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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas King Esq"/1) | (@(roleclean,performerclean) "Thomas King Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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11735 results for: Keyword - Thomas King, Esq.
We found 5449 matches on Author, 3212 matches on Performance Comments, 2694 matches on Performance Title, 2194 matches on Event Comments, and 0 matches on Roles/Actors.

11251
19 May 1722 @ Drury Lane Theatre

Event Comment: Benefit King, Boxkeeper. At the particular Desire of several Persons of Quality. Written by the late Mr Wycherley

Performances

Mainpiece Title: The Country Wife

Music: Between the Acts: Select Pieces-

Dance: Shaw, Thurmond Jr, Mrs Booth, Mrs Bullock; The Hussar-

Related Works
Related Work: The Island of St. Marguerite Author(s): Thomas Shaw Jr.
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

11252
05 September 1722 @ Southwark Fair

Event Comment: At the Angel Tavern, next Door to the King's Bench: Miller is not with Penkethman, but by himself. A New Droll

Performances

Mainpiece Title: The Faithful Couple; Or, The Royal Shepherdess

Related Works
Related Work: The Royal Shepherdess Author(s): Thomas Shadwell
Related Work: Loves Labyrinth; or, The Royal Shepherdess Author(s): Thomas Forde
Related Work: Mangora, King of the Timbusians. Or The Faithful Couple Author(s): Thomas Moore

Entertainment: Between Old Hob and his Wife, Comical Humours of Mopsey and Collin-

11253
27 October 1722 @ King's Theatre

Event Comment: Advertised in Daily Courant, 25 Oct., but not later; in Daily Courant, 27 Oct., it is listed only for Wednesday 31. Yet Daily Journal, 29 Oct., states that the King was present this night

Performances

Mainpiece Title: Mutius Scaevola

11254
22 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. The King, Prince and Princess present

Performances

Mainpiece Title: Otho

11255
28 January 1723 @ Haymarket Theatre

Event Comment: Benefit Mrs Fryar, who has played but once since the days of King Charles, and taught three Queens to Dance

Performances

Mainpiece Title: The Half Pay Officers

Afterpiece Title: Hob's Wedding

Dance: The Bashful Country Maid, Irish Trot-Peggy Fryar

11256
06 April 1723 @ King's Theatre

Event Comment: Original Weekly Journal, 6 April: We are told that the Italian Singers at our Opera, to the Number of five, of whom two are Eunuchs, have obtain Permission from the King of France...to go over thither in July next, for the Theatre, and a Gratuity of 35,000 Livres

Performances

Mainpiece Title: Erminia

11257
20 April 1723 @ Lincoln's Inn Fields

Event Comment: By His Majesty's Command. Receipts: #136 6s. The King present, on which occasion the House was prodigiously crowded (Daily Post, 23 April)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Jupiter and Europa

11258
18 May 1723 @ King's Theatre

Event Comment: The King present

Performances

Mainpiece Title: Flavius

11259
27 May 1723 @ Drury Lane Theatre

Event Comment: Benefit King, Boxkeeper

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Escapes of Harlequin

11260
02 September 1723 @ Richmond

Event Comment: By Their Royal Highnesses' Command. At Penkethman's Theatre. Mainpiece: Written by Shakespear. Afterpiece: a diverting Droll. Box Tickets at Penkethman's House in Richmond. Daily Post, 5 Sept.: Mr Penkethman...had the Honour to divert their Royal Highnesses the Prince and Princess of Wales, with Entertainments of Acting and Tumbling perform'd to Admiration; Likewise with his Picture of the Royal Family, down from the King of Bohemia to the young Princesses, in which is seen the Nine Muses playing on their several Instruments, in Honour of that August Family. There were present Nobility, Gentry and Ladies upwards of 200

Performances

Mainpiece Title: Pyramus And Thisbe

Afterpiece Title: The Blind Beggar of Bednal Green; or, The Woman Never Vex'd

Music: Concerto on small Flute-John Baston

Dance: Several surprizing Entertainments of Rope Dancing-a Young Lad lately come from France, who flourishes the Colours, plays on the Violin, and turns several Times on the Rope without a Pole; Ladder Dancing-the greatest Performer in the World, who stands on the Top Round of the Ladder, drinks a Glass of Wine, with his other Hand above his Head in the Middle of the Stage; Dancing , both Serious and Comic,-Monsieur De Long Dents, Monsieur De Long Dents'@two@children , just arrived from Paris; To which will be added, Variety of Tumbling-Mons Tollard, others, just arrived from Madrid

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan

11261
04 December 1723 @ King's Arms Tavern

Event Comment: At the King's Arms Tavern near Temple Bar. At the Desire of several Gentlemen in the Neighbourhood. At 6 p.m

Performances

Mainpiece Title: Medley

Related Works
Related Work: Bacchus Festival; or, A New Medley Author(s): Thomas Jordan

Entertainment: Comical Songs-; The Drunken Man-

11262
05 March 1724 @ Drury Lane Theatre

Event Comment: Benefit Mrs Oldfield. Written by Beaumont and Fletcher. No Persons to be admitted into the Boxes, or behind the Scenes, but by printed tickets at 5s. Two Benches of the Pit to be rail'd in, at the Price of the Boxes. [The King and the Prince and Princess present.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: Shaw, Mrs Booth, Mrs Younger

Related Works
Related Work: The Island of St. Marguerite Author(s): Thomas Shaw Jr.
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

11263
06 May 1724 @ Drury Lane Theatre

Event Comment: Benefit Robinson and Mrs Willis. At the particular Desire of several Persons of Quality. Mainpiece: Written by Shakespear. With all the Song, Dances, and other Decorations proper to the Play. Afterp1ece: Compos'd by Mr John Eccles, Master of the King's Musick

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Acis and Galatea

11264
13 November 1724 @ Westminster School

Performances

Mainpiece Title: Adelphi

Performance Comment: The King's Scholars; With an Epilogue-.

11265
11 January 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales present

Performances

Mainpiece Title: Rodelinda

11266
15 January 1726 @ King's Theatre

Event Comment: [Text by Haym.] Admission as 30 Nov. 1725. The King and the three Princesses present

Performances

Mainpiece Title: Elisa

11267
08 February 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales present. Universal Mercury, February 1726: Mr Handel had the Satisfaction of seeing an old Opera of his not only fill the House, which had not been done for a considerable time before, but People crowding so fast to it, that above 300 were turn'd away for want of room

Performances

Mainpiece Title: Otho

11268
08 March 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and the young Princesses present

Performances

Mainpiece Title: Otho

11269
15 March 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and the young Princesses present

Performances

Mainpiece Title: Scipio

Related Works
Related Work: Scipio Africanus Author(s): Charles Beckingham

11270
31 May 1726 @ King's Theatre

Event Comment: TThe King, Prince and Princess of Wales, and Princesses Anne, Carolona, and Amelia present

Performances

Mainpiece Title: Alexander

11271
05 October 1726 @ King's Theatre

Event Comment: By His Majesty's Command. [The King, Prince and Princess of Wales present.

Performances

Mainpiece Title: Arlequin Prince By Enchantment; With His Comical Cavalcade And Taken Up In The Air By Daemons; Or, The Loves Of Pantalon And Argentine, His Imprisonment And Condemnation To The Gallies

Dance: As17260928

11272
28 October 1726 @ King's Theatre

Event Comment: By His Majesty's Command. N.B. This being the first Time of Acting on Account of Subscriptions, the General Tickets will be sent to the Subscribers. [The King present.

Performances

Mainpiece Title: The Most Knowing, Least Understanding; Or, Harlequin's Metamorphosis; Viz

Afterpiece Title: The Pleasant Marriage; Concluding with The Singing Deities

Dance: Dancing and other Decorations proper to the Play , entirely new and diverting-

11273
05 November 1726 @ King's Theatre

Event Comment: By His Majesty's Command. [The King present.

Performances

Mainpiece Title: Diana's Madness; Or, Fatime, A Favourite Slave In The Seraglio, Mad For Love, And Crown'd Empress By The Grand Signior: With Pantlon And Harlequin Eunuchs Elected Kaimcan And Ciguir, The One Impaled And The Other Sawed Asunder, The Bashas Selim And Achmet Ript Open, Rabca Strangled, And Chistar Beheaded

Entertainment: Carneval-after the Venetian Manner; Dancing-Masqueraders in divers Characters, Madmen, Turks Men and Women being the Invention of Mr Poictiers

11274
07 November 1726 @ King's Theatre

Event Comment: By His Majesty's Command. [The King and Prince Princess present.

Performances

Mainpiece Title: Pantalon A Broker Broken Merchant And Desperately In Love, Harlequin His Shopkeeper: With A Ridotto After The Venetian Manner, Songs, And A Serenata In A Venetian Gondola

Entertainment: As17261105

11275
12 November 1726 @ King's Theatre

Event Comment: By His Majesty's Command. With Flyings, Apparitions, &c. [The King, Prince, and Princess present.

Performances

Mainpiece Title: Argentina A Magician, Disguised, Serving Diana, Transformed Into A Gipsie, Armenian, Footman, Fiend, Lady, And Counsellour

Related Works
Related Work: The City Lady; or, Folly Reclaim'd Author(s): Thomas Dilke
Related Work: The Fine Lady's Airs: or, an Equipage of Lovers Author(s): Thomas Baker

Dance: As17260928