SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Hodges"/1) | (@(roleclean,performerclean) "Thomas Hodges")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5448 matches on Author, 694 matches on Performance Comments, 392 matches on Event Comments, 61 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: With Accompaniments to the Airs composed by Thomas Linley? Sen.. Receipts: #191 10s. (190.1; 1.9)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Wonders of Derbyshire

Dance: End II: Minuet de la Cour, as17780919; Allemande, as17780919; III: a Hornpipe-Blurton

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. [Miss Wright's 1st appearance, as an actress, was at this theatre on 7 May 1779.] Afterpiece: With Alterations and Additions; To conclude with a Grand View of Greenwich Hospital, designed by DeLoutherbourg. Paid Land Tax 3rd & 4th Qtrs. to Lady Day #41 16s. Receipts: #187 3s. 6d. (151.3.0; 35.15.6; 0.5.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: III: Hornpipe-Walker. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Afterpiece: Not acted these 13 years [acted 5 May 1770]. With Alterations and 3 entire new Scenes [by Richard Brinsley Sheridan; and new music by Thomas Linley Sen.]. To conclude with a Representation of the Storming of Fort Omoa in the Bay of Hondurasv [when it was captured by the British from the Spaniards on 26 Oct. 1779. This scene was included in all subsequent performances]. The View and Machinery designed by DeLoutherbourg and executed under his direction. With New Dresses and Decorations. "The scenemen blundered egregiously all through the entertainment. During the siege of the fort so much gunpowder was fired off that the stage was so filled with smoke that the officers, men, were scarcely discernible from the boxes" (London Chronicle, 4 Jan.). Receipts: #203 2s. 6d. (154.7.0;47.17.0; 0.18.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Fortunatus

Event Comment: Benefit for Mrs Palmer (the Lady who perform'd Calista). [Mainpiece: Prologue by Thomas Baker.] No Person to be admitted without a ticket, which may be had of Mrs Palmer, No. 13 Pierpont-Row; at the King's Head Tavern in the upper-Street; and at the place of Performance. [The date of the performance of The Fair Penitent, of which play Calista is the heroine, has not as yet come to light.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Deuce is in Him

Event Comment: Mainpiece: With accompaniments to the Airs composed by Thomas? Linley? Sen. Receipts: #77 1s. (53.18; 22.11; 0.12)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Citizen

Dance: End II: The Butterfly-the Miss Stageldoirs; III: a Hornpipe-Walker; End: Country Dance-the Characters

Event Comment: Benefit for Quick. 1st piece: Never acted here; with Alterations. 3rd piece [1st time; F 2, author unknown, based on George Dandin, by Moliere, and on The Amorous Widow, by Thomas Betterton, and on the anonymous No Wit Like a Woman's. Text 1st published by S. Bladon, 1788.]. Receipts: #283 8s. 6d. (186.11.6; tickets: 96.17.0) (charge: #105)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: A Fete

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #147 13s. 6d. (107/15/0; 39/18/6; 0/0/0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Robinson Crusoe

Related Works
Related Work: Robinson Crusoe; or, Harlequin Friday Author(s): Thomas Linley Sr.

Dance: End of Act II of mainpiece, as17811004; In Act III a Hornpipe by Walker

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Related Works
Related Work: The Royal Slave Author(s): Thomas Southerne
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Thomas Linley Sr.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Places for the Boxes to be taken of Fosbrook at the Stage-door. No Money to be taken at the Stage-door, nor any Money returned after the Curtain is drawn up. The Doors will be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Monologue [1st time, probably by Thomas King. MS: Larpent 602; synopsis in London Magazine, Sept. 1782, 437]. Receipts: #200 4s. (170/14/0; 29/7/6; 0/2/6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Who's the Dupe

Dance: End of Act I of afterpiece The Minuet de la Cour by the Miss Stageldoirs

Monologue: 1782 09 17 End of Act I of mainpiece a Dramatic Oglio by King

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time; C 5 (?), author unknown. It was 1st advertised in Morning Chronicle, 15 Dec. 1783, for performance on 26 Jan. 1784, as "A new Comedy called The Artful Patriot; or, The Rage of the People." Prologue by Thomas Stewart (Morning Post, 23 Feb., which also gives names of T. Davis and Miss Hemet. Author of Epilogue unknown. MS not in Larpent; not published]. The Doors to be opened at 5:00. To begin at 6:30

Performances

Mainpiece Title: The Patriot

Afterpiece Title: The Reprisal; or, The Tars of Old England

Event Comment: Benefit for Miss Phillips. Gazetteer, 5 Apr.: Tickets to be had of Miss Phillips, at Swift's, bookseller, Charles-street, St. James's-square. Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Receipts: #230 10s. (110/15/0; 30/11/6; 0/5/6; tickets: 88/18/0) (charge: #108 9s. 2d.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Padlock

Dance: In Act III of mainpiece Hornpipe by Mills; End of mainpiece, as17840320athi

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Related Works
Related Work: Lord Russel Author(s): Thomas Stratford
Event Comment: Mainpiece: With Accompaniments to the Airs composed by [Thomas] Linley [Sen.]. Paid Properties #1 7s. 6d.; Lampmen #3 18s.; Billstickers #5 8s.; Supernumeraries #5 12s. 6d.; Tailor #7 18s. 7d. Receipts: #179 15s. 6d. (132/5/0; 47/3/6; 0/7/0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece The Sportsmen's Return, as17840916; In Act III Hornpipe by Mills. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; C 5, author unknown; frequently attributed to Thomas Vaughan, but his authorship denied in a letter written by him to editor of the Oracle, 13 Feb. 1796. Author of Prologue unknown. Epilogue by Edward Topham (European Magazine, Nov. 1784, p. 393). MS: Larpent 670; not published; synopsis of plot in London Magazine, Nov. 1784, p. 389]. Receipts: #161 2s. 6d. (142/9/0; 18/0/6; 0/13/0)

Performances

Mainpiece Title: Deception

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

Event Comment: Mainpiece: Not acted these 3 years. The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. [Gazetteer, 9 Nov., notes that the music for the Chorus of Spirits was composed by Purcell, for Ariel's song by Dr Arne, for the storm scene by Linley Jun.] Receipts: #162 11s. (126/10/0; 35/19/6; 0/1/6)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Event Comment: Mainpiece [1st time; C 5, by Leonard Macnally. Prologue by ---- Chalmers. Epilogue by ---- Norris (see text, but London Chronicle, 4 Apr., says by Thomas Morris). In 1792 this was acted at this theatre reduced to 3 acts]. Public Advertiser, 30 Apr. 1785: This Day is published Fashionable Levities (1s. 6d.)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Magic Cavern

Event Comment: Mainpiece: The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. Receipts: #183 8s. 6d. (161/9/0; 20/7/0; 1/12/6)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Related Work: The Mock Tempest Author(s): Thomas Duffett

Afterpiece Title: All the World's a Stage

Dance: In Act II of mainpiece a Dance of Spirits by Miss Stageldoir, &c.; In Act III a Dance of Fantastic Spirits [performers not listed]; In Act IV a Dance by Hamoir and Mrs Sutton

Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Performances

Mainpiece Title: The Captives

Related Works
Related Work: The Fall of Phaeton: With Harlequin a Captive Author(s): Thomas Arne
Related Work: The Temple of Dulness; with the Humours of Sg Capochio and Sga Dorinna Author(s): Thomas Arne

Afterpiece Title: The Humourist

Song: In Act II of mainpiece an Ode (composed by Dr Cooke). Vocal Parts by Dignum, Danby, Wilson, Phillimore, Alfred, Newbold; Mrs Love, Mrs Booth, Miss Burnett, Miss J. Stageldoir, Mrs Forster

Event Comment: Benefit for Hull. Mainpiece: A New Alteration [by Thomas Hull], from Shakespeare and Shadwell. With characteristic Habits, Scenes and Decorations. [Mrs Duill is identified in Lyons, Collectanea.] Public Advertiser, 2 May: Tickets to be had of Hull, Duke's Court, near Dean's-yard, Westminster. Receipts: #80 10s. (77/5; 3/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Timon Of Athens

Related Works
Related Work: The History of Timon of Athens, the Man-Hater Author(s): Thomas Shadwell
Related Work: Timon of Athens Author(s): Thomas ShadwellThomas Hull

Afterpiece Title: Tom Thumb

Related Works
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne

Dance: In Act II of mainpiece a Banquet and Masquerade Dance [performers not listed]; End of mainpiece Leap Year, as17851010

Event Comment: [Home, who was from the Bristol theatre, is identified in Morning Herald, 21 June.] Afterpiece [1st time; F 2, by Elizabeth Inchbald, based on L'Heureuse Erreur, by Joseph Patrat. Prologue by Thomas Holcroft (see text)]. Morning Chronicle, 15 Aug. 1786: This Day is published The Widow's Vow (1s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Widow's Vow

Event Comment: [Mrs Edwards is identified in European Magazine, July 1786, p. 60. Address by Thomas Busby (ibid.}.]

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Widow's Vow

Monologue: 1786 07 07 Before mainpiece an Occasional Address spoken by Bannister Jun

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald. Prologue by Thomas Vaughan. Epilogue by Miles Peter Andrews (see text). Public Advertiser, 14 Feb: Part of Andrews's Epilogue to Eloisa [see 20 Dec. 1786]...was blended with Epilogue spoken on first representation of Such Things Are]: With new Scenes, Dresses, &c. Public Advertiser, 1 Dec. 1787: This Day is published Such Things Are (1s. 6d.). Receipts: #214 10s. (212.10; 2.0)

Performances

Mainpiece Title: Such Things Are

Related Works
Related Work: Such Things Have Been Author(s): Thomas Ryder

Afterpiece Title: The Enchanted Castle

Related Works
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Afterpiece Title: Hob in the Well

Performance Comment: Hob-Ryder; Sir ThomasTesty-Fearon; Dick-Brown; Old Hob-Booth; Friendly-Davies; Hob's Mother-Mrs Pitt; Betty-Miss Stuart; Flora-Mrs Martyr.
Cast
Role: Sir ThomasTesty Actor: Fearon
Related Works
Related Work: Hob; or, The Country Wake Author(s): Thomas Doggett
Event Comment: Benefit for Hull. [Monologue by Thomas Hull (Moral Tales, 1797, I, 5-12).] Receipts: #164 5s. (82.9; 9.1; tickets: 72.15)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft
Related Work: The Rival Captains; or, The Impostor Unmask'd Author(s): Thomas Phillips

Afterpiece Title: Love and War

Dance: As17871029

Entertainment: Monologue. End I afterpiece: Virtue its own Rewardexemplified in a Moral Tale, and founded on a Real Event,-Hull

Performances

Mainpiece Title: The Catch Club [i

Performance Comment: . The Sons of Anacreon]. President-Palmer; Vocal Parts-Bannister, Bannister Jun., Davies, Moss, Mathews, Chapman, Master Braham, Edwin; In which The Anacreontic Song-Bannister; Old [recte Poor] Thomas Day-Edwin, Bannister, Davies; The Wolf-Bannister; Moderation and Alteration-Edwin; Bonny Christ Church Bells, Hark the Lark, [Sing] Old Rose and Burn the Bellows-.
Cast
Role: Thomas Day Actor: Edwin, Bannister, Davies

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer