SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Three Sabatinis"/1) | (@(roleclean,performerclean) "Three Sabatinis")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 571 matches on Event Comments, 345 matches on Performance Title, 80 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: England's Glory; or, The Defeat of the Dutch Fleet by the Gallant Admiral Duncan on the Memorable Eleventh of October

Dance: In Scene V 3rd piece: a Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: England's Glory

Dance: End II : Les Delassemens Militaires, as17971021; End 2nd piece: Peggy's Love, as17971021

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: Secrets Worth Knowing

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Mouth of the Nile

Song: [not listed on playbill] End: A new Loyal Song and Chorus- which recounts all the recent victories fo our Naval Heroes"Incledon, Johnstone, Townsend, Hill [, the music by Dr Burney (Morning Herald, 8 Nov.)

Performances

Mainpiece Title: The Count Of Burgundy

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Netley Abbey

Song: End: Black Ey'd Susan-Incledon; End 2nd piece: The Mid Watch-Incledon

Performances

Mainpiece Title: The Lie Of The Day

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Paul and Virginia

Song: In Course Evening: The Storm-Incledon

Entertainment: Monologue End II: personal address to the Audience in a Poetical Composition-O'Keeffe (written by Himself for the Occasion); End: Imitations-Rees

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello, By Gentlemen

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Whim; or, The Hospital Fools

Entertainment: I+Interlude. Three Old Women Weatherwise-

Performance Comment: Three Old Women Weatherwise-.

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: The Devil to Pay

Dance: II: A Comic Dance-Sg and Sga Sabatini; IV: A Comic Dance-Sg and Sga Sabatini, Sabatini the Younger; V: A Minuet-Leviez, Miss Macklin

Performances

Mainpiece Title: The Busy Body

Dance: II: A New Pantomime Dance, call'd Li Pescatori Italiana, or The Italian Fishermen-Sg and Sga Sabatani (first time of their appearing on the English stage); End: a Pantomime Dance call'd Il Maestro di Cappella, or The Music Master-Sg and Sga Sabatini

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Queen Mab

Dance: I: A New Dance in Comic Characters call'd The Pandours-Sg and Sga Sabatini; IV: The Italian Fishermen, as17541022

Performances

Mainpiece Title: Coriolanus

Dance: A New Dance-Sga Sabatini, others

Performances

Mainpiece Title: The Chances

Dance: A New Dance Sga Sabatini, as17541115

Performances

Mainpiece Title: The Chances

Dance: II: A New DanceSga Sabatini, as17541115

Performances

Mainpiece Title: The Chances

Dance: II: A New DanceSga Sabatini, as17541115

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Englishman in Paris

Dance: II: A New DanceSga Sabatini, as17541115

Performances

Mainpiece Title: The Chances

Song: II: By Desire The School of Anacreon-Beard

Dance: IV: A New DanceSga Sabatini, as17541115

Performances

Mainpiece Title: The Chances

Song: II: By Desire The School of Anacreon-Beard

Dance: IV: A New DanceSga Sabatini, as17541115

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Intriguing Chambermaid

Dance: II: A New Dance-Sga Sabatini, as17541115

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Fortunatus

Dance: I: By command, A New Dance-Sga Sabatini, as17541115

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Dance: II: A Hornpipe-Mathews; IV: A New Dance-Sga Sabatini, as17541115

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The London Prentice

Dance: T$Three Sabatinis As17550203

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Devil to Pay

Dance: I: As17550203; V: The Last New Comic Dance-Sg and Sga Sabatini

Song: III: Rule Britannia, as17550402-Beard%; concluding with: Hornpipe-Mathews

Performances

Mainpiece Title: Concert

Music: Overture for French Horns, Hautboys, and Violins by Gasperini-; Three Airs-Mrs Robinson; Concerto by Corelli-Castrucci, Claudio, Pepo; Three Airs-Mrs Robinson; Solo for Hautboy-Kytch; Cantata by Handel-Mrs Robinson; New Concerto with French Horns by Handel-; Three Airs-Mrs Robinson