SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Ives"/1) | (@(roleclean,performerclean) "Thomas Ives")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5707 matches on Author, 616 matches on Performance Comments, 376 matches on Event Comments, 61 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Mariage Mexicain, as18000225; Pas de Quatre of Panurge-; End Opera: Hyppomene et Atalante, as18000322

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000429

Performances

Mainpiece Title: Lavare

Performance Comment: Harpagon-Fern; Cleante-Jackson; Valere-Edwards; Anselme-Smith; La Merluche-Ives; Brindavoine-Vincent; Le Commissaire-Costo; La Fleche-Williams; Maitre Jacques-Johnson; Elise-Mrs Knight; Frosine-Miss Rawlinson; Mariane-Mrs Bright her first appearance.
Cast
Role: La Merluche Actor: Ives

Dance: III: As17500221

Performances

Mainpiece Title: Lavare

Cast
Role: La Merluche Actor: Ives

Afterpiece Title: Arlequin Fourbe Anglois ou le Traiteur Mal Traitte

Performance Comment: Harlequin-Mrs Bright; Clerimont-Jackson; Belamy-Edwards; Dumelange-Costo; Princemaille-Williams; Alain-Ives; Julie-Miss Rawlinson; Mme du Melange-Miss Talbot.
Cast
Role: Alain Actor: Ives

Dance: Mme Roland, Miss Poitier

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Auld Robin Gray

Song: End: Mock Italian Song from The Irish Mimic; or, Blunders at Brighton-Fawcett

Entertainment: MonologueIn evening: Monsieur Tonson-Fawcett

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Ghost

Performance Comment: Farmer Harrow-Knight; Trusty-Powel; Clinch-Farley; Sir Jeffery-Davenport; Captain Constant-Claremont; Belinda-Miss Ives; Dolly-Mrs Davenport.
Cast
Role: Belinda Actor: Miss Ives

Song: In V: a Dirge- [set to Music by Shield. The Words from Shakespeare [see17931009]; Vocal Parts-Mrs Martyr, Mrs Clendining, Miss Stuart, Mrs Watts, Mrs Lloyd, Mrs Blurton, Miss Walcup, Mrs Masters, Mrs Norton, Mrs Follett, Mrs Castelle, Miss Ives, Miss Leserve, Haymes, Street, Linton

Performance Comment: The Words from Shakespeare [see17931009]; Vocal Parts-Mrs Martyr, Mrs Clendining, Miss Stuart, Mrs Watts, Mrs Lloyd, Mrs Blurton, Miss Walcup, Mrs Masters, Mrs Norton, Mrs Follett, Mrs Castelle, Miss Ives, Miss Leserve, Haymes, Street, Linton.

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayors Day or A Flight from Lapland

Performance Comment: Captain O'Flanagan-Johnstone; Alderman Gobble-Powel; Whalebone-Knight; Ulan Shmolinski Czernsdorff, the Gynosophist-Thompson; Hairdresser-Wilde; Sailor-Townsend; Common Councilmen-Davenport, Williamson; Ballad Singer-Rees; Jew-Simmons; Turner-Follett; Postillion-Abbot; Coachman-Street; John-Ledger; Harlequin-Farley; Mrs Gobble-Mrs Davenport; Jenny-Mrs Mountain; Columbine-Mlle St.Amand; Servant Maids-Mrs Watts, Mrs Platt, Mrs Castelle, Miss Ives, Miss Kirton, Miss Leserve, Mrs Blurton, Mrs Lloyd, Mrs Ratchford, Mrs Crowe, Mrs Cranfield, Mrs Bayzand, Miss Smith, Mrs Master; Aerial Spirit-Mrs Martyr.

Dance: I afterpiece: The Long Minuet- taken from the Caricature Print of that title [The Long Minuet as Danced at Bath, by H. W. Bunbury; see17951116]

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayors Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.

Performances

Mainpiece Title: Othello Moor Of Venice

Afterpiece Title: The Genoese Pirate or Black Beard

Dance: In afterpiece: Dance of Negroes-

Event Comment: Betterton's Company. The date of this performance, which coincides with the opening of the playhouse in Lincoln's Inn Fields by Betterton's Company, is established by Downes, Roscius Anglicanus, pp. 43-44: [Betterton, Mrs Bracegirdle, Mrs Barry, and others] set up a new Company, calling it the New Theatre in Lincolns-Inn-Fields; and the House being fitted up from a Tennis-Court, they Open'd it the last Day of April 1695, with a new Comedy: Call'd, Love for Love....This Comedy being Extraordinary well Acted, chiefly the Part of Ben the Sailor, it took 13 Days Successively. Three songs in the play were published separately: I tell thee, Charmion, the music by Finger, sung by Pate and Reading, is in Thesaurus Musicus, 1696, The Fifth Book. A Nymph and a Swain, the music by John Eccles and sung by Pate; and A Soldier and a Saylour, the music by John Eccles, and sung by Dogget, are in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 196-97: After we had stolen some few Days March upon them, the Forces of Betterton came up with us in terrible Order: In about three Weeks following, the new Theatre was open'd against us with veteran Company and a new Train of Artillery; or in plainer English, the old Actors in Lincoln's-Inn-Fields began with a new Comedy of Mr Congreve's, call'd Love for Love, which ran on with such extraordinary Success that they had seldom occasion to act any other Play 'till the End of the Season. This valuable Play had a narrow Escape from falling into the Hands of the Patentees; for before the Division of the Company it had been read and accepted of at the Theatre-Royal: But while the Articles of Agreement for it were preparing, the Rupture in the Theatrical State was so far advanced that the Author took time to pause before he sign'd them; when finding that all Hopes of Accomodation were impracticable, he thought it advisable to let it takes its Fortune with those Actors for whom he had first intended the Parts. A Comparison Between the Two Stages (1702), p. 10: Ramble: You know the New-house opened with an extraordinary good Comedy, the like has scarce been heard of. Critick: I allow that Play contributed not a little to their Reputation and Profit; it was the Work of a popular Author; but that was not all, the Town was ingag'd in its favour, and in favour of the Actors long before the Play was Acted. Sullen: I've heard as much; and I don't grudge 'em that happy beginning, to compensate some part of their Expence and Toil: But the assistance they receiv'd from some Noble Persons did 'em eminent Credit; and their appearance in the Boxes, gave the House as much Advantage as their Contributions. Ramble: Faith if their Boxes had not been well crowded, their Galleries wou'd ha' fallen down on their Heads. Sullen: The good Humour those Noble Patrons were in, gave that Comedy such infinite Applause; and what the Quality approve, the lower sort take upon trust. Gildon, The Lives and Characters (ca. 1698), p. 22: This Play, tho' a very good Comedy in it self, had this Advantage, that it was Acted at the Opening of the New House, when the Town was so prepossess'd in Favour of the very Actors, that before a Word was spoke, each Actor was clapt for a considerable Time. And yet all this got it not more Applause than it really deserv'd. An Essay on Acting (London, 1744), p. 10: The late celebrated Mr Dogget, before he perform'd the Character of Ben in Love for Love, took Lodgings in Wapping, and gather'd thence a Nosegay for the whole Town

Performances

Mainpiece Title: Love For Love

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen

Event Comment: [By Sandford.] All the Characters being entirely new dress'd. [The Preface gives a long account of the difficulties attendant on the production, particularly the inexperience of the amateur performers.

Performances

Mainpiece Title: The Female Fop Or The False One Fitted

Performance Comment: Persons who never yet appear'd in Public. Edition of 1724 lists: Sir Zealwou'd Fainall-Alleyn; Sir Obstinate Lecture-Thomas; Manworth-Hawker; Trueman-Milward; Timothy-Williams; 1st Companion-Dyas; 2d Companion-Richards; Eudmia-Mrs Thomas; Clarinda-Mrs Howey; Manilia-Mrs Herold; Isabella Wealthy-Mrs Marlow; Hearty-Mrs Wadderburn; Prologue-Milward.
Cast
Role: Sir Obstinate Lecture Actor: Thomas
Role: Eudmia Actor: Mrs Thomas

Song: Singing in Italian and English-Mrs Hill

Performances

Mainpiece Title: Hurlothrumbo Or News From Terra Australis Incognita With The Whimsical Flights Of My Lord Flame

Performance Comment: Flame-the Author; other parts-Smith, Giffard, Raymond, Gillow, Hulet, Williams, Reynolds, Hill, Mrs Purden, Mrs Thomas, Mrs Ward, Mrs Mountfort; but second edition of 1729 lists: Soarethereal-Gillow; Hurlothrumbo-Hulett; Dologodelmo-Smith; Darony-Taswell; Urlandenny-Williams; Theorbeo-Machen; Lomperhomock-Pearce; Darno-Holt; Primo-Reynolds; Puny-Hicks; Temo-Ware; Colonel Countermine-Dove; Genius-Webster; Spirit-Russel; Death-Wathen; Lord Flame-Johnson; Cademore-Mrs Purden; Sermentory-Mrs Thomas; Seringo-Mrs Montford; Lusingo-Miss Mann; Cuzzonida-Mrs Hill; Prologue by Amos Meredith-; Epilogue by Mr Byrom-.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Humours of Harlequin With the Loves of several Deities

Performance Comment: See17290225, but Diana-Mrs Hill; Venus-Mrs Turner; Adonis-Chardin; Graces-Mrs Thomas, Mrs Jones, Mrs Purden; Shepherds-Tench, Ware, Webster; Harlequin-Nott; Miller-Reynolds; Miller's Wife-Miss Mann; Miller's Man-Dove; Countrymen-Gillow, Russel, Wathen; Countrywomen-Mrs Clarke, Mrs Palmer, Mrs Noakes; Aurora-Mrs Mountfort; Sylvans-Ware, Tench, Webster; Nymphs-Mrs Thomas, Mrs Purden, Mrs Jones.

Performances

Mainpiece Title: Flora

Performance Comment: Hob-Ray; Flora-Mrs Clark, being the first Time of their appearing on this stage; Sir Thomas-Reynolds; Friendly-Hulett; Dick-Gillow; Old Hob-Pearce; Betty-Mrs Thomas; Hob's Mother-Mrs Nokes.
Cast
Role: Sir Thomas Actor: Reynolds
Role: Betty Actor: Mrs Thomas

Afterpiece Title: The Humours of Harlequin

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Giffard; Sir Thomas-W. Giffard; Dorante-Penkethman; Lovewell-Smith; Marquis of Hazard-W. Bullock; Galloon-Hallam; Cogdie-R. Williams; Hector-Collet; Lady Wealthy-Mrs Clark; Angelica-Mrs Seal; Favorite-Mrs Palmer; Mrs Security-Mrs Thomas; Betty-Mrs Mountfort.
Cast
Role: Sir Thomas Actor: W. Giffard
Role: Mrs Security Actor: Mrs Thomas

Dance: Mrs Haughton, others

Performances

Mainpiece Title: The Fashionable Lady Or Harlequins Opera In The Manner Of A Rehearsal

Performance Comment: Part-Penkethman, Bullock, Lacy, W. Giffard, W. Williams, Huddy, Smith, Collet, Bardin, Mrs Thomas, Mrs Mountfort, Mrs Giffard, Mrs Palmer; but edition of 1730 lists: Ballad-Penkethman; Meanwell-W. Giffard; Modely-Bullock; Drama-Lacey; Mrs Foible-Mrs Mountford; Mrs Sprightly-Mrs Giffard; Prattle-Mrs Palmer; Merit-W. Williams; Smooth-Mrs Thomas; Hackum-Huddy; Whim-Smith; Trifle-Collet; Voice-Bardin; Harlequin-Burney.

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Flora

Performance Comment: Hob-Bardin; Sir Thomas-W. Williams; Dick-Eaton; Old Hob-Pearce; Friendly-Mrs Thomas; Flora-Mrs Mountfort; Betty-Miss M. Vaughan , her first appearance on this stage; Hob's Mother-Mrs Palmer.
Cast
Role: Sir Thomas Actor: W. Williams
Role: Friendly Actor: Mrs Thomas

Song: Miss Thornowets

Dance: FFlag Dance-Burny

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Giffard; Lovewell-Smith; Sir Thomas-W. Giffard; Dorante-Penkethman; Cogdie-R. Williams; Marquis of Hazard-W. Bullock; Hector-Collet; Angelica-Mrs Thomas; Lady Wealthy-Mrs Haughton; Mrs Security-Mrs Woodward; Mrs Favourite-Mrs Palmer; Betty-Mrs Mountfort.
Cast
Role: Sir Thomas Actor: W. Giffard
Role: Angelica Actor: Mrs Thomas

Afterpiece Title: Flora

Performance Comment: Friendly-Woodward; Flora-Mrs Mountfort; Betty-Mrs Thomas; Sir Thomas-Collet; Hob-Pearce.
Cast
Role: Betty Actor: Mrs Thomas
Role: Sir Thomas Actor: Collet

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17301207, but Duretete-Morgan; Dugard-Havard; Bravos-W. Giffard, Bullock, Pearce; New Prologue-Mrs Thomasin a Gentleman's Habit, in Honour of the Ancient Britons; new Epilogue-Mrs Haughton.

Afterpiece Title: Flora

Performance Comment: See17311211, but Hob-Pearce; Sir Thomas-Collett; Dick-Master Woodward; Old Hob-W. Williams; Friendly-Stoppelaer; Flora-Mrs Thomas; Betty-Miss Smith; Hob's Mother-Mrs Palmer.
Cast
Role: Sir Thomas Actor: Collett
Role: Flora Actor: Mrs Thomas

Dance:

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The London Prentice

Performance Comment: Parts-Beard, Wilder, Vernon, Miss Thomas, Mrs Clive. [Emperor-Wilder; Vizir-Vernon; London Prentice-Beard; Humdrumeda-Miss Thomas; Princess Theoraze-Mrs Clive (MacMillan).]

Dance: Devisse, Mlle Auretti

Event Comment: Tickets deliver'd out by the author of Thomas and Sally will be taken this night. [Bickerstaffe took in #85 6s. in ready money and #12 18s. from tickets (Boxes 12; Pit 18) Total #98 4s.] Paid Dibdin for singing 5 nights in Thomas and Sally and 1 night in Romeo #1 10s. (Account Book). Charges #64 5s. (Account Book)

Performances

Mainpiece Title: King Henry Iv Part I

Afterpiece Title: Thomasand Sally

Cast
Role: Thomas Actor: Beard

Dance: II: As17601014

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Principal parts: Beard, Tenducci, Peretti, Mattocks, Miss Thomas, Miss Brent. Artabanes-Beard; Arabaces-Tenducci; Rimenes-Mattocks; Artaxerxes-Peretti, first appearance on English stage; Mandane-Miss Brent, Edition of 1762; Semira-Miss Thomas. (Genest, IV, 650) mistakenly assigns the part to Mrs Vernon.
Cast
Role: Semira Actor: Miss Thomas.
Related Works
Related Work: Artaxerxes Author(s): Thomas Arne

Ballet: II: A New Ballet call'd The Statue Animated. Pygmalion-Maranesi; Scaramouch-Sodi; Inchantress-Miss Valois; Statue-Miss Wilford

Dance: End Opera: A New Dutch Dance-Maranesi, Mlle Capdeville