowded that there were many disturbances, one so great that Smith when he had nearly finished 'To be or not to be' was obliged to leave the Stage, and when the noise subsided, to return and begin the soliloquy again... As The Critic took up two hours and a half in performance, it must of necessity be considerably shortened" (Morning Chronicle, 1 Nov.). "The scene of the battle with the Armadav [was] executed in the most masterly manner. The Motion of the sea, the engaging of the ships, and the destruction occasioned by the fire-ships were happily contrived and accurately represented" (London Chronicle, 1 Nov.). Account-Book, 9 Nov.: Paid R. B. Sheridan on Acct. of Critic #320. Receipts: #241 19s. 6d. (222.11.0; 19.3.6; 0.5.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Event Comment: [The playbill retains Mrs Hartley as Imoinda, but she "being taken suddenly ill, Mrs Jackson, though at a very short notice, will appear in the character of Imoinda this Evening" (printed slip attached to BM playbill).] Afterpiece: With Alterations and Additions [P 3. This was originally entitled The Mirror; it is billed, correctly, as the 16th time. Synopsis of this alteration in London Chronicle, 28 Dec.]. Receipts: #191 3s. (188.8; 2.15)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Every-where

Event Comment: Afterpiece: Not acted these 13 years [acted 5 May 1770]. With Alterations and 3 entire new Scenes [by Richard Brinsley Sheridan; and new music by Thomas Linley Sen.]. To conclude with a Representation of the Storming of Fort Omoa in the Bay of Hondurasv [when it was captured by the British from the Spaniards on 26 Oct. 1779. This scene was included in all subsequent performances]. The View and Machinery designed by DeLoutherbourg and executed under his direction. With New Dresses and Decorations. "The scenemen blundered egregiously all through the entertainment. During the siege of the fort so much gunpowder was fired off that the stage was so filled with smoke that the officers, men, were scarcely discernible from the boxes" (London Chronicle, 4 Jan.). Receipts: #203 2s. 6d. (154.7.0;47.17.0; 0.18.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: The Modish Wife

Performance Comment: Sir Scrapeall-Barrett; Colonel Parapet-Vowell; Sir Charles Prudent-Harrington; Fuzee-Blackburn; Crambo-Brown; Timothy-Munden; Captain Starboard-Smith; Lady Charlotte-Miss O'Brien (from the Theatre Royal, Dublin; 1st appearance in London); Lady Brainless-Mrs Baker; Emmeline-A Gentlewoman (1st appearance upon any stage [unidentified]); Ruelle-Miss Dudley; Mrs Busy-Mrs Lefevre; Occasional Prologue-Smith.

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

Performances

Mainpiece Title: The Countess Of Salisbury

Performance Comment: Alwin-Henderson (1st appearance in that character [in London]); Raymond-Wroughton; Grey-Clarke; Laroche-Whitfield; Morton-L'Estrange; Sir Ardolph-Fearon; Peasant-Booth; Knight-Robson; Ld. William-Miss Langrish; Eleanor-Mrs Lewis; Countess of Salisbury-Miss Younge.

Afterpiece Title: Harlequin Every-where

Performances

Mainpiece Title: The Double Deception

Performance Comment: Principal Characters-Palmer, Aickin, Baddeley, Farren, Lamash, Waldron, Nash, Philimore, Parsons, Miss Pope, Mrs Hopkins, Mrs Brereton, Miss Farren. Cast adjusted from London Chronicle, 30 Apr. 1779: Sir Harry Varnish-Palmer; Fairgrove-Aickin; Rudely-Baddeley; Charles Fairgrove-Farren; Flippant-Lamash; Robin-Waldron; Welford-Parsons; Kitty-Miss Pope; Lady Varnish-Mrs Hopkins; Sophia Welford-Mrs Brereton; Louisa Freemore-Miss Farren; unassigned-Nash, Philimore.

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Henderson (1st appearance in that character [in London]); Heartfree-Aickin; Col. Bully (with a song)-Mattocks; Razor-Brunsdon; Lord Rake-Robson; Justice-Thompson; Taylor-Jones; Constant-Wroughton; Lady Fanciful-Mrs Mattocks; Belinda-Mrs Lewis; Mademoiselle (1st time)-Mrs Whitfield; Lady Brute-Mrs Bulkley.

Afterpiece Title: An Ode by Garrick

Dance: As17790922

Performances

Mainpiece Title: The Busy Body

Performance Comment: Sir Francis Gripe-A Gentleman (from London [unidentified]); Sir George Airy-Jones; Sir Jealous Traffick-Leach; Charles-Wilson; Whisper-Wortley; Marplot-Jerrold; Isabinda-Mrs Kingham; Patch-Mrs Jerrold; Scentwell-Mrs Weeks; Miranda-Mrs Palmer; Prologue-Jerrold.

Afterpiece Title: The Deuce is in Him

Event Comment: Benefit for Lewis. Morning Chronicle, 15 Mar.: Tickets to be had of Lewis at his house, Broad-Court. Mainpiece: Not acted these 20 years [not acted since 2 May 1758]. 2nd piece [1st time in London; INT I: ascribed to John Philip Kemble, 1st acted at York, 27 Mar. 1779]. Receipts: #230 5s. (192.9; tickets: 37.16) (charge: #105)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady Cured

Afterpiece Title: The School For Scandal Scandaliz'd

Afterpiece Title: The Flitch of Bacon

Event Comment: Benefit for Quick. Morning Chronicle, 22 Mar.: Tickets to be had of Quick, No. 151, Drury-lane. 1st piece [1st time; M. PREL I, by George Downing]: The Music by Hook. 3rd piece: Not acted these 18 years. With a grand burlesque Procession and triumphal Entry of Alexander into London. The Nobles, Guards, Officers and Attendants will be all dressed in the Habits of the Times. Receipts: #274 14s. (173.9; tickets: 101.5) (charge: #70 7s. 6d.)

Performances

Mainpiece Title: The Volunteers; Or Taylors To Arms

Afterpiece Title: The Double Gallant

Afterpiece Title: The Rival Queans; or, The Life and Death of Alexander the Little

Dance: End IV: As17791013

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson, altered from Illumination, by Frederick Pilin. Author of Epilogue unknown]. 2nd piece: Not acted these 28 years [acted 9 May 1763]. 3rd piece [1st time; F 2, by Henry Man. Text 1st published in his Miscellaneous Works, 1802, Vol. II, which does not assign the parts, and also lists Mr Carlton, Ralph, Butler. Prologue by the author (London Chronicle, 3 May)]. Public Advertiser, 15 Apr.: Tickets to be had of Wilson, at Stars Acres, upper end of Bow Street. Receipts: #277 19s. 6d. (13.4.6; tickets: 140.15.0) (charge: #105)

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Afterpiece Title: The Pilgrim

Afterpiece Title: The Elders

Dance: IV: The Bedlamites-