SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thos Fellows"/1) | (@(roleclean,performerclean) "Thos Fellows")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 58 matches on Event Comments, 15 matches on Performance Comments, 10 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. Last time of performing it this season. Paid Thos Fellows for 13 yds green bays #1 9s. (Account Book). Receipts: #215 11s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: II: The Female Archer, as17661215

Performances

Mainpiece Title: Alexander's Feast

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Author

Song: End: This is the life of a frolicksome fellow-the Gentleman who performs Young Dudley; Four@and@twenty fidlers-Simpson

Entertainment: After Singing: Theatrical Imitations, vocal and rhetorical,-Weston (1st appearance on any stage)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Follies of a Day

Dance: As17910428

Song: End: Catches and Glees: When Arthur first in court began, Jack thou'rt a toper-Incledon, Reeve, Blanchard; To be jovial and gay-Johnstone; The Siege of Troy (Dibdin)-Johnstone; Goody Groaner (Dr Harington)-Incledon, Reeve, Blanchard; Sir you're a comical fellow-; Let's sing old Rose and burn the Bellows-

Performances

Mainpiece Title: Hail Fellows Well Met

Afterpiece Title: Ways and Means

Afterpiece Title: The Rehearsal

Afterpiece Title: The Rights of Women

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: A Melocosmiotes

Afterpiece Title: Oscar and Malvina

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Performances

Mainpiece Title: The Point At Herqui

Afterpiece Title: The Dramatist

Afterpiece Title: Oscar and Malvina

Dance: In: a new incidental Dance, as17960415

Song: In: songs as17960503; End 2nd piece: The Sea Storm-Incledon; In 3rd piece: songs The Sea Storm, as17960516; I am a jolly gay Pedlar, as17960516; Come every jovial Fellow, as17960516; O ever in my bosom live, as17960516

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: In afterpiece: Come every jovial Fellow-Mrs Martyr, Gray, Mrs Mountain; O ever in my Bosom live-Mrs Martyr, Mrs Mountain

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: In afterpiece: Come every jovial fellow-Mrs Chapman, Gray, Mrs Atkins; O ever in my bosom live-Mrs Chapman, Mrs Atkins

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Oscar and Malvina

Song: As17990302Come every jovial fellow-Miss Mitchell, Gray, Miss Wheatley

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Oscar and Malvina; or, The Hall of Fingal

Song: In afterpiece: I am a jolly gay Pedlar-Townsend; Come every jovial fellow-Miss Sims, Mrs Castelle, Miss Wheatley; O ever in my bosom live-Mrs Chapman, Mrs Atkins

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: Oscar and Malvina

Song: I am a jolly gay Pedlar, as18000304O ever in my bosom live, as18000304Come every jovial fellow-Simmons, Mrs Sydney, Miss Wheatley

Performances

Mainpiece Title: Don Quixote In England

Performance Comment: By the Persons who rehearsed it in DL before the Union of the Companies, but edition of 1734 lists: Don Quixote-Roberts; Sancho-Mullart; Sir Thos Loveland-Machen; Squire Badger-Macklin; Fairlove-Warwell; Mayor-Turbutt; Voter-Machen; Guzzle-Jones; John-Hewson; Brief-Topham; Dr Drench-Hal lam; Mr Sneak-Hickes; Dorothea-Miss Atherton; Jezebel-Mrs Hide; Mrs Guzzle-Mrs Martin; Mrs Sneak-Mrs Egerton; Miss Sneak-Miss Jones .
Cast
Role: Sir Thos Loveland Actor: Machen

Performances

Mainpiece Title: Macbeth

Performances

Mainpiece Title: Jeronimo Is Mad Again

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Author's Triumph; or, The Manager Manag'd

Dance: End Afterpiece: Pierrots-Vallois, Delagarde

Song: II: Dialogue by Purcell-the Masters Hamilton; III: Miss Jones; IV: Singing in Italian-Mrs Chambers

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: As17420313 but Constant-Cross; Col Bully-Beard will introduce songs proper to the play; particularly You Good Fellows All-.

Afterpiece Title: The King and Miller of Mansfield

Dance: I: By particular desire, a Chacone-Desse; III: Running Footman's Dance, as17420428

Song: IV: Song-Lowe

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: As17420429 but You Good Fellows All-_.

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Running Footman-Master Morris; II: Dutch Dance-Phillips; III: Le Boufon, as17420325 IV: a Hornpipe-Phillips

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Syrens

Event Comment: Benefit for Wilson. Wilson's most violent and sudden Indisposition will prevent his having the honor of appearing before the Public and his Friends this Evening, and sincerely hopes the Pieces he is under the necessity of substituting will meet their approbation. [2nd piece in place of Hail Fellow Well Met; 3rd piece of The Rights of Woman, both advertised on playbill of 7 May. A 4th (and new) play, The Point of Honor, by John Peter Roberdeau, was also advertised on playbill of 7 May. It was never acted. Hail Fellows [sic] Well Met and The Rights of Women [sic] were 1st acted, for Wilson's benefit, at the hay, 9 Aug. 1792.] Morning Herald, 24 Apr.: Tickets to be had of Wilson at his house, Park-lane, Church-lane, Chelsea. Receipts: #285 5s. (93.17; 1.14; tickets: 189.14) (charge: #105)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Rosina

Afterpiece Title: Modern Antiques

Event Comment: The Memoirs of Sir John Reresby, 18 Jan. 1685@6: After dinner the Lord? Chancellor, having drunke smartly at table (which was his custome) called for one Monfort, a gentleman of his that had been a comedian, an excellent mimick, and to divert the company, as he called it, made him give us a caus, that is, plead before him in a feigned action, wher he acted all the principal lawyers of the age, in their tone of voice, and action or gesture of body; and thus ridiculed not only the lawyers, but the law itselfe. This, I confess, was very diverting, but not soe prudent as I thought for soe eminent a man in soe great a station of the lawe; since nothing could get a man more enemies than to deride thos whom they ought most to sopport (ed. Browning, pp. 408-9)

Performances

Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performances

Mainpiece Title: The Gamester

Performance Comment: Edition of 1705 lists: Sir Thos. Valere-Freeman; Dorante-Corey; Young Valere-Verbruggen; Lovewell-Betterton; Marquess of Hazard-Fieldhouse; Hector-Pack; Galoon-Smeaton; Count Cogdie-Dickins; First Gentleman-Weller; 2d Gentleman-Knap; Boxkeeper-Lee; Lady Wealthy-Mrs Barry; Angelica-Mrs Bracegirdle; Betty-Mrs Parsons; Favourite-Mrs Hunt; Mrs Security-Mrs Willis; Mrs Topknot-Mrs Fieldhouse; Prologue [written by Roe-Betterton; Epilogue-Verbruggen [written by Charles Johnson, according to Diverting Post, 3 Feb.].written by Charles Johnson, according to Diverting Post, 3 Feb.].

Performances

Mainpiece Title: Astartus

Event Comment: Receipts: #184 17s. 6d. Paid Thos Luppino for dancing dresses for Dioclesian, #25 14s. (Account Book)

Performances

Mainpiece Title: The Prophetess