Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Event Comment: Mainpiece: By Particular Desire. Paid Simpson for New Music for the theatre for seasons 1772 and 1773 #10 10s. Paid Whitefield for Cloaths bought #31 7s. (Account Book). Receipts: #114 6s

Event Comment: [Death is identified in Public Advertiser, 9 Oct.; he was from the York theatre. Leoni's song is identified in London Chronicle, 9 Oct.] Receipts: #197 1s. (196.3; 0.18)

Event Comment: MMiss Baker from Dublin Danc'd (Well). Receipts: #130 (Cross)

Event Comment: Benefit Leveridge. Tickets to be had at Leveridge's House in Tavistock-street

Event Comment: Benefit for Mrs Wilks. Tickets to be had of Mrs Wilks, at Jones's, Upper Queen-street

Event Comment: Benefit for Mrs Clendining. 1st piece: Not acted these 2 years. 2nd piece: In one Act. Morning Herald, 22 May: Tickets to be had of Mrs Clendining, No. 22, Southampton-street, Covent-Garden. Receipts: #127 5s. (31.3.6; 6.2.6; tickets: 89.19.0)

Event Comment: Benefit Legare. By His Royal Highness's Command. Mainpiece: Written by Abraham Cowley. Receipts: money #118 9s.; tickets #4 5s. The Prince and Princess present

Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Event Comment: By Subscription. Afterpiece: A new Dramatic Entertainment of Dancing in Burlesque Characters. With new Scenes, Machines, Cloaths, and other Decorations. N.B. No Persons to be admitted into the Boxes but by Subscribers' Tickets, which will be deliver'd at the Theatre at 7s. each. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. Receipts: subscription and money #111 18s.; tickets #33 19s. [For an essay on the afterpiece, see Weekly Journal or Saturday's Post. 6 April.

Event Comment: Benefit Wilcocks, Mines, and Widow Gardiner. Receipts: money #6 6s., tickets #103 11s. Daily Post, 25 May: We hear, that when His Majesty removes to Hampton-Court, the Theatre in that Palace will be open'd, and Plays acted by the King's Company of Comedians

Event Comment: Mainpiece: Not Acted these Fifty Years. At the Desire of several Ladies of Quality. Written by Shakespear. N.B. The above Play of King Henry IV is the Genuine Play of Shakespear, and not that alter'd by Mr Betterton, and so frequently acted at the other Theatre

Event Comment: DDaily Advertiser, 10 Nov.: Two of the French Strollers having desir'd Leave of the Town to act three Nights at one of the Patent Theatres, the Master of that House is desir'd to consider, whether if he lends it to those Foreigners, he can ever hope to have it fill'd with an English Audience, who probably will chastise the Abuse of Power in an ungrateful Patentee, as they did the Want of it in a French Harlequin

Event Comment: Benefit Marten, Carr, White. All tickets exposed for sale at the doors of the theatre will be an imposition on the Publick for an effectual method will be taken to prevent their admittance

Event Comment: Benefit Woodward. Mainpiece: An Historical Play, never acted there before [see 20 March 1738]. At the Particular Desire of several Persons of Quality. As written by Shakespear. Containing the wars of Cymbeline with the Romansr, in the reign of Augustus Caesar; the various distresses and Adventures of Imogen the King's Daughter; the noble repulse the Romans met with, on their invading Britain; their defeat, and many other historical passages. Ladies are desired to send their servants early to prevent mistakes. To be Lett, and enter'd upon on Monday next, the 7th instant Commodious Places in the Front and Upper Boxes...for the excellent reviv'd play of Shakespear... For further Particulars enquire of Mr Woodward, at his house near the theatre [in advance bills]

Event Comment: At Phillips's Great Theatrical Booth, facing the Great Til'd Booth, Bowling Green, To begin at Twelve noon during the time of the Fair. Boxes 2s. 6d. Pit 1s. 6d. Upper seats 6d. [For security Phillips has erected no Gallery. Presumably the Patent Theatres were demanding more rigid enforcement of the Licensing Act as indicated in the notice from the Daily Advertiser 18 Sept.: Whereas the Fair called Lady Fair...in the Borough of Southwark...any person or persons..who person..(who ) shall act and exhibit any Droll or Shew (after 20 Sept.) shall be prosecuted and punished according to Law.'

