SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Repley"/1) | (@(roleclean,performerclean) "Thomas Repley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5707 matches on Author, 603 matches on Performance Comments, 374 matches on Event Comments, 58 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Bonds without Judgement

Song: As17870515

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Bonds without Judgement

Song: As17870515

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: The Devil to Pay

Song: As17870515

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Bonds without Judgement

Song: As17870515

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Afterpiece Title: Love a la Mode

Performances

Mainpiece Title: The World In A Village

Afterpiece Title: NINA

Related Works
Related Work: Nina Author(s): William Thomas Parke

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970221

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17961220

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous (1st time; composed by Gallet)-Mme Hilligsberg [will perform in Man's Cloaths]

Ballet: End Opera: Sapho et Phaon. As17970406

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Rendez@vous, as17970511, but Mme _Hilligsberg

Ballet: End Opera: Sapho et Phaon. As17970406

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Ballet: Sapho et Phaon. As17970513

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970513

Ballet: Sapho et Phaon. As17970513

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Acis et Galatie, as17970615 End Opera: Pizarre, as17970211

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17970620

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Les Delassements Militaires-, as17970124; End Opera: Acis et Galatie, as17970617

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End Opera: Le Triomphe de Themis- [see17971220]

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: La Chasse d'Amour, as17980102; End Opera: Le Triomphe de Themis, as17971226

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971230

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000322

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Mariage Mexicain, as18000225; Pas de Quatre of Panurge-; End Opera: Hyppomene et Atalante, as18000322

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000429

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen