SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Harris"/1) | (@(roleclean,performerclean) "Thomas Harris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5457 matches on Author, 787 matches on Performance Comments, 454 matches on Event Comments, 135 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Fairy Favour

Performance Comment: As17901227, but Pantaloon-Harris; Clown (1st time)-Dubois; Scaramouch-Fairbrother; Watchmen-Burton, _Chapman; 2nd Statuary-Chapman.
Cast
Role: Pantaloon Actor: Harris
Related Works
Related Work: The Fairy Favour Author(s): Thomas Hull
Event Comment: Mainpiece [1st time; C 5, by Thomas Morton. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. True Briton, 19 Jan.: Morton was paid #400, and #150 "for the Copy-right, which Harris has purchased." Ibid., 27 Mar.: This Day was published A Cure for the Heart Ache (2s.). Receipts: #237 15s. (236.0; 1.15)

Performances

Mainpiece Title: A Cure For The Heart Ache

Related Works
Related Work: A Cure for the Heart Ache Author(s): Thomas Morton

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): Thomas Arne
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Glorieux, by Philippe Nericault, dit Destouches. In 1793 reduced by the author to an afterpiece of 3 acts. Prologue and Epilogue by the author (Knapp, 101, 307). This play was originally attributed to James Marshall (Public Advertiser, 5 Feb.); on 8 Feb. he wrote a letter to the editor of the Oracle, stating that "The School for Arrogance is not mine, but Mr Holcroft's...By appearing for a time as the ostensible author I hope I have contributed to heal what was most unaccomodating between Mr Harris and Mr Holcroft." And see Genest, VII, 24, 27.] Oracle, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.). "If Mrs Wells could be prevailed upon to speak out, so that the audience might hear, it would be of some advantage to the new play. At present, the performer who happens to be on the stage with her has it all in confidence" (Gazetteer, 9 Feb.). Receipts: #186 11s. (181.8; 5.3)

Performances

Mainpiece Title: The School For Arrogance

Related Works
Related Work: The School for Arrogance Author(s): Thomas Holcroft

Afterpiece Title: The Picture of Paris

Event Comment: The Duke's Company. Pepys, Diary: Thence carried Harris to his playhouse, where, though four o'clock, so few people there at The Impertinents, as I went out; and do believe they did not act, though there was my Lord Arlington and his company there. So I out

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Related Works
Related Work: The Sullen Lovers; or, The Impertinents Author(s): Thomas Shadwell
Event Comment: The Duke's Company. This play is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. A song in this play, Thus all our Lives, with music by John Banister, is in Choice Songs and Ayres, 1673. Downes (Roscius Anglicanus, p. 31): [Concerning several plays] All which Expir'd the third Day, save the Royal Shepherdess, which liv'd Six. Pepys, Diary: To the Duke of York's house, and there before one, but the house infinite full, where, by and by, the King and Court come, it being a new play, or an old one new vamped, by Shadwell, called The Royal Shepherdesse!; but the silliest for words and design, and evepything, that ever I saw in my whole life, there being nothing in the world pleasing in it, but a good martial dance of pikemen, where Harris and another do handle their pikes in a dance to admiration; but never less satisfied with a play in my life

Performances

Mainpiece Title: The Royal Shepherdess

Performance Comment: [Adapted by ThomasShadwell from John Fountain, The Rewards of Virtue.] Edition of 1669: Prologue-; Epilogue-.
Related Works
Related Work: The Royal Shepherdess Author(s): Thomas Shadwell
Related Work: Loves Labyrinth; or, The Royal Shepherdess Author(s): Thomas Forde

Performances

Mainpiece Title: Psyche Debauched

Performance Comment: [Edition of 1678: King Andrew-Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?">Mrs Corbett
; Nicholas-$Mrs Knep; Phillip-$Charleton; Bruine-$Harris; Apollo-$Lyddall; Jeffrey-$Coysh; Costard-$Poell $Powell?]; Justice Crabb-$Wiltshire; Wou'dhamore-$Mrs Rutter; None-so-fair-$Haynes; Redstreak-$Cory; Woossat-$Clarke; Prologue-; Epilogue-.
Cast
Role: Bruine Actor: Harris
Related Works
Related Work: Psyche Debauched Author(s): Thomas Duffett
Event Comment: [Maria Macklin wrote her father (13 March 1773): Smith has rais'd such a fury in the Town, owing to Colman's having refus'd Mrs Yates to play for him, that last Saturday [6 March] being the fifth night of Alzuma, when the play ought to have begun, the Audience made a most violent noise, called for Colman, insisted that the play should not begin till he was found & the reasons given why Mrs Yates was not suffered to play for Smith. In vain did Bensley endeavor frequently to speak and tell them that Colman was not to be found. The still continued hissing and roaring, and this last till past seven o'clock. Dagge and Harris were behind in a dreadful consternation least the house should be demolished, of which indeed it was in some danger. At last they said something must be said to quiet them, when Smith in the confusion ran on and told them that the managers had consented Mrs Yates should play for him. Then they sent him off to tell them that his day must be settled whenever he thought proper, to give her time to come here. He went off and made them fix it for the 19th of April, went on and told them it was settled. They then insisted that Smith should tell them whether everything was settled to his entire satisfaction. He assured them it was. The play was then ordered to begin. I am told they have given him up his articles for three years, at his desire. Several Gentlemen went round into the Hall and sent for Smith, telling him his private quarrels with the managers were nothing to them. That if Mrs Yates play'd they should be glad to see her, but that as she was not in the company it was not right in him to disturb the play and hinder them from seeing it. He expostulated with them and told his story. The Town rings with this affair. Various are the opinions. Some think it is her plan to get once more upon the stage, and they say there is a most powerful Party making to oppose her & that she shall not play that night. Others say Colman is very wrong to hinder her. I find she entirely built upon your playing for me, and there has been a very impatient card in the Ledger to Colman insisting upon his telling the town why Mrs Yates was hindered to play, and why Mr Macklin had any more right to be suffered to come over so long unmolested to play for Miss Macklin? But that everybody sees thru'....Colman I am certain has not a thing against your playing for me. He seems rather to wish for your coming....I do not think the Yeats's will be engag'd tho' the Town rail much at Mrs Hartley & Miss Miller, and sure enough they are bitter bad....On Tuesday I shall send you the fate of Dr Goldsmith's Comedy, which comes out on Monday next. It is call'd the Mistakes of a Night....Foote's Rary Shew has been rehears'd three mornings but he got no money, so he shews off again at night instead-but it does not fill violently. Alonzo goes on but Barry is too ill to play. The great support of it is Mrs Barry's acting." (Harvard Theatre Collection, A.L.S.)] Receipts: #196 19s

Performances

Mainpiece Title: Alzuma

Related Works
Related Work: Alzuma Author(s): Thomas Arne

Afterpiece Title: Cross Purposes

Event Comment: Paid Harris for his Trouble and Expenses in half a year's superintendence of the Business of the Theatre #250. Receipts: #181 11s. 6d. (181.2.0; 0.9.6)

Performances

Mainpiece Title: Caractacus

Related Works
Related Work: Caractacus Author(s): Thomas Arne

Afterpiece Title: Harlequin's Frolicks

Dance: End: The Merry Sailors, as17761106; In afterpiece: Rural Dance, as17761226

Event Comment: Benefit for Mrs Goodall. [In mainpiece the playbill retains King as Trappanti, but "King being indisposed, Trappanti...was represented by Benson" (unidentified clipping on playbill of 27 Apr., BM: Harris, Vol. III).] Morning Herald, 9 Apr.: Tickets to be had of Mrs Goodall, No. 13, Great Russell-street, Covent-garden. Receipts: #364 8s. 6d. (125.13.6; 36.15.0; 4.7.0; tickets: 197.13.0) (charge: #157 11s. 2d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Follies of a Day

Related Works
Related Work: The Follies of a Day Author(s): Thomas Holcroft
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): Thomas Holcroft

Dance: End: a Dance-

Event Comment: [In mainpiece the playbill retains Mrs Jordan as Lydia Languish, but "The Publick are respectfully informed that Mrs Jordan's sudden indisposition prevents her appearing this evening. The part of Lydia Languish will be performed by Miss Mellon" (printed slip attached to BM playbill, Harris, Vol.VI).] Receipts: #193 2s. (127.19; 61.1; 4.2)

Performances

Mainpiece Title: The Rivals

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft
Related Work: The Rival Captains; or, The Impostor Unmask'd Author(s): Thomas Phillips

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): Thomas Arne
Event Comment: "Incledon is no longer under any engagement at Covent-garden Theatre; having shewn a good deal of restiveness at being obliged to sing in the after-piece of Joan of Arc, he applied to Mr Harris on Friday [16 Feb.] to deliver him up his articles, which was instantly complied with" (Times, 19 Feb.). [On 22 Feb. and 15 Mar. Incledon acted, by Command; but not again until 14 Apr.] Receipts: #256 18s. 6d. (239.10.6; 17.8.0)

Performances

Mainpiece Title: He's Much To Blame

Related Works
Related Work: He's Much to Blame Author(s): Thomas Holcroft

Afterpiece Title: Joan of Arc

Music: In afterpiece: The Harp-Weippert

Event Comment: The Duke's Company. The date of the first production is not known, and it may have been acted before this season; hence, it is entered also in the preliminary list in the season of 1676-77. As the play was licensed for printing on 4 Oct. 1677, September 1677 is probably the latest time at which it could have been produced. The play is an alteration of Thomas Middleton's No Wit, No Help, Like a Woman's. It has been attributed to both Mrs Aphra Behn and Thomas Betterton

Performances

Mainpiece Title: The Counterfeit Bridegroom; Or, The Defeated Widow

Performance Comment: Possibly by Mrs Aphra Behn or ThomasBetterton. Edition of 1677: Prologue-Mrs Currar; Sir Oliver Santloe-A. Leigh; Peter Santloe-Bowman; Sanders-Gilloe; Noble-Crosby; Hadland-Williams; Sir Gregory Lovemuch-Persivall; Gazer-Norris; Noddy-John Lee; Sam-Richards; Lady Santloe-Mrs Norris; Clarina-Mrs Gibbs; Widow Laudwell-Mrs Osborne; Eugenia-Mrs LeGrand; Mrs Hadland-Mrs Currar.
Related Works
Related Work: The Counterfeit Bridegroom; or, The Defeated Widow Author(s): Thomas Middleton

Performances

Mainpiece Title: Trick For Trick; Or, The Debauch'd Hypocrite

Performance Comment: Edition of 1678: Prologue-Mr Haines in a Red Coat like a Common Souldier; Sir Wilding Frollick-Mohun; Monsieur Thomas-Hart; Valentine-Griffin; Franck-Clark; Hylas-Goodman; Sir Peregreen-Powell; Launce-Haynes; Physicians-Watson, Coysh, Perin; Cellida-Mrs Boutell; Sabina-Mrs Corbett; Lucilla-Mrs Merchant; A Whore-Mrs Farlee; Mrs Dorothy-Mrs Knepp; Epilogue-Mr Mohun.
Cast
Role: Monsieur Thomas Actor: Hart
Related Works
Related Work: Trick for Trick; or, The Debauch'd Hypocrite Author(s): Thomas D'Urfey
Event Comment: The United Company. This play may have been revived during this month or earlier. A song, Come Jug my honey let's to bed, the music by Thomas Farmer, sung by Reading and Mrs Norris, was printed in Choice New Songs never before Printed [by Thomas D'Urfey, 1684]. Luttrell purchased a copy of this collection on 8 Jan. 1684@5 (Bindley Collection, William Andrews Clark@Jr@Library)

Performances

Mainpiece Title: The Cheats Of Scapin

Related Works
Related Work: The Cheats of Scapin Author(s): Thomas Otway
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton

Performances

Mainpiece Title: The Campaigners; Or, The Pleasant Adventures At Brussels

Performance Comment: Edition of 1698: Prince Landevile-Evans; Don Leon-Sympson; The Sieur Bondevelt-Johnson; Col. Darange-Mills; Kinglove-Thomas; Min Heer Tomas-Penkethman; Marqui Bertran-Cibber; Van Scopen-Fairbank; Mascarillo-Bullock; Angellica-Mrs Knight; Madam la Marquise-Mrs Verbruggen; Anniky-Mrs Powel; Gusset-Mrs Kent; Fardell-Mrs Lynsey; Prologue-Mr Pinkethman in a Cloak, with a Poetical Wreath on; Epilogue-Mr Cibber (Acting the Fr. Marquis).
Cast
Role: Kinglove Actor: Thomas
Related Works
Related Work: The Campaigners; or, The Pleasant Adventures at Brussels Author(s): Thomas D'Urfey

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Scholar Actor: Thomas
Related Works
Related Work: The Pilgrim Author(s): Thomas King
Event Comment: [By Thomas Moore.] With Musick Vocal and Instrumental, Dances, and other Decorations proper to the same. Victor, History of the Theatres, II, 144: Three or four Years after the Performance of this famous Tragedy, I had the following account from several of the Actors who performed in it: That Sir Thomas gave them many good Dinners and Suppers during the Rehearsals of the Play, which they all laugh'd at as ridiculous; but as the Company was, at that Time, composed chiefly of young Actors, and got but small Encouragement from the Public; it may be justly said, their Necessities compelled them to perform this strange Tragedy, which stood some chance to divert from its Absurdities

Performances

Mainpiece Title: Mangora, King Of The Timbusians

Related Works
Related Work: Mangora, King of the Timbusians. Or The Faithful Couple Author(s): Thomas Moore

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Giffard; Acasto-W. Williams; Polydore-Collet; Chamont-W. Giffard; Chaplain-R. Williams; Serina-Mrs Thomas; Page-Mrs Mountfort; Monimia-Mrs Giffard from the Theatre Royal in Dublin, being the first Time of her Appearance on the English Stage.
Cast
Role: Serina Actor: Mrs Thomas
Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Performance Comment: Reynard-Giffard; Woodcock-Hallam; Loveworth-W. Williams; Squib-Collett; Maiden-R. Williams; Hillaria-Mrs Haughton; Belinda-Mrs Purden; Mrs Goodfellow-Mrs Palmer; Penelope-Mrs Mountfort; Lucy-Mrs Thomas.
Cast
Role: Lucy Actor: Mrs Thomas.
Related Works
Related Work: Tunbridge-Walks: or, The Yeoman of Kent Author(s): Thomas Baker

Dance:

Performances

Mainpiece Title: Oroonoko

Performance Comment: See17300321 but Oroonoko-Giffard; Aboan-Smith; Governor-W. Giffard; Blandford-R. Williams; Stanmore-Bardin; Jack Stanmore-Pearce; Driver-W. Williams; Hotman-Machen; Daniel-Collet; Imoinda-Mrs Giffard; Charlot-Mrs Thomas; Lucy-Mrs Mountfort; Widow Lackit-Mrs Haughton.
Cast
Role: Charlot Actor: Mrs Thomas
Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Afterpiece Title: Flora

Cast
Role: Sir Thomas Actor: W. Williams
Role: Friendly Actor: Mrs Thomas
Related Works
Related Work: Hob; or, The Country Wake Author(s): Thomas Doggett

Song: A Youth of Thirteen Years of Age

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Smith; Aboan-Giffard; Governor-W. Giffard; Blandford-R. Williams; Stanmore-Bardin; Jack Stanmore-Pearce; Driver-W. Williams; Daniel-Collet; Imoinda-Mrs Giffard; Widow Lackit-Mrs Haughton; Charlot-Mrs Thomas; Lucy-Mrs Mountfort.
Cast
Role: Charlot Actor: Mrs Thomas
Related Works
Related Work: Oroonoko Author(s): Thomas Southerne
Related Work: The Royal Slave Author(s): Thomas Southerne

Song:

Dance:

Performances

Mainpiece Title: The Devil Of A Wife

Performance Comment: As17301005, but Jobson-Morgan; Lovemore-Rosco; Father-Bardin; Doctor-Havard; Spirits-Peterson, Woodward; Lady Lovemore-Mrs Thomas.
Cast
Role: Lady Lovemore Actor: Mrs Thomas.
Related Works
Related Work: The Devil of a Wife; or, A Comical Transformation Author(s): Thomas Jevon

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: The Orphan

Performance Comment: Castalio-Smith; Polydor-Bardin; Acasto-W. Williams; Chamont-W. Giffard; Chaplain-R. Williams; Page-Master Woodward; Monimia-Mrs Haughton; Serina-Mrs Thomas.
Cast
Role: Serina Actor: Mrs Thomas.
Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: The Tragedy of Tragedies

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Hob; or, The Country Wake

Performance Comment: Hob-Cibber Jr; Sir Thomas-Shepard; Friendly-Oates; Flora-Mrs Grace; Betty-Mrs Shireburn.
Cast
Role: Sir Thomas Actor: Shepard
Related Works
Related Work: Hob; or, The Country Wake Author(s): Thomas Doggett

Music: Select Pieces-

Song: As17310427

Dance: EEnglish Maggot-Rainton, Mrs Walter