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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Arne Jun"/1) | (@(roleclean,performerclean) "Thomas Arne Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8004 results for: Keyword - Thomas Arne, Jun.
We found 5630 matches on Author, 2315 matches on Performance Comments, 783 matches on Event Comments, 310 matches on Performance Title, and 0 matches on Roles/Actors.

7801
21 February 1793 @ Drury Lane Theatre

Event Comment: The Public is most respectfully informed that The Pirates [advertised on playbill of 19 Feb.] is deferred on account of the Indisposition of Bannister Jun</a>. Receipts: #169 15s. 6d. (123.18.6; 38.9.0; 6.16.0; tickets not come in: 0.12.0)

Performances

Mainpiece Title: At King's The Haunted Tower

Afterpiece Title: The Deuce is in Him

7802
09 April 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

7803
02 June 1794 @ Drury Lane Theatre

Event Comment: Powell: Natural Son rehearsed at 10 (King, Palmer, Miss Farren one scene); Lodoiska at 12 (for Hamoir, Bourk, Denman, Horsfall, Bardeauleau, Dorion Jun., Fisher). Receipts: #315 18s. 6d. (258/3/6; 50/19/0; 6/16/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE QUAKER

Song: As17940519

7804
10 June 1794 @ Drury Lane Theatre

Event Comment: Mainpiece: Revised and Altered [reduced from 5 acts to 4] by the Author [Richard Cumberland; MS of this version: Larpent 1026]. [In afterpiece the playbill retains Bannister Jun. as Robin, but he "being ill, Benson play'd Robin" (Powell).] Powell: Natural Son rehearsed at 11 (Miss Farren absent, Miss Tidswell one scene). Receipts: #149 9s. 6d. (106/6/6; 34/13/0; 8/10/ 0)

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: NO SONG NO SUPPER

7805
17 November 1794 @ Covent Garden

Event Comment: Afterpiece [1st time; BALL. P 2, by James Byrn. Synopsis of action, somewhat enlarged from that on playbill (H. Macleish, 1794)]: The Music partly new by Shield, and partly selected from Haydn, Mazzinghi, Gluck, Baumgarten, Gretry, Martin? y Soler, Dezede, Eley. With a new Overture for a Double Orchestra composed by Reeve. The Scenery, Machinery, Dresses and Decorations are entirely New. The Scenery painted by Hodgins, Walmsley, Phillips and Lupino Jun., assisted by Hollogan, Byrn, &c. The Dresses chiefly designed by Lupino Sen., and executed under the direction of Dick. "This ballet [is] the most magnificent exhibited on the English stage for many years" (Universal Magazine, Nov. 1794, p. 378). Receipts: #136 13s. 6d. (123.12.6; 13.1.0)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Hercules and Omphale

Performance Comment: Morning Chronicle, 19 Nov., notes that the Principal parts-Incledon, Quick, Munden, Fawcett, Mrs Martyr, Mrs Mountain; Part I. The Piece commences with a View of Omphale's Palace; Omphale, Queen of Lydia, seated on her Throne, surrounded by Virgins--The Princes of Dacia and Mycoene send Ambassadors, each demanding her hand in marriage--then follows the Magnificent Entry of the Two Princes; Dacians: Dacian Soldiers bearing Spears, Trophies of Armour, Egyptians bearing Presents, Musician, Dacian Officers with Trophies, The Prince of Dacia borne in a Triumphal Car drawn by War-Horses in compleat Armour. Mycoeneans: Mycoenean Officers with Swords and Shields, Armour Bearer, Women bearing Presents, Numidians with Presents, Martial Music, The Prince of Mycoene drawn in a Triumphal Car by Horses richly caparisoned. The Procession over, a Pyrrhic Dance takes place, when Thunder is heard--Jove's Eagle descends, bearing a Festoon with this inscription, "Hercules is doomed the Slave of Omphale"--Hercules enters cloathed in the hide of Nemean Lion, attended by Iolaus--he offers Presents to Omphale--she receives them with tenderness-The Princes renew their suit, which she rejects, after which Omphale, Hercules, and the Princes retire different ways. Omphale in the absence of Hercules orders her +Nymphs to prepare for the Chace. This is succeeded by The Cave of Cacus. This famous Robber (a monster with three heads) who had desolated the adjacent country, hearing the sound of horns, lays in wait for his prey--the rival Princes are seen passing thro' the trees--Omphale and her train appear returning from the Chace--The Princes retire and plan to seize her-Cacus enters and forces her into the cave--the Princes with their Attendants attempt to seize Hercules, who for some time defends himself against their united force; nearly va quished he prays to Jupiter, when a Storm arises, thunder, lightning, hail, fire, and massey stones are seen to descend--Hercules gains the Mouth of the Cavern, and thus defends himself from the Storm and his Assailants--Screams are heard within the Cavern--the Prince of Dacia bearing off Omphale, the Prince of Mycoene forces her from him, and after slaying the Prince of Dacia, escapes with his conquest--the Tempest ceases--Hercules and Cacus come from the Cave, a Combat ensues, in which Hercules vanquishes the Robber--He then pursues the Prince of Mycoene, and is informed by Iolaus, that Omphale is shut up in the city of Mycoene--Catapultas, Battering Rams, are prepared, and the Scene changes to The Town and Fortifications of Mycoene. Hercules at the head of his Army summons it to surrender--the Prince brings Omphale on the Battlements bound in Chains-The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Cast
Role: the Prince brings Omphale on the Battlements bound Actor: The Battering Ram and all the Implements of War are brought in Action against the City--the Besieged defend themselves by hurling huge stones on the heads of their Assailants--the Soldiers form the Tortoise back with their shields, by which Hercules mounts the walls--his Army enter the city with Firebrands--Hercules bears away the gates upon his shoulders--the City is seen in flames--Hercules pursues the Prince to the summit of a Mountain, seizes and dashes him into the Sea--he releases Omphale, and bears her off in triumph. Part II. A Magnificent Hall in Omphale's Palace. Hercules enters with Omphale, fatigued with the toils of Battle, she leaves him to repose--when asleep, Omphale returns, and kneeling to a Statue of Cupid, the Figure receives animation--She implores him to inspire the breast of Hercules with Love-Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.
Role: She implores him to inspire the breast of Hercules Actor: Cupid changes the Club of Hercules for a Shepherd's Brook, his Arrows to Wreaths of Roses--Cupid calls on the Pleasures--their train surround the Sopha of Hercules, bearing Vases, Medallions, Baskets of Flowers, Wreaths of Roses--They form a groupe--when Cupid brings forth Omphale and places her by his side--He then waves his Bow and discovers The Garden of Love, in which Juno, attended by Mercury and Hymen, descend the Stage, and Clouds dispersing, discover The Temple of Juno. Juno joins the hands of Hercules and Omphale, and orders Hymen to prepare the Marriage Ceremony. This is succeeded by a Brand Hymeneal Procession: Four Amazons with Bows and Arrows, Four Nymphs bearing two Cornucopias, Four Giants bearing Rocks, Two White Bulls decorated for Sacrifice, Eight Priestesses bearing Instruments of Sacrifice, Twelve Children playing on Lutes, Harps, The Altar drawn by White Bulls richly decorated, Sixteen Priests of the Temple of Juno, The High Priest. After which the Ceremony commences--this is interspersed With Dances by Nymphs, Graces, Love. Hymen joins their Hands--the Cupids crown them with Wreaths, and the Piece concludes.

7806
20 January 1795 @ Drury Lane Theatre

Event Comment: [Palmer's 1st appearance as Capt. Duretete was at Liverpool, 18 Aug. 1773. As afterpiece the playbill announces The Prize, but "The Public are respectfully informed that on Account of the sudden Indisposition of Bannister Jun. The Prize cannot be performed. This Evening will be presented Tit for Tat" (printed slip attached to Kemble playbill). In it "Barrymore being Ill, Benson play'd Villamour" (Powell).] Powell: New Ballet rehearsed at 12. Receipts: #117 12s. (71.0.6; 41.13.6; 4.18.0)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: Tit for Tat

7807
04 March 1795 @ Haymarket Theatre

Event Comment: Under the license of the Lord Chamberlain. Leader of the band-Mountain. Grand Piano Forte-Reeve. Among the other Instrumental Performers are W. Ware, Haigh, Leffler Sen., Leffler Jun., Nicks, Alexander, Price, Francis, Cornish, English, Eley, Forster, &c. The Doors to be opened at 6:30. To begin at 7:30. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [For names of speakers and singers see Morning Post, 5 Mar.; Oracle, 12 Mar.

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

7808
21 May 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Cast
Role: Count Valentia Actor: Bannister Jun.

Afterpiece Title: My Grandmother

Cast
Role: Vapour Actor: Bannister Jun.

Afterpiece Title: The Sultan

Performance Comment: As17941027, but Ismene (with new songs, one of which will be accompanied on the harp by Meyer Jun.)-Miss Leak.
Related Works
Related Work: The Sultan Author(s): Thomas Arne

Song: End 2nd piece: a favourite song-Mrs Ferguson (1st appearance on that stage)

7809
23 May 1797 @ Covent Garden

Event Comment: Benefit for Mrs Mountain. 2nd piece [1st time: CO 2, by James Hook Jun. Larpent MS 1172; not published]: With appropriate Scenery, Dresses, and Decorations. The Overture and Music by James Hook? Sen.. True Briton, 16 May: Tickets to be had of Mrs Mountain, No. 28, Maiden-lane, Covent-Garden. Receipts: #287 3s. (86.4.6; 14.6.0; tickets: 186.12.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Diamond Cut Diamond; or, Venetian Revels

Afterpiece Title: Cross Purposes

Cast
Role: Irish Peasants Actor: Delpini, Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, Kenrick, J. Linton, Thomas, Oddwell, Cooke, Everett, Philipps, Cranfield, Rayner, Wilde,

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon

7810
15 June 1797 @ Drury Lane Theatre

Event Comment: Tickets delivered for this Evening [by Appleby, Bourk, Dale Jun., Daglish, Douglas, Jno. Edwards, Fisher, Henderson, Humphries, Powell, Pilsbury, Scott, Smith, Wentworth (Account-Book)] will be admitted. Receipts: #317 7s. (23.14; 33.11; 2.10; tickets: 257.12)

Performances

Mainpiece Title: The Chances

Afterpiece Title: My Grandmother

7811
15 January 1798 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Choral Fund, instituted for the Relief of their decayed Members, their Widows, and Orphans. Conductor-Dr Arnold. Leader of the Band-Barthelemon. Organ-Smart Jun. Principal Instrumental Performers-Lindley, Harrington, Holmes, Smart and Sons, Betts, Hyde, Lyon and Son, Boyce, Kauntze, French, Oliver, Dickenson, Manessier, Piercy, King, Brandi, Cubit and Son, Hoffman, Charlton, Gillingham, Buckinger, Nerborn, Wilcox, Mawby, Purryer, Barrett, Windsor, Jackson, Forrett, Fenny, Flack and Son, Dressler, Zwingman, &c. Double Drums-Jenkins; The Chorus will be selected, and assisted by the Young Gentlemen of the Westminster Choir. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin precisely at 7:00. A Subscription of One Guinea will entitle the Subscriber to Five Box Tickets. Tickets to be had at the principal Music Shops, and of the Secretary, J. Vale, Old Bethlem, Bishopsgate. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: In course: solo on the violin, of his own composition-Barthelemon

7812
16 June 1798 @ Drury Lane Theatre

Event Comment: Account-Book: Tickets delivered by Calkin, Edmonds, Gorman, Gooding, Humphries, Henderson, Jacobs, Marks, Massingham Jun., Perry, Ross, Scott, Waterer will be admitted. Receipts: #40 7s. (18.11.0; 19.11.6; 2.4.6; tickets: none listed)

Performances

Mainpiece Title: First Love

Afterpiece Title: The Prize

7813
19 October 1798 @ Covent Garden

Event Comment: [In afterpiece the playbill retains Powel as Mr Pickle, but "Last night, after the performance of Lover's Vows, an apology was made by Murray for Powel who, notwithstanding he performed in the play in apparent good health and spirits, was of a sudden taken so ill that his life is despaired of by his physicians. His part in The Spoiled Child was in consequence...undertaken by Dibdin Jun., which he performed with much humour and discrimination" (Morning Herald, 20 Oct.). Powel died the following morning.] Receipts: #367 4s. (360.7; 6.17)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

Cast
Role: Thomas Actor: Street

7814
25 February 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for $Palmer Jun.

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: Two Strings to Your Bow

Entertainment: Imitations of Mrs Siddons in Isabella-Mrs Sumbel; Imitations of Mrs Jordan, Mrs Crawford and Mrs Martyr-Mrs Sumbel

7815
03 July 1799 @ Drury Lane Theatre

Event Comment: [Account-Book: Tickets delivered by Appleby, Bennett, Butler, Calkin, Dale Jun., Fosbrook, Gooding, Henderson, Humphries, Jacobs, Marks, Powell, Perry, Gaudry, Phillimore, Ryder, Scott, Tice, Williams, Wooldridge will be admitted.] Receipts: #58 10s. 6d. (28.15.6; 18.2.6; 0.0.0; odd money: 11.12.6; tickets: none listed)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: High Life below Stairs

Dance: As17980920

7816
29 April 1800 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Performance Comment: Henry (the Deserter)-H. Johnston; [Simpkin-$Bologna Jun. (see18000527)] Louisa's Father-Lewiss; Jailer-Hawtin; Country Lads-Platt, Blurton, Wilde, L. Bologna, Curties, Lee; Skirmish-Delpini; Jenny-Mrs Mills (1st appearance in that character); Louisa's Mother-Mrs Whitmore; Lasses-Ms Watts, Ms Follett, Ms Bologna, Ms Cox, Ms L. Bologna, Ms Norton, Ms Carne; Louisa-Mrs H. Johnston (1st appearance in that character).
Cast
Role: Simpkin Actor: Bologna Jun.

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

7817
02 June 1800 @ Drury Lane Theatre

Event Comment: Benefit for Sga Bossi DelCaro. 2nd ballet: 1st time; composed for the occasion by Dupret; the music by Bossi, composer and leader of the Band at the Opera House. Of Age To-morrow [advertised on playbill of 30 May] is obliged to be deferred on account of the indisposition of Bannister Jun</a>. Morning Chronicle, 30 May: Tickets to be had of Sga Bossi DelCaro, No. 1, Great Suffolk-street, Charing-cross. Receipts: #327 5s. (212.10.0; 61.13.6; 2.18.0; tickets: 50.3.6) (charge: #215 13s. 7d.)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: No Song No Supper

Dance: End II: New Divertisement Ballet-Sga Bossi DelCaro, Mme D'Egville, Gheri; a Pas Seul-Sga Bossi DelCaro; accompanied on the tamborine-Sga Bossi DelCaro; End: The Lucky Escape Principal Performers-St.Pierre, Grimaldi, Gheri, Miss B. Denis, Mrs Grimaldi, Miss E. Denis, Miss Lupini, Miss Cranfield, Mme D'Egville, Sga Bossi DelCaro, the whole Corps de Ballet

7818
29 October 1659 @ The City, London

Event Comment: The Lord Mayor's Show. By John Tatham. The author mentions as his assistants: Andrew Dakers and William Lightfoot, painters; Thomas Whiting, joyner; and Richard Clear, carver

Performances

Mainpiece Title: London's Tryumph

Performance Comment: Celebrated the Nine and Twentieth day of October, in the Year 1659. In Honour of the much Honoured ThomasAllen, Lord Mayor of the said City. Presented and personated by an Europian, an Egyptian, and a Persian. And done at the Costs and Charges of the ever to be Honoured Company of Grocers.

7819
13 April 1660 @ Fishmonger's Hall

Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 71: 13 April 1660: His Excellency [Monk] with the Councill of State dined att on of the Halls in London [Fishmongers], and now by this time haveing dined att 9 of the cheifest Halls in London; and att every Hall theire were after diner a kind of a stage play and many prety anticks, som the citizan and soldier, others the country Tom and citty Dick [see 28 March 1660], att many Halls were dancing and singing, many shapes and ghostes and the like

Performances

7820
23 April 1660 @ no theater listed

Event Comment: On this date General Monk and the Council of State issued an order forbidding stage plays. (See Hotson, Commonwealth and Restoration Stage, p. 196, and The Diurnal of Thomas Rugg, ed. Sachse, pp. 61, 67.)

Performances

7821
23 June 1660 @ The Red Bull Theatre

Event Comment: This performance is known by the Prologue and Epilogue printed in Thomas Jordan's A Nursery of Novelities or Variety of Poetry. The Prologue is dated 24 June 1660, but as this date falls on Sunday, the performance has been entered as Saturday 23 June 1660, for in this same work (p. 19) Jordan mentions: A Speech by way of Epilogue to those that would rise out of the Pit at the Red Bull in the last Scene, and disturb the conclusion by going on the Stage, June 23d 1660. [The Prologue and Epilogue have been reprinted in the Shakespeare Society Papers, IV (1849), 140-42, and in Sprague, Beaumont and Fletcher on the Restoration Stage, pp. 9-10. See also the list at the beginning of the season 1659-1660.

Performances

Mainpiece Title: The Tamer Tamed

7822
05 July 1660 @ The City, London

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

7823
16 August 1660 @ Whitehall or St. James's

Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

7824
29 October 1660 @ The City, London

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

7825
November 1660 @ no theater listed

Event Comment: The Diurnal of Thomas Rugg, ed. Sachse, p. 127: Playes much in reques and great resort to them

Performances