Event Comment: Benefit for Mrs Dyer, Miss Helm, Mrs Viviez, Mrs Leppie. Tickets delvier'd out by Redman, Chapman, and others will be taken. Receipts #23 14s. 6d. plus 1!2 value of tickets. @Tickets Mrs Dyer Box 8@Pit 35@Gallery 29@Value #10 3s.@1!2 Value #5 1s. 6d.@Tickets Miss Helm Box 3@Pit 20 Gallery 20@Value #7 5s.@1!2 Value #3 12s. 6d.@Tickets Mrs Viviez Box 15@Pit 42@Gallery 71@Value #17 3s.@1!2 Value #8 11s. 6d.@Tickets Mrs Leppie Box 6@Pit 38@Gallery 34@Value #10 12s.@1!2 Value #5 6s.@Tickets Redman Box -@Pit 40@Gallery 44@Value #9 16s.@1!2 Value #4 18s.@Tickets Chapman Box 52@Pit 150@Gallery 79@Value 43 8s.@1!2 Value #21 14s.@Tickets Jarvis Box 3@Pit 77@Gallery 55@Value #18 8s.@1!2 Value #9 14s.@Tickets Cockayne Box 2@Pit 19@Gallery 7@Value #4 1s.@1!2 Value #2 6d.@Tickets Dumay Box 17@Pit 31@Gallery 36@Value #12 10s.@1!2 Value #6 5s.@Tickets Mrs Granier Box -@Pit 18@Gallery 16@Value #4 6s.@1!2 Value #2 3s.@Tickets Miss Davis Box 23@Pit 27@Gallery 13@Value #11 2s.@1!2 Value #5 11s. (Gratis)@Tickets Paddock Box 1@Pit 24@Gallery 26@Value #6 9s.@1!2 Value #3 4s. 6d.@Tickets Hitchcock Box 17@Pit 42@Gallery 3@Value #10 17s.@1!2 Value #5 8s. 6d. (Gratis)@Total Box 147@Pit 573@Gallery 433@Value #166@1!2 Value #83 Money #23 14s. 6d.@#106 14s. 6d. #9 12s.; Paid Blackmore a bill for the theatre, #71 12s. 6d.; A Bill for Rich #30 0s. 6d

Event Comment: Well rec'd: all but the 1st Chorus w[hic]h was Hiss'd. First Dance Hiss'd off. Mr Norris being ill, Mrs Dormond perform'd in his room, much applauded (Cross Diary). Acted but once. Books of the Opera to be sold at the Theatre. Receipts: #169 1s. 6d. (MacMillan)

Event Comment: Benefit for the composer, Mr Rush. Books of the Opera will be sold at the Theatre. Receipts. #211 18s. 6d.; charges: #76 12s. 6d. Profit to author: #135 6s. (MacMillan)

Event Comment: Benefit For the Composer (Hopkins). Books of the Opera sold at the Theatre. Charges: #76 12s. 6d.; Receipts: #184 18s. Profit to composer: #108 5s. 6d. (MacMillan)

Event Comment: Books of Opera will be sold at the Theatre. Receipts: #144 19s. 6d. (MacMillan)

Event Comment: Books of the Opera sold at Theatre. This Night Mr Grimaldi Sprain'd his Leg (Hopkins). Mr Grimaldi had the misfortune to hurt himself so much in dancing, as to render him incapable of Performing for Some time (Public Advertiser, 19 March). Receipts: #112 2s. (MacMillan)

Event Comment: Benefit for the Composer. Books of Opera sold at Theatre. Charges: #76 12s. 6d. (MacMillan)