SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas King"/1) | (@(roleclean,performerclean) "Thomas King")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5449 matches on Author, 3185 matches on Performance Comments, 2689 matches on Performance Title, 1930 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Desire. King goes to Covent Garden (Cross). Receipts: #170 (Cross)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: The Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw
Event Comment: Benefit for Sga Passerini at the Great Room, Dean Street, Soho. N.B. The Pastoral will precede the Oratorio. The Pastoral, by Desire. The overture and greatest part of which composed by his Majesty the King of Prussia. Mainpiece by Handel. Tickets for the 29th will be taken. Tickets at half a guinea for the Pit, and 5s. for the Gallery. To begin at 6:30 p.m. [The Pastoral is not named in the Bill, but from comment on its musical composer is deemed to be Charlottenburg Festegiante. See 16 March.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Charlottenburg Festegiante

Event Comment: Tomorrow acted but twice these 10 years, King Lear. With a new Ballet by Guerin and Mlle Capdeville

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Englishman Return'd from Paris

Dance: Granier Jun, Mlle Capdeville

Event Comment: At the Great Room, George Inn Yard. Mrs Charke and King's Company of Comedians. A new Droll. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. 12 noon to ten p.m. during the time of the Fair

Performances

Mainpiece Title: Ngland Triumphant; Or, The British General

Afterpiece Title: The Merry Beggars; with the Comical Humours of his Royal Consort Queen Tatter

Entertainment: Variety of Singing, Dancing, Rope Dancing, Tumbling-eminent performers lately arrived from Italy

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Part I. Overture by Giardini-; Nocchiero s'abbandona (Galuppi)-Sga Grandis; Quel Ciglio che mesto (Cocchi)-Pazzagli; Concerto on Violincello-Gordon; Ogn' Amante (Scarlatti)-Ricciarelli; Numi se giusti siete (Hasse)-Sga Mingotti; Concerto on German Flute-Tacet; Part II. Concerto on Bassoon-Miller; Al caro nume appresso (Galuppi)-Sga Mareschi; Disciolta da pene (Graun)-Sga Passerini; Concerto on violin-Giardini; Se Amor provaste mei (Jomelli)-Sga Grandis; La Destra ti chiedo (duetto nel Demofoonte)-Sga Mingotti, Ricciarelli; Part III. Concerto on Hautboy-Vincent; Lascia giacer sul prato (Scarlatti)-Pazzagli; Innocente e quell'affetto (Graun)-Sga Passerini; Verdi prati (Handel)-Ricciarelli; S'espone a perdersi (Hasse)-Sga Mingotti; Concerto composed by Martini of Milan-; Coronation Anthem, God Save the King-.
Cast
Role: God Save the King Actor: .
Event Comment: PPublic Advertiser: Mr Vanneschi begs leave to inform the Nobility and Gentry, that a Licence being granted to him from the Lord Chamberlain's office, with his Majesty's most gracious Approbation, for exhibiting Italian operas at the King's Theatre in the Haymarket, Subscriptions for the ensuing Season will be taken in by Mess. Drummond and Co., Bankers at Charing Cross. He humbly desires his Protectors and Subscribers, to oblige him with an early Payment of their Subscription Money, in order that he may be able to give the necessary Securities to Sga Colomba Mattei, and to Sg Pasquale Potenza, as also to the Rest of his Singers and Dancers. It being given out that Mr Vanneschi hath not engaged the Use of the Opera House for the ensuing Season of Operas, it is hereby certified, that the Proprietor thereof hath agreed with Mr Vanneschi for the same. Sign'd by order of the Proprietor. Peter Crawford, Treasurer of said Theatre

Performances

Event Comment: For the King (Cross). Both pieces By His Majesty' Command. Receipts: #220 (Cross)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: Harlequin Ranger

Event Comment: Receipts: #74 19s. (Account Book). Mr Barry is engaged at Covent Garden, and will perform the part of King Lear on Monday next

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Afterpiece Title: Harlequin Sorcerer

Event Comment: BBarry play'd at C. Garden some little Noise, on Account of his being ye occasion of ye late Riot, & demanding more Money than usual-but his speech declaring his Innocence; King Lear went on in quiet (Cross). It is hoped that the Ladies and Gentlemen who took places for the Fatal Marriage this evening will excuse its not being acted 'till tomorrow, as it is impossible for Mrs Cibber to perform the character of Isabella without proper respit. The Old Comedy alter'd from Shirley [The Gamesters] will be reviv'd next week (Public Advertiser). Receipts: #160 (Cross)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: The Male Coquette

Event Comment: Benefit for the Lying In Hospital, Aldersgate St. Receipts: #76 15s. Income from Tickets #80 11s. (boxes 114; pit 273; gallery 111). Charges #84 (Account Book). Tomorrow the First Part of King Henry IV. [A long plea for attendance at this performance appeared in the Public Advertiser: "It affords me the greatest satisfaction when I peruse your paper, and find so many advertisements for charitable Benefits at the Theatres; which must greatly add to the Entertainment of the Stage, when we are sensible that the profits are to be appropriated towards the relief and support of the Indigent and distress'd; for the refief of whom, it must (at the same time it gives us secret pleasure) raise the astonishment of foreigners to see so many charitable piles raise their benevolent roofs in and about this great Metroplis. Amongst which I must beg leave to recommend to the Public, the City of London Lying In Hospital in Aldersgate Street (for the Benefit of which the Play of the Conscious Lovers will be performed this evening at Covent Garden); whose charitable doors have been opened for the relief of a much greater Number since the late dearth of Provisions, than its Annual Income (being supported by voluntary contributions) can possibly support, without further aid from the Public." The plea continues by emphasizing the need for expert and tender care for pregnant women, and by pointing out the satisfaction British sailors will have in knowing their wives may be delivered in this hospital.] [The Occasional Prologue (Written by Mr Lockman, Secretary to the Society of Free British Fisheries) was published in the Public Advertiser on 16 Dec.: @"Not sweeter Joy the wond'ring Indian feels,@When his far dazzling Glory Sol reveals@Than warms my heart at this auspicious Sight,@The splendid Audience of this cheerful night."@ Much emphasis on the misery of child-bearing, yet the need for a large population "to a commercial land." Also included was the Epilogue, by Lockman, "Intended for Mrs Hamilton," ending, "May each youth, here, breathe Bevil's gen'rous flame@Each virgin merit Indiana's fame."

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Lethe

Dance: FFingalian Dance, by Desire, as17571013

Performances

Mainpiece Title: New Medley Concert

Related Works
Related Work: Bacchus Festival; or, A New Medley Author(s): Thomas Jordan

Afterpiece Title: Harlequin's Frolic

Performance Comment: See17570902 , but the whole to conclude with an additional Scene representing the Battle of Rosbachv where the combined armies of the Empire and France were totally defeated by that of the Glorious King of Prussia.

Song: Kear

Ballet: LLe Carneval de Venice. Dutchman-Dupuis; Harlequin-T. Hussey; Scotchman-Froment; Pierrot-Rainel; Frenchman-Delascey; Punch-Joly; Dutchwoman-Miss Wilkinson; Harliquinette-Mad Stivaux; Scots Lass-Mad Dulisse; Pierotte-Mad Clary; Mademoiselle-Miss Durham; Mlle Ragonsby-Hussey

Event Comment: Receipts: #124 17s. Barry's 1!3 of profits came to #14 19s. Miss White entered from the 4th Inst. 4 days at 3s. 4d.-13s. 4d. Paid Mrs Griffith for Flowers, a sash, and work for the dancers, #4 15s. Also paid her for a Crown and Garter for King Lear, 7s. One pair ear rings for Miss Condill #4 4s. Bought 3 1!2 doz. wax candles at 3s. per dozen, #5 8s. 6d. (Account Book)

Performances

Mainpiece Title: Mariamne

Afterpiece Title: The Englishman Returned from Paris

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Performances

Mainpiece Title: Concert

Performance Comment: Part I: Overture by Dubourg-; Songs Del Cara amabil Volto-Sga Calori; Why does the God of Israel Sleep , by Handel in the Oratorio Sampson-Passagli; Wise Men's Flattery by Handel in the Oratorio Belshazzar-Sga Frasi; Concerto on the Violincello-Pasqualino; Songs Parto da te ben mio by Bertoni-Potenza; Nel Pensar al grnad Cimento-Sga Mattei , Perez; Part II: Concerto on the Bassoon-Miller; Songs He Shall Feed His Flock-Sga Frasi , by Handel in the Messiah; Vero non e che Sia-Sga Calori; He was Despised by Handel in the Messiah-Passagli; Concerto on the Hautboy-Simpson; Songs Mea vita mio bene by Cocchi-Potenza; Questo core amato bene by Abos-Sga Mattei; Part III: Concerto on the violin by Dubourg-; Songs Ye Sacred Priests by Handel in Jephtha-Sga Frasi; Siete barhere amata Stello by Galluppi-Potenza; Deghi che io son fedele by Aurasecchio-Sga Mattei; Coronation Anthem, God save the King by Handel-.
Event Comment: Yesterday died Mr Benj. May many years principal Director of Entertainments at king's Theatre (Winston MS 8). Receipts: #150 (Cross); #148 (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: Fortunatus

Event Comment: N.B. We have engag'd Mr King; & Miss Baker from Ireland, one Mr Moody, a Stroler,-Mr Beard is gone to Covent Garden, 'tis said to be manager Mr Mossop to Ireland. Receipts: #120 (Cross). Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Places from Mr Varney at the Stage Door. No admittance behind scenes. [The customary note about prices and admittance will not be noted further here.] [At the opening of the theatres this season appeared an essay in Goldsmith's Bee, giving close observations upon actors, and deploring the relative stiffness and formality of English actors in comparison with the French. Advised English actors to travel abroad. Yet (Vol. 1759, p. 12) commented on the magnificnece of "our theatres as far superior to any others in Europe where plays only are acted. The great care our performers take in painting for a part, their exactness in all minutiae of dress, and other little scenical proprieties has been taken notice of by Riccoboni." Complains of the convention of laying a rug before a dying scene and of the vacant expressions of mutes on stage.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Mainpiece: By Particular Desire. Recipts: #222 0s. 6d. Paid Meares (Tailor) #1 11s. 4d.; Paid Mr Monck 80 days salary to this day #20; Paid Xmas Boxes: King's Footmen, #2 2s., Chairmen, #2 2s., Prince of Wales Footmen, #1 1s., Chairmen, #1 1s., Princess of Wales Footmen #1 1s., Chairmen #1 1s., Porters at Inns of Court #3 14s

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Englishman Returned from Paris

Dance: II: The Threshers, as17591005

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Related Works
Related Work: The Royal Merchant Author(s): Thomas Hull

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Performance Comment: Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage.
Event Comment: Full prices. Last time of performing till Easter Holidays. Receipts: #214 11s. Paid Kemp #6 8s.; Meares #0 10s. 6d.;Mr Platt for mahogany chair frames (12), #9 12s.; Paid Rich #50; Paid 10 night's Rents for Oratorios #100. I was to see the Jovial Crew and the Fair again, at the Gallery at Covent Garden, where I see Mrs Viebert, Miss Meredith & Mr Madan. Slept in at Drury Lane Gallery where I see the best part of Catherine & Petruchio for King's Benefit (Hailey, Brietzcke Diary, Vol. 197, p. 210)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Fair

Related Works
Related Work: The Fair Maid of the West Author(s): Thomas Heywood
Related Work: Bury Fair Author(s): Thomas Shadwell
Related Work: The Fair American Author(s): Charles Thomas Carter
Event Comment: BBritish Chronicle, 25 Sept.: Last Wednesday the King, Queen and Royal Family went to Covent Garden to see The Beggar's Opera with a [directive?] of the fitting up of the Box (Winston MS 9)

Performances

Event Comment: Boxes #24 15s. Paid Dall for a modal and making a Crown intended for the King's Box-#1 2s. 6d. (Account Book). Receipts: #134 17s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: Thomasand Sally

Cast
Role: Thomas Actor: Beard
Event Comment: Box #43 17s. 6d. Paid Mr Blackmore a Bill for sundries and expenses in taking the inventory of the Men's Wardrobe #26 2s. 6d. Bought three men's outfits #68. Gave the King's footmen and Chairmen #4 4s., and Prince of Wales' Footmen and Chairmen #2 2s. Gave the Porters of the several Inns #3 14s. (Account Book). [The Gentlewoman who played Bertha was Miss Fielding. See notation of payment to her for acting this part, 10 Jan.] Receipts: #176 16s

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Related Works
Related Work: The Royal Merchant Author(s): Thomas Hull

Afterpiece Title: The Rape of Proserpine

Performances

Mainpiece Title: Zimri

Performance Comment: Zimri- (King of Moab); Zuran- (Prince of Midianites); Cosbi- (his daughter); Chorus of Midianites-; Moses-; Zimri- (Prince of Israel); Elders of Israel-; Messenger-; Chorus of Israelitish Virgins- (Larpent MS 169).

Music: As17610206

Event Comment: Mainpiece: (The Hope of the Earth) performed last June in Honour of the King's Birth Day, but now with some alterations. Afterpiece: (The Promises of Heaven) an entirely new Serenata writ in order to celebrate, as far as lies in Sga Mattei's power, the late Royal Nuptials, and approaching Coronation. The Nobility and Gentry will please to dispense with their servants not being admitted this night

Performances

Mainpiece Title: Le Speranze Della Terra

Afterpiece Title: Le Promesse del Ciels

Performances

Mainpiece Title: He Whimsical Battle Of The Greybeards; Or, The Humourous History Of A Covent Garden Adventure; Containing The Ridiculous Behaviour Of shela O'flannegan The First Irish Woman Introduced At Any Fair, The Odd Resentment Of col

Performance Comment: Crackcrown and his whimsical Duel with the purblind Major Blinko, the Marriage of Sawney MacGregor, a Scotch Footman, and Shela O'Flannegan; with the fortunate conclusion by a Methodist Cobbler; The whole to conclude with a congratulatory poem; by way of Epithalamium, on the auspicious nuptials of our Illustrious Patriot King, and the Illustrious Princess Charlotte of Mecklenberg-Strelitz-.

Dance: CComic Dance-Signora Florentina, a capital performer from the Opera House at Turin

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Edgar and Emmeline

Performance Comment: O'Brien, King, Master Kennedy, Miss Rogers, Mrs Yates.

Dance: I: A New Dutch Comic Dance-Vincent (his first appearance on the English stage), Miss Baker; III: The Camp Alarm'd-Vincent

Song: III: A Cantata-Miss Young