SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Their Royal Highnesses"/1) | (@(roleclean,performerclean) "Their Royal Highnesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1227 matches on Event Comments, 689 matches on Performance Title, 323 matches on Performance Comments, 3 matches on Roles/Actors, and 0 matches on Author.
Event Comment: By Command of Their Majesties. Paid Licenses [from the Lord Chamberlain] for Omai and The Fool #4 4s. Receipts: #274 5s. (273/3; 1/2)

Performances

Mainpiece Title: Love In A Village

Performance Comment: As17851208, but Young Meadows-Brett; Hawthorn (1st time)-Johnstone; Lucinda-Mrs Morton; Rosetta-Mrs Billington (from the Theatre Royal [Smock Alley], Dublin; 1st appearance on this stage) .Smock Alley], Dublin; 1st appearance on this stage) .

Afterpiece Title: Miss in her Teens

Dance: End of Act II of mainpiece The Piping Pedlar, as17851112

Event Comment: [Mathews was from the Royal Circus. Prologue by George Colman the elder (Colman, Prose, ui, 269).] Places for the Boxes to be taken of Rice, at the Theatre. Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Hunt the Slipper is unavoidably postponed. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Apprentice

Dance: End of Act I of mainpiece, by Giorgi's Scholars

Event Comment: By Command of Their Majesties. [Master Degville and Miss De Camp were from the Royal Circus.]

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Dance: Mainpiece: With The Nosegay by Master Degville and Miss De Camp (their 1st appearance on this stage)

Event Comment: Mainpiece: Written by Wycherley, altered by Garrick, and perform'd very often last season, at the Theatre-Royal, Drury-Lane, with great applause. Afterpiece: Never acted here. Peeping Tom is obliged to be deferred till Monday next

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The King and the Miller of Mansfield

Song: In the course of the mainpiece a plaintive Pastoral Song, unaccompanied by the orchestra, by the Young Lady; End of Monologue a duett from Robin Hood by Price and Miss Phillips

Monologue: 1786 06 28 End of mainpiece Parents and Children; or, The Chimney-Sweeper and Bricklayer by a Young Gentleman (1st appearance on any stage [Gibbons (see 5 and 19 July)])

Event Comment: Afterpiece: Written by O'Keeffe, Author of The Poor Soldier, &c, and perform'd at the Theatre Royal, Hay-Market, with universal Applause

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Agreeable Surprise

Event Comment: Benefit for Miss Phillips. Tickets to be had of Miss Phillips, at the West-End of Dorville's-Row. Afterpiece: Written by O'KeefFe, set to music by Shield, and performed with greatest applause at the Theatre-Royal, Covent-Garden

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Bevil-Williamson; Myrtle-Davies; Sealand-Aickin; Sir John Bevil-Usher; Cimberton-Parsons; Humphrey-Gardner; Daniel-Wewitzer; Tom-Palmer; Phillis-Mrs Smith (from the Theatre Royal, York [on playbill of 12 July: 1st appearance in London]); Lucinda-Miss Brangin; Mrs Sealand-Mrs Love; Isabella-Mrs Poussin; Indiana-Miss Farren .

Afterpiece Title: Peeping Tom

Song: In Act II of mainpiece song by Miss Burnett

Event Comment: Benefit for Mrs Chambers and Mrs Clarke. Mainpiece: Written by Mrs Cowley, and performed at the Theatre-Royal, Covent-Garden with universal Applause. Never Acted there

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: All the World's a Stage

Song: Between the Acts and after the mainpiece, by Price, Miss Phillips, Mrs Clarke

Event Comment: Benefit for Mr and Mrs Johnston & Miss Williams. Mainpiece: Written by R. Cumberland, Esq., and perform'd at the Theatre-Royal, Drury-Lane, with great Applause. Never acted there. Tickets to be had of Mr and Mrs Johnston & Miss Williams at the Windsor Castle [Inn], Plough and Harrow, Angel, Cock and Magpie, Salutation; and of Waldron, No. 17, Dorville's Row, where places for the Boxes may be taken

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: The Wrangling Lovers; or, Like Master Like Man

Performances

Mainpiece Title: The Foundling

Performance Comment: Faddle-Lewis; Sir Charles Raymond-Farren; Colonel Raymond-Pope; Sir Robert Belmont-Fearon; Villiard-Gardner; John-Helme; Young Belmont-Holman; Rossetta-Mrs Mattocks; Fidelia-Miss Wilkinson (from the Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Padlock

Performance Comment: Leander-Johnstone; Don Diego-Inchbald (from the Theatre Royal, York [see17860925]); Mungo-Quick; Ursula-Mrs Webb; Leonora-Miss Wilkinson.

Performances

Mainpiece Title: The Miser

Performance Comment: The Miser-Moss (from the Theatre Royal, Smock Alley, Dublin, 1st appearance on this stage); Frederick-Whitfield; Clerimont-Barrymore; Decoy-Fawcett; James-Burton; Ramilie-Palmer; Mariana-Mrs Brereton; Harriet-Miss Collins; Lappet-Miss Pope.

Afterpiece Title: Richard Coeur de Lion

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

Event Comment: Benefit for Mrs Pope. Mainpiece: In Act I Banquetv. [In Act IV] the Procession from the Abbeyv, at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christeningv. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house in Half-moon-street, Piccadilly. Receipts: #289 8s. (202.6; 2.1; tickets: 85.1)

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Aickin; Buckingham-Farren (Their 1st appearance in those characters); Cranmer-Hull; Gardiner-Edwin; Cromwell-Davies; Lord Sands-Booth; Surrey-Macready; Lord Chamberlain-Cubitt; Norfolk-Fearon; Suffolk-Gardner; Cardinal Wolsey-Pope (1st appearance in that character); Anne Bullen-Mrs Inchbald; Queen Catherine-Mrs Pope.

Afterpiece Title: Rosina

Song: III: song-Mrs Kennedy

Event Comment: The Last Time of the Company's performing this Season. Account-Book, 21 July: Received of Their Majesties and the Princess Royal #66. Receipts: #206 6s. 6d. (195.1.0; 10.8.0; 0.17.6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The First Floor

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Wroughton; Sir Brilliant Fashion-Lamash (from the Theatre Royal, Edinburgh); William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Mrs Lovemore-Mrs Ward; Muslin-Miss Pope; Lady Constant-Mrs Brereton; Mignionet-Miss Tidswell; Furnish-Mrs Heard; Widow Belmour (with a song in character)-Miss Farren.

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Johnstone; Hawthorn-Darley; Hodge-Blanchard (from the Theatre Royal, Bath; 1st appearance on this stage); Sir William Meadows-Fearon; Eustace-Davies; Carter-Wewitzer; Footman-Bonville; Cook-Rock; Justice Woodcock-Quick; Deborah-Mrs Pitt; Madge-Mrs Wells; Lucinda-Mrs Morton; House Maid-Miss Stuart; Rosetta-Mrs Billington.

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Archer-Bernard (from the Theatre Royal, Bath; 1st appearance on this stage); Aimwell-Farren; Father Foigard-Johnstone; Boniface-Booth; Sullen-Fearon; Gibbet-Cubitt; Sir Charles Freeman-Davies; Scrub-Quick; Cherry-Mrs Martyr; Dorinda-Mrs Mountain; Lady Bountiful-Mrs Platt; Gipsey-Miss Brangin; Mrs Sullen-Mrs Bernard (1st appearance on this stage).

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: Mirth by Moonshine-[see17870928]

Event Comment: Mainpiece: In Act I The Banquetv. [In Act IV] the Procession from the Abbeyv at the Coronation of Anne Bullenv. To conclude with the Ceremonial of a Royal Christeningv. Receipts: #145 13s. 6d. (143.15.0; 1.18.6)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Enchanted Castle

Song: III: song-Mrs Kennedy

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Performance Comment: Sir Hector Strangeways (for that night only)-Powell (from the Theatre Royal, Bath); Orson Strangeways-Quick; Brownlow-Davies; Colonel Ormsby-Macready; Pillage-Fearon; Bassore-Bernard; Lady Die Strangeways-Mrs Webb; Zelida-Mrs Bernard.

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

Event Comment: The last Night of the Company's performing this Season. [As 2nd and 3rd pieces the playbill announces, respectively, The Maid of the Oaks and The Farmer, but they were not acted. Their substitutes are listed in the Account-Book, and both are reviewed in Morning Chronicle, 10 June.] Account-Book, 13 June: Received [stage] Forfeits #42; 20 June: Received from Their Majesties for the Box #60, from the Princess Royal for the Box #30; 10 July: Paid Lewis for Management from Lady Day 1785 to Midsummer 1788 #650. Receipts: #147 19s. 6d. (141.18.6; 6.1.0)

Performances

Mainpiece Title: Marian

Afterpiece Title: The Midnight Hour

Afterpiece Title: Animal Magnetism

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Maid of the Oaks

Performance Comment: Dupely-R. Palmer; Old Groveby-Baddeley; Sir Harry Groveby-Davies; Oldworth-Aickin; Hurry-Edwin; Maria-Mrs Kemble; Lady Bab Lardoon-Miss Prideaux (from the Theatre Royal, Bath; 1st appearabce on this stage). 1st appearabce on this stage).

Afterpiece Title: Peeping Tom

Dance: End 2nd piece: New Dance-Byrn, Miss DeCamp, Mrs Goodwin

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Palmer; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; William-Burton; Le Beu-Lamash; Silvius-Benson; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; Jaques-Wroughton; Caelia-Mrs Wilson; the Cuckoo Song-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind-Mrs Goodall (from the Theatre Royal, Bath; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Lying Valet

Dance: End I: As17880916

Song: In V: song-Mrs Forster

Event Comment: "This degradation of a theatre royal was properly reprobated by the audience in general" (Town and Country Magazine, Jan. 1789, p. 15). Receipts: #264 (252.3; 11.17)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Aladin

Entertainment: Vaudeville In Irish Fair: [scene in afterpiece] [will be introduced (for the 1st time) a Sparring Match-Humphreys, another celebrated Pugilist [Death (London Chronicle 31 Dec.)]

Event Comment: By Command of Her Majesty. [This was the first time that members of the royal family had appeared in public since the beginning of the King's illness (his first attack of insanity) in November 1788. See also 21, 24 Apr.] The drop curtain with the King's arms on it shown when the front curtain first rose was the "original curtain exhibited on the opening of Lincoln's Inn Fields theatre [in 1714]...It has lain by in the scene-room of Covent-Garden theatre nearly seventy years, but was rescued from oblivion, retouched, and the appropriate ornaments added for the occasion" (Public Advertiser, 16 Apr.). On the Queen's entrance "the house called for God save the King, and the theatre being prepared, the song was immediately sung by Bannister, Johnstone, and Darley, the house joining in the chorus. It was encored...At the end of the play [it] was again called for, and again sung twice. At the end of the pantomime it was again called for; and the theatre not sending forward the performers, the audience cheerfully sung it for themselves; and having sung, they encored themselves; so that altogether it was sung six times in the course of the evening. Her Majesty had a bandeau of black velvet, on which were set in diamonds the words 'Long live the king.' The princesses had bandeaus of white satin, and 'Long live the king' in gold" (Universal Magazine, Apr. 1789, p. 218). Receipts: #388 16s. 6d. (385.12.0; 3.4.6)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Aladin

Event Comment: Benefit for R. Palmer. Afterpiece: Never performed there. [Follett was from the Royal Circus.] Public Advertiser, 20 May: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #232 19s. (74.17.0; 26.10.6; 1.10.6; tickets: 131.1.0) (charge: #111 17s.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In Afterpiece: a Fandango-Miss DeCamp; Dances-Hamoir, Bourk, Miss Blanchet, Miss Stageldoir; conclude with: Dance of Furies-; Shower of Fire-

Entertainment: Monologue Preceding: The Lecture on Heads (for this night only)-Palmer