SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas Lewis O\'Beirne"/1) | (@(roleclean,performerclean) "Thomas Lewis O\'Beirne")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6692 matches on Author, 2064 matches on Performance Comments, 541 matches on Event Comments, 169 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Alexanders Feast Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Chiefly From handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: 6th concerto of Giordani on the violin-C. Ashley

Performances

Mainpiece Title: The Beggars Opera

Dance: In III: a Hornpipe-Blurton

Performances

Mainpiece Title: Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: LAllegro ed Il Penseroso 3

Music: End I: concerto on the Grand Piano Forte-Miss MacArthur; End II: concerto on the clarionet-John Mahon

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Lallegro Ed Il Penseroso 0 Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: End I: concerto on the oboe-W. Parke; End II: concerto on Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Sacred Selection 0 Messiah 0

Afterpiece Title: A Grand Sacred Selection 1

Afterpiece Title: A Grand Sacred Selection 2

Afterpiece Title: A Grand Sacred Selection 3

Music: End II: concerto on Piano Forte-Miss MacArthur

Performances

Mainpiece Title: Lallegro ed Il Pensieroso 0 Messiah

Afterpiece Title: LAllegro Il Pensieroso 3

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: concerto on violin-Master Pinto; End II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: The Beggars Opera

Afterpiece Title: Blue Devils

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Humourist

Dance: III: Hornpipe-Garman

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

Performances

Mainpiece Title: Grand Selection 0 Of Scared Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: the favourite Military Concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17990215

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Liar

Dance: As17981129

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Farm House

Dance: In III: Hornpipe in Fetters-Platt

Entertainment: Monologue As17990916

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End I: sonata on the Grand Piano Forte-Miss Reinagle (1st appearance in public); with accompaniment for flute and violoncello obligata-Woidner, C. Ashley; End II: concerto on violin-G. Ashley

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Love And Revenge

Performance Comment: Edition of 1675: Prologue-; Epilogue-Nigrello in a Mans Habit, but in a white Wig, and her Face discover'd; Clotair-Smith; Lewis-Crosby; Brisack-Norris; Clarmount-Medbourn; Dumain-John Lee; Lamot-Gillow; Burbon-Purseval; Nigrello-Mrs Mary Lee; Fredigond-Mrs Osborn; Aphelia-Mrs Batterton.
Cast
Role: Lewis Actor: Crosby
Event Comment: London Gazette, No 2943, 22-25 Jan. 1693@4: At the consort-room in York-buildings, on this present Thursday, at the usual hour will be perform'd Mr Purcell's Song composed for St Cecilia's Day in the year 1694 [?], together with some other compositions of his, both vocal and instrumental, for the entertainment of his Highness Prince Lewis of Baden. [In the Gentleman's Journal, January@February 1693@4, is: A Song set by Mr Henry Purcell. The Words by the Authour of this Journal, Sung at an Entertainment for Prince Lewis of Barden, Sawney is a bonny, bonny lad."

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Edition of 1701 lists: Antonio-Bullock; Charino-Cross; Don Lewis-Penkethman; Carlos-Wilks; Clodio-Cibber; Sancho-Norris; Governour-Simpson; Don Duart-Mills; Don Manuel-Toms; Angelina-Mrs Temple; Louisa-Mrs Verbruggen; Elvira-Mrs Knight; Honoria-Mrs Moor; Prologue-; Epilogue-.
Cast
Role: Don Lewis Actor: Penkethman