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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Roberts"/1) | (@(roleclean,performerclean) "Thomas Roberts")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8155 results for: Keyword - Thomas Roberts
We found 6305 matches on Author, 1643 matches on Performance Comments, 646 matches on Event Comments, 151 matches on Performance Title, and 0 matches on Roles/Actors.

7951
01 October 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Poor Soldier

7952
20 December 1793 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

7953
25 April 1794 @ Covent Garden

Performances

Mainpiece Title: Everyone Has His Fault

Afterpiece Title: THE SAILOR'S FESTIVAL

Afterpiece Title: THE TWO MISERS

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole

7954
31 May 1794 @ Covent Garden

Event Comment: [Afterpiece in place of PATRICK IN PRUSSIA, advertised on playbill of 30 May.] On account of Johnstone's Indisposition THE WORLD IN A VILLAGE [also advertised as above] is obliged to be deferred. Tickets delivered for that Comedy [Account-Book: by Claremont, W. Wilde, Jackson, Little, Hawtin, Roberts, Pollock, Curteen, Pilfold] will be admitted. Receipts: #399 13s. 6d. (55/4/6; 4/11/6; tickets: 339/17/6)

Performances

Mainpiece Title: The Beggar's

Related Works
Related Work: The Royal Merchant Author(s): Thomas Hull

Dance: In Act III of mainpiece Hornpipe in character by Jackson; End of mainpiece Dermot and Kathlane, as17931022

Opera: As17931211, but omitted: Mat o' the Mint. Also THE MIDNIGHT HOUR. As17931211, but omitted: Matthias, Ambrose

7955
05 January 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: High Life below Stairs

7956
29 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The British Recruit

Related Works
Related Work: To Arms; or, The British Recruit Author(s): Thomas Hurlstone

Afterpiece Title: Barataria; or, Sancho Turned Governor

Related Works
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'Urfey

Song: As17950316

Entertainment: Monologues. End: Dryden's Ode on St. Cecilia's Day-Mrs Esten; After which: Belles Have at Ye All (written by the Author of the Prologue to Crotchet Lodge [Robert Houlton])-Mrs Mattocks

7957
06 May 1795 @ Covent Garden

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: The Death of Captain Faulknor; or, British Heroism

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; In course: Black Eyed Susan-Incledon; In course 2nd piece: [Larpent MS 1079 states, correctly, that most of the songs were "Sung in Arrived at Portsmouth"] Glee-Incledon, Linton, Bowden (Shield); With pride we steer for Britain's Coast-Incledon (Shield); O bring me wine-Bowden (Shield); A description of the Irish way of settling a Quarrel-Johnstone (Reeve); Negro Song-Mrs Martyr (Reeve); Description of a Cockney-Munden (Reeve); Hail to the Brave-Johnstone, Bowden, Incledon (Shield)

Entertainment: End II: Imitations of several favorite Vocal Performers-Mrs Wells; End 1st piece: Imitations of two celebrated Tragic Actresses-Mrs Wells (positively her last appearance in public)

7958
02 April 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Vortigern

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

7959
06 June 1796 @ Covent Garden

Event Comment: The Last Night of the Company's performing this Season. [Account-Book: Tickets delivered by Mrs Lloyd, W. Bayzand, Timkins (box-keeper), Street, Barnes, Morris, Rye, Dosel, Wells, King, Timkins (carpenter), Thompson (near Stage), Coates, Roberts, Thompson, (gallery door-keeper) will be admitted.] Receipts: #419 1s. (38.16; after-money: not listed; tickets: 380.5)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Irish Mimick

Dance: End: a Scotch Reel-Bayzand, King, Mlle St.Amand

Related Works
Related Work: King and No King Author(s): Thomas Harris
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton
Related Work: Mangora, King of the Timbusians. Or The Faithful Couple Author(s): Thomas Moore
Related Work: King Arthur; or, The British Worthy Author(s): Thomas Arne

7960
16 September 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Cast
Role: Thomas Actor: Burton

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

7961
25 May 1797 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Blurton, Furkins, (b[ox-keeper]), Bagley, Coates, Roberts, Paskin, Pitt, Hall (carpenter), Norton, Furkins (c[arpe]n[ter]), Doe will be admitted. [Afterpiece in place of Diamond Cut Diamond, advertised on playbill of 24 May.] Receipts: #305 15s. 6d. (40.13.6; 4.4.6; tickets: 260.17.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton
Related Work: The Virtuous Wife; or, Good Luck at Last Author(s): Thomas D'Urfey
Related Work: The Devil of a Wife; or, A Comical Transformation Author(s): Thomas Jevon
Related Work: The Fair Maid of the West Author(s): Thomas Heywood

Afterpiece Title: The Positive Man

7962
19 May 1798 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Roberts, Norton, Loyd, Atkins, Mrs Pitt, Little, Ince, West, Dyke, Bagley, Berecloth, Young, Noble, Thompson, Coombs, Bonsor will be admitted. Receipts: #307 17s. (30.0.6; 5.5.6; tickets: 272.11.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Poor Soldier

7963
04 June 1799 @ Covent Garden

Event Comment: [Account-Book: Tickets delivered by Jackson, Thompson (box-keeper), Webb (door-keeper), Dibdin, Purkins, Pitt, Williamson, Goodwin, Anselmo, Roberts, Loyd, West, Berecloth, Young, Norton will be taken.] Receipts: #374 16s. (38.1.6; 4.18.0; tickets: 331.16.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Hartford Bridge

Dance: End: A Scotch Divertisement-Jackson, Platt, Dyke, Miss Bologna, Mrs Watts

7964
10 June 1800 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Blurton, Young, Coates, Bent, Wilkins, Sturgeon, Brice, Goodwin, Anselmo, Roberts, Robson, Bonsor, Mrs Morris, Keeting, Akery, Ashwin, Hawtin will be admitted. Receipts: #409 13s. 6d. (25.12.0; 2.3.6; tickets: 381.18.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Guardian

Related Works
Related Work: The Guardian Outwitted Author(s): Thomas Arne
Related Work: Love Finds the Way Author(s): Thomas HullThomas Murphy
Related Work: The School for Guardians Author(s): Thomas Murphy

Dance: III: Hornpipe in Fetters-Blurton

7965
29 October 1659 @ The City, London

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: London's Tryumph

Performance Comment: Celebrated the Nine and Twentieth day of October, in the Year 1659. In Honour of the much Honoured ThomasAllen, Lord Mayor of the said City. Presented and personated by an Europian, an Egyptian, and a Persian. And done at the Costs and Charges of the ever to be Honoured Company of Grocers.

7966
13 April 1660 @ Fishmonger's Hall

Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 71: 13 April 1660: His Excellency [Monk] with the Councill of State dined att on of the Halls in London [Fishmongers], and now by this time haveing dined att 9 of the cheifest Halls in London; and att every Hall theire were after diner a kind of a stage play and many prety anticks, som the citizan and soldier, others the country Tom and citty Dick [see 28 March 1660], att many Halls were dancing and singing, many shapes and ghostes and the like

Performances

7967
23 April 1660 @ no theater listed

Event Comment: On this date General Monk and the Council of State issued an order forbidding stage plays. (See Hotson, Commonwealth and Restoration Stage, p. 196, and The Diurnal of Thomas Rugg, ed. Sachse, pp. 61, 67.)

Performances

7968
23 June 1660 @ The Red Bull Theatre

Event Comment: This performance is known by the Prologue and Epilogue printed in Thomas Jordan's A Nursery of Novelities or Variety of Poetry. The Prologue is dated 24 June 1660, but as this date falls on Sunday, the performance has been entered as Saturday 23 June 1660, for in this same work (p. 19) Jordan mentions: A Speech by way of Epilogue to those that would rise out of the Pit at the Red Bull in the last Scene, and disturb the conclusion by going on the Stage, June 23d 1660. [The Prologue and Epilogue have been reprinted in the Shakespeare Society Papers, IV (1849), 140-42, and in Sprague, Beaumont and Fletcher on the Restoration Stage, pp. 9-10. See also the list at the beginning of the season 1659-1660.

Performances

Mainpiece Title: The Tamer Tamed

7969
16 August 1660 @ Whitehall or St. James's

Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

7970
29 October 1660 @ The City, London

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

7971
November 1660 @ no theater listed

Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 127: Playes much in reques and great resort to them

Performances

7972
08 December 1660 @ Theatre in Vere Street

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. The Prologue is in Thomas Jordan's A Royal Arbour of Loyal Poesie (1664). Andrew Newport to Sir Richard Leveson, 15 Dec.: Upon our stages we have women-actors, as beyond seas (HMC, 5th Report, Part I, 1876, p. 158). For a discussion of actresses who may have played Desdemona on this day, see Wilson, All the King's Ladies, pp. 6-8. Possibly Clun acted Iago. See An Elegy Upon the Most Execrable Murther of Mr Clun, 1664

Performances

Mainpiece Title: The Moore Of Venice

7973
28 September 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: Father's Own Son

Performance Comment: [Monsieur Thomas] .

7974
13 November 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: Father's Own Son

Performance Comment: [Monsieur Thomas] .

7975
19 April 1662 @ Theatre in Vere Street

Performances

Mainpiece Title: Father's Own Son

Performance Comment: [Monsieur Thomas] .