SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas Shadwell"/1) | (@(roleclean,performerclean) "Thomas Shadwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5849 matches on Author, 619 matches on Performance Comments, 455 matches on Event Comments, 58 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Deserted Daughter

Related Works
Related Work: The Deserted Daughter Author(s): Thomas Holcroft

Afterpiece Title: The Social Songsters

Afterpiece Title: Netley Abbey

Dance: End II 1st piece: the Duchess of York's New Minuet and Waltz= (The Music composed by Alde [recte Alday], Dance by D'Egville)-Master and Miss D'Egville; In 2nd piece: Dance-Master D'Egville, Miss Packwood, Miss D'Egville

Entertainment: Monologue. End I 1st piece: Appropriate Address written on the Occasion-Mrs Mattocks

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Revivd Anacreontics i

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): Thomas Attwood

Song: End II 1st piece: The Witches, as18000415, but added: Denman, +Street

Performances

Mainpiece Title: Speed The Plough

Related Works
Related Work: Speed the Plough Author(s): Thomas Morton

Afterpiece Title: Paul and Virginia

Dance: As18000503

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Honest Thieves

Related Works
Related Work: The Honest Thieves; or, The Faithful Irishman Author(s): Thomas Knight

Afterpiece Title: The Soldiers Festival

Entertainment: Vaudeville. End 1st piece: Black Ey'd Susan-Incledon; Whims & Fancies[; or, +Patches from Harlequin's Jacket (an Entertainment, both Serious and Comic, selected from the best Authors)-Betterton; The Bull and Boat[; or, +Law! Law! Law!-; The Snug [i.e. Tight] Little Island-Townsend

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Follies of a Day

Related Works
Related Work: The Follies of a Day Author(s): Thomas Holcroft
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): Thomas Holcroft

Afterpiece Title: St

Song: End I 1st piece: song-Master Gray; End I 2nd piece: Time has not thin'd my flowing Hair-Incledon, Townsend; End 2nd piece: This Life is like a Country Dance-Fawcett; The Advantage of Toping-Townsend; Fat Dolly the Cook-Munden; The Anchor Smiths-Townsend

Entertainment: Imitations End I 1st piece: a Few Select Imitations-Townsend

Performances

Mainpiece Title: Speed The Plough

Related Works
Related Work: Speed the Plough Author(s): Thomas Morton

Afterpiece Title: Paul and Virginia

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: St Davids Day

Related Works
Related Work: St. David's Day Author(s): Thomas Attwood

Afterpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Dance: In 3rd piece: As18000501

Song: In 3rd piece: As18000501

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: Britains Sons or Success to our Heroes

Afterpiece Title: The Turnpike Gate

Related Works
Related Work: The Turnpike Gate Author(s): Thomas Knight

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Dramatist

Afterpiece Title: The Mouth of the Nile

Related Works
Related Work: The Mouth of the Nile Author(s): Thomas Attwood

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Performances

Mainpiece Title: Indiscretion

Cast
Role: Thomas Actor: Wathen

Afterpiece Title: The Follies of a Day

Related Works
Related Work: The Follies of a Day Author(s): Thomas Holcroft
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): Thomas Holcroft

Performances

Mainpiece Title: Speed The Plough

Related Works
Related Work: Speed the Plough Author(s): Thomas Morton

Afterpiece Title: Paul and Virginia

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: Speed The Plough

Related Works
Related Work: Speed the Plough Author(s): Thomas Morton

Afterpiece Title: Paul and Virginia

Dance: As18000503

Song: As18000503

Performances

Mainpiece Title: The Road To Ruin

Related Works
Related Work: The Road to Ruin Author(s): Thomas Holcroft

Afterpiece Title: The Turnpike Gate

Related Works
Related Work: The Turnpike Gate Author(s): Thomas Knight

Dance: End: New Hornpipe-a Young Lady (1st appearance in public [Miss Rogers]); End I afterpiece: A Scotch Pas Deux-Jackson, Miss Bologna

Song: After 1st dance: The Little Farthing Rushlight-Master Standen

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Jew

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): Thomas Attwood

Song: 3rd piece: Chorus-Kenrick, Little, Willoughby, Dibble, Aylmer

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Follies of a Day

Related Works
Related Work: The Follies of a Day Author(s): Thomas Holcroft
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): Thomas Holcroft

Song: In course evening: The Soldier tir'd of War's alarms-Miss Stephens; End I afterpiece: Crazy Jane-Mrs Bland

Performances

Mainpiece Title: Zorinski

Related Works
Related Work: Zorinski Author(s): Thomas Morton

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: Zorinski

Related Works
Related Work: Zorinski Author(s): Thomas Morton

Afterpiece Title: Tis All a Farce

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): Thomas Attwood

Song: Afterpiece: Chorus, as18000614

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): Thomas Attwood

Song: As18000725

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): Thomas Attwood

Song: As18000725

Performances

Mainpiece Title: Blue Devils

Afterpiece Title: The Point of Honour

Cast
Role: Chorus of Negro Men Actor: Thomas.

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): Thomas Attwood

Song: As18000614

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Castle of Sorrento

Related Works
Related Work: The Castle of Sorrento Author(s): Thomas Attwood

Song: As18000725

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Related Works
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Bellamira, Her Dream; or, The Love of Shadows Author(s): Thomas Killigrew
Related Work: Money the Mistress Author(s): Thomas Southerne
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Event Comment: The United Company. Tne date of the first performance is not known, but the Gentleman's Journal, March 1692 (licensed 9 March 1691@2), refers to its having already been produced. See also a letter concerning it dated 19 Jan. 1691@2. Probably the play was given in early February 1692. A song, How long must women wish in vain, the music by Robert King, is in Comes Amoris, The Fourth Book, 1693. Gentleman's Journal, March 1692: We have had lately a new Play, called, The Innocent Impostors. It hath been acted four times. Mr Shadwell Poet-Laureat, usher'd it into the Stage. It is said that the Author of it is not one of the Laity; therefore since he desires not to be known, I shall not presume to let you know his Name, tho the Play being Historical, and altogether of the Tragick kind, and withal treated with all the decency imaginable, can never be inglorious to its ingenious Author

Performances

Mainpiece Title: The Rape Or The Innocent Impostors

Performance Comment: Edition of 1692: Prologue-Mr Betterton; Epilogue By Mr Shadwell-Mrs Bracegirdle; Gunderic-Betterton; Genselaric-Williams; Briomer-Hodgson; Albimer-Zibber; Rodoric-Freeman; Almeric-Harris; Agilmond-Mrs Butler; Valdaura-Mic. Lee; Amalazontha-Mrs Betterton; Rhadegonda-Mrs Lee; Eurione-Mrs Bracegirdle; Merinda-Mrs Richardson.
Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Performances