Event Comment: Pepys, Diary: I to White Hall; and there got into the theater-room, and there heard both the vocall and instrumentall musick, where the little fellow [Pelham Humphrey] stood keeping time; but for my part, I see no great matter, but quite the contrary in both sorts of musique. The composition I believe is very good, but no more of delightfulness to the eare or understanding but what is very ordinary. Here was the King and Queen, and some of the ladies; among whom none more jolly than my Lady Buckingham, her Lord being once more a great man

Event Comment: The King's Company. This play is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344

Event Comment: Pepys does not name the theatre in which he saw this play, but previous performances of the play were given by the King's Company. Pepys, Diary: To a play, Love's Cruelty.... Play part 2s. Oranges, 1s

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347. Pepys, Diary, 31 May: At the play at court the other night, Mrs Davis was there; and when she was to come to dance her jigg, the Queene would not stay to see it, which people do think it was out of displeasure at her being the King's whore, that she could not bear it

Event Comment: [The King's Company. Settings by Alphonso Marsh the Elder of two of the songs are in Choice Songs and Ayres, 1673. This performance, which may have been the first one, is one the L. C. list 5@139, p. 129: An Evening Love his Mate and the Queene at the Theatre. See also Nicoll, Restoration Drama, p. 344

Event Comment: The King's Company. Pepys, Diary: So my wife not speaking a word, going nor coming, nor willing to go to a play, though a new one

Event Comment: Pepys, Diary: To the King's house to see a play revived called The [...], a sorry mean play, that vexed us to sit in so much heat of the weather to hear it

Event Comment: The King's Company. Pepys, Diary: My wife having a mind to see the play Bartholomew-Fayre, with puppets. Which we did, and it is an excellent play; the more I see it, the more I love the wit of it; only the business of abusing the Puritans begins to grow stale, and of no use, they being the people that, at last, will be found the wisest. And here Knepp come to us, and sat with us. [Earlier that day Pepys had been to the Fair briefly, but saw none of the entertainments.

Event Comment: The King's Company. The entry in Pepys, Diary for this day is missing, but on 12 Oct. 1668 he implies that he saw this play on 10 Oct. 1668

Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344. Newsletter, 9 Nov.: A play, The tanner tanned, is appointed for this evening in the new theatre at Whitehall (HMC, Fleming MSS., 12th Report, Appendix, Part VII, p. 60)

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: The Scornfull Lady at court. See also Nicoll, Restoration Drama, p. 344

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: at court. See also Nicoll, Restoration Drama, p. 344

Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Duke's playhouse, and there did see King Harry the Eighth; and was mightily Pleased, better than I ever expected, with the history and shows of it. We happened to sit by Mr Andrews, our neighbour, and his wife

Event Comment: Newsletter, 5 Jan.: Copies of a malicious comedy called Pluto, reflecting on several persons of honour, have been taken. It was to have been acted within the prison of the King's Bench (HMC, 12th Report, Part VII, p. 61). The play was published in Amsterdam in 1669 with the title: Pluto furens & vinctus; or, The raging devil bound. The Dedication speaks of it as being suitable for performance by schoolboys during the holidays. The edition has a Prologue and an Epilogue but no actors' names

Event Comment: The King's Company. Pepys, 19 Jan. 1668@9, implies a performance on this day

Event Comment: The King's Company. A performance on 21 Jan. 1668@9, suggests a continuous run from 16 through 21 Jan. 1668@9

Event Comment: Pepys, Diary: To the King's playhouse, thinking to have seen The Heyress, first acted on Saturday [Friday (?)] last; but when we come thither, we find no play there; Kinaston, that did act a part therein, in abuse to Sir Charles Sedley, being last night exceedingly beaten with sticks, by two or three that assaulted him, so as he is mightily bruised, and forced to keep his bed

Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17. See also Nicoll, Restoration Drama, p. 344

Event Comment: Evelyn does not name the theatre or company, but previous offerings of Horace were given by the King's Company. Evelyn, Diary: I saw Mrs Philips's Horace acted againe

Event Comment: Add. Mss. 36916, folio 128, 2 March 1668@9: The occasion of this [a challenge of the Duke of Buckingham to a duel by Lord Halifax or another friend of Sir William Coventry] there was a new play to be acted on Saturday last called the Country Gentleman, said to be made by the Duke & Sr Robt Howard, wherein tis said that the Earle of Clarendon, Sr Wm Coventry and some other Courtiers are plainly personated, but especially Sr William in the midst of his table of Writings; this he (or some of his relations) would not brooke, but whether he or the Ld Halifax was to fight the Duke is not knowne, but the King hath prevented all; and the play is not acted. [See also Pepys, 4 and 6 March]

Event Comment: The Travels of Cosmo the Third (Thursday 25 April 1669 NS; Thursday 15 April OS): After dinner, he recommenced his visits to the ladies; going towards evening to the King's Theatre, to hear the comedy, in his majesty's box. This theatre is nearly of a circular form, surrounded, in the inside, by boxes separated from each other, and divided into several rows of seats, for the greater accommodation of the ladies and gentlemen, who, in conformity with the freedom of the country, sit together indiscriminately; a large space being left on the ground-flobr for the rest of the audience. The scenery is very light, capable of a great many changes, and embellished with beautiful landscapes. Before the comedy begins, that the audience may not be tired with waiting, the most delightful symphonies are played; on which account many persons come early to enjoy this agreeable amusement. The comedies which are acted, are in prose; but their plots are confused, neither unity nor regularity being observed; the authors having in view, rather than any thing else, to describe accurately the passions of the mind, the virtues and the vices; and they succeed the better, the more the players themselves, who are excellent, assist them with action, and with the enunciation of their language, which is very adapted for the purpose, as being a variation, but very much confined and curtailed, of the Teutonic idiom; and enriched with many phrases and words of the most beautiful and expressive description, taken both from ancient and modern languages (London, 1821, pp. 190-91)

Event Comment: Pepys, Diary:, 23 April: My wife stopped me; and, after a little angry talk, did tell me how she spent all day yesterday with M. Batelier and her sweetheart, and seeing a play at the New Nursery, which is set up at the house in Lincoln's Inn Fields, which was formerly the King's house

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Event Comment: The King's Company. It is uncertain when this play was first given, but it may well have appeared in the summer, as it was licensed for publication 9 Oct. 1669 and entered in the Term Catalogues, November 1669

Event Comment: On this day the Lord Chamberlain issued an order (L. C. 5@12, p. 252; in Nicoll, Restoration Drama, p. 252) signifying the King's pleasure that: "ye french Comoedians haue liberty to Act and Play And that noe Persons pr[e]sume to molest or disturbe them in their Acting & playing.