SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas and John Baston"/1) | (@(roleclean,performerclean) "Thomas and John Baston")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 14171 matches on Author, 2277 matches on Performance Comments, 1448 matches on Event Comments, 424 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald. Prologue by Thomas Vaughan (see text)]: The Dresses and Scenery are new. Morning Chronicle, 26 Nov. 1794: This Day is published The Wedding Day (1s.). Powell: Wedding Day rehearsed at 10; Siege of Belgrade at 11. Receipts: #295 2s. 6d. (207.7.6; 76.7.0; 11.8.0)

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Wedding Day

Performance Comment: Characters by Barrymore, King, Packer, C. Kemble, Trueman, Evans, Miss Tidswell, Mrs Jordan, Mrs Hopkins, Miss Hopkins, Miss Heard. [Cast from text (G. G. J. and J. Robinson, 1794): Lord Rakeland-Barrymore; Sir Adam Contest-King; Mr Millden-Packer; Mr Contest-C. Kemble; Servant [not in text]-Trueman [see17941108]; Lady Autumn-Miss Tidswell; Lady Contest-Mrs Jordan; Mrs Hamford-Mrs Hopkins; Hannah-Miss Heard; unassigned-Evans; Prologue-Barrymore. [This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]This was spoken, as here assigned, at the 1st 7 performances only (see17941114).]
Cast
Role: Lord Rakeland Actor: Barrymore

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]

Event Comment: Afterpiece [1st time; F 2, by Mary Robinson. Prologue and Epilogue by the author (London Chronicle, 1 Dec.). MS: Larpent 1046; not published]: With new Dresses, &c. "The dissatisfaction to the Piece being so great [Mrs Jordan] was so much agitated as to be unable to repeat above one half of the Epilogue, which, from the Opposition of Hisses and Applauses, not scarely three lines of that could be distinctly heard" (Powell). Powell: New Ballet rehearsed at 10; Nobody at 12. Receipts: #334 2s. 6d. (222.13.6; 107.10.6; 3.18.6)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Manuel-Aickin; Gonzalez-Packer; Gracia-Barrymore; Perez-Bland; Alonzo-Phillimore; Osmyn-Kemble; Heli-Benson; Selim-Caulfield; Almeria-Mrs Powell; Zara-Mrs Siddons; Leonora-Miss Tidswell.
Cast
Role: Perez Actor: Bland

Afterpiece Title: Nobody

Performance Comment: Characters-Barrymore, Bensley, Bannister Jun., Maddocks, Trueman, Evans, Mrs Goodall, Miss Pope, Miss Collins, Miss Heard, Miss DeCamp, Mrs Booth, Mrs Jordan; [Larpent MS 1046 lists the parts: Sir Henry Rightly, Sharply, Lord Courtland, Thomas, Servants, Nelly Primrose, Lady Languid, Lady Rouleau, Lady Farrow, Lady Squander, Miss Cassino, Mrs Goodly.] Prologue-Barrymore; Epilogue-Mrs Jordan.
Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Performance Comment: Principal Characters by Quick, Holman, Johnstone, Fawcett, Middleton, Hull, Townsend, Macready, Powel, Miss Standen, Mrs Mattocks, Mrs Lee, Miss Hopkins, Mrs Davenport, Mrs Norton, Miss Wallis. Cast from text (T. N. Longman, 1795): Mr Hale-Quick; Sir Charles Leslie-Holman; Killeavy-Johnstone; Ned Dash-Fawcett; Mr Bloomfield-Middleton; Father-Hull; Tim-Townsend; Lieutenant Selby-Macready; Careful-Powel; Young Bloomfield-Miss Standen; Mr Bloomfield's Servant-Abbot; Porter-Coombs; Gentleman-Platt; Cook-Ledger; Butler-Williamson; Mrs Bloomfield-Mrs Mattocks; Sally Flounce-Mrs Lee; Miss Emma Hale-Miss Hopkins; Lady Supple-Mrs Davenport; Maid-Mrs Norton; Miss Russel-Miss Wallis; Gentlewoman-Mrs Follett; Prologue-Macready; Epilogue-Mrs Mattocks.
Cast
Role: Killeavy Actor: Johnstone
Role: Young Bloomfield Actor: Miss Standen

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Performance Comment: Characters by Incledon, Johnstone, Munden, Bowden, Mrs Martyr. Cast from Larpent MS: Sam Surf-Incledon; Teddy O'Shaughnessey-Johnstone; Joey-Munden; Platoon-Bowden; Sally-Mrs Martyr.

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Performance Comment: Amand, Mme Rossi.

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Yates, and her Infant Children. [Mr and Mrs Litchfield, with Mrs Litchfield as Little Pickle, are identified in Morning Chronicle, 10 Feb. Address by Thomas Roberts (European Magazine. Feb. 1797, p. 121).] Tickets to be had of Mrs Yates, No. 26, Great Pultney-street, Golden-square; and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spoil'd Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Event Comment: Afterpiece [1st time; F 2, by Samuel Birch, based on James Powell's unacted play, The Narcotic, 1787; incidental music by Thomas Attwood (see 28 Nov.). Larpent MS 1182; not published; synopsis of plot in Morning Chronicle, 30 Oct.]. Receipts: #309 19s. 6d. (222.7.6; 86.1.0; 1.11.0)

Performances

Mainpiece Title: Cheap Living

Cast
Role: Old Woodland Actor: Suett
Role: Young Woodland Actor: C. Kemble

Afterpiece Title: Fast Asleep

Performance Comment: Characters-Hollingsworth, Bannister Jun., Suett, Wewitzer, Caulfield, Maddocks, Webb, Trueman, Wentworth, Evans, Fisher, Miss Mellon, Miss Heard, Mrs Bland. [Larpent MS lists the parts: Don Gaspal, Perdrillo, Planetto, Casino, Gulermo, Trimbal, Workman, Muscadel, Guards, Nisa, Floretta, Lima.]Larpent MS lists the parts: Don Gaspal, Perdrillo, Planetto, Casino, Gulermo, Trimbal, Workman, Muscadel, Guards, Nisa, Floretta, Lima.]
Event Comment: [2nd piece in place of Thomas and Sally, advertised on playbill of 11 Nov.] Receipts: #351 14s. (283.16; 66.10; 1.8)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17971009, but Horatio-Holland; Osrick-Russell; Marcellus-Holland [sic, but probably Dignum (see17971127)]; 2nd Player-Wathen; 1st Grave@digger-Dowton.
Cast
Role: Horatio Actor: Holland
Role: Marcellus Actor: Holland

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: A Trip to the Nore

Cast
Role: Mary Actor: Mrs Bland
Role: Miss Lucy Actor: Mrs Bland.
Related Works
Related Work: A Trip to the Nore Author(s): Andrew Franklin
Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Performance Comment: Characters-Kemble, Barrymore, Palmer, Wewitzer, Suett, R. Palmer; Aickin, Webb, Evans, Fisher, Mrs Siddons, Mrs Goodall, Miss Stuart. Cast from text (T. N. Longman and O. Rees, 1802): The Stranger-Kemble; +Count Wintersen-Barrymore; +Baron Steinfort-Palmer; +Mr Solomon-Wewitzer; +Peter-Suett; +Francis-R. Palmer; +Tobias-Aickin; +George-Webb; +Count's Son-$Master Wells; Stranger's Son-$Master Tokely; Mrs Haller-Mrs Siddons; +Countess Wintersen-Mrs Goodall; +Charlotte-Miss Stuart; +Annette-$Mrs Bland; Savoyard-$Miss Leak; Maid-$Mrs Jones; Stranger's Daughter-$Miss Beton; unassigned-Evans, Fisher; Prologee-Barrymore; Epilogue-Suett. [These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]These were spoken, as here assigned, at the 1st 9 performances only (see17980416), except Epilogue again on 15 May.]
Cast
Role: Annette Actor: Mrs Bland
Related Works
Related Work: The Strangers at Home Author(s): Thomas Linley Sr.
Related Work: The Stranger Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: The Prize

Related Works
Related Work: The Tamer Tamed Author(s): John Fletcher
Related Work: The Tamer Tam'd Author(s): John Fletcher

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, 1st published (without assignment of parts) in his Posthumous Dramatic Works, 1813, Vol. I, as The Passive Husband. Prologue and Epilogue by the author (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 205)]. Receipts: #253 8s. 6d. (189.12.6; 60.7.6; 3.8.6)

Performances

Mainpiece Title: A Word For Nature

Performance Comment: Characters-Aickin, Suett, Barrymore, Bannister Jun., R. Palmer, Dowton, Hollingsworth, Evans, Webb, Fisher, Ryder, Miss Pope, Mis Biggs, Mrs Walcot. Cast from Morning Visitor, Dec. 1798, p. 392: Lord Glenandry-Aickin; Sir Toby Truckle-Suett; Clifton-Barrymore; Leonard-Bannister Jun.; Starling-R. Palmer; Runic-Dowton; Patrick Malooney-Hollingsworth; Lady Truckle-Miss Pope; Matilda-Miss Biggs; Mrs Lofty-Mrs Walcot; unassigned-Evans, Webb, Fisher, Ryder; Prologue-Barrymore; Epilogue-Bannister Jun.

Afterpiece Title: The Captive of Spilburg

Cast
Role: Moola Actor: Mrs Bland

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

Performance Comment: _Banks, Johnston; +New Hornpipe, as17981114.
Event Comment: Mainpiece: A New Oratorio, in Two Parts, the only one composed in this Country nearly these 30 years. Afterpiece: An Ode, in One Part. The Band will wholly consist of Professors of the first eminence, and the Chorusses will be numerously supported by the best Performers in London, assisted by the young Gentlemen of his Majesty's Chapels, and of Westminster Abbey. The music entirely new, composed by Thomas? Busby, who will take the Piano Forte. Boxes 7s. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Grove: [Busby] worked at a setting of Pope's 'Messiah' for some years, and it was produced in 1799 with considerable success as 'The Prophecy.

Performances

Mainpiece Title: The Prophecy

Afterpiece Title: Ocean

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Portia-Mrs Sumbel (late Mrs Wells; who has generously volunteered her services for that Evening); Nerissa-A Young Lady (1st appearance on the stage [unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.unidentified]). The rest of the characters by Ladies and Gentlemen who, actuated by movies of humanity, have made a voluntary offer of their respective services.

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 6 years. In I a Grand Banquet Scene. A Procession from the Abbey at the Coronation of Queen Anne Bullen. The Piece to conclude with the ceremony at the Royal Christening. [Holman's 1st appearance as King Henry was at this theatre, 24 May 1793.] Morning Chronicle, 27 Apr.: Tickets to be had of Mrs Pope, Half Moon-street, Piccadilly. Receipts: #391 0s. 6d. (299.15.6; 2.9.0; tickets: 88.16.0)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.
Cast
Role: Lord Sands Actor: Fawcett
Role: Duke of Buckingham Actor: H. Johnston

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: Obi

Performance Comment: As18000710 but Chorus of Negro Men-Thomas.
Cast
Role: Chorus of Negro Men Actor: Thomas.
Related Works
Related Work: Obi; or, Three-Finger'd Jack Author(s): John Fawcett
Event Comment: On 23 Nov. 1659 John Page, the Treasurer of the Middle Temple, entered in his records: Music, four nights at 30s., and acting The Clown four nights at 10s. (See A Calendar of the Middle Temple Records, ed. Hopwood, p. 167. See also Bentley, Jacobean and Caroline Stage, V, 1314.

Performances

Mainpiece Title: The Countryman Or Clown

Event Comment: On this date John Rogers petitioned the King concerning his right to keep the peace at the playhouses. In Herbert, Dramatic Records, p. 84, three companies, those at the red bull, cockpit, and salisbury court, are named as currently performing

Performances

Event Comment: A draft of a proposed order, i Hotson, Commonwealth and Restoration Stage, p. 201, specifies the companies acting at this time: Forasmuch as wee are advertis'd, that divers persons, and Companies have assembled, and doe dayly assemble themselves together at the Play-Houses called the red bull, in St. Johns Street, the cockpit in Drury Lane, and a certaine Play-House in Salisbury Court, and at other places within our Citty of London and County of Middlesex, without the least Colour of Authority, and doe there act, performe and shew in publique, Comedies, Tragedies, and other Entertainments of the Stage

Performances

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. According to John Dennis, in the Dedication to The Comical Gallant (1702), when this play was revived in the times of Charles II, Wintershall acted Slender

Performances

Mainpiece Title: The Merry Wives Of Windsor

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: Pepys, Diary: And then out to the red bull (where I had not been since plays come up again)...where I was led by a seaman that knew me, but is here as a servant, up to the tireing-room, where strange the confusion and disorder that there is among them in fitting themselves, especially here, where the clothes are very poor, and the actors but common fellows. At last into the pitt, where I think there was not above ten more than myself, and not one hundred in the whole house. And the play, which is called All's lost by Lust, poorly done; and with so much disorder, among others, that in the musique-room the boy that was to sing a song, not singing it right, his master fell about his ears and beat him so, that it put the whole house in an uprore. Nicoll (Restoration Drama, p. 309) argues that George Jolly probably occupied the red bull in St John's Street, Clerkenwell. When Richard Walden saw the red bull players at Oxford in July 1661, Anne Gibbs acted Dionysia in All's Lost by Lust. It is possible that she played that role on this day. See Walden's Io Ruminans, 1662

Performances

Mainpiece Title: All's Lost By Lust

Event Comment: According to the diary of the Reverend John Ward, ed. Charles Severn (London, 1839), Ward saw The Alchymist at this time. The Folger MS V.a. 292, of Ward's journal, gives it as performed between 1 and 25 Sept. 1662. See Shakespeare Quarterly, XI (1961), 336. See also Dec. 1660

Performances

Event Comment: Sixtus Petri Arnoldinus saw bear-baiting and bull-baiting at "the playhouse standing in St John's Street." See 16 Aug.; Zwager, p. 288

Performances

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Captain Worme Actor: Sandford
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. John Wright (Historia Histrionica [1699], p. 3): [Hart] Acted the Dutchess in the Tragedy of The Cardinal, which was the first Part that gave him Reputation

Performances

Mainpiece Title: The Cardinal

Event Comment: Some time (probably not long) before this date Aglaura [by Sir John Suckling] was acted by the King's Company. Pepys, Diary: Thence to Mr Wotton, the shoemaker's, and there bought a pair of boots, cost me 30s., and he told me how Bird hath lately broke his leg, while he was fencing in Aglaura, upon the stage, and that the new theatre of all will be ready against term

Performances

Event Comment: The Lord Mayor's show. Evelyn, Diary: Was my L. Majors shew with a number of sumptuous pageantry, speeches & Verses: I was standing in an house in Cheape side, against the place prepared for their Majesties. The Prince & heire of Denmark was there, but not our King

Performances

Mainpiece Title: London's Triumph: Presented In Severall Delightfull Scaenes

Performance Comment: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson. The edition of 1662 has no actors' names, no prologue, no epilogue.
Related Works
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Event Comment: See HMC, Report III, Appendix, p. 215a; Hotson, pp. 214-15; B. M. Wagner, "John Rhodes and Ignoramus," Review of English Studies, V (1929), 43-48. See also Nicoll, Restoration Drama, pp. 302n, 423. This appears to be the Duke's Company

Performances

Mainpiece Title: Ignoramus; Or, The Academical Lawyer

Performance Comment: MS in Library of Duke of Westminster: Theodorus-Lilliston?; Antonius-Smyth; Ignoramus-Underhill; Dulman-Williams; Pecus-Will Peer?; Musaeus-R. Nokes; Torcal-Norris; Rosabella-Mrs? Jennings; Surda-Mrs Margaret Rutter?; Trico-Medbourne?; Banacar-Crosby; Cupes-Sandford; Polla-Mrs Norris; Cola-R. James? Nokes; Pyropus-Angell; Dorothea-Mrs Brown; Vince-Boy; Nell-Pegg; Richardus?-Revet; Prologue to the King-Alexander Read. Translated from George Ruggle's Ignoramus.
Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst