Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Event Comment: MMrs Cibber continuing ill, Miss Bellamy from Covent Garden Did Sigismunda for Mr Berry (Cross). Benefit for Berry. Tickets at Mr Pope's, Peruke Maker, in Russel St., Covent Garden, and at stage Door. Part of pit laid into Boxes. N.B. As Mrs Cibber's illness prevents her from performing the part of Sigismunda for Mr Berry's Benefit, he apply'd to Mr Rich, who very readily consented to let Mrs Bellamy play that part for him, which she as obligingly comply'd with. Receipts: #210 (Cross)

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Particular Desire. Tickets delivered for The Humorous Lieutenant will be taken. Receipts: #113 5s. Charges #63. Income from Tickets #152 5s. (boxes 339; pit 364; gallery 129). Profit to Mrs Bellamy #202 10s. [Her daily salary was #2 2s.; on this night she cleared more than 4 months' wages at 24 acting days per month.] Two New Renters came in: Solomon Paul Juliot and Francis Wilson at 1 share each. Rec'd of Benj. Read for 6 Box tickets for the 2nd inst. #1 10s. (Account Book)

Event Comment: MMrs Bellamy thinks it her duty to inform the Public, that, as her name is in the Bills, (Though the Managers have sent her word she was not to play) she should think herself wanting of that Gratitude she owes the Public, if she did not let them know, she is ready to perform Cordelia. [Pasted in playbills of dl 1766-67 at 19 Jan. See Mrs Bellamy's Apology (1785) IV, 145-47, where she notes that although Miss Wilford made her entrance the audience forced her to withdraw and Mrs Bellamy acted the entire part.] Receipts: #221 3s. 6d. (Account Book)

Event Comment: Benefit for Mrs Bellamy. Tickets to be had of her Two Doors beyond the Rising Sun in Great Suffolk St; and of Mr Sarjant at the Stage-Door. Charges #64 5s. [Profit to Mrs Bellamy #33 16s. 6d. plus #102 1s. from Tickets (Box 251; Pit 262)] (Account Book). Receipts: #98 1s. 6d. (Account Book)

Event Comment: Benefit for Mrs Bellamy. Afterpiece: Written by Aaron Hill not acted these 20 years. [See 17 April 1750.] Tickets deliver'd for the Distrest Mother will be taken. Charges #65 10s. Balance to Mrs Bellamy #86 11s. Plus #116 11s. from Tickets (Box 330; Pit 227). Paid the Italian Giant for 10 Nights performance in the Masquerade #38 17s Receipts: #152 1s. (Account Book)

Event Comment: Benefit Rosco, A. Ryan, Mrs Bellamy. Mainpiece: Written by Dryden

Event Comment: Benefit Reinhold, Destrade, Rawlings and Miss Bellamy

Event Comment: Benefit for Miss Bellamy

Event Comment: Benefit for Miss Bellamy. Charges #60, covered by #38 16s. in money and #58 14s. in tickets. Receipts: #97 10s. 6d

Event Comment: MMiss Bellamy Alicia (Cross). Afterpiece: By desire. Receipts: #70 (Cross)

Event Comment: Mainpiece: Not acted these 10 years [see 15 Oct. 1743]. Garrick-Osmyn, Pritchd-Zara; Almeria-Bellamy ($Cross). Receipts: #180 (Cross)

Event Comment: MMr Mossop did Bajazet -Oh (Cross). [Inspector No 211, in Daily Advertiser and Literary Gazette commented on the magnificent performance of Garrick and Miss Bellamy in King Lear the preceding Saturday.] Receipts: #120 (Cross)

Event Comment: Went off well--Dexter Hip :--Mossop-Ths ; Pritchard Phaedra ; Bellamy Ismena (Cross). Receipts: #200 (Cross)

Event Comment: MMiss Bellamy spoke Orig. Epilogue for ye 1st time (Cross). Receipts: #140 (Cross)

Event Comment: MMiss Bellamy play'd Athenais. Sad House (Cross)

Event Comment: Benefit for Miss Bellamy. Afterpiece: A farce in two acts never acted there, and being the last time of performing it this season. [N.B. Its run this season had been at Drury Lane, and both Foote and Costollo were with the Drury Lane company this season.

Event Comment: Benefit for Mrs Bellamy. Tragedy reviv'd and never acted there before. Afterpiece: Written by Foote

Event Comment: Benefit for Mrs Bellamy

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Desire, and not acted these 4 years. [See 17 Jan. 1755.] Tickets deliver'd out for the 19th, and 22d for Douglas will be taken. Tickets sold at the Door will not be taken

Event Comment: Benefit for Mrs Bellamy. None admitted behind Scenes

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Reviv'd Tragedy [John Banks]

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones. Afterpiece: For the last time this season. Tickets deliver'd for Hamlet will be taken. The Dragon of Wantly cannot be perform'd on account of indisposition of Mrs Pinto. Charges #67 9s. 6d. [Profit to each beneficiary #2 19s. 6d. plus income from tickets: Legg #84 2s. (Box 129; Pit 251; Gallery 142); Mrs Lampe and Mrs Jones combined #74 15s. (Box 102; Pit 219; Gallery 164).] Paid Bryan a bill for writing parts #1 1s. 6d. Paid Cooper (printer) #27 2s. Paid Condell for Coach hire, the last command by order of Mr Beard 2s. (Account Book). Before 5 went to ye Play...It was played tolerably well; Cleopatra very well by Mrs Bellamy, Octavia (for ye 1st time) by Mrs Mattocks, Antony by Smith, Vent. by Gibson not badly. We had ye Dances, Rural Love and ye Wapping Landlady (Neville MS Diary). Receipts: #76 8s. (Account Book)

Event Comment: The Characters in the Mainpiece New Dress'd. Neville MS Diary: At 6, went into the Pit...House not very full. King John was performed with new Dresses and Decorations. Powell and Smith are good in York and the Bastard, and Mrs Bellamy in Constance....The entertainment was the procession of the Coronation, with the ceremony of the Champion. Every truly free soul, on seeing a representation of such extravagant pageantry, must abhor that form of Government, of the superfluous trappings of which it is but a small specimen. Receipts: #91s. (Account Book